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The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving)
The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving)

STC2655350: The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2655350

The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving)

Gillray, James (1757-1815)

Mr H Marston as Hotspur and Mr F Robinson as Prince Henry, from 'Henry IV' by William Shakespeare (engraving)
Mr H Marston as Hotspur and Mr F Robinson as Prince Henry, from 'Henry IV' by William Shakespeare (engraving)

LLM971691: Mr H Marston as Hotspur and Mr F Robinson as Prince Henry, from 'Henry IV' by William Shakespeare (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971691

Mr H Marston as Hotspur and Mr F Robinson as Prince Henry, from 'Henry IV' by William Shakespeare (engraving)

English School, (19th century)

Act V, Sc. VI from 'Henry VI' by William Shakespeare, for 'The Complete Works of Shakespeare', 1895 (gravure)
Act V, Sc. VI from 'Henry VI' by William Shakespeare, for 'The Complete Works of Shakespeare', 1895 (gravure)

LLM671988: Act V, Sc. VI from 'Henry VI' by William Shakespeare, for 'The Complete Works of Shakespeare', 1895 (gravure), Darley, Felix Octavius Carr (1822-88) (after) / Bridgeman Images

ID: LLM671988

Act V, Sc. VI from 'Henry VI' by William Shakespeare, for 'The Complete Works of Shakespeare', 1895 (gravure)

Darley, Felix Octavius Carr (1822-88) (after)

Portrait of Colonel Charles Heathcote, Standing Small Full Length in a Wooded Landscape, in the Uniform of the Thirty-Fifth Foot (Later Royal Sussex) Regiment, (oil on canvas)
Portrait of Colonel Charles Heathcote, Standing Small Full Length in a Wooded Landscape, in the Uniform of the Thirty-Fifth Foot (Later Royal Sussex) Regiment, (oil on canvas)

CH652188: Portrait of Colonel Charles Heathcote, Standing Small Full Length in a Wooded Landscape, in the Uniform of the Thirty-Fifth Foot (Later Royal Sussex) Regiment, (oil on canvas), Wright of Derby, Joseph (1734-97) / Bridgeman Images

ID: CH652188

Portrait of Colonel Charles Heathcote, Standing Small Full Length in a Wooded Landscape, in the Uniform of the Thirty-Fifth Foot (Later Royal Sussex) Regiment, (oil on canvas)

Wright of Derby, Joseph (1734-97)

Study for Paradis Perdu, (oil on canvas)
Study for Paradis Perdu, (oil on canvas)

CH989910: Study for Paradis Perdu, (oil on canvas), Cabanel, Alexandre (1823-89) / Bridgeman Images

ID: CH989910

Study for Paradis Perdu, (oil on canvas)

Cabanel, Alexandre (1823-89)

Mime at the anvil, illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho)
Mime at the anvil, illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho)

STC324245: Mime at the anvil, illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: STC324245

Mime at the anvil, illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho)

Rackham, Arthur (1867-1939)

British officers silver hilted Lion headed hanger
British officers silver hilted Lion headed hanger

DTO3031291: British officers silver hilted Lion headed hanger / Bridgeman Images

ID: DTO3031291

British officers silver hilted Lion headed hanger

Old model, c.1905-18 (gelatin silver photo)
Old model, c.1905-18 (gelatin silver photo)

NYH3698203: Old model, c.1905-18 (gelatin silver photo), Beals, Jessie Tarbox (1871-1942) / Bridgeman Images

ID: NYH3698203

Old model, c.1905-18 (gelatin silver photo)

Beals, Jessie Tarbox (1871-1942)

Fortress Marienberg in Wuerzburg (b/w photo)
Fortress Marienberg in Wuerzburg (b/w photo)

SZT718642: Fortress Marienberg in Wuerzburg (b/w photo) / Bridgeman Images

ID: SZT718642

Fortress Marienberg in Wuerzburg (b/w photo)

Back cover of 'On the Injustice of Duelling' by Susio, 1555 (leather and gold)
Back cover of 'On the Injustice of Duelling' by Susio, 1555 (leather and gold)

