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13739 Search Results for sword

American Civil War, Reclining Union officer
American Civil War, Reclining Union officer

DTO3028529: American Civil War, Reclining Union officer / Bridgeman Images

ID: DTO3028529

American Civil War, Reclining Union officer

Salvador Dali and Gala
Salvador Dali and Gala

XRC2557167: Salvador Dali and Gala, Coruzzi, Giovanni / Bridgeman Images

ID: XRC2557167

Salvador Dali and Gala

Coruzzi, Giovanni

Religious rites being performed before the gilded statue of the god Marduk
Religious rites being performed before the gilded statue of the god Marduk

LAL304870: Religious rites being performed before the gilded statue of the god Marduk, Payne, Roger (b.1934) / Bridgeman Images

ID: LAL304870

Religious rites being performed before the gilded statue of the god Marduk

Payne, Roger (b.1934)

1840s & Pre UK illustrations, 1840s
1840s & Pre UK illustrations, 1840s

BAD2490641: 1840s & Pre UK illustrations, 1840s / Bridgeman Images

ID: BAD2490641

1840s & Pre UK illustrations, 1840s

Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto
Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto

MPX5156083: Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto "any officer who goes into action without his sword is improperly armed." Source. Wikipedia. Pictured 2nd March 1967 (b/w photo) / Bridgeman Images

ID: MPX5156083

Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto "any officer who goes into action without his sword is improperly armed." Source. Wikipedia. Pictured 2nd March 1967 (b/w photo)

Admiral Carlo Zeno (1334-1418) 1878 (oil on canvas)
Admiral Carlo Zeno (1334-1418) 1878 (oil on canvas)

XIR230384: Admiral Carlo Zeno (1334-1418) 1878 (oil on canvas), Maignan, Albert Pierre Rene (1845-1908) / Bridgeman Images

ID: XIR230384

Admiral Carlo Zeno (1334-1418) 1878 (oil on canvas)

Maignan, Albert Pierre Rene (1845-1908)

Belgium Triumphant (colour litho)
Belgium Triumphant (colour litho)

LLM3626841: Belgium Triumphant (colour litho), Wilson, Edward Adrian (1872-1912) / Bridgeman Images

ID: LLM3626841

Belgium Triumphant (colour litho)

Wilson, Edward Adrian (1872-1912)

Joan of Arc, 1922 (bronze)
Joan of Arc, 1922 (bronze)

SUA7205754: Joan of Arc, 1922 (bronze), Huntington, Anna Hyatt (1876-1973) / Bridgeman Images

ID: SUA7205754

Joan of Arc, 1922 (bronze)

Huntington, Anna Hyatt (1876-1973)

Maria Theresa of Austria presenting Joseph II to the Hungarian estates at the diet in 1741. c.1890 (engraving)
Maria Theresa of Austria presenting Joseph II to the Hungarian estates at the diet in 1741. c.1890 (engraving)

KWE7212160: Maria Theresa of Austria presenting Joseph II to the Hungarian estates at the diet in 1741. c.1890 (engraving) / Bridgeman Images

ID: KWE7212160

Maria Theresa of Austria presenting Joseph II to the Hungarian estates at the diet in 1741. c.1890 (engraving)

Marriage proposal 1810
Marriage proposal 1810

XLF3790212: Marriage proposal 1810 / Bridgeman Images

ID: XLF3790212

Marriage proposal 1810

A British soldier with a submachine gun on the ground, pointing towards the enemy, Caen, Normandy, France, June 1944 (b/w photo)
A British soldier with a submachine gun on the ground, pointing towards the enemy, Caen, Normandy, France, June 1944 (b/w photo)

GBW884029: A British soldier with a submachine gun on the ground, pointing towards the enemy, Caen, Normandy, France, June 1944 (b/w photo), American Photographer, (20th century) / Bridgeman Images

ID: GBW884029

A British soldier with a submachine gun on the ground, pointing towards the enemy, Caen, Normandy, France, June 1944 (b/w photo)

American Photographer, (20th century)

Marco Polo in the battle between Genghis Khan and his uncle Nouern, c.1410-12 (tempera on vellum)
Marco Polo in the battle between Genghis Khan and his uncle Nouern, c.1410-12 (tempera on vellum)

TAD1750430: Marco Polo in the battle between Genghis Khan and his uncle Nouern, c.1410-12 (tempera on vellum), French School, (15th century) / Bridgeman Images

ID: TAD1750430

Marco Polo in the battle between Genghis Khan and his uncle Nouern, c.1410-12 (tempera on vellum)

French School, (15th century)

