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Superstars TV Programme, July 1974 (b/w photo)
Superstars TV Programme, July 1974 (b/w photo)

MPX5116405: Superstars TV Programme, July 1974 (b/w photo) / Bridgeman Images

ID: MPX5116405

Superstars TV Programme, July 1974 (b/w photo)

The Wrath of Achilles c.1633 (oil on panel)
The Wrath of Achilles c.1633 (oil on panel)

COU225300: The Wrath of Achilles c.1633 (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: COU225300

The Wrath of Achilles c.1633 (oil on panel)

Rubens, Peter Paul (1577-1640)

Label for the Count of Dunois thread (colour litho)
Label for the Count of Dunois thread (colour litho)

LLH982333: Label for the Count of Dunois thread (colour litho), French School, (19th century) / Bridgeman Images

ID: LLH982333

Label for the Count of Dunois thread (colour litho)

French School, (19th century)

Hereditary Prince Wilhelm of Prussia, 1918-29
Hereditary Prince Wilhelm of Prussia, 1918-29

SZT5175330: Hereditary Prince Wilhelm of Prussia, 1918-29 / Bridgeman Images

ID: SZT5175330

Hereditary Prince Wilhelm of Prussia, 1918-29

The Destruction of Colchester during the English Civil War, 1648 (woodcut)
The Destruction of Colchester during the English Civil War, 1648 (woodcut)

XJF384011: The Destruction of Colchester during the English Civil War, 1648 (woodcut), English School, (17th century) / Bridgeman Images

ID: XJF384011

The Destruction of Colchester during the English Civil War, 1648 (woodcut)

English School, (17th century)

Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle
Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle

PIX4592404: Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle / Bridgeman Images

ID: PIX4592404

Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill

World War One allegory
World War One allegory

XLF3785898: World War One allegory / Bridgeman Images

ID: XLF3785898

World War One allegory

The Lady of the Lake, 1920 (screen print)
The Lady of the Lake, 1920 (screen print)

GRC1201919: The Lady of the Lake, 1920 (screen print), American School, (20th century) / Bridgeman Images

ID: GRC1201919

The Lady of the Lake, 1920 (screen print)

American School, (20th century)

Siegfried meets Gutrune: The Twilight of the Gods, 1911 (pen and black ink on watercolour)
Siegfried meets Gutrune: The Twilight of the Gods, 1911 (pen and black ink on watercolour)

CH827409: Siegfried meets Gutrune: The Twilight of the Gods, 1911 (pen and black ink on watercolour), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: CH827409

Siegfried meets Gutrune: The Twilight of the Gods, 1911 (pen and black ink on watercolour)

Rackham, Arthur (1867-1939)

HM The Queen and the Lord Mayor of London. 2005 (oil on canvas)
HM The Queen and the Lord Mayor of London. 2005 (oil on canvas)

ATR251519: HM The Queen and the Lord Mayor of London. 2005 (oil on canvas), Talbot-Rice, Alexander (b.1969) / Bridgeman Images

ID: ATR251519

HM The Queen and the Lord Mayor of London. 2005 (oil on canvas)

Talbot-Rice, Alexander (b.1969)

Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress.
Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress.

LZT1111820: Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1111820

Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress.

Kuniyasu, Utagawa (1794-1832)

Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4675962: Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4675962

Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Lt. Col. Sir John James Fraser in Hussar uniform (oil on canvas)
Lt. Col. Sir John James Fraser in Hussar uniform (oil on canvas)

CH19788: Lt. Col. Sir John James Fraser in Hussar uniform (oil on canvas), Raeburn, Henry (1756-1823) / Bridgeman Images

ID: CH19788

Lt. Col. Sir John James Fraser in Hussar uniform (oil on canvas)

Raeburn, Henry (1756-1823)

Woman your country needs you!1917 (lithograph)
Woman your country needs you!1917 (lithograph)

XOS5854195: Woman your country needs you!1917 (lithograph), American School, (20th century) / Bridgeman Images

ID: XOS5854195

Woman your country needs you!1917 (lithograph)

American School, (20th century)

Captain Cut-Lass (engraving)
Captain Cut-Lass (engraving)

LLJ614727: Captain Cut-Lass (engraving), English School, (19th century) / Bridgeman Images

ID: LLJ614727

Captain Cut-Lass (engraving)

English School, (19th century)

12th century merchant
12th century merchant

SLR3827928: 12th century merchant / Bridgeman Images

ID: SLR3827928

12th century merchant

Charlemagne (b/w photo)
Charlemagne (b/w photo)

SZT2989620: Charlemagne (b/w photo) / Bridgeman Images

ID: SZT2989620

Charlemagne (b/w photo)

The Duke of Wellington (oil on canvas)
The Duke of Wellington (oil on canvas)

HSP1781675: The Duke of Wellington (oil on canvas), Simpson, John (1782-1847) / Bridgeman Images

ID: HSP1781675

The Duke of Wellington (oil on canvas)

Simpson, John (1782-1847)

King Arthur (?)
King Arthur (?)

