Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

13739 Search Results for sword

Andre Arbus After Recording His Epee D Academician At Palais Galliera November 10, 1965 (b/w photo)
Andre Arbus After Recording His Epee D Academician At Palais Galliera November 10, 1965 (b/w photo)

XRA1664673: Andre Arbus After Recording His Epee D Academician At Palais Galliera November 10, 1965 (b/w photo) / Bridgeman Images

Robert Kemp et Emile Henriot
Robert Kemp et Emile Henriot

SAI2416489: Robert Kemp et Emile Henriot, Saint Paul, René / Bridgeman Images

Swearing-in of recruits of the Wehrmacht, 1938 (b/w photo)
Swearing-in of recruits of the Wehrmacht, 1938 (b/w photo)

SZT3667573: Swearing-in of recruits of the Wehrmacht, 1938 (b/w photo) / Bridgeman Images

The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving)
The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving)

STC2655350: The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Henry 5th, his Queen and Family (engraving)
Henry 5th, his Queen and Family (engraving)

XJF311623: Henry 5th, his Queen and Family (engraving), Grignion, Charles (1717-1810) / Bridgeman Images

Sacred conversation, 15th century (tempera on panel)
Sacred conversation, 15th century (tempera on panel)

TRK7144495: Sacred conversation, 15th century (tempera on panel), Domenico di Michelino, (1417-91) / Bridgeman Images

Antiphonary E: Christ in Glory, (illuminated manuscript)
Antiphonary E: Christ in Glory, (illuminated manuscript)

ELC856250: Antiphonary E: Christ in Glory, (illuminated manuscript), Unknown artist, (13th-14th century) / Bridgeman Images

Mars, Venus and Cupid, 1530 (engraving)
Mars, Venus and Cupid, 1530 (engraving)

XOS3704019: Mars, Venus and Cupid, 1530 (engraving), Leyden, Lucas van (c.1494-1533) / Bridgeman Images

Theseus
Theseus

XLF3791696: Theseus / Bridgeman Images

The Sabretache of Joseph-Napoleon Bonaparte, King of Spain, before 1813 (red morocco leather with embroidered goldwork & gilt-brass mounts)
The Sabretache of Joseph-Napoleon Bonaparte, King of Spain, before 1813 (red morocco leather with embroidered goldwork & gilt-brass mounts)

CH3899046: The Sabretache of Joseph-Napoleon Bonaparte, King of Spain, before 1813 (red morocco leather with embroidered goldwork & gilt-brass mounts), Spanish School, (19th century) / Bridgeman Images

Plaque Campana, Dance of the Curetes, from Myrina, Asia Minor (terracotta) (b/w photo)
Plaque Campana, Dance of the Curetes, from Myrina, Asia Minor (terracotta) (b/w photo)

FAF326591: Plaque Campana, Dance of the Curetes, from Myrina, Asia Minor (terracotta) (b/w photo), Greek / Bridgeman Images

Meissen Schneeballen vase, mid to late 19th century (porcelain)
Meissen Schneeballen vase, mid to late 19th century (porcelain)

CH1274538: Meissen Schneeballen vase, mid to late 19th century (porcelain), Kändler, Johann Joachim (1706-75) (after) / Bridgeman Images

A caricature of Emperor Wilhelm II, 1908 (b/w photo)
A caricature of Emperor Wilhelm II, 1908 (b/w photo)

SZT3020635: A caricature of Emperor Wilhelm II, 1908 (b/w photo) / Bridgeman Images

Crown Prince William, later Emperor William II in Scottish costume, 1883
Crown Prince William, later Emperor William II in Scottish costume, 1883

SZT5174825: Crown Prince William, later Emperor William II in Scottish costume, 1883 / Bridgeman Images

Saint Martin and the beggar, 15th century (illumination)
Saint Martin and the beggar, 15th century (illumination)

CCI1960634: Saint Martin and the beggar, 15th century (illumination) / Bridgeman Images

Egyptian costumes: farmers (fellah) washing clothes on the river and below, Bedouin and Mamluk riders. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian farmers (fellach or fallah) washing clothes in a river, Bedouin family in robes and turban, and Bedouin and Mamluk cavalry in turbans and robes on horseback carrying spears and curved sword. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Egyptian costumes: farmers (fellah) washing clothes on the river and below, Bedouin and Mamluk riders. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian farmers (fellach or fallah) washing clothes in a river, Bedouin family in robes and turban, and Bedouin and Mamluk cavalry in turbans and robes on horseback carrying spears and curved sword. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634766: Egyptian costumes: farmers (fellah) washing clothes on the river and below, Bedouin and Mamluk riders. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian farmers (fellach or fallah) washing clothes in a river, Bedouin family in robes and turban, and Bedouin and Mamluk cavalry in turbans and robes on horseback carrying spears and curved sword. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “” Henri Rochefort””” Henri Rochefort's coat of arms, sword and pen in hand. Illustration by H.Demare, La Lanterne, August 20, 1869. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 2, volume 3), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.
Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “” Henri Rochefort””” Henri Rochefort's coat of arms, sword and pen in hand. Illustration by H.Demare, La Lanterne, August 20, 1869. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 2, volume 3), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.