CND53761: Back cover of 'On the Injustice of Duelling' by Susio, 1555 (leather and gold), French School, (16th century) / Bridgeman Images

ID: CND53761

Back cover of 'On the Injustice of Duelling' by Susio, 1555 (leather and gold)

French School, (16th century)

Continental Army, Sergeant of Greaton's 24th Continental Regiment 1776, 2005 (w/c & gouache on paper)
Continental Army, Sergeant of Greaton's 24th Continental Regiment 1776, 2005 (w/c & gouache on paper)

DTA3026968: Continental Army, Sergeant of Greaton's 24th Continental Regiment 1776, 2005 (w/c & gouache on paper), Troiani, Don (b.1949) / Bridgeman Images

ID: DTA3026968

Continental Army, Sergeant of Greaton's 24th Continental Regiment 1776, 2005 (w/c & gouache on paper)

Troiani, Don (b.1949)

Joan of Arc (oil on canvas)
Joan of Arc (oil on canvas)

CH988085: Joan of Arc (oil on canvas), Costa, Joao Zeferino da (1840-1915) / Bridgeman Images

ID: CH988085

Joan of Arc (oil on canvas)

Costa, Joao Zeferino da (1840-1915)

Portrait of William Frederick, 2nd Duke of Gloucester, three-quarter length, wearing the Uniform of Colonel of the 3rd Guards and the Breast Star of the Order of the Garter and Holding a Campaign Plan, in a Wooded Landscape, (oil on canvas)
Portrait of William Frederick, 2nd Duke of Gloucester, three-quarter length, wearing the Uniform of Colonel of the 3rd Guards and the Breast Star of the Order of the Garter and Holding a Campaign Plan, in a Wooded Landscape, (oil on canvas)

CH824264: Portrait of William Frederick, 2nd Duke of Gloucester, three-quarter length, wearing the Uniform of Colonel of the 3rd Guards and the Breast Star of the Order of the Garter and Holding a Campaign Plan, in a Wooded Landscape, (oil on canvas), Beechey, William (1753-1839) / Bridgeman Images

ID: CH824264

Portrait of William Frederick, 2nd Duke of Gloucester, three-quarter length, wearing the Uniform of Colonel of the 3rd Guards and the Breast Star of the Order of the Garter and Holding a Campaign Plan, in a Wooded Landscape, (oil on canvas)

Beechey, William (1753-1839)

Death of Dragut at Siege of Malta, from 'Sea Wolves of the Mediterranean', 1910 (engraving)
Death of Dragut at Siege of Malta, from 'Sea Wolves of the Mediterranean', 1910 (engraving)

XLF3784095: Death of Dragut at Siege of Malta, from 'Sea Wolves of the Mediterranean', 1910 (engraving), Cali, Giuseppe (1846-1930) / Bridgeman Images

ID: XLF3784095

Death of Dragut at Siege of Malta, from 'Sea Wolves of the Mediterranean', 1910 (engraving)

Cali, Giuseppe (1846-1930)

Currency: Ecu of Edward III of England (1327-1377), 14th century (gold)
Currency: Ecu of Edward III of England (1327-1377), 14th century (gold)

JLJ4663701: Currency: Ecu of Edward III of England (1327-1377), 14th century (gold), English School, (14th century) / Bridgeman Images

ID: JLJ4663701

Currency: Ecu of Edward III of England (1327-1377), 14th century (gold)

English School, (14th century)

Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle
Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle

PIX4592404: Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill this part of the sky. The westernmost Orion Belt star delta Orionis (Minkata) is about a quarter of a degree of arc south of the celestial equator and all three belt stars are within 2 degrees of it. This means they rise and set due east or west of the observer and track the equator across the sky during the night, tracing straight lines in star trail photographs. Note that Orion is upside down as seen from the southern hemisphere, where it is often called 'the saucepan', with the Belt stars forming the base and the Sword stars the handle / Bridgeman Images

