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13716 Search Results for sword

Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553970: Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553970

Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Frankish chief or king armed with a scramasax, after a 9th century miniature, from 'Le Moyen Age et La Renaissance' by Paul Lacroix (1806-84) published 1847 (litho)
Frankish chief or king armed with a scramasax, after a 9th century miniature, from 'Le Moyen Age et La Renaissance' by Paul Lacroix (1806-84) published 1847 (litho)

KWE260543: Frankish chief or king armed with a scramasax, after a 9th century miniature, from 'Le Moyen Age et La Renaissance' by Paul Lacroix (1806-84) published 1847 (litho), French School, (19th century) / Bridgeman Images

ID: KWE260543

Frankish chief or king armed with a scramasax, after a 9th century miniature, from 'Le Moyen Age et La Renaissance' by Paul Lacroix (1806-84) published 1847 (litho)

French School, (19th century)

Variete of sword - Superb cornflag, Gladiolus cardinalis. Taken from an illustration by William Clark from Richard Morris's “Flora Conspicua.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Variete of sword - Superb cornflag, Gladiolus cardinalis. Taken from an illustration by William Clark from Richard Morris's “Flora Conspicua.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599542: Variete of sword - Superb cornflag, Gladiolus cardinalis. Taken from an illustration by William Clark from Richard Morris's “Flora Conspicua.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4599542

Variete of sword - Superb cornflag, Gladiolus cardinalis. Taken from an illustration by William Clark from Richard Morris's “Flora Conspicua.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

The Wigmaker's Apprentice or Practice Makes Perfect, c.1823 (oil on panel)
The Wigmaker's Apprentice or Practice Makes Perfect, c.1823 (oil on panel)

VFS109714: The Wigmaker's Apprentice or Practice Makes Perfect, c.1823 (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: VFS109714

The Wigmaker's Apprentice or Practice Makes Perfect, c.1823 (oil on panel)

Good, Thomas Sword (1789-1872)

Coast Scene with Figures Mending Nets (oil on panel)
Coast Scene with Figures Mending Nets (oil on panel)

FLE102058: Coast Scene with Figures Mending Nets (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: FLE102058

Coast Scene with Figures Mending Nets (oil on panel)

Good, Thomas Sword (1789-1872)

Sketch for the Battle of Yorktown, 1st to 17th October 1781, c.1836 (oil on canvas)
Sketch for the Battle of Yorktown, 1st to 17th October 1781, c.1836 (oil on canvas)

XIR102599: Sketch for the Battle of Yorktown, 1st to 17th October 1781, c.1836 (oil on canvas), Couder, Louis Charles Auguste (1790-1873) / Bridgeman Images

ID: XIR102599

Sketch for the Battle of Yorktown, 1st to 17th October 1781, c.1836 (oil on canvas)

Couder, Louis Charles Auguste (1790-1873)

Mr J W Wallack as Gloster, Richard III, Act I, Scene I (engraving)
Mr J W Wallack as Gloster, Richard III, Act I, Scene I (engraving)

LLM971700: Mr J W Wallack as Gloster, Richard III, Act I, Scene I (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971700

Mr J W Wallack as Gloster, Richard III, Act I, Scene I (engraving)

English School, (19th century)

Mr Couldock as Richard III, Richard III, Act IV, Scene II (engraving)
Mr Couldock as Richard III, Richard III, Act IV, Scene II (engraving)

LLM971701: Mr Couldock as Richard III, Richard III, Act IV, Scene II (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971701

Mr Couldock as Richard III, Richard III, Act IV, Scene II (engraving)

English School, (19th century)

Joan of Arc (c 1412-1431) (chromolitho)
Joan of Arc (c 1412-1431) (chromolitho)

LLM724629: Joan of Arc (c 1412-1431) (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM724629

Joan of Arc (c 1412-1431) (chromolitho)

French School, (19th century)

Three generations of the British Royal family (b/w photo)
Three generations of the British Royal family (b/w photo)

LLM3094016: Three generations of the British Royal family (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM3094016

Three generations of the British Royal family (b/w photo)

English Photographer, (20th century)

After the battle of Fyrisvelir (Fyrisvall) (984-985) - After the Battle of Fyrisvellir, 1880s (oil on canvas)
After the battle of Fyrisvelir (Fyrisvall) (984-985) - After the Battle of Fyrisvellir, 1880s (oil on canvas)