JOC4401113: Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “” Henri Rochefort””” Henri Rochefort's coat of arms, sword and pen in hand. Illustration by H.Demare, La Lanterne, August 20, 1869. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 2, volume 3), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection. / Bridgeman Images

Costume d'un podestat, magistrate de ville or representative of the Holy Roman Empire, 15th century - Podesta, 15th century chief magistrate of a city state, or representative of the Holy Roman Emperor - He wears a brocade simar (cassock), bonnet, gloves, gold chain and holds a baton - The page wears a scarlet hat, doublet, odd stockings, and a large sword - From a fresco by Pinturicchio in the church of Sant Maria d'Aracoeli, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un podestat, magistrate de ville or representative of the Holy Roman Empire, 15th century - Podesta, 15th century chief magistrate of a city state, or representative of the Holy Roman Emperor - He wears a brocade simar (cassock), bonnet, gloves, gold chain and holds a baton - The page wears a scarlet hat, doublet, odd stockings, and a large sword - From a fresco by Pinturicchio in the church of Sant Maria d'Aracoeli, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676182: Costume d'un podestat, magistrate de ville or representative of the Holy Roman Empire, 15th century - Podesta, 15th century chief magistrate of a city state, or representative of the Holy Roman Emperor - He wears a brocade simar (cassock), bonnet, gloves, gold chain and holds a baton - The page wears a scarlet hat, doublet, odd stockings, and a large sword - From a fresco by Pinturicchio in the church of Sant Maria d'Aracoeli, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Perseus Fountain at the Residenz in Munich, 1934 (b/w photo)
Perseus Fountain at the Residenz in Munich, 1934 (b/w photo)

SZT717210: Perseus Fountain at the Residenz in Munich, 1934 (b/w photo) / Bridgeman Images

Crowd in a marketplace in Jerusalem, 1928 (b/w photo)
Crowd in a marketplace in Jerusalem, 1928 (b/w photo)

SZT3021193: Crowd in a marketplace in Jerusalem, 1928 (b/w photo) / Bridgeman Images

Hiroshima bomb explosion, devastation, casualties, Emperor Hiroito as Japan surrenders, test of the first hydrogen bomb
Hiroshima bomb explosion, devastation, casualties, Emperor Hiroito as Japan surrenders, test of the first hydrogen bomb

IMW1121783: Hiroshima bomb explosion, devastation, casualties, Emperor Hiroito as Japan surrenders, test of the first hydrogen bomb / Bridgeman Images

Comforts of a Bed of Roses, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint)
Comforts of a Bed of Roses, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint)

NCO191273: Comforts of a Bed of Roses, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

The Lady of the Lake, 1920 (screen print)
The Lady of the Lake, 1920 (screen print)

GRC1201919: The Lady of the Lake, 1920 (screen print), American School, (20th century) / Bridgeman Images

Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress.
Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress.

LZT1111820: Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4675962: Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Label for Bengal thread (colour litho)
Label for Bengal thread (colour litho)

LLH982314: Label for Bengal thread (colour litho), French School, (19th century) / Bridgeman Images

Confederate officer's belt made of canvas
Confederate officer's belt made of canvas

DTO3028362: Confederate officer's belt made of canvas / Bridgeman Images

Lt. Col. Sir John James Fraser in Hussar uniform (oil on canvas)
Lt. Col. Sir John James Fraser in Hussar uniform (oil on canvas)

CH19788: Lt. Col. Sir John James Fraser in Hussar uniform (oil on canvas), Raeburn, Henry (1756-1823) / Bridgeman Images

Five Sikh men symbolising the original Five Holy Ones at the initiation ceremony of the khalsa in the gurdwara (photo)
Five Sikh men symbolising the original Five Holy Ones at the initiation ceremony of the khalsa in the gurdwara (photo)

WRP397296: Five Sikh men symbolising the original Five Holy Ones at the initiation ceremony of the khalsa in the gurdwara (photo) / Bridgeman Images

Siegfried meets Gutrune: The Twilight of the Gods, 1911 (pen and black ink on watercolour)
Siegfried meets Gutrune: The Twilight of the Gods, 1911 (pen and black ink on watercolour)

CH827409: Siegfried meets Gutrune: The Twilight of the Gods, 1911 (pen and black ink on watercolour), Rackham, Arthur (1867-1939) / Bridgeman Images

Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle
Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle

PIX4592500: Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle / Bridgeman Images

Adam and Eve leave Paradise, 1860 (engraving)
Adam and Eve leave Paradise, 1860 (engraving)

CCI1935932: Adam and Eve leave Paradise, 1860 (engraving), Schnorr von Carolsfeld, Julius (1794-1872) / Bridgeman Images

St. Nicholas of Mozhaisk, late 16th century (ornamented brocade, gesso and tempera on wood)
St. Nicholas of Mozhaisk, late 16th century (ornamented brocade, gesso and tempera on wood)

XAB165764: St. Nicholas of Mozhaisk, late 16th century (ornamented brocade, gesso and tempera on wood), Russian School, (16th century) / Bridgeman Images

Label for trumpeter's thread (colour litho)
Label for trumpeter's thread (colour litho)

LLH982332: Label for trumpeter's thread (colour litho), French School, (19th century) / Bridgeman Images

KHACHATURIAN Aram Caricature with
KHACHATURIAN Aram Caricature with

XLE3750389: KHACHATURIAN Aram Caricature with, Unknown Artist, (20th century) / Bridgeman Images

Hereditary Prince Wilhelm of Prussia, 1918-29
Hereditary Prince Wilhelm of Prussia, 1918-29

SZT5175330: Hereditary Prince Wilhelm of Prussia, 1918-29 / Bridgeman Images


Back to top