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13716 Search Results for sword

General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845
General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

FLO4723693: General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845 / Bridgeman Images

ID: FLO4723693

General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

Figure of Fortitude, c.1896 (stained glass)
Figure of Fortitude, c.1896 (stained glass)

TW3057869: Figure of Fortitude, c.1896 (stained glass), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: TW3057869

Figure of Fortitude, c.1896 (stained glass)

Burne-Jones, Edward Coley (1833-98)

Lancelot Slays Corbin's Snake, illustration from 'The Story of Sir Lancelot and His Companions', 1907 (engraving)
Lancelot Slays Corbin's Snake, illustration from 'The Story of Sir Lancelot and His Companions', 1907 (engraving)

ELD4883572: Lancelot Slays Corbin's Snake, illustration from 'The Story of Sir Lancelot and His Companions', 1907 (engraving), Pyle, Howard (1853-1911) / Bridgeman Images

ID: ELD4883572

Lancelot Slays Corbin's Snake, illustration from 'The Story of Sir Lancelot and His Companions', 1907 (engraving)

Pyle, Howard (1853-1911)

First World war: American propaganda poster for war savings stamps, c.1918 (poster)
First World war: American propaganda poster for war savings stamps, c.1918 (poster)

SD873094: First World war: American propaganda poster for war savings stamps, c.1918 (poster), Coffin, Haskell William (1878-1941) / Bridgeman Images

ID: SD873094

First World war: American propaganda poster for war savings stamps, c.1918 (poster)

Coffin, Haskell William (1878-1941)

Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4677157: Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861 / Bridgeman Images

ID: FLO4677157

Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Duce Benito Mussolini's visit to the colonies, Tripoli, Libya, 1937 (b/w photo)
Duce Benito Mussolini's visit to the colonies, Tripoli, Libya, 1937 (b/w photo)

OLA5357832: Duce Benito Mussolini's visit to the colonies, Tripoli, Libya, 1937 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: OLA5357832

Duce Benito Mussolini's visit to the colonies, Tripoli, Libya, 1937 (b/w photo)

Unknown photographer, (20th century)

Suzy Solidor and Jean-Gabriel Domergue, 1951 (b/w photo)
Suzy Solidor and Jean-Gabriel Domergue, 1951 (b/w photo)

XRA7206055: Suzy Solidor and Jean-Gabriel Domergue, 1951 (b/w photo) / Bridgeman Images

ID: XRA7206055

Suzy Solidor and Jean-Gabriel Domergue, 1951 (b/w photo)

Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;
Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;

NAM310787: Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;, Lovett, Alfred Crowdy (1862-1919) / Bridgeman Images

ID: NAM310787

Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;

Lovett, Alfred Crowdy (1862-1919)

The Bridal-Night, 1797 (hand-coloured etching)
The Bridal-Night, 1797 (hand-coloured etching)

STC2562192: The Bridal-Night, 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2562192

The Bridal-Night, 1797 (hand-coloured etching)

Gillray, James (1757-1815)

The Prophet of the Hebrews: the Prince of Peace conducting the Jews to the Promised Land, published by Hannah Humphrey in 1795 (hand-coloured etching)
The Prophet of the Hebrews: the Prince of Peace conducting the Jews to the Promised Land, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO193186: The Prophet of the Hebrews: the Prince of Peace conducting the Jews to the Promised Land, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193186

The Prophet of the Hebrews: the Prince of Peace conducting the Jews to the Promised Land, published by Hannah Humphrey in 1795 (hand-coloured etching)

Gillray, James (1757-1815)

'For your contempt and disobedience I send you to prison', said Judge Gascoigne, illustration from 'Our Island Story' , 1905 (colour litho)
'For your contempt and disobedience I send you to prison', said Judge Gascoigne, illustration from 'Our Island Story' , 1905 (colour litho)