Joan of Arc. 1792 (engraving)
Joan of Arc. 1792 (engraving)

CCI6437762: Joan of Arc. 1792 (engraving), French School, (18th century) / Bridgeman Images

ID: CCI6437762

Joan of Arc. 1792 (engraving)

French School, (18th century)

Sir Francis Drake receiving his knighthood from Queen Elizabeth I, 1581 (engraving)
Sir Francis Drake receiving his knighthood from Queen Elizabeth I, 1581 (engraving)

LLM3647453: Sir Francis Drake receiving his knighthood from Queen Elizabeth I, 1581 (engraving), Gilbert, John (1817-97) (after) / Bridgeman Images

ID: LLM3647453

Sir Francis Drake receiving his knighthood from Queen Elizabeth I, 1581 (engraving)

Gilbert, John (1817-97) (after)

Cymbeline (Shakespeare) 1949, Shakespeare Memorial Theatre (Michael Benthal): Costume design for Belarius, 1949 (pen, brown ink, coloured crayon and watercolour)
Cymbeline (Shakespeare) 1949, Shakespeare Memorial Theatre (Michael Benthal): Costume design for Belarius, 1949 (pen, brown ink, coloured crayon and watercolour)

CH657949: Cymbeline (Shakespeare) 1949, Shakespeare Memorial Theatre (Michael Benthal): Costume design for Belarius, 1949 (pen, brown ink, coloured crayon and watercolour), Hurry, Leslie (1909-78) / Bridgeman Images

ID: CH657949

Cymbeline (Shakespeare) 1949, Shakespeare Memorial Theatre (Michael Benthal): Costume design for Belarius, 1949 (pen, brown ink, coloured crayon and watercolour)

Hurry, Leslie (1909-78)

The capture of Troy
The capture of Troy

XLA3774232: The capture of Troy / Bridgeman Images

ID: XLA3774232

The capture of Troy

Taming of the Shrew: Katherine & Petruchio, or The Modern Quixote, published by S.W. Fores in 1791 (hand-coloured etching)
Taming of the Shrew: Katherine & Petruchio, or The Modern Quixote, published by S.W. Fores in 1791 (hand-coloured etching)

NCO193176: Taming of the Shrew: Katherine & Petruchio, or The Modern Quixote, published by S.W. Fores in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193176

Taming of the Shrew: Katherine & Petruchio, or The Modern Quixote, published by S.W. Fores in 1791 (hand-coloured etching)

Gillray, James (1757-1815)

Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto
Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto

MPX5156103: Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto "any officer who goes into action without his sword is improperly armed." Source. Wikipedia. Pictured 2nd March 1967 (b/w photo) / Bridgeman Images

ID: MPX5156103

Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto "any officer who goes into action without his sword is improperly armed." Source. Wikipedia. Pictured 2nd March 1967 (b/w photo)

Costume of a secular lawyer to the church, 15th century - He wears a red cap, black robe over chainmail tunic, red doublet, white shirt, stockings and shoes - These lawyers often had to fight for their clients and hence he is armed with a mace and sword - From the painting “” Triumph of St Thomas Aquinas over the Heretics”” by Filipino Lippi in the church of Santa Maria sopra Minerva, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume of a secular lawyer to the church, 15th century - He wears a red cap, black robe over chainmail tunic, red doublet, white shirt, stockings and shoes - These lawyers often had to fight for their clients and hence he is armed with a mace and sword - From the painting “” Triumph of St Thomas Aquinas over the Heretics”” by Filipino Lippi in the church of Santa Maria sopra Minerva, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676611: Costume of a secular lawyer to the church, 15th century - He wears a red cap, black robe over chainmail tunic, red doublet, white shirt, stockings and shoes - These lawyers often had to fight for their clients and hence he is armed with a mace and sword - From the painting “” Triumph of St Thomas Aquinas over the Heretics”” by Filipino Lippi in the church of Santa Maria sopra Minerva, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676611