FIA5407683: After the battle of Fyrisvelir (Fyrisvall) (984-985) - After the Battle of Fyrisvellir, 1880s (oil on canvas), Winge, Marten Eskil (1825-96) / Bridgeman Images

ID: FIA5407683

After the battle of Fyrisvelir (Fyrisvall) (984-985) - After the Battle of Fyrisvellir, 1880s (oil on canvas)

Winge, Marten Eskil (1825-96)

The White Knight, Alice's Adventures In Wonderland And Through The Looking-Glass And What Alice Found There, by Lewis Carroll (1832 - 98), published 1911 (coloured lithograph)
The White Knight, Alice's Adventures In Wonderland And Through The Looking-Glass And What Alice Found There, by Lewis Carroll (1832 - 98), published 1911 (coloured lithograph)

STC2657695: The White Knight, Alice's Adventures In Wonderland And Through The Looking-Glass And What Alice Found There, by Lewis Carroll (1832 - 98), published 1911 (coloured lithograph), Tenniel, John (1820-1914) / Bridgeman Images

ID: STC2657695

The White Knight, Alice's Adventures In Wonderland And Through The Looking-Glass And What Alice Found There, by Lewis Carroll (1832 - 98), published 1911 (coloured lithograph)

Tenniel, John (1820-1914)

St. Barabara, St. Dorothy and St. Agnes (oil on canvas)
St. Barabara, St. Dorothy and St. Agnes (oil on canvas)

CH2632799: St. Barabara, St. Dorothy and St. Agnes (oil on canvas), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: CH2632799

St. Barabara, St. Dorothy and St. Agnes (oil on canvas)

Burne-Jones, Edward Coley (1833-98)

Les Valois et les Bourbons: Charles IX (1550-1574) and Elisabeth of Austria (1554-1592), Henry III (1551-1589) and Louise de Lorraine Vaudemont (1553-1601), Henri IV (1553-1610) and Marie de Medicis (1575-1642) - Plage extracted from Kings and Queens of France in prints, Paris, ed. Swift, 19th century
Les Valois et les Bourbons: Charles IX (1550-1574) and Elisabeth of Austria (1554-1592), Henry III (1551-1589) and Louise de Lorraine Vaudemont (1553-1601), Henri IV (1553-1610) and Marie de Medicis (1575-1642) - Plage extracted from Kings and Queens of France in prints, Paris, ed. Swift, 19th century

LSE4088207: Les Valois et les Bourbons: Charles IX (1550-1574) and Elisabeth of Austria (1554-1592), Henry III (1551-1589) and Louise de Lorraine Vaudemont (1553-1601), Henri IV (1553-1610) and Marie de Medicis (1575-1642) - Plage extracted from Kings and Queens of France in prints, Paris, ed. Swift, 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4088207

Les Valois et les Bourbons: Charles IX (1550-1574) and Elisabeth of Austria (1554-1592), Henry III (1551-1589) and Louise de Lorraine Vaudemont (1553-1601), Henri IV (1553-1610) and Marie de Medicis (1575-1642) - Plage extracted from Kings and Queens of France in prints, Paris, ed. Swift, 19th century

Unknown Artist, (19th century)

Sir Geraint and the Knight of the Sparrow-Hawk, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)
Sir Geraint and the Knight of the Sparrow-Hawk, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

STC328782: Sir Geraint and the Knight of the Sparrow-Hawk, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC328782

Sir Geraint and the Knight of the Sparrow-Hawk, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

Pyle, Howard (1853-1911)

The Dance, (oil on canvas)
The Dance, (oil on canvas)

CH659047: The Dance, (oil on canvas), Toudouze, Edouard (1848-1907) / Bridgeman Images

ID: CH659047

The Dance, (oil on canvas)

Toudouze, Edouard (1848-1907)

How We Are Governed: Freedom of Speech
How We Are Governed: Freedom of Speech

LAL297744: How We Are Governed: Freedom of Speech, McConnell, James Edwin (1903-95) / Bridgeman Images

ID: LAL297744

How We Are Governed: Freedom of Speech

McConnell, James Edwin (1903-95)

Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797, published by Hannah Humphrey in 1805 (etching with aquatint)
Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797, published by Hannah Humphrey in 1805 (etching with aquatint)

