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13739 Search Results for sword

A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4633952: A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4633952

A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The First Kiss in Ten Years! or The Meeting of Britannia & Citizen Francois, published by Hannah Humphrey in 1803 (hand-coloured etching with aquatint)
The First Kiss in Ten Years! or The Meeting of Britannia & Citizen Francois, published by Hannah Humphrey in 1803 (hand-coloured etching with aquatint)

NCO190179: The First Kiss in Ten Years! or The Meeting of Britannia & Citizen Francois, published by Hannah Humphrey in 1803 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190179

The First Kiss in Ten Years! or The Meeting of Britannia & Citizen Francois, published by Hannah Humphrey in 1803 (hand-coloured etching with aquatint)

Gillray, James (1757-1815)

The Bridal-Night, 1797 (hand-coloured etching)
The Bridal-Night, 1797 (hand-coloured etching)

STC2562192: The Bridal-Night, 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2562192

The Bridal-Night, 1797 (hand-coloured etching)

Gillray, James (1757-1815)

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678450: King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678450

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

King Hammurabi goes to war, his chariot drawn by asses of a particularly tough breed
King Hammurabi goes to war, his chariot drawn by asses of a particularly tough breed

LAL453577: King Hammurabi goes to war, his chariot drawn by asses of a particularly tough breed, Payne, Roger (b.1934) / Bridgeman Images

ID: LAL453577

King Hammurabi goes to war, his chariot drawn by asses of a particularly tough breed

Payne, Roger (b.1934)

Thank You, Father Victory, front cover of 'Le Rire Rouge', 2 January 1915 (colour litho)
Thank You, Father Victory, front cover of 'Le Rire Rouge', 2 January 1915 (colour litho)

STC195064: Thank You, Father Victory, front cover of 'Le Rire Rouge', 2 January 1915 (colour litho), Willette, Adolphe Leon (1857-1926) / Bridgeman Images

ID: STC195064

Thank You, Father Victory, front cover of 'Le Rire Rouge', 2 January 1915 (colour litho)

Willette, Adolphe Leon (1857-1926)

Westminster-Conscripts under the Training Act, 1806 (hand coloured engraving)
Westminster-Conscripts under the Training Act, 1806 (hand coloured engraving)

STC2966882: Westminster-Conscripts under the Training Act, 1806 (hand coloured engraving) , Gillray, James (1757-1815) / Bridgeman Images

ID: STC2966882

Westminster-Conscripts under the Training Act, 1806 (hand coloured engraving)

Gillray, James (1757-1815)

Francis I of France requesting to be knighted by the Chevalier Bayard after victory at the Battle of Marignano, Italy, 1515, 1825 (engraving)
Francis I of France requesting to be knighted by the Chevalier Bayard after victory at the Battle of Marignano, Italy, 1515, 1825 (engraving)

XEE4162470: Francis I of France requesting to be knighted by the Chevalier Bayard after victory at the Battle of Marignano, Italy, 1515, 1825 (engraving), Tardieu, Ambroise (1788-1841) / Bridgeman Images

ID: XEE4162470

Francis I of France requesting to be knighted by the Chevalier Bayard after victory at the Battle of Marignano, Italy, 1515, 1825 (engraving)

Tardieu, Ambroise (1788-1841)

A Portrait of General Fleury on Horseback, (oil on canas)
A Portrait of General Fleury on Horseback, (oil on canas)

CH987313: A Portrait of General Fleury on Horseback, (oil on canas), Dedreux, Alfred (1810-60) / Bridgeman Images

ID: CH987313

A Portrait of General Fleury on Horseback, (oil on canas)

Dedreux, Alfred (1810-60)

Augustin Lorenzo, 1936 (sanguine on rice paper)
Augustin Lorenzo, 1936 (sanguine on rice paper)

CH988168: Augustin Lorenzo, 1936 (sanguine on rice paper), Rivera, Diego (1886-1957) / Bridgeman Images

ID: CH988168

Augustin Lorenzo, 1936 (sanguine on rice paper)

Rivera, Diego (1886-1957)

The Crucifixion, c.1650 (black pen drawing on buff paper)
The Crucifixion, c.1650 (black pen drawing on buff paper)

CH1196752: The Crucifixion, c.1650 (black pen drawing on buff paper), Mughal School, (17th century) / Bridgeman Images

ID: CH1196752

The Crucifixion, c.1650 (black pen drawing on buff paper)

Mughal School, (17th century)

The Portuguese sovereigns in Cherbourg, Admiral Touchard offering French roses to Her Majesty Queen Amelie of portugal, front cover illustration from 'Le Petit Journal', supplement illustre, 27th November 1904 (lithograph)
The Portuguese sovereigns in Cherbourg, Admiral Touchard offering French roses to Her Majesty Queen Amelie of portugal, front cover illustration from 'Le Petit Journal', supplement illustre, 27th November 1904 (lithograph)

