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13739 Search Results for sword

British and Canadian troops head for the beaches in their assault landing craft on June 6th (pencil on paper)
British and Canadian troops head for the beaches in their assault landing craft on June 6th (pencil on paper)

SLA5948916: British and Canadian troops head for the beaches in their assault landing craft on June 6th (pencil on paper), Lawrence, Sandra (b.1945) / Bridgeman Images

ID: SLA5948916

British and Canadian troops head for the beaches in their assault landing craft on June 6th (pencil on paper)

Lawrence, Sandra (b.1945)

Relief depicting a secutor (stone)
Relief depicting a secutor (stone)

XIR226114: Relief depicting a secutor (stone), Roman, (2nd century) / Bridgeman Images

ID: XIR226114

Relief depicting a secutor (stone)

Roman, (2nd century)

Adoration of the Magi, 15th-16th century (tapestry)
Adoration of the Magi, 15th-16th century (tapestry)

XIR188856: Adoration of the Magi, 15th-16th century (tapestry), Flemish School / Bridgeman Images

ID: XIR188856

Adoration of the Magi, 15th-16th century (tapestry)

Flemish School

Allegory of the Battle of Austerlitz, 2nd December 1805, 19th century (oil on canvas)
Allegory of the Battle of Austerlitz, 2nd December 1805, 19th century (oil on canvas)

XIR209385: Allegory of the Battle of Austerlitz, 2nd December 1805, 19th century (oil on canvas), Callet, Antoine Francois (1741-1823) / Bridgeman Images

ID: XIR209385

Allegory of the Battle of Austerlitz, 2nd December 1805, 19th century (oil on canvas)

Callet, Antoine Francois (1741-1823)

Adoration of the Magi, 1636 (oil on canvas)
Adoration of the Magi, 1636 (oil on canvas)

XIR16819: Adoration of the Magi, 1636 (oil on canvas), Saint-Igny, Jean de (1595-1649) / Bridgeman Images

ID: XIR16819

Adoration of the Magi, 1636 (oil on canvas)

Saint-Igny, Jean de (1595-1649)

Along the Brandywine, 1881 (oil on canvas)
Along the Brandywine, 1881 (oil on canvas)

BRR5896110: Along the Brandywine, 1881 (oil on canvas), Sword, James Brade (1839-1915) / Bridgeman Images

ID: BRR5896110

Along the Brandywine, 1881 (oil on canvas)

Sword, James Brade (1839-1915)

Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553970: Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553970

Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Secutor and retiarius (mosaic)
Secutor and retiarius (mosaic)

ANC379215: Secutor and retiarius (mosaic), Roman, (3rd century AD) / Bridgeman Images

ID: ANC379215

Secutor and retiarius (mosaic)

Roman, (3rd century AD)

The Expected Penny (oil on panel)
The Expected Penny (oil on panel)

TW426834: The Expected Penny (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: TW426834

The Expected Penny (oil on panel)

Good, Thomas Sword (1789-1872)

A Sailor offering a model boat to St. Justin (oil on panel)
A Sailor offering a model boat to St. Justin (oil on panel)

CPH230032: A Sailor offering a model boat to St. Justin (oil on panel), Tintoretto, Domenico Robusti (1560-1635) / Bridgeman Images

ID: CPH230032

A Sailor offering a model boat to St. Justin (oil on panel)

Tintoretto, Domenico Robusti (1560-1635)

The Wigmaker's Apprentice or Practice Makes Perfect, c.1823 (oil on panel)
The Wigmaker's Apprentice or Practice Makes Perfect, c.1823 (oil on panel)

VFS109714: The Wigmaker's Apprentice or Practice Makes Perfect, c.1823 (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: VFS109714

The Wigmaker's Apprentice or Practice Makes Perfect, c.1823 (oil on panel)

Good, Thomas Sword (1789-1872)

Coast Scene with Figures Mending Nets (oil on panel)
Coast Scene with Figures Mending Nets (oil on panel)