STC308539: 'For your contempt and disobedience I send you to prison', said Judge Gascoigne, illustration from 'Our Island Story' , 1905 (colour litho), Forrest, Archibald Stevenson (1869-1963) / Bridgeman Images

ID: STC308539

'For your contempt and disobedience I send you to prison', said Judge Gascoigne, illustration from 'Our Island Story' , 1905 (colour litho)

Forrest, Archibald Stevenson (1869-1963)

First Landing of Columbus on the Shores of the New World, 1892 (colour lithograph)
First Landing of Columbus on the Shores of the New World, 1892 (colour lithograph)

XOS3704176: First Landing of Columbus on the Shores of the New World, 1892 (colour lithograph), Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

ID: XOS3704176

First Landing of Columbus on the Shores of the New World, 1892 (colour lithograph)

Currier, N. (1813-88) and Ives, J.M. (1824-95)

Sir Mador begs for his life, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)
Sir Mador begs for his life, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

STC328796: Sir Mador begs for his life, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC328796

Sir Mador begs for his life, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

Pyle, Howard (1853-1911)

The Triumph of Death, detail of fragments depicting hell, 1348 (fresco)
The Triumph of Death, detail of fragments depicting hell, 1348 (fresco)

BEN112967: The Triumph of Death, detail of fragments depicting hell, 1348 (fresco), Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images

ID: BEN112967

The Triumph of Death, detail of fragments depicting hell, 1348 (fresco)

Orcagna, Andrea di Cione (c.1308-68)

Sir Francis Drake (1540-1596), English navigator was knighted by Queen Elizabeth I in 1581. Engraving.
Sir Francis Drake (1540-1596), English navigator was knighted by Queen Elizabeth I in 1581. Engraving.

GIA4776543: Sir Francis Drake (1540-1596), English navigator was knighted by Queen Elizabeth I in 1581. Engraving., Gilbert, John (1817-97) (after) / Bridgeman Images

ID: GIA4776543

Sir Francis Drake (1540-1596), English navigator was knighted by Queen Elizabeth I in 1581. Engraving.

Gilbert, John (1817-97) (after)

Britomart Unarming, c.1855 (oil on canvas)
Britomart Unarming, c.1855 (oil on canvas)

CH658269: Britomart Unarming, c.1855 (oil on canvas), Pickersgill, Frederick Richard (1820-1900) / Bridgeman Images

ID: CH658269

Britomart Unarming, c.1855 (oil on canvas)

Pickersgill, Frederick Richard (1820-1900)

USA: USA Bonds - Third Liberty Loan Campaign - Boy Scouts of America Weapons for liberty. First World War propaganda poster, 1917
USA: USA Bonds - Third Liberty Loan Campaign - Boy Scouts of America Weapons for liberty. First World War propaganda poster, 1917

PFH2635211: USA: USA Bonds - Third Liberty Loan Campaign - Boy Scouts of America Weapons for liberty. First World War propaganda poster, 1917 / Bridgeman Images

ID: PFH2635211

USA: USA Bonds - Third Liberty Loan Campaign - Boy Scouts of America Weapons for liberty. First World War propaganda poster, 1917

Mr Charles Pitt as Gloster, Henry VI, Part III (engraving)
Mr Charles Pitt as Gloster, Henry VI, Part III (engraving)

LLM971696: Mr Charles Pitt as Gloster, Henry VI, Part III (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971696

Mr Charles Pitt as Gloster, Henry VI, Part III (engraving)

English School, (19th century)

Harold II swears fidelity to Duke William of Normandy, 1066, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)
Harold II swears fidelity to Duke William of Normandy, 1066, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

STC984728: Harold II swears fidelity to Duke William of Normandy, 1066, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

ID: STC984728

Harold II swears fidelity to Duke William of Normandy, 1066, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

Doyle, James William Edmund (1822-92)

Saint Michael crushes the head of the demon, 1635 (oil on canvas)
Saint Michael crushes the head of the demon, 1635 (oil on canvas)