XIR698855: The Portuguese sovereigns in Cherbourg, Admiral Touchard offering French roses to Her Majesty Queen Amelie of portugal, front cover illustration from 'Le Petit Journal', supplement illustre, 27th November 1904 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR698855

The Portuguese sovereigns in Cherbourg, Admiral Touchard offering French roses to Her Majesty Queen Amelie of portugal, front cover illustration from 'Le Petit Journal', supplement illustre, 27th November 1904 (lithograph)

French School, (20th century)

Punishment of the Lustful, from Triumph of death, 1348, detail (fresco)
Punishment of the Lustful, from Triumph of death, 1348, detail (fresco)

BEN3469885: Punishment of the Lustful, from Triumph of death, 1348, detail (fresco), Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images

ID: BEN3469885

Punishment of the Lustful, from Triumph of death, 1348, detail (fresco)

Orcagna, Andrea di Cione (c.1308-68)

Battle of Mount Thabor, 16th April 1799, 1808 (oil on canvas) (detail)
Battle of Mount Thabor, 16th April 1799, 1808 (oil on canvas) (detail)

XIR174806: Battle of Mount Thabor, 16th April 1799, 1808 (oil on canvas) (detail), Lejeune, Louis (1775-1848) / Bridgeman Images

ID: XIR174806

Battle of Mount Thabor, 16th April 1799, 1808 (oil on canvas) (detail)

Lejeune, Louis (1775-1848)

The Sacrifice of Isaac (oil on panel)
The Sacrifice of Isaac (oil on panel)

XIR245110: The Sacrifice of Isaac (oil on panel), Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

ID: XIR245110

The Sacrifice of Isaac (oil on panel)

Cranach, Lucas the Elder (1472-1553)

Francis Drake being knighted by Queen Elizabeth I aboard the Golden Hind at Deptford 1581, from Knowledge Magazine, 1963 (colour litho)
Francis Drake being knighted by Queen Elizabeth I aboard the Golden Hind at Deptford 1581, from Knowledge Magazine, 1963 (colour litho)

IL5323638: Francis Drake being knighted by Queen Elizabeth I aboard the Golden Hind at Deptford 1581, from Knowledge Magazine, 1963 (colour litho), English School, (20th century) / Bridgeman Images

ID: IL5323638

Francis Drake being knighted by Queen Elizabeth I aboard the Golden Hind at Deptford 1581, from Knowledge Magazine, 1963 (colour litho)

English School, (20th century)

Bologna Polyptych (Madonna and Child with Saints), 1333 - 1334
Bologna Polyptych (Madonna and Child with Saints), 1333 - 1334

MEB854319: Bologna Polyptych (Madonna and Child with Saints), 1333 - 1334, Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

ID: MEB854319

Bologna Polyptych (Madonna and Child with Saints), 1333 - 1334

Giotto (Giotto di Bondone) (c.1266-1337)

The Prince and Princess of Wales at the Oxford Commemoration, 1863
The Prince and Princess of Wales at the Oxford Commemoration, 1863

HRP5246013: The Prince and Princess of Wales at the Oxford Commemoration, 1863, Unknown Artist, (20th century) / Bridgeman Images

ID: HRP5246013

The Prince and Princess of Wales at the Oxford Commemoration, 1863

Unknown Artist, (20th century)

The Triumph of Death, detail of fragments depicting hell, 1348 (fresco)
The Triumph of Death, detail of fragments depicting hell, 1348 (fresco)

BEN112967: The Triumph of Death, detail of fragments depicting hell, 1348 (fresco), Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images

ID: BEN112967

The Triumph of Death, detail of fragments depicting hell, 1348 (fresco)

Orcagna, Andrea di Cione (c.1308-68)

'For your contempt and disobedience I send you to prison', said Judge Gascoigne, illustration from 'Our Island Story' , 1905 (colour litho)
'For your contempt and disobedience I send you to prison', said Judge Gascoigne, illustration from 'Our Island Story' , 1905 (colour litho)

STC308539: 'For your contempt and disobedience I send you to prison', said Judge Gascoigne, illustration from 'Our Island Story' , 1905 (colour litho), Forrest, Archibald Stevenson (1869-1963) / Bridgeman Images

ID: STC308539

'For your contempt and disobedience I send you to prison', said Judge Gascoigne, illustration from 'Our Island Story' , 1905 (colour litho)

Forrest, Archibald Stevenson (1869-1963)

Sir Mador begs for his life, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)
Sir Mador begs for his life, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

STC328796: Sir Mador begs for his life, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC328796

Sir Mador begs for his life, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