FLE102058: Coast Scene with Figures Mending Nets (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: FLE102058

Coast Scene with Figures Mending Nets (oil on panel)

Good, Thomas Sword (1789-1872)

Merry Cottagers
Merry Cottagers

CH24130: Merry Cottagers, Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: CH24130

Merry Cottagers

Good, Thomas Sword (1789-1872)

Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797, published by Hannah Humphrey in 1805 (etching with aquatint)
Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797, published by Hannah Humphrey in 1805 (etching with aquatint)

NCO190178: Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797, published by Hannah Humphrey in 1805 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190178

Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797, published by Hannah Humphrey in 1805 (etching with aquatint)

Gillray, James (1757-1815)

Oliver Cromwell, 1867 (oil on canvas)
Oliver Cromwell, 1867 (oil on canvas)

CH985100: Oliver Cromwell, 1867 (oil on canvas), Leutze, Emanuel Gottlieb (1816-68) / Bridgeman Images

ID: CH985100

Oliver Cromwell, 1867 (oil on canvas)

Leutze, Emanuel Gottlieb (1816-68)

Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;
Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;

NAM310787: Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;, Lovett, Alfred Crowdy (1862-1919) / Bridgeman Images

ID: NAM310787

Soldiers of the 3rd Sappers and Miners Lance, Naik, Brahman of Oudh. Jemadah, Dekhani Mahratti, illustration for 'Armies of India' by Major G.F. MacMunn, published in 1911, 1908 (w/c on paper)99:male; Indian; soldier; sepoy; turban; military uniform; costume; full length; portrait; distinguished; British Empire; Imperial history; standing; regiment; spade; worker; gun; rifle; sword; Indian army; British Raj; Asian;

Lovett, Alfred Crowdy (1862-1919)

A Fisherman with a Gun (oil on panel)
A Fisherman with a Gun (oil on panel)

FLE102057: A Fisherman with a Gun (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: FLE102057

A Fisherman with a Gun (oil on panel)

Good, Thomas Sword (1789-1872)

The Japanese General Count Maresuke Nogi before the tomb of Emperor Napoleon Bonaparte at Les Invalides, Paris, illustration from 'Le Petit Journal', supplement illustre, 23rd July 1911 (lithograph)
The Japanese General Count Maresuke Nogi before the tomb of Emperor Napoleon Bonaparte at Les Invalides, Paris, illustration from 'Le Petit Journal', supplement illustre, 23rd July 1911 (lithograph)

XIR346515: The Japanese General Count Maresuke Nogi before the tomb of Emperor Napoleon Bonaparte at Les Invalides, Paris, illustration from 'Le Petit Journal', supplement illustre, 23rd July 1911 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR346515

The Japanese General Count Maresuke Nogi before the tomb of Emperor Napoleon Bonaparte at Les Invalides, Paris, illustration from 'Le Petit Journal', supplement illustre, 23rd July 1911 (lithograph)

French School, (20th century)

Mr Charles Pitt as Gloster, Henry VI, Part III (engraving)
Mr Charles Pitt as Gloster, Henry VI, Part III (engraving)

LLM971696: Mr Charles Pitt as Gloster, Henry VI, Part III (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971696

Mr Charles Pitt as Gloster, Henry VI, Part III (engraving)

English School, (19th century)

Portrait of Nicolas Baptiste in the role of Horace (oil on canvas)
Portrait of Nicolas Baptiste in the role of Horace (oil on canvas)

XIR420020: Portrait of Nicolas Baptiste in the role of Horace (oil on canvas), Drolling, Martin (1752-1817) / Bridgeman Images

ID: XIR420020

Portrait of Nicolas Baptiste in the role of Horace (oil on canvas)

Drolling, Martin (1752-1817)

How Hereward came in to the King, illustration from 'Hereward the Great' by Charles Kingsley, 1870 (steel plate engraving)
How Hereward came in to the King, illustration from 'Hereward the Great' by Charles Kingsley, 1870 (steel plate engraving)

STC400818: How Hereward came in to the King, illustration from 'Hereward the Great' by Charles Kingsley, 1870 (steel plate engraving), Selous, Henry Courtney (1811-90) / Bridgeman Images

ID: STC400818

How Hereward came in to the King, illustration from 'Hereward the Great' by Charles Kingsley, 1870 (steel plate engraving)

Selous, Henry Courtney (1811-90)

Don Quixote and Sancho in front of the bulls. Engraving.
Don Quixote and Sancho in front of the bulls. Engraving.

