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13739 Search Results for sword

Wilhelm II in Palestina, 1898 (engraving)
Wilhelm II in Palestina, 1898 (engraving)

CCI7143597: Wilhelm II in Palestina, 1898 (engraving), French School, (19th century) / Bridgeman Images

ID: CCI7143597

Wilhelm II in Palestina, 1898 (engraving)

French School, (19th century)

Costume of royalist rider in the Commonwealth period (1559-1660), jacket of chamois skin, with ecarlate sleeves, trousers boots, gloves and feather hat. From a drawing from the period of the British Museum, London, England. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Costume of royalist rider in the Commonwealth period (1559-1660), jacket of chamois skin, with ecarlate sleeves, trousers boots, gloves and feather hat. From a drawing from the period of the British Museum, London, England. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672313: Costume of royalist rider in the Commonwealth period (1559-1660), jacket of chamois skin, with ecarlate sleeves, trousers boots, gloves and feather hat. From a drawing from the period of the British Museum, London, England. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672313

Costume of royalist rider in the Commonwealth period (1559-1660), jacket of chamois skin, with ecarlate sleeves, trousers boots, gloves and feather hat. From a drawing from the period of the British Museum, London, England. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Shore Scene with Figures (oil on canvas)
Shore Scene with Figures (oil on canvas)

CMN3743879: Shore Scene with Figures (oil on canvas), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: CMN3743879

Shore Scene with Figures (oil on canvas)

Good, Thomas Sword (1789-1872)

Union Army, A sergeant of infantry
Union Army, A sergeant of infantry

DTO3028579: Union Army, A sergeant of infantry / Bridgeman Images

ID: DTO3028579

Union Army, A sergeant of infantry

Mausolee du Comte d'Harcourt (1703-1769), lieutenant-general of the king's armour, realized by the sculptor Jean-Baptiste Pigalle on the eastern wall of the chapel Saint-Guillaume, Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Mausolee du Comte d'Harcourt (1703-1769), lieutenant-general of the king's armour, realized by the sculptor Jean-Baptiste Pigalle on the eastern wall of the chapel Saint-Guillaume, Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553665: Mausolee du Comte d'Harcourt (1703-1769), lieutenant-general of the king's armour, realized by the sculptor Jean-Baptiste Pigalle on the eastern wall of the chapel Saint-Guillaume, Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -, Pigalle, Jean-Baptiste (1714-85) / Bridgeman Images

ID: ITR4553665

Mausolee du Comte d'Harcourt (1703-1769), lieutenant-general of the king's armour, realized by the sculptor Jean-Baptiste Pigalle on the eastern wall of the chapel Saint-Guillaume, Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Pigalle, Jean-Baptiste (1714-85)

Jeanne d'Arc (1412-1431) embracing the Epee de la Delivrance - Joan of Arc, 1864 (watercolour, gouache on paper)
Jeanne d'Arc (1412-1431) embracing the Epee de la Delivrance - Joan of Arc, 1864 (watercolour, gouache on paper)

FIA5401922: Jeanne d'Arc (1412-1431) embracing the Epee de la Delivrance - Joan of Arc, 1864 (watercolour, gouache on paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

ID: FIA5401922

Jeanne d'Arc (1412-1431) embracing the Epee de la Delivrance - Joan of Arc, 1864 (watercolour, gouache on paper)

Rossetti, Dante Gabriel Charles (1828-82)

Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676058: Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676058

Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

The swearing-in of the Waffen-SS Flemisch volunteers, 1942 (b/w photo)
The swearing-in of the Waffen-SS Flemisch volunteers, 1942 (b/w photo)

SZT3009275: The swearing-in of the Waffen-SS Flemisch volunteers, 1942 (b/w photo) / Bridgeman Images

ID: SZT3009275

The swearing-in of the Waffen-SS Flemisch volunteers, 1942 (b/w photo)

Peasant Dance, Detail, 1568 (oil on panel)
Peasant Dance, Detail, 1568 (oil on panel)

BBC186443: Peasant Dance, Detail, 1568 (oil on panel), Bruegel, Pieter the Elder (c.1525-69) / Bridgeman Images

ID: BBC186443

Peasant Dance, Detail, 1568 (oil on panel)

Bruegel, Pieter the Elder (c.1525-69)

Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)
Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

STC984796: Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

ID: STC984796

Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

Doyle, James William Edmund (1822-92)

__ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving)
__ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving)

STC3025366: __ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3025366

__ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving)

Gillray, James (1757-1815)

Marco Polo, 18th century (Watercolour and ink)
Marco Polo, 18th century (Watercolour and ink)

GIA4812562: Marco Polo, 18th century (Watercolour and ink), Grevenbroeck, Jan van (1731-1807) / Bridgeman Images

ID: GIA4812562

Marco Polo, 18th century (Watercolour and ink)

Grevenbroeck, Jan van (1731-1807)

The Power of Music, 1823 (oil on panel)
The Power of Music, 1823 (oil on panel)

TW426845: The Power of Music, 1823 (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: TW426845

The Power of Music, 1823 (oil on panel)

Good, Thomas Sword (1789-1872)

Doom (detail), 15th century (stained glass)
Doom (detail), 15th century (stained glass)

XPC84842: Doom (detail), 15th century (stained glass), English School, (15th century) / Bridgeman Images

ID: XPC84842

Doom (detail), 15th century (stained glass)

English School, (15th century)

Brown dwarf with a large debris ring - Artist's view of a brown dwarf star surrounded by a disc of dust and rocks. In the foreground, a primitive exoplanet illuminated by the star. This imaginary high - mass brown dwarf has a larger disk than the previous renderings. The perspective is from the equator of an airless planet, orbiting the brown dwarf at a distance of about 4 million miles. This planet's orbit is very nearly aligned to the plane of the rings, hence the debris appears as a sword - like straight line
Brown dwarf with a large debris ring - Artist's view of a brown dwarf star surrounded by a disc of dust and rocks. In the foreground, a primitive exoplanet illuminated by the star. This imaginary high - mass brown dwarf has a larger disk than the previous renderings. The perspective is from the equator of an airless planet, orbiting the brown dwarf at a distance of about 4 million miles. This planet's orbit is very nearly aligned to the plane of the rings, hence the debris appears as a sword - like straight line

PIX4572539: Brown dwarf with a large debris ring - Artist's view of a brown dwarf star surrounded by a disc of dust and rocks. In the foreground, a primitive exoplanet illuminated by the star. This imaginary high - mass brown dwarf has a larger disk than the previous renderings. The perspective is from the equator of an airless planet, orbiting the brown dwarf at a distance of about 4 million miles. This planet's orbit is very nearly aligned to the plane of the rings, hence the debris appears as a sword - like straight line / Bridgeman Images

ID: PIX4572539

Brown dwarf with a large debris ring - Artist's view of a brown dwarf star surrounded by a disc of dust and rocks. In the foreground, a primitive exoplanet illuminated by the star. This imaginary high - mass brown dwarf has a larger disk than the previous renderings. The perspective is from the equator of an airless planet, orbiting the brown dwarf at a distance of about 4 million miles. This planet's orbit is very nearly aligned to the plane of the rings, hence the debris appears as a sword - like straight line

the Nativity, Saint Francis of Assisi and possibly Saint Julian the Hospitaller, 15th century (oil on panel)
the Nativity, Saint Francis of Assisi and possibly Saint Julian the Hospitaller, 15th century (oil on panel)

XIR897491: the Nativity, Saint Francis of Assisi and possibly Saint Julian the Hospitaller, 15th century (oil on panel), Weyden, Rogier van der (1399-1464) / Bridgeman Images

ID: XIR897491

the Nativity, Saint Francis of Assisi and possibly Saint Julian the Hospitaller, 15th century (oil on panel)

Weyden, Rogier van der (1399-1464)

Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length, Leaning on a Pedestal by a Bust of Mars, 1774 (oil on canvas)
Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length, Leaning on a Pedestal by a Bust of Mars, 1774 (oil on canvas)

CH652187: Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length, Leaning on a Pedestal by a Bust of Mars, 1774 (oil on canvas), Batoni, Pompeo Girolamo (1708-87) / Bridgeman Images

ID: CH652187

Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length, Leaning on a Pedestal by a Bust of Mars, 1774 (oil on canvas)

Batoni, Pompeo Girolamo (1708-87)

The capture of Troy
The capture of Troy

XLA3774232: The capture of Troy / Bridgeman Images

ID: XLA3774232

The capture of Troy

Marisa Allasio posing on a Vespa, Italy, 1956 (b/w photo)
Marisa Allasio posing on a Vespa, Italy, 1956 (b/w photo)