Pyle, Howard (1853-1911)

First Landing of Columbus on the Shores of the New World, 1892 (colour lithograph)
First Landing of Columbus on the Shores of the New World, 1892 (colour lithograph)

XOS3704176: First Landing of Columbus on the Shores of the New World, 1892 (colour lithograph), Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

ID: XOS3704176

First Landing of Columbus on the Shores of the New World, 1892 (colour lithograph)

Currier, N. (1813-88) and Ives, J.M. (1824-95)

Sir Francis Drake (1540-1596), English navigator was knighted by Queen Elizabeth I in 1581. Engraving.
Sir Francis Drake (1540-1596), English navigator was knighted by Queen Elizabeth I in 1581. Engraving.

GIA4776543: Sir Francis Drake (1540-1596), English navigator was knighted by Queen Elizabeth I in 1581. Engraving., Gilbert, John (1817-97) (after) / Bridgeman Images

ID: GIA4776543

Sir Francis Drake (1540-1596), English navigator was knighted by Queen Elizabeth I in 1581. Engraving.

Gilbert, John (1817-97) (after)

Britomart Unarming, c.1855 (oil on canvas)
Britomart Unarming, c.1855 (oil on canvas)

CH658269: Britomart Unarming, c.1855 (oil on canvas), Pickersgill, Frederick Richard (1820-1900) / Bridgeman Images

ID: CH658269

Britomart Unarming, c.1855 (oil on canvas)

Pickersgill, Frederick Richard (1820-1900)

Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas)
Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas)

ELC848556: Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas), Marini, Benedetto (c.1590-1627) / Bridgeman Images

ID: ELC848556

Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas)

Marini, Benedetto (c.1590-1627)

Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas)
Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas)

CH1196853: Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas), Mihr'Ali (active c.1795-1830) / Bridgeman Images

ID: CH1196853

Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas)

Mihr'Ali (active c.1795-1830)

The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre)
The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre)

CH659191: The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre), Veronese, (Caliari, Paolo) (1528-88) / Bridgeman Images

ID: CH659191

The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre)

Veronese, (Caliari, Paolo) (1528-88)

King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616724: King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616724

King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

A Northumbrian Farmer, c.1820-34 (oil on canvas)
A Northumbrian Farmer, c.1820-34 (oil on canvas)

TW426865: A Northumbrian Farmer, c.1820-34 (oil on canvas), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: TW426865

A Northumbrian Farmer, c.1820-34 (oil on canvas)

Good, Thomas Sword (1789-1872)

Self Portrait (oil on wood)
Self Portrait (oil on wood)

CMN3743878: Self Portrait (oil on wood), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: CMN3743878

Self Portrait (oil on wood)

Good, Thomas Sword (1789-1872)

Deborah's Rock (West Chester), 1881 (oil on canvas)
Deborah's Rock (West Chester), 1881 (oil on canvas)

BRR5896109: Deborah's Rock (West Chester), 1881 (oil on canvas), Sword, James Brade (1839-1915) / Bridgeman Images

ID: BRR5896109

Deborah's Rock (West Chester), 1881 (oil on canvas)

Sword, James Brade (1839-1915)

Ėmir Bukharskīĭ. Bukhara, 1911 (photo)
Ėmir Bukharskīĭ. Bukhara, 1911 (photo)

XOS6249477: Ėmir Bukharskīĭ. Bukhara, 1911 (photo), Prokudin-Gorsky, Sergei Mikhailovich (1863-1944) / Bridgeman Images

ID: XOS6249477

Ėmir Bukharskīĭ. Bukhara, 1911 (photo)

Prokudin-Gorsky, Sergei Mikhailovich (1863-1944)

A Northumbrian Farmer (oil on panel)
A Northumbrian Farmer (oil on panel)

TW1212652: A Northumbrian Farmer (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: TW1212652

A Northumbrian Farmer (oil on panel)

Good, Thomas Sword (1789-1872)

View of Singapore from Fort Canning, 1846 (w/c on paper)
View of Singapore from Fort Canning, 1846 (w/c on paper)

LIT389546: View of Singapore from Fort Canning, 1846 (w/c on paper), Thomson, John Turnbull (1821-84) / Bridgeman Images

ID: LIT389546

View of Singapore from Fort Canning, 1846 (w/c on paper)

Thomson, John Turnbull (1821-84)

George of the Falaise, 1899 (b/w photo)
George of the Falaise, 1899 (b/w photo)

GEG7145026: George of the Falaise, 1899 (b/w photo) / Bridgeman Images

ID: GEG7145026

George of the Falaise, 1899 (b/w photo)

Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)
Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)

GRL6365885: Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco), Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images

ID: GRL6365885

Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)

Orcagna, Andrea di Cione (c.1308-68)


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