LAL298690: King Arthur (?), English School, (20th century) / Bridgeman Images

ID: LAL298690

King Arthur (?)

English School, (20th century)

Label for trumpeter's thread (colour litho)
Label for trumpeter's thread (colour litho)

LLH982310: Label for trumpeter's thread (colour litho), French School, (19th century) / Bridgeman Images

ID: LLH982310

Label for trumpeter's thread (colour litho)

French School, (19th century)

French and Indian War, Newport Artillery Company Sergeant, 2008 (w/c & gouache on paper)
French and Indian War, Newport Artillery Company Sergeant, 2008 (w/c & gouache on paper)

DTA3026729: French and Indian War, Newport Artillery Company Sergeant, 2008 (w/c & gouache on paper), Troiani, Don (b.1949) / Bridgeman Images

ID: DTA3026729

French and Indian War, Newport Artillery Company Sergeant, 2008 (w/c & gouache on paper)

Troiani, Don (b.1949)

A swordbearer and commoncrier (engraving)
A swordbearer and commoncrier (engraving)

LLJ602215: A swordbearer and commoncrier (engraving), English School, (19th century) / Bridgeman Images

ID: LLJ602215

A swordbearer and commoncrier (engraving)

English School, (19th century)

King Chulalongkorn, c.1880 (b/w photo)
King Chulalongkorn, c.1880 (b/w photo)

ASF3504614: King Chulalongkorn, c.1880 (b/w photo), Unknown photographer, (19th century) / Bridgeman Images

ID: ASF3504614

King Chulalongkorn, c.1880 (b/w photo)

Unknown photographer, (19th century)

St. Nicholas of Mozhaisk, late 16th century (ornamented brocade, gesso and tempera on wood)
St. Nicholas of Mozhaisk, late 16th century (ornamented brocade, gesso and tempera on wood)

XAB165764: St. Nicholas of Mozhaisk, late 16th century (ornamented brocade, gesso and tempera on wood), Russian School, (16th century) / Bridgeman Images

ID: XAB165764

St. Nicholas of Mozhaisk, late 16th century (ornamented brocade, gesso and tempera on wood)

Russian School, (16th century)

Label for trumpeter's thread (colour litho)
Label for trumpeter's thread (colour litho)

LLH982332: Label for trumpeter's thread (colour litho), French School, (19th century) / Bridgeman Images

ID: LLH982332

Label for trumpeter's thread (colour litho)

French School, (19th century)

KHACHATURIAN Aram Caricature with
KHACHATURIAN Aram Caricature with

XLE3750389: KHACHATURIAN Aram Caricature with / Bridgeman Images

ID: XLE3750389

KHACHATURIAN Aram Caricature with

Costume d'un homme de la nobility german, 15th century - German nobleman, 15th century - He wears a red hat tied with green ribbon, hood and collar embroidered in gold, white robe with gold hem, red stockings and grey boots with silver spurs, red belt and sword in white scabbard - (In the original, the collar is yellow, the robe blue and boots yellow -) From a painting by Pinturicchio showing the introduction of Eleanor of Portugal to Frederick III, Piccolomini Library, Duomo, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un homme de la nobility german, 15th century - German nobleman, 15th century - He wears a red hat tied with green ribbon, hood and collar embroidered in gold, white robe with gold hem, red stockings and grey boots with silver spurs, red belt and sword in white scabbard - (In the original, the collar is yellow, the robe blue and boots yellow -) From a painting by Pinturicchio showing the introduction of Eleanor of Portugal to Frederick III, Piccolomini Library, Duomo, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676603: Costume d'un homme de la nobility german, 15th century - German nobleman, 15th century - He wears a red hat tied with green ribbon, hood and collar embroidered in gold, white robe with gold hem, red stockings and grey boots with silver spurs, red belt and sword in white scabbard - (In the original, the collar is yellow, the robe blue and boots yellow -) From a painting by Pinturicchio showing the introduction of Eleanor of Portugal to Frederick III, Piccolomini Library, Duomo, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676603

Costume d'un homme de la nobility german, 15th century - German nobleman, 15th century - He wears a red hat tied with green ribbon, hood and collar embroidered in gold, white robe with gold hem, red stockings and grey boots with silver spurs, red belt and sword in white scabbard - (In the original, the collar is yellow, the robe blue and boots yellow -) From a painting by Pinturicchio showing the introduction of Eleanor of Portugal to Frederick III, Piccolomini Library, Duomo, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Mr Charles Dillon as Hamlet, Act III, Scene IV (engraving)
Mr Charles Dillon as Hamlet, Act III, Scene IV (engraving)