Costume of a secular lawyer to the church, 15th century - He wears a red cap, black robe over chainmail tunic, red doublet, white shirt, stockings and shoes - These lawyers often had to fight for their clients and hence he is armed with a mace and sword - From the painting “” Triumph of St Thomas Aquinas over the Heretics”” by Filipino Lippi in the church of Santa Maria sopra Minerva, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Nidanme, Act Two [of the Kanadehon Chushingura]. [Between 1804 and 1812], 1 Print : Woodcut, Color ; 22 X 16.9 ., Print Shows, in the Background, Konami Sitting Inside a Building, Probably Meeting with Her Lover Rikiya, Who is Not Visible, Though the Hilt of a Sword Can Be Seen Through the Opening, at Center is Wakasanosuke Sitting on a Porch, and, in the Foreground, Honzo, a Samurai and Wakasanosuke's Retainer, Cutting a Pine Branch from a Small Tree in Front of the Porch, Demonstrating His Loyalty. A Scene from Act Two of the Play Chushingura or Revenge of the 47 Ronin.
Nidanme, Act Two [of the Kanadehon Chushingura]. [Between 1804 and 1812], 1 Print : Woodcut, Color ; 22 X 16.9 ., Print Shows, in the Background, Konami Sitting Inside a Building, Probably Meeting with Her Lover Rikiya, Who is Not Visible, Though the Hilt of a Sword Can Be Seen Through the Opening, at Center is Wakasanosuke Sitting on a Porch, and, in the Foreground, Honzo, a Samurai and Wakasanosuke's Retainer, Cutting a Pine Branch from a Small Tree in Front of the Porch, Demonstrating His Loyalty. A Scene from Act Two of the Play Chushingura or Revenge of the 47 Ronin.

LZT1111982: Nidanme, Act Two [of the Kanadehon Chushingura]. [Between 1804 and 1812], 1 Print : Woodcut, Color ; 22 X 16.9 ., Print Shows, in the Background, Konami Sitting Inside a Building, Probably Meeting with Her Lover Rikiya, Who is Not Visible, Though the Hilt of a Sword Can Be Seen Through the Opening, at Center is Wakasanosuke Sitting on a Porch, and, in the Foreground, Honzo, a Samurai and Wakasanosuke's Retainer, Cutting a Pine Branch from a Small Tree in Front of the Porch, Demonstrating His Loyalty. A Scene from Act Two of the Play Chushingura or Revenge of the 47 Ronin., Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: LZT1111982

Nidanme, Act Two [of the Kanadehon Chushingura]. [Between 1804 and 1812], 1 Print : Woodcut, Color ; 22 X 16.9 ., Print Shows, in the Background, Konami Sitting Inside a Building, Probably Meeting with Her Lover Rikiya, Who is Not Visible, Though the Hilt of a Sword Can Be Seen Through the Opening, at Center is Wakasanosuke Sitting on a Porch, and, in the Foreground, Honzo, a Samurai and Wakasanosuke's Retainer, Cutting a Pine Branch from a Small Tree in Front of the Porch, Demonstrating His Loyalty. A Scene from Act Two of the Play Chushingura or Revenge of the 47 Ronin.

Hokusai, Katsushika (1760-1849)

Cuirassier's thread (colour litho)
Cuirassier's thread (colour litho)

LLH982296: Cuirassier's thread (colour litho), French School, (19th century) / Bridgeman Images

ID: LLH982296

Cuirassier's thread (colour litho)

French School, (19th century)

The Visitor, 1881 (oil on canvas)
The Visitor, 1881 (oil on canvas)

CH827116: The Visitor, 1881 (oil on canvas), Caraud, Joseph (1821-1905) / Bridgeman Images

ID: CH827116

The Visitor, 1881 (oil on canvas)

Caraud, Joseph (1821-1905)

The War, 1690-1700 (oil on canvas)
The War, 1690-1700 (oil on canvas)

XMN282958: The War, 1690-1700 (oil on canvas), Giordano, Luca (1634-1705) / Bridgeman Images

ID: XMN282958

The War, 1690-1700 (oil on canvas)

Giordano, Luca (1634-1705)

Italian playing card, 17th century (print on paper)
Italian playing card, 17th century (print on paper)

CDR5972856: Italian playing card, 17th century (print on paper), Italian School, (17th century) / Bridgeman Images

ID: CDR5972856

Italian playing card, 17th century (print on paper)

Italian School, (17th century)

Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676058: Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676058

Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Theseus raises the stone, from 'The Heroes, or Greek Fairy Tales for my Children', by Charles Kingsley (1819-75), published by Macmillan, 1928 (colour litho)
Theseus raises the stone, from 'The Heroes, or Greek Fairy Tales for my Children', by Charles Kingsley (1819-75), published by Macmillan, 1928 (colour litho)

IL262812: Theseus raises the stone, from 'The Heroes, or Greek Fairy Tales for my Children', by Charles Kingsley (1819-75), published by Macmillan, 1928 (colour litho), Brock, Henry Matthew (1875-1960) / Bridgeman Images

ID: IL262812

Theseus raises the stone, from 'The Heroes, or Greek Fairy Tales for my Children', by Charles Kingsley (1819-75), published by Macmillan, 1928 (colour litho)

Brock, Henry Matthew (1875-1960)