ID: PIX4592404

Orion Constellation - Constellation of Orion - Orion the Hunter is one of the most familar and best known constellations. There is extensive and varied mythology about this beautiful collection of stars, but the most common Greek legend has Orion as a giant huntsman, and he appears in this role in Homer's Odyssey. The most persistent legend seems to be that he died from the sting of a giant scorpion, which was placed in the sky so that Orion sets as the Scorpius rises, in an eternal chase across the sky. The momorable outline of the Hunter proudly bestrides the celestial equator and is equally visible from both hemispheres. The distinctive, equally spaced line of stars of Orion's Belt are more or less on the equator and are framed by quartet of bright and colourful stars. More subtle is Orions short sword, hanging from his belt. Under dark skies or in binoculars the central 'star' is distinctly misty. This is the famous Orion nebula, one of many well known telescopic objects that fill

Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi
Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi

PFH1183427: Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi / Bridgeman Images

ID: PFH1183427

Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi

Vietnam: Thap Rua (Tortoise Tower) Ho Hoan Kiem, Hanoi
Vietnam: Thap Rua (Tortoise Tower) Ho Hoan Kiem, Hanoi

PFH1175576: Vietnam: Thap Rua (Tortoise Tower) Ho Hoan Kiem, Hanoi / Bridgeman Images

ID: PFH1175576

Vietnam: Thap Rua (Tortoise Tower) Ho Hoan Kiem, Hanoi

Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi
Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi

PFH1774568: Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi / Bridgeman Images

ID: PFH1774568

Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi

SS. Blaise and Paul (oil on panel)
SS. Blaise and Paul (oil on panel)

JB136814: SS. Blaise and Paul (oil on panel), Bozidarovic, Nikola (1460-1517/18) / Bridgeman Images

ID: JB136814

SS. Blaise and Paul (oil on panel)

Bozidarovic, Nikola (1460-1517/18)

Comforts of a Bed of Roses, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint)
Comforts of a Bed of Roses, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint)

NCO191273: Comforts of a Bed of Roses, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191273

Comforts of a Bed of Roses, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint)

Gillray, James (1757-1815)

Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi
Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi

PFH1774569: Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi / Bridgeman Images

ID: PFH1774569

Vietnam: The red painted The Huc Bridge (Rising Sun or Sunbeam Bridge) leading to Den Ngoc Son or Jade Mountain Temple, Hoan Kiem Lake, Hanoi

The Sabretache of Joseph-Napoleon Bonaparte, King of Spain, before 1813 (red morocco leather with embroidered goldwork & gilt-brass mounts)
The Sabretache of Joseph-Napoleon Bonaparte, King of Spain, before 1813 (red morocco leather with embroidered goldwork & gilt-brass mounts)

CH3899046: The Sabretache of Joseph-Napoleon Bonaparte, King of Spain, before 1813 (red morocco leather with embroidered goldwork & gilt-brass mounts), Spanish School, (19th century) / Bridgeman Images

ID: CH3899046

The Sabretache of Joseph-Napoleon Bonaparte, King of Spain, before 1813 (red morocco leather with embroidered goldwork & gilt-brass mounts)

Spanish School, (19th century)

Meissen Schneeballen vase, mid to late 19th century (porcelain)
Meissen Schneeballen vase, mid to late 19th century (porcelain)

CH1274538: Meissen Schneeballen vase, mid to late 19th century (porcelain), Kändler, Johann Joachim (1706-75) (after) / Bridgeman Images

ID: CH1274538

Meissen Schneeballen vase, mid to late 19th century (porcelain)

Kändler, Johann Joachim (1706-75) (after)

Amrit ceremony (photo)
Amrit ceremony (photo)

WRP397243: Amrit ceremony (photo) / Bridgeman Images

ID: WRP397243

Amrit ceremony (photo)

Swearing-in of recruits of the Wehrmacht, 1938 (b/w photo)
Swearing-in of recruits of the Wehrmacht, 1938 (b/w photo)

SZT3667573: Swearing-in of recruits of the Wehrmacht, 1938 (b/w photo) / Bridgeman Images

ID: SZT3667573

Swearing-in of recruits of the Wehrmacht, 1938 (b/w photo)

