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13739 Search Results for sword

Deborah's Rock (West Chester), 1881 (oil on canvas)
Deborah's Rock (West Chester), 1881 (oil on canvas)

BRR5896109: Deborah's Rock (West Chester), 1881 (oil on canvas), Sword, James Brade (1839-1915) / Bridgeman Images

ID: BRR5896109

Deborah's Rock (West Chester), 1881 (oil on canvas)

Sword, James Brade (1839-1915)

A Northumbrian Farmer (oil on panel)
A Northumbrian Farmer (oil on panel)

TW1212652: A Northumbrian Farmer (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: TW1212652

A Northumbrian Farmer (oil on panel)

Good, Thomas Sword (1789-1872)

A domestic exorcism, ceremony of the oni arahi, the head of the house dressed in his finest clothes, sword on the belt, walks at midnight the pieces of his house and throws roties feves to drive out demons and attract the god of wealth and his companion, who drink a bowl of sake to the health of their host (in the background). Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A domestic exorcism, ceremony of the oni arahi, the head of the house dressed in his finest clothes, sword on the belt, walks at midnight the pieces of his house and throws roties feves to drive out demons and attract the god of wealth and his companion, who drink a bowl of sake to the health of their host (in the background). Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328841: A domestic exorcism, ceremony of the oni arahi, the head of the house dressed in his finest clothes, sword on the belt, walks at midnight the pieces of his house and throws roties feves to drive out demons and attract the god of wealth and his companion, who drink a bowl of sake to the health of their host (in the background). Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328841

A domestic exorcism, ceremony of the oni arahi, the head of the house dressed in his finest clothes, sword on the belt, walks at midnight the pieces of his house and throws roties feves to drive out demons and attract the god of wealth and his companion, who drink a bowl of sake to the health of their host (in the background). Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553974: Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553974

Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Sword lily, Gladiolus communis 1, Gladiolus dalenii 2, cudweed, Helichrysum luteoalbum 3, pomegranate flower, Punica granatum 4 and blood lily, Haemanthus sanguineus 5. (Gladiolus, Gladiolus affinis seu Aniholissa, Granata balaustia, Haemanthus africanus, Gnaphalium seu Helychrysum.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.
Sword lily, Gladiolus communis 1, Gladiolus dalenii 2, cudweed, Helichrysum luteoalbum 3, pomegranate flower, Punica granatum 4 and blood lily, Haemanthus sanguineus 5. (Gladiolus, Gladiolus affinis seu Aniholissa, Granata balaustia, Haemanthus africanus, Gnaphalium seu Helychrysum.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

FLO4563240: Sword lily, Gladiolus communis 1, Gladiolus dalenii 2, cudweed, Helichrysum luteoalbum 3, pomegranate flower, Punica granatum 4 and blood lily, Haemanthus sanguineus 5. (Gladiolus, Gladiolus affinis seu Aniholissa, Granata balaustia, Haemanthus africanus, Gnaphalium seu Helychrysum.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771. / Bridgeman Images

ID: FLO4563240

Sword lily, Gladiolus communis 1, Gladiolus dalenii 2, cudweed, Helichrysum luteoalbum 3, pomegranate flower, Punica granatum 4 and blood lily, Haemanthus sanguineus 5. (Gladiolus, Gladiolus affinis seu Aniholissa, Granata balaustia, Haemanthus africanus, Gnaphalium seu Helychrysum.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto
Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto

MPX5156089: Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto "any officer who goes into action without his sword is improperly armed." Source. Wikipedia. Pictured 2nd March 1967 (b/w photo) / Bridgeman Images

ID: MPX5156089

Lieutenant Colonel John Malcolm Thorpe Fleming Churchill, DSO & Bar, MC & Bar (16 September 1906 Ð 8 March 1996), a.k.a. Jack Churchill, Fighting Jack Churchill and Mad Jack, a British soldier who fought throughout World War II armed with a longbow, arrows, and a Scottish broadsword. He is known for the motto "any officer who goes into action without his sword is improperly armed." Source. Wikipedia. Pictured 2nd March 1967 (b/w photo)

Peasant Dance, Detail, 1568 (oil on panel)
Peasant Dance, Detail, 1568 (oil on panel)

BBC186443: Peasant Dance, Detail, 1568 (oil on panel), Bruegel, Pieter the Elder (c.1525-69) / Bridgeman Images

ID: BBC186443

Peasant Dance, Detail, 1568 (oil on panel)