The arrest of Christ, 1538 (oil on wood)
The arrest of Christ, 1538 (oil on wood)

FIA5409035: The arrest of Christ, 1538 (oil on wood), Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

ID: FIA5409035

The arrest of Christ, 1538 (oil on wood)

Cranach, Lucas the Elder (1472-1553)

'From Ireland thus comes York to claim his right', Act V, Sc. I from 'Henry VI' by William Shakespeare, 1936 (litho)
'From Ireland thus comes York to claim his right', Act V, Sc. I from 'Henry VI' by William Shakespeare, 1936 (litho)

DMA1067128: 'From Ireland thus comes York to claim his right', Act V, Sc. I from 'Henry VI' by William Shakespeare, 1936 (litho), Kent, Rockwell (1882-1971) / Bridgeman Images

ID: DMA1067128

'From Ireland thus comes York to claim his right', Act V, Sc. I from 'Henry VI' by William Shakespeare, 1936 (litho)

Kent, Rockwell (1882-1971)

Double duel between Romeo, Tybalt and Mercutio, c.1900 (chromolithograph)
Double duel between Romeo, Tybalt and Mercutio, c.1900 (chromolithograph)

CCI2636196: Double duel between Romeo, Tybalt and Mercutio, c.1900 (chromolithograph) / Bridgeman Images

ID: CCI2636196

Double duel between Romeo, Tybalt and Mercutio, c.1900 (chromolithograph)

A Japanese Yaconin, c.1864-1866 (albumen print, mounted, pencil)
A Japanese Yaconin, c.1864-1866 (albumen print, mounted, pencil)

CH990462: A Japanese Yaconin, c.1864-1866 (albumen print, mounted, pencil), Beato, Felice (Felix) (1825-c.1908) / Bridgeman Images

ID: CH990462

A Japanese Yaconin, c.1864-1866 (albumen print, mounted, pencil)

Beato, Felice (Felix) (1825-c.1908)

Expulsion from the Garden of Eden, 1424-1425 (fresco)
Expulsion from the Garden of Eden, 1424-1425 (fresco)

MEP2627629: Expulsion from the Garden of Eden, 1424-1425 (fresco), Masaccio, Tommaso (1401-28) / Bridgeman Images

ID: MEP2627629

Expulsion from the Garden of Eden, 1424-1425 (fresco)

Masaccio, Tommaso (1401-28)

King George V, 1935 from 'The Illustrated London News Silver Jubliee' (print)
King George V, 1935 from 'The Illustrated London News Silver Jubliee' (print)

XLA3770920: King George V, 1935 from 'The Illustrated London News Silver Jubliee' (print), English School, (20th century) / Bridgeman Images

ID: XLA3770920

King George V, 1935 from 'The Illustrated London News Silver Jubliee' (print)

English School, (20th century)

The Defence of the Sampo, 1896 (tempera on canvas)
The Defence of the Sampo, 1896 (tempera on canvas)

FIA1078529: The Defence of the Sampo, 1896 (tempera on canvas), Gallen-Kallela, Akseli Valdemar (1865-1931) / Bridgeman Images

ID: FIA1078529

The Defence of the Sampo, 1896 (tempera on canvas)

Gallen-Kallela, Akseli Valdemar (1865-1931)

Portrait of Genghis Khan, with a Youth in Attendance, c.1803-4 (oil on canvas)
Portrait of Genghis Khan, with a Youth in Attendance, c.1803-4 (oil on canvas)

CH1196698: Portrait of Genghis Khan, with a Youth in Attendance, c.1803-4 (oil on canvas), Mihr 'Ali (fl.1795-1830) / Bridgeman Images

ID: CH1196698

Portrait of Genghis Khan, with a Youth in Attendance, c.1803-4 (oil on canvas)

Mihr 'Ali (fl.1795-1830)

King James VI and I, c.1605 (oil on panel)
King James VI and I, c.1605 (oil on panel)

XCS3928564: King James VI and I, c.1605 (oil on panel), Critz, John de, the Elder (c.1552-1642) / Bridgeman Images

ID: XCS3928564

King James VI and I, c.1605 (oil on panel)

Critz, John de, the Elder (c.1552-1642)

The Virgin and Child with SS. Catherine and Agnes (oil on panel)
The Virgin and Child with SS. Catherine and Agnes (oil on panel)

XIR243709: The Virgin and Child with SS. Catherine and Agnes (oil on panel), Master of the Legend of St. Catherine (1460-1500) / Bridgeman Images

ID: XIR243709

The Virgin and Child with SS. Catherine and Agnes (oil on panel)

Master of the Legend of St. Catherine (1460-1500)


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