NCO190178: Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797, published by Hannah Humphrey in 1805 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190178

Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797, published by Hannah Humphrey in 1805 (etching with aquatint)

Gillray, James (1757-1815)

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678450: King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678450

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Peasant Dance, Detail, 1568 (oil on panel)
Peasant Dance, Detail, 1568 (oil on panel)

BBC186443: Peasant Dance, Detail, 1568 (oil on panel), Bruegel, Pieter the Elder (c.1525-69) / Bridgeman Images

ID: BBC186443

Peasant Dance, Detail, 1568 (oil on panel)

Bruegel, Pieter the Elder (c.1525-69)

Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)
Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

STC984796: Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

ID: STC984796

Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

Doyle, James William Edmund (1822-92)

The Red-Cross Knight (engraving)
The Red-Cross Knight (engraving)

LLM662631: The Red-Cross Knight (engraving), English School, (19th century) / Bridgeman Images

ID: LLM662631

The Red-Cross Knight (engraving)

English School, (19th century)

Mr C Kean as Gloster, Richard III, Act I, Scene I (engraving)
Mr C Kean as Gloster, Richard III, Act I, Scene I (engraving)

LLM971699: Mr C Kean as Gloster, Richard III, Act I, Scene I (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971699

Mr C Kean as Gloster, Richard III, Act I, Scene I (engraving)

English School, (19th century)

St Michael the Archangel, by Reni Guido, 1635, 17th century (oil on silk)
St Michael the Archangel, by Reni Guido, 1635, 17th century (oil on silk)

ELC1267229: St Michael the Archangel, by Reni Guido, 1635, 17th century (oil on silk), Reni, Guido (1575-1642) / Bridgeman Images

ID: ELC1267229

St Michael the Archangel, by Reni Guido, 1635, 17th century (oil on silk)

Reni, Guido (1575-1642)

King Louis XII of France (1462-1515), after a miniature by Jean Marot (or Desmarets, circa 1450-circa 1526) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “historical costumes of the 16th, 17th and 18th centuries” by Georges Duplessis (1834-1899), edition 1867
King Louis XII of France (1462-1515), after a miniature by Jean Marot (or Desmarets, circa 1450-circa 1526) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “historical costumes of the 16th, 17th and 18th centuries” by Georges Duplessis (1834-1899), edition 1867

FLO4616937: King Louis XII of France (1462-1515), after a miniature by Jean Marot (or Desmarets, circa 1450-circa 1526) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “historical costumes of the 16th, 17th and 18th centuries” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616937

King Louis XII of France (1462-1515), after a miniature by Jean Marot (or Desmarets, circa 1450-circa 1526) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “historical costumes of the 16th, 17th and 18th centuries” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Pierre I the Great (1672-1725) - Peter the Great, Czar of Russia, 18th century - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Fashion and Costumes Anciens et Modernes”” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865
Pierre I the Great (1672-1725) - Peter the Great, Czar of Russia, 18th century - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Fashion and Costumes Anciens et Modernes”” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865

FLO4686489: Pierre I the Great (1672-1725) - Peter the Great, Czar of Russia, 18th century - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Fashion and Costumes Anciens et Modernes”” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865 / Bridgeman Images

ID: FLO4686489

Pierre I the Great (1672-1725) - Peter the Great, Czar of Russia, 18th century - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Fashion and Costumes Anciens et Modernes”” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865

The three archangels and Tobias, 1470-75 circa, (tempera on wood)
The three archangels and Tobias, 1470-75 circa, (tempera on wood)

SBL7146335: The three archangels and Tobias, 1470-75 circa, (tempera on wood), Botticini, Francesco (c.1446-97) (attr. to) / Bridgeman Images

ID: SBL7146335

The three archangels and Tobias, 1470-75 circa, (tempera on wood)

Botticini, Francesco (c.1446-97) (attr. to)

Mr P Richings (of Philadelphia) as Mercutio, Romeo and Juliet, Act I, Scene IV (engraving)
Mr P Richings (of Philadelphia) as Mercutio, Romeo and Juliet, Act I, Scene IV (engraving)

LLM971668: Mr P Richings (of Philadelphia) as Mercutio, Romeo and Juliet, Act I, Scene IV (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971668

Mr P Richings (of Philadelphia) as Mercutio, Romeo and Juliet, Act I, Scene IV (engraving)