Bruegel, Pieter the Elder (c.1525-69)

Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)
Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

STC984796: Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

ID: STC984796

Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

Doyle, James William Edmund (1822-92)

__ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving)
__ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving)

STC3025366: __ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3025366

__ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving)

Gillray, James (1757-1815)

Marco Polo, 18th century (Watercolour and ink)
Marco Polo, 18th century (Watercolour and ink)

GIA4812562: Marco Polo, 18th century (Watercolour and ink), Grevenbroeck, Jan van (1731-1807) / Bridgeman Images

ID: GIA4812562

Marco Polo, 18th century (Watercolour and ink)

Grevenbroeck, Jan van (1731-1807)

the Nativity, Saint Francis of Assisi and possibly Saint Julian the Hospitaller, 15th century (oil on panel)
the Nativity, Saint Francis of Assisi and possibly Saint Julian the Hospitaller, 15th century (oil on panel)

XIR897491: the Nativity, Saint Francis of Assisi and possibly Saint Julian the Hospitaller, 15th century (oil on panel), Weyden, Rogier van der (1399-1464) / Bridgeman Images

ID: XIR897491

the Nativity, Saint Francis of Assisi and possibly Saint Julian the Hospitaller, 15th century (oil on panel)

Weyden, Rogier van der (1399-1464)

Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length, Leaning on a Pedestal by a Bust of Mars, 1774 (oil on canvas)
Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length, Leaning on a Pedestal by a Bust of Mars, 1774 (oil on canvas)

CH652187: Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length, Leaning on a Pedestal by a Bust of Mars, 1774 (oil on canvas), Batoni, Pompeo Girolamo (1708-87) / Bridgeman Images

ID: CH652187

Portrait of a Cavalry Officer in Walking-Out Dress, Three-Quarter Length, Leaning on a Pedestal by a Bust of Mars, 1774 (oil on canvas)

Batoni, Pompeo Girolamo (1708-87)

Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4677157: Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861 / Bridgeman Images

ID: FLO4677157

Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

'The hot blood burns like fire!', illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho)
'The hot blood burns like fire!', illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho)

STC324255: 'The hot blood burns like fire!', illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: STC324255

'The hot blood burns like fire!', illustration from 'Siegfried and the Twilight of the Gods', 1924 (colour litho)

Rackham, Arthur (1867-1939)

The Power of Music, 1823 (oil on panel)
The Power of Music, 1823 (oil on panel)

TW426845: The Power of Music, 1823 (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: TW426845

The Power of Music, 1823 (oil on panel)

Good, Thomas Sword (1789-1872)

Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas)
Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas)

CH1196853: Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas), Mihr'Ali (active c.1795-1830) / Bridgeman Images

ID: CH1196853

Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas)

Mihr'Ali (active c.1795-1830)

The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre)
The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre)

CH659191: The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre), Veronese, (Caliari, Paolo) (1528-88) / Bridgeman Images

ID: CH659191

The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre)

Veronese, (Caliari, Paolo) (1528-88)

Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas)
Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas)

ELC848556: Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas), Marini, Benedetto (c.1590-1627) / Bridgeman Images

ID: ELC848556

Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas)

Marini, Benedetto (c.1590-1627)

King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616724: King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616724

King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Aram Khachaturian
Aram Khachaturian

XLE3746461: Aram Khachaturian, Unknown Artist, (20th century) / Bridgeman Images

ID: XLE3746461

Aram Khachaturian

Unknown Artist, (20th century)

View of Singapore from Fort Canning, 1846 (w/c on paper)
View of Singapore from Fort Canning, 1846 (w/c on paper)

LIT389546: View of Singapore from Fort Canning, 1846 (w/c on paper), Thomson, John Turnbull (1821-84) / Bridgeman Images

ID: LIT389546

View of Singapore from Fort Canning, 1846 (w/c on paper)

Thomson, John Turnbull (1821-84)

Captain Jenkins' ear
Captain Jenkins' ear

LAL337906: Captain Jenkins' ear, English School, (20th century) / Bridgeman Images

ID: LAL337906

Captain Jenkins' ear

English School, (20th century)

Shore Scene with Figures (oil on canvas)
Shore Scene with Figures (oil on canvas)

CMN3743879: Shore Scene with Figures (oil on canvas), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: CMN3743879

Shore Scene with Figures (oil on canvas)

Good, Thomas Sword (1789-1872)