LLM971662: Mr Charles Dillon as Hamlet, Act III, Scene IV (engraving), Meadows, Joseph Kenny (1770-1874) (after) / Bridgeman Images

ID: LLM971662

Mr Charles Dillon as Hamlet, Act III, Scene IV (engraving)

Meadows, Joseph Kenny (1770-1874) (after)

King Harold is killed, Bayeux Tapestry (wool embroidery on linen)
King Harold is killed, Bayeux Tapestry (wool embroidery on linen)

XOS3697051: King Harold is killed, Bayeux Tapestry (wool embroidery on linen), Unknown Artist, (11th century) / Bridgeman Images

ID: XOS3697051

King Harold is killed, Bayeux Tapestry (wool embroidery on linen)

Unknown Artist, (11th century)

Stories of King Arthur
Stories of King Arthur

XLA3760895: Stories of King Arthur, Theaker, Harry George (1873-1954) / Bridgeman Images

ID: XLA3760895

Stories of King Arthur

Theaker, Harry George (1873-1954)

Costumes of the inhabitants of Ceylon (Sri Lanka): couple of Sinhalese (Sinhalese or Sinhalese) and an indigenous vedda wearing a feather skirt, a fur cape and two dogs. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the natives of Ceylon (Sri Lanka): Sinhalese man with sword and cane, and indigenous Vedda man with feather skirt, bow and arrows, fur cape, and two dogs on leashes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Costumes of the inhabitants of Ceylon (Sri Lanka): couple of Sinhalese (Sinhalese or Sinhalese) and an indigenous vedda wearing a feather skirt, a fur cape and two dogs. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the natives of Ceylon (Sri Lanka): Sinhalese man with sword and cane, and indigenous Vedda man with feather skirt, bow and arrows, fur cape, and two dogs on leashes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634230: Costumes of the inhabitants of Ceylon (Sri Lanka): couple of Sinhalese (Sinhalese or Sinhalese) and an indigenous vedda wearing a feather skirt, a fur cape and two dogs. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the natives of Ceylon (Sri Lanka): Sinhalese man with sword and cane, and indigenous Vedda man with feather skirt, bow and arrows, fur cape, and two dogs on leashes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634230

Costumes of the inhabitants of Ceylon (Sri Lanka): couple of Sinhalese (Sinhalese or Sinhalese) and an indigenous vedda wearing a feather skirt, a fur cape and two dogs. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the natives of Ceylon (Sri Lanka): Sinhalese man with sword and cane, and indigenous Vedda man with feather skirt, bow and arrows, fur cape, and two dogs on leashes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Saint-Martin sharing his coat with a poor man, 14th century (miniature)
Saint-Martin sharing his coat with a poor man, 14th century (miniature)

CCI1810358: Saint-Martin sharing his coat with a poor man, 14th century (miniature) / Bridgeman Images

ID: CCI1810358

Saint-Martin sharing his coat with a poor man, 14th century (miniature)

Portrait of a Young Man, by Giovann Bernardo Carbone, 17th Century, oil on canvas
Portrait of a Young Man, by Giovann Bernardo Carbone, 17th Century, oil on canvas

MEP848946: Portrait of a Young Man, by Giovann Bernardo Carbone, 17th Century, oil on canvas, Carbone, Gio Bernardo (1614-1683) / Bridgeman Images

ID: MEP848946

Portrait of a Young Man, by Giovann Bernardo Carbone, 17th Century, oil on canvas

Carbone, Gio Bernardo (1614-1683)

Portrait of Prince Charles Louis (oil on canvas)
Portrait of Prince Charles Louis (oil on canvas)

CH652171: Portrait of Prince Charles Louis (oil on canvas), Dyck, Anthony van (1599-1641) / Bridgeman Images

ID: CH652171

Portrait of Prince Charles Louis (oil on canvas)

Dyck, Anthony van (1599-1641)

Two Bedouin, 1934 (b/w photo)
Two Bedouin, 1934 (b/w photo)

ASF3557421: Two Bedouin, 1934 (b/w photo), Glubb, John (fl.1934) / Bridgeman Images

ID: ASF3557421

Two Bedouin, 1934 (b/w photo)

Glubb, John (fl.1934)

The Admiral of the Spanish Armada returning his epee to Francis Drake (1540-1596), 1588
The Admiral of the Spanish Armada returning his epee to Francis Drake (1540-1596), 1588

NWI4838554: The Admiral of the Spanish Armada returning his epee to Francis Drake (1540-1596), 1588, Lucas, John Seymour (1849-1923) (after) / Bridgeman Images

ID: NWI4838554

The Admiral of the Spanish Armada returning his epee to Francis Drake (1540-1596), 1588

Lucas, John Seymour (1849-1923) (after)


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