English School, (19th century)

Frederick Barbarossa at the assault on the town of Iconium, 3rd Crusade, 1188 (chromolitho)
Frederick Barbarossa at the assault on the town of Iconium, 3rd Crusade, 1188 (chromolitho)

LLM2817160: Frederick Barbarossa at the assault on the town of Iconium, 3rd Crusade, 1188 (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM2817160

Frederick Barbarossa at the assault on the town of Iconium, 3rd Crusade, 1188 (chromolitho)

French School, (19th century)

The English before Harfleur, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
The English before Harfleur, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC385273: The English before Harfleur, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), English School, (19th century) / Bridgeman Images

ID: STC385273

The English before Harfleur, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

English School, (19th century)

Queen Elizabeth II inspecting the third battalion of Gordon Highlanders in the Balmoral castle grounds, 1961 (b/w photo)
Queen Elizabeth II inspecting the third battalion of Gordon Highlanders in the Balmoral castle grounds, 1961 (b/w photo)

XRE2129598: Queen Elizabeth II inspecting the third battalion of Gordon Highlanders in the Balmoral castle grounds, 1961 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: XRE2129598

Queen Elizabeth II inspecting the third battalion of Gordon Highlanders in the Balmoral castle grounds, 1961 (b/w photo)

Unknown photographer, (20th century)

Riverbed at Todorovo (South Wall), 1930-31 (oil on canvas)
Riverbed at Todorovo (South Wall), 1930-31 (oil on canvas)

USB3703339: Riverbed at Todorovo (South Wall), 1930-31 (oil on canvas), Spencer, Stanley (1891-1959) / Bridgeman Images

ID: USB3703339

Riverbed at Todorovo (South Wall), 1930-31 (oil on canvas)

Spencer, Stanley (1891-1959)

Bullfighting: the matador executes the faena, the bull sifting with banners loads towards the muleta, before the estocade at the sword, reclaims for the bullfight of Jerez de la Frontera (Xeres) (Andalusia), 4 May 1947 - Prevenoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper without value tresoriorioriorionamento) to replace tickets of bank, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947
Bullfighting: the matador executes the faena, the bull sifting with banners loads towards the muleta, before the estocade at the sword, reclaims for the bullfight of Jerez de la Frontera (Xeres) (Andalusia), 4 May 1947 - Prevenoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper without value tresoriorioriorionamento) to replace tickets of bank, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947

LEG4338980: Bullfighting: the matador executes the faena, the bull sifting with banners loads towards the muleta, before the estocade at the sword, reclaims for the bullfight of Jerez de la Frontera (Xeres) (Andalusia), 4 May 1947 - Prevenoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper without value tresoriorioriorionamento) to replace tickets of bank, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947 / Bridgeman Images

ID: LEG4338980

Bullfighting: the matador executes the faena, the bull sifting with banners loads towards the muleta, before the estocade at the sword, reclaims for the bullfight of Jerez de la Frontera (Xeres) (Andalusia), 4 May 1947 - Prevenoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper without value tresoriorioriorionamento) to replace tickets of bank, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947

General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845
General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

FLO4723693: General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845 / Bridgeman Images

ID: FLO4723693

General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

In Transvaal, the taking of an English battery by the Boers, illustration from 'Le Petit Journal', 28th January 1900 (lithograph)
In Transvaal, the taking of an English battery by the Boers, illustration from 'Le Petit Journal', 28th January 1900 (lithograph)

XIR125404: In Transvaal, the taking of an English battery by the Boers, illustration from 'Le Petit Journal', 28th January 1900 (lithograph), Rudaux, Henri (19th-20th century) (after) / Bridgeman Images

ID: XIR125404

In Transvaal, the taking of an English battery by the Boers, illustration from 'Le Petit Journal', 28th January 1900 (lithograph)

Rudaux, Henri (19th-20th century) (after)

First World war: American propaganda poster for war savings stamps, c.1918 (poster)
First World war: American propaganda poster for war savings stamps, c.1918 (poster)

NBY1768758: First World war: American propaganda poster for war savings stamps, c.1918 (poster), Coffin, Haskell William (1878-1941) / Bridgeman Images

ID: NBY1768758

First World war: American propaganda poster for war savings stamps, c.1918 (poster)

Coffin, Haskell William (1878-1941)


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