The British and Canadian assault is assisted by the 79th Armoured Division's bridging tanks on June 6th (pencil on paper)
The British and Canadian assault is assisted by the 79th Armoured Division's bridging tanks on June 6th (pencil on paper)

SLA5948914: The British and Canadian assault is assisted by the 79th Armoured Division's bridging tanks on June 6th (pencil on paper), Lawrence, Sandra (b.1945) / Bridgeman Images

ID: SLA5948914

The British and Canadian assault is assisted by the 79th Armoured Division's bridging tanks on June 6th (pencil on paper)

Lawrence, Sandra (b.1945)

Union Army, A sergeant of infantry
Union Army, A sergeant of infantry

DTO3028579: Union Army, A sergeant of infantry / Bridgeman Images

ID: DTO3028579

Union Army, A sergeant of infantry

Russian First World War Propaganda Poster, 1914 (chromolitho)
Russian First World War Propaganda Poster, 1914 (chromolitho)

FIA5403472: Russian First World War Propaganda Poster, 1914 (chromolitho), Unknown Artist, (20th century) / Bridgeman Images

ID: FIA5403472

Russian First World War Propaganda Poster, 1914 (chromolitho)

Unknown Artist, (20th century)

A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4633952: A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4633952

A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Doom (detail), 15th century (stained glass)
Doom (detail), 15th century (stained glass)

XPC84841: Doom (detail), 15th century (stained glass), English School, (15th century) / Bridgeman Images

ID: XPC84841

Doom (detail), 15th century (stained glass)

English School, (15th century)

Achilles and Ulysses (gouache on paper)
Achilles and Ulysses (gouache on paper)

LAL5197039: Achilles and Ulysses (gouache on paper), Quinto, Nadir (1918-94) / Bridgeman Images

ID: LAL5197039

Achilles and Ulysses (gouache on paper)

Quinto, Nadir (1918-94)

People in London, 1967 (b/w photo)
People in London, 1967 (b/w photo)

SZT717993: People in London, 1967 (b/w photo) / Bridgeman Images

ID: SZT717993

People in London, 1967 (b/w photo)

Cavalry of the Wehrmacht practicing the attack with drawn swords in the 30s (b/w photo)
Cavalry of the Wehrmacht practicing the attack with drawn swords in the 30s (b/w photo)

SZT2979198: Cavalry of the Wehrmacht practicing the attack with drawn swords in the 30s (b/w photo) / Bridgeman Images

ID: SZT2979198

Cavalry of the Wehrmacht practicing the attack with drawn swords in the 30s (b/w photo)

Queen Elizabeth knighting Sir Francis Drake (engraving)
Queen Elizabeth knighting Sir Francis Drake (engraving)

LIP1612829: Queen Elizabeth knighting Sir Francis Drake (engraving), Gilbert, John (1817-97) / Bridgeman Images

ID: LIP1612829

Queen Elizabeth knighting Sir Francis Drake (engraving)

Gilbert, John (1817-97)

King Charles VII of France knighting Joan of Arc, 1429 (chromolitho)
King Charles VII of France knighting Joan of Arc, 1429 (chromolitho)

LLM2817169: King Charles VII of France knighting Joan of Arc, 1429 (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM2817169

King Charles VII of France knighting Joan of Arc, 1429 (chromolitho)

French School, (19th century)

Portrait of Ernest, Duke of Cumberland and King of Hanover (1771-1851) (oil on canvas)
Portrait of Ernest, Duke of Cumberland and King of Hanover (1771-1851) (oil on canvas)

CH1765056: Portrait of Ernest, Duke of Cumberland and King of Hanover (1771-1851) (oil on canvas), Beechey, William (1753-1839) / Bridgeman Images

ID: CH1765056

Portrait of Ernest, Duke of Cumberland and King of Hanover (1771-1851) (oil on canvas)

Beechey, William (1753-1839)

Vanity, (oil on canvas)
Vanity, (oil on canvas)

CH827100: Vanity, (oil on canvas), Brunery, Francesco (1845-1926) / Bridgeman Images

ID: CH827100

Vanity, (oil on canvas)

Brunery, Francesco (1845-1926)

Kaiser Wilhelm II, 1910 (oil on canvas)
Kaiser Wilhelm II, 1910 (oil on canvas)

GBW699219: Kaiser Wilhelm II, 1910 (oil on canvas), Hering, Adolf Emil (1863-1932) / Bridgeman Images

ID: GBW699219

Kaiser Wilhelm II, 1910 (oil on canvas)

Hering, Adolf Emil (1863-1932)


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