LRI4622165: Saint Michael crushes the head of the demon, 1635 (oil on canvas), Reni, Guido (1575-1642) / Bridgeman Images

ID: LRI4622165

Saint Michael crushes the head of the demon, 1635 (oil on canvas)

Reni, Guido (1575-1642)

How Hereward came in to the King, illustration from 'Hereward the Great' by Charles Kingsley, 1870 (steel plate engraving)
How Hereward came in to the King, illustration from 'Hereward the Great' by Charles Kingsley, 1870 (steel plate engraving)

STC400818: How Hereward came in to the King, illustration from 'Hereward the Great' by Charles Kingsley, 1870 (steel plate engraving), Selous, Henry Courtney (1811-90) / Bridgeman Images

ID: STC400818

How Hereward came in to the King, illustration from 'Hereward the Great' by Charles Kingsley, 1870 (steel plate engraving)

Selous, Henry Courtney (1811-90)

Portrait of Captain John Pratt, Middleton, Connecticut, 1792 (oil on canvas)
Portrait of Captain John Pratt, Middleton, Connecticut, 1792 (oil on canvas)

CH651027: Portrait of Captain John Pratt, Middleton, Connecticut, 1792 (oil on canvas), Earl, Ralph (1751-1801) / Bridgeman Images

ID: CH651027

Portrait of Captain John Pratt, Middleton, Connecticut, 1792 (oil on canvas)

Earl, Ralph (1751-1801)

Brown dwarf with a large debris ring - Artist's view of a brown dwarf star surrounded by a disc of dust and rocks. In the foreground, a primitive exoplanet illuminated by the star. This imaginary high - mass brown dwarf has a larger disk than the previous renderings. The perspective is from the equator of an airless planet, orbiting the brown dwarf at a distance of about 4 million miles. This planet's orbit is very nearly aligned to the plane of the rings, hence the debris appears as a sword - like straight line
Brown dwarf with a large debris ring - Artist's view of a brown dwarf star surrounded by a disc of dust and rocks. In the foreground, a primitive exoplanet illuminated by the star. This imaginary high - mass brown dwarf has a larger disk than the previous renderings. The perspective is from the equator of an airless planet, orbiting the brown dwarf at a distance of about 4 million miles. This planet's orbit is very nearly aligned to the plane of the rings, hence the debris appears as a sword - like straight line

PIX4572539: Brown dwarf with a large debris ring - Artist's view of a brown dwarf star surrounded by a disc of dust and rocks. In the foreground, a primitive exoplanet illuminated by the star. This imaginary high - mass brown dwarf has a larger disk than the previous renderings. The perspective is from the equator of an airless planet, orbiting the brown dwarf at a distance of about 4 million miles. This planet's orbit is very nearly aligned to the plane of the rings, hence the debris appears as a sword - like straight line / Bridgeman Images

ID: PIX4572539

Brown dwarf with a large debris ring - Artist's view of a brown dwarf star surrounded by a disc of dust and rocks. In the foreground, a primitive exoplanet illuminated by the star. This imaginary high - mass brown dwarf has a larger disk than the previous renderings. The perspective is from the equator of an airless planet, orbiting the brown dwarf at a distance of about 4 million miles. This planet's orbit is very nearly aligned to the plane of the rings, hence the debris appears as a sword - like straight line

George of the Falaise, 1899 (b/w photo)
George of the Falaise, 1899 (b/w photo)

GEG7145026: George of the Falaise, 1899 (b/w photo) / Bridgeman Images

ID: GEG7145026

George of the Falaise, 1899 (b/w photo)

The Coronation Regalia of Hungary, 1790 (colour engraving)
The Coronation Regalia of Hungary, 1790 (colour engraving)

CHT290007: The Coronation Regalia of Hungary, 1790 (colour engraving), German School, (18th century) / Bridgeman Images

ID: CHT290007

The Coronation Regalia of Hungary, 1790 (colour engraving)

German School, (18th century)