Robert Kemp et Emile Henriot
Robert Kemp et Emile Henriot

SAI2416489: Robert Kemp et Emile Henriot, Saint Paul, René / Bridgeman Images

ID: SAI2416489

Robert Kemp et Emile Henriot

Saint Paul, René

Andre Arbus After Recording His Epee D Academician At Palais Galliera November 10, 1965 (b/w photo)
Andre Arbus After Recording His Epee D Academician At Palais Galliera November 10, 1965 (b/w photo)

XRA1664673: Andre Arbus After Recording His Epee D Academician At Palais Galliera November 10, 1965 (b/w photo) / Bridgeman Images

ID: XRA1664673

Andre Arbus After Recording His Epee D Academician At Palais Galliera November 10, 1965 (b/w photo)

Five Sikh men symbolising the original Five Holy Ones at the initiation ceremony of the khalsa in the gurdwara (photo)
Five Sikh men symbolising the original Five Holy Ones at the initiation ceremony of the khalsa in the gurdwara (photo)

WRP397296: Five Sikh men symbolising the original Five Holy Ones at the initiation ceremony of the khalsa in the gurdwara (photo) / Bridgeman Images

ID: WRP397296

Five Sikh men symbolising the original Five Holy Ones at the initiation ceremony of the khalsa in the gurdwara (photo)

Saint Justina of Padua, c.1490 (oil on wood)
Saint Justina of Padua, c.1490 (oil on wood)

XOS5667789: Saint Justina of Padua, c.1490 (oil on wood), Montagna, Bartolomeo (c.1450-1525) / Bridgeman Images

ID: XOS5667789

Saint Justina of Padua, c.1490 (oil on wood)

Montagna, Bartolomeo (c.1450-1525)

Fernand Braudel
Fernand Braudel

MLO2145759: Fernand Braudel, Monier, Louis / Bridgeman Images

ID: MLO2145759

Fernand Braudel

Monier, Louis

Fernand Braudel
Fernand Braudel

MLO2145891: Fernand Braudel, Monier, Louis / Bridgeman Images

ID: MLO2145891

Fernand Braudel

Monier, Louis

17th century trumpeter
17th century trumpeter

XLE3769932: 17th century trumpeter / Bridgeman Images

ID: XLE3769932

17th century trumpeter

Italian playing card, 17th century (print on paper)
Italian playing card, 17th century (print on paper)

CDR5972851: Italian playing card, 17th century (print on paper), Italian School, (17th century) / Bridgeman Images

ID: CDR5972851

Italian playing card, 17th century (print on paper)

Italian School, (17th century)

Siegfried meets Gutrune: The Twilight of the Gods, 1911 (pen and black ink on watercolour)
Siegfried meets Gutrune: The Twilight of the Gods, 1911 (pen and black ink on watercolour)

CH827409: Siegfried meets Gutrune: The Twilight of the Gods, 1911 (pen and black ink on watercolour), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: CH827409

Siegfried meets Gutrune: The Twilight of the Gods, 1911 (pen and black ink on watercolour)

Rackham, Arthur (1867-1939)

Egyptian costumes: farmers (fellah) washing clothes on the river and below, Bedouin and Mamluk riders. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian farmers (fellach or fallah) washing clothes in a river, Bedouin family in robes and turban, and Bedouin and Mamluk cavalry in turbans and robes on horseback carrying spears and curved sword. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Egyptian costumes: farmers (fellah) washing clothes on the river and below, Bedouin and Mamluk riders. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian farmers (fellach or fallah) washing clothes in a river, Bedouin family in robes and turban, and Bedouin and Mamluk cavalry in turbans and robes on horseback carrying spears and curved sword. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634766: Egyptian costumes: farmers (fellah) washing clothes on the river and below, Bedouin and Mamluk riders. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian farmers (fellach or fallah) washing clothes in a river, Bedouin family in robes and turban, and Bedouin and Mamluk cavalry in turbans and robes on horseback carrying spears and curved sword. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634766

Egyptian costumes: farmers (fellah) washing clothes on the river and below, Bedouin and Mamluk riders. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian farmers (fellach or fallah) washing clothes in a river, Bedouin family in robes and turban, and Bedouin and Mamluk cavalry in turbans and robes on horseback carrying spears and curved sword. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.


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