TRK561366: Don Quixote and Sancho in front of the bulls. Engraving. / Bridgeman Images

ID: TRK561366

Don Quixote and Sancho in front of the bulls. Engraving.

Harold II swears fidelity to Duke William of Normandy, 1066, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)
Harold II swears fidelity to Duke William of Normandy, 1066, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

STC984728: Harold II swears fidelity to Duke William of Normandy, 1066, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

ID: STC984728

Harold II swears fidelity to Duke William of Normandy, 1066, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

Doyle, James William Edmund (1822-92)

USA: USA Bonds - Third Liberty Loan Campaign - Boy Scouts of America Weapons for liberty. First World War propaganda poster, 1917
USA: USA Bonds - Third Liberty Loan Campaign - Boy Scouts of America Weapons for liberty. First World War propaganda poster, 1917

PFH2635211: USA: USA Bonds - Third Liberty Loan Campaign - Boy Scouts of America Weapons for liberty. First World War propaganda poster, 1917 / Bridgeman Images

ID: PFH2635211

USA: USA Bonds - Third Liberty Loan Campaign - Boy Scouts of America Weapons for liberty. First World War propaganda poster, 1917

Portrait of Genghiz Khan, c.1803-4 (oil on canvas)
Portrait of Genghiz Khan, c.1803-4 (oil on canvas)

CH1196852: Portrait of Genghiz Khan, c.1803-4 (oil on canvas), Mihr'Ali (active c.1795-1830) / Bridgeman Images

ID: CH1196852

Portrait of Genghiz Khan, c.1803-4 (oil on canvas)

Mihr'Ali (active c.1795-1830)

Portrait of Captain John Pratt, Middleton, Connecticut, 1792 (oil on canvas)
Portrait of Captain John Pratt, Middleton, Connecticut, 1792 (oil on canvas)

CH651027: Portrait of Captain John Pratt, Middleton, Connecticut, 1792 (oil on canvas), Earl, Ralph (1751-1801) / Bridgeman Images

ID: CH651027

Portrait of Captain John Pratt, Middleton, Connecticut, 1792 (oil on canvas)

Earl, Ralph (1751-1801)

Saint Michael crushes the head of the demon, 1635 (oil on canvas)
Saint Michael crushes the head of the demon, 1635 (oil on canvas)

LRI4622165: Saint Michael crushes the head of the demon, 1635 (oil on canvas), Reni, Guido (1575-1642) / Bridgeman Images

ID: LRI4622165

Saint Michael crushes the head of the demon, 1635 (oil on canvas)

Reni, Guido (1575-1642)

Frederick Barbarossa at the assault on the town of Iconium, 3rd Crusade, 1188 (chromolitho)
Frederick Barbarossa at the assault on the town of Iconium, 3rd Crusade, 1188 (chromolitho)

LLM2817160: Frederick Barbarossa at the assault on the town of Iconium, 3rd Crusade, 1188 (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM2817160

Frederick Barbarossa at the assault on the town of Iconium, 3rd Crusade, 1188 (chromolitho)

French School, (19th century)

The English before Harfleur, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
The English before Harfleur, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC385273: The English before Harfleur, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), English School, (19th century) / Bridgeman Images

ID: STC385273

The English before Harfleur, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

English School, (19th century)

Mr P Richings (of Philadelphia) as Mercutio, Romeo and Juliet, Act I, Scene IV (engraving)
Mr P Richings (of Philadelphia) as Mercutio, Romeo and Juliet, Act I, Scene IV (engraving)