Set of biblical educational postcards in the 50's , made after Fine Arts : here after
Set of biblical educational postcards in the 50's , made after Fine Arts : here after

XRH1703870: Set of biblical educational postcards in the 50's , made after Fine Arts : here after "Archangel Saint Michael" by Guido Reni / Bridgeman Images

ID: XRH1703870

Set of biblical educational postcards in the 50's , made after Fine Arts : here after "Archangel Saint Michael" by Guido Reni

Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas)
Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas)

ELC848556: Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas), Marini, Benedetto (c.1590-1627) / Bridgeman Images

ID: ELC848556

Madonna with Child and St. Michael the Archangel and a Holy Bishop, 1615 (oil on canvas)

Marini, Benedetto (c.1590-1627)

King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616724: King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616724

King Charles I of England (1600-1649), based on a portrait of 1635 by Antonie Van Dyck (1599-1641) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre)
The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre)

CH659191: The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre), Veronese, (Caliari, Paolo) (1528-88) / Bridgeman Images

ID: CH659191

The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre)

Veronese, (Caliari, Paolo) (1528-88)

__ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving)
__ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving)

STC3025366: __ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3025366

__ ci devant Occupations, or Madam Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797 - a Fact!, pub. 1805 (hand coloured engraving)

Gillray, James (1757-1815)

Marco Polo, 18th century (Watercolour and ink)
Marco Polo, 18th century (Watercolour and ink)

GIA4812562: Marco Polo, 18th century (Watercolour and ink), Grevenbroeck, Jan van (1731-1807) / Bridgeman Images

ID: GIA4812562

Marco Polo, 18th century (Watercolour and ink)

Grevenbroeck, Jan van (1731-1807)

The Portuguese sovereigns in Cherbourg, Admiral Touchard offering French roses to Her Majesty Queen Amelie of portugal, front cover illustration from 'Le Petit Journal', supplement illustre, 27th November 1904 (colour litho)
The Portuguese sovereigns in Cherbourg, Admiral Touchard offering French roses to Her Majesty Queen Amelie of portugal, front cover illustration from 'Le Petit Journal', supplement illustre, 27th November 1904 (colour litho)

XIR698855: The Portuguese sovereigns in Cherbourg, Admiral Touchard offering French roses to Her Majesty Queen Amelie of portugal, front cover illustration from 'Le Petit Journal', supplement illustre, 27th November 1904 (colour litho) , French School, (20th century) / Bridgeman Images

ID: XIR698855

The Portuguese sovereigns in Cherbourg, Admiral Touchard offering French roses to Her Majesty Queen Amelie of portugal, front cover illustration from 'Le Petit Journal', supplement illustre, 27th November 1904 (colour litho)

French School, (20th century)

A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4633952: A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4633952

A Turkish soldier facing a Kurdish soldier in front of the facade of the Basilica of Saint Sophia in Itamboul (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A Turkoman soldier with sword and bow facing a Kurd soldier with club and shield. In the background is the Hagia Sophia Orthodox church in Istanbul. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Damocles, 1866 (oil on canvas)
Damocles, 1866 (oil on canvas)

XIR222733: Damocles, 1866 (oil on canvas), Couture, Thomas (1815-79) / Bridgeman Images

ID: XIR222733

Damocles, 1866 (oil on canvas)

Couture, Thomas (1815-79)

A Northumbrian Farmer, c.1820-34 (oil on canvas)
A Northumbrian Farmer, c.1820-34 (oil on canvas)

TW426865: A Northumbrian Farmer, c.1820-34 (oil on canvas), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: TW426865

A Northumbrian Farmer, c.1820-34 (oil on canvas)

Good, Thomas Sword (1789-1872)

Self Portrait (oil on wood)
Self Portrait (oil on wood)

CMN3743878: Self Portrait (oil on wood), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: CMN3743878

Self Portrait (oil on wood)

Good, Thomas Sword (1789-1872)


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