MEP3510628: Marisa Allasio posing on a Vespa, Italy, 1956 (b/w photo) / Bridgeman Images

ID: MEP3510628

Marisa Allasio posing on a Vespa, Italy, 1956 (b/w photo)

The coronation of Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) Duke of Milan (Italy), 14th century - Coronation of Gian Galeazzo Visconti, Duke of Milan, 1351-1402 - The duke in scarlet and ermine kneels before King Wenceslaus of Luxembourg to be crowned - To the left, a knight holds the perial banner and a scribe writes in a book - To the right, knights holds the banner of the Viscontis, and a sword - From a missal in the archives of the Basilica of Sant'Ambrogio, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
The coronation of Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) Duke of Milan (Italy), 14th century - Coronation of Gian Galeazzo Visconti, Duke of Milan, 1351-1402 - The duke in scarlet and ermine kneels before King Wenceslaus of Luxembourg to be crowned - To the left, a knight holds the perial banner and a scribe writes in a book - To the right, knights holds the banner of the Viscontis, and a sword - From a missal in the archives of the Basilica of Sant'Ambrogio, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676941: The coronation of Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) Duke of Milan (Italy), 14th century - Coronation of Gian Galeazzo Visconti, Duke of Milan, 1351-1402 - The duke in scarlet and ermine kneels before King Wenceslaus of Luxembourg to be crowned - To the left, a knight holds the perial banner and a scribe writes in a book - To the right, knights holds the banner of the Viscontis, and a sword - From a missal in the archives of the Basilica of Sant'Ambrogio, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676941

The coronation of Jean Galeas Visconti (Gian Galeazzo Visconti, 1351-1402) Duke of Milan (Italy), 14th century - Coronation of Gian Galeazzo Visconti, Duke of Milan, 1351-1402 - The duke in scarlet and ermine kneels before King Wenceslaus of Luxembourg to be crowned - To the left, a knight holds the perial banner and a scribe writes in a book - To the right, knights holds the banner of the Viscontis, and a sword - From a missal in the archives of the Basilica of Sant'Ambrogio, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Mercuri, Paolo (1804-84)

'The hot blood burns like fire!', illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho)
'The hot blood burns like fire!', illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho)

STC324255: 'The hot blood burns like fire!', illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: STC324255

'The hot blood burns like fire!', illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho)

Rackham, Arthur (1867-1939)

Italian playing card, 17th century (print on paper)
Italian playing card, 17th century (print on paper)

CDR5972856: Italian playing card, 17th century (print on paper), Italian School, (17th century) / Bridgeman Images

ID: CDR5972856

Italian playing card, 17th century (print on paper)

Italian School, (17th century)

Russian First World War Propaganda Poster, 1914 (chromolitho)
Russian First World War Propaganda Poster, 1914 (chromolitho)

FIA5403472: Russian First World War Propaganda Poster, 1914 (chromolitho), Unknown Artist, (20th century) / Bridgeman Images

ID: FIA5403472

Russian First World War Propaganda Poster, 1914 (chromolitho)

Unknown Artist, (20th century)

Queen Elizabeth knighting Sir Francis Drake (engraving)
Queen Elizabeth knighting Sir Francis Drake (engraving)

LIP1612829: Queen Elizabeth knighting Sir Francis Drake (engraving), Gilbert, John (1817-97) / Bridgeman Images

ID: LIP1612829

Queen Elizabeth knighting Sir Francis Drake (engraving)

Gilbert, John (1817-97)

King Charles VII of France knighting Joan of Arc, 1429 (chromolitho)
King Charles VII of France knighting Joan of Arc, 1429 (chromolitho)

LLM2817169: King Charles VII of France knighting Joan of Arc, 1429 (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM2817169

King Charles VII of France knighting Joan of Arc, 1429 (chromolitho)

French School, (19th century)

Portrait of Ernest, Duke of Cumberland and King of Hanover (1771-1851) (oil on canvas)
Portrait of Ernest, Duke of Cumberland and King of Hanover (1771-1851) (oil on canvas)

CH1765056: Portrait of Ernest, Duke of Cumberland and King of Hanover (1771-1851) (oil on canvas), Beechey, William (1753-1839) / Bridgeman Images

ID: CH1765056

Portrait of Ernest, Duke of Cumberland and King of Hanover (1771-1851) (oil on canvas)