LLM971668: Mr P Richings (of Philadelphia) as Mercutio, Romeo and Juliet, Act I, Scene IV (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971668

Mr P Richings (of Philadelphia) as Mercutio, Romeo and Juliet, Act I, Scene IV (engraving)

English School, (19th century)

Queen Elizabeth II inspecting the third battalion of Gordon Highlanders in the Balmoral castle grounds, 1961 (b/w photo)
Queen Elizabeth II inspecting the third battalion of Gordon Highlanders in the Balmoral castle grounds, 1961 (b/w photo)

XRE2129598: Queen Elizabeth II inspecting the third battalion of Gordon Highlanders in the Balmoral castle grounds, 1961 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: XRE2129598

Queen Elizabeth II inspecting the third battalion of Gordon Highlanders in the Balmoral castle grounds, 1961 (b/w photo)

Unknown photographer, (20th century)

Riverbed at Todorovo (South Wall), 1930-31 (oil on canvas)
Riverbed at Todorovo (South Wall), 1930-31 (oil on canvas)

USB3703339: Riverbed at Todorovo (South Wall), 1930-31 (oil on canvas), Spencer, Stanley (1891-1959) / Bridgeman Images

ID: USB3703339

Riverbed at Todorovo (South Wall), 1930-31 (oil on canvas)

Spencer, Stanley (1891-1959)

Bullfighting: the matador executes the faena, the bull sifting with banners loads towards the muleta, before the estocade at the sword, reclaims for the bullfight of Jerez de la Frontera (Xeres) (Andalusia), 4 May 1947 - Prevenoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper without value tresoriorioriorionamento) to replace tickets of bank, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947
Bullfighting: the matador executes the faena, the bull sifting with banners loads towards the muleta, before the estocade at the sword, reclaims for the bullfight of Jerez de la Frontera (Xeres) (Andalusia), 4 May 1947 - Prevenoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper without value tresoriorioriorionamento) to replace tickets of bank, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947

LEG4338980: Bullfighting: the matador executes the faena, the bull sifting with banners loads towards the muleta, before the estocade at the sword, reclaims for the bullfight of Jerez de la Frontera (Xeres) (Andalusia), 4 May 1947 - Prevenoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper without value tresoriorioriorionamento) to replace tickets of bank, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947 / Bridgeman Images

ID: LEG4338980

Bullfighting: the matador executes the faena, the bull sifting with banners loads towards the muleta, before the estocade at the sword, reclaims for the bullfight of Jerez de la Frontera (Xeres) (Andalusia), 4 May 1947 - Prevenoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper without value tresoriorioriorionamento) to replace tickets of bank, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947

General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845
General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

FLO4723693: General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845 / Bridgeman Images

ID: FLO4723693

General de la garde imperiale indienne - General in the Indian imperial guard (Delhi) in turban with plume, embroidered robes, jeweled belt, sash, dagger, and sword - Handcoloured woodcut by Mercier after an illustration by H. Hendrickx from “” Mores, Uses et Costumes de tous les Peoples' du Monde, Asia,” by Auguste Wahlen, pseudonym of Jean Francot Is Nicholas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

Charles VII of France (chromolitho)
Charles VII of France (chromolitho)

LLM1093641: Charles VII of France (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM1093641

Charles VII of France (chromolitho)

French School, (19th century)

Crédit Lyonnais. Subscribe to the 4th National Loan, 1918 (colour litho)
Crédit Lyonnais. Subscribe to the 4th National Loan, 1918 (colour litho)

GBW699160: Crédit Lyonnais. Subscribe to the 4th National Loan, 1918 (colour litho), Faivre, Jules Abel (1867-1945) / Bridgeman Images

ID: GBW699160

Crédit Lyonnais. Subscribe to the 4th National Loan, 1918 (colour litho)

Faivre, Jules Abel (1867-1945)


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