Beechey, William (1753-1839)

Vanity, (oil on canvas)
Vanity, (oil on canvas)

CH827100: Vanity, (oil on canvas), Brunery, Francesco (1845-1926) / Bridgeman Images

ID: CH827100

Vanity, (oil on canvas)

Brunery, Francesco (1845-1926)

Aram Khachaturian
Aram Khachaturian

XLE3746461: Aram Khachaturian, Unknown Artist, (20th century) / Bridgeman Images

ID: XLE3746461

Aram Khachaturian

Unknown Artist, (20th century)

The British and Canadian assault is assisted by the 79th Armoured Division's bridging tanks on June 6th (pencil on paper)
The British and Canadian assault is assisted by the 79th Armoured Division's bridging tanks on June 6th (pencil on paper)

SLA5948914: The British and Canadian assault is assisted by the 79th Armoured Division's bridging tanks on June 6th (pencil on paper), Lawrence, Sandra (b.1945) / Bridgeman Images

ID: SLA5948914

The British and Canadian assault is assisted by the 79th Armoured Division's bridging tanks on June 6th (pencil on paper)

Lawrence, Sandra (b.1945)

Admiral Carlo Zeno (1334-1418) 1878 (oil on canvas)
Admiral Carlo Zeno (1334-1418) 1878 (oil on canvas)

XIR230384: Admiral Carlo Zeno (1334-1418) 1878 (oil on canvas), Maignan, Albert Pierre Rene (1845-1908) / Bridgeman Images

ID: XIR230384

Admiral Carlo Zeno (1334-1418) 1878 (oil on canvas)

Maignan, Albert Pierre Rene (1845-1908)

Belgium Triumphant (colour litho)
Belgium Triumphant (colour litho)

LLM3626841: Belgium Triumphant (colour litho), Wilson, Edward Adrian (1872-1912) / Bridgeman Images

ID: LLM3626841

Belgium Triumphant (colour litho)

Wilson, Edward Adrian (1872-1912)

Joan of Arc, 1922 (bronze)
Joan of Arc, 1922 (bronze)

SUA7205754: Joan of Arc, 1922 (bronze), Huntington, Anna Hyatt (1876-1973) / Bridgeman Images

ID: SUA7205754

Joan of Arc, 1922 (bronze)

Huntington, Anna Hyatt (1876-1973)

Maria Theresa of Austria presenting Joseph II to the Hungarian estates at the diet in 1741. c.1890 (engraving)
Maria Theresa of Austria presenting Joseph II to the Hungarian estates at the diet in 1741. c.1890 (engraving)

KWE7212160: Maria Theresa of Austria presenting Joseph II to the Hungarian estates at the diet in 1741. c.1890 (engraving) / Bridgeman Images

ID: KWE7212160

Maria Theresa of Austria presenting Joseph II to the Hungarian estates at the diet in 1741. c.1890 (engraving)

The arrest of Christ, 1538 (oil on wood)
The arrest of Christ, 1538 (oil on wood)

FIA5409035: The arrest of Christ, 1538 (oil on wood), Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

ID: FIA5409035

The arrest of Christ, 1538 (oil on wood)

Cranach, Lucas the Elder (1472-1553)

'From Ireland thus comes York to claim his right', Act V, Sc. I from 'Henry VI' by William Shakespeare, 1936 (litho)
'From Ireland thus comes York to claim his right', Act V, Sc. I from 'Henry VI' by William Shakespeare, 1936 (litho)

DMA1067128: 'From Ireland thus comes York to claim his right', Act V, Sc. I from 'Henry VI' by William Shakespeare, 1936 (litho), Kent, Rockwell (1882-1971) / Bridgeman Images

ID: DMA1067128

'From Ireland thus comes York to claim his right', Act V, Sc. I from 'Henry VI' by William Shakespeare, 1936 (litho)

Kent, Rockwell (1882-1971)

Double duel between Romeo, Tybalt and Mercutio, c.1900 (chromolithograph)
Double duel between Romeo, Tybalt and Mercutio, c.1900 (chromolithograph)

CCI2636196: Double duel between Romeo, Tybalt and Mercutio, c.1900 (chromolithograph) / Bridgeman Images

ID: CCI2636196

Double duel between Romeo, Tybalt and Mercutio, c.1900 (chromolithograph)


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