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13715 Search Results for sword

The Bridal Night, pub. 1797 (hand coloured engraving)
The Bridal Night, pub. 1797 (hand coloured engraving)

STC3035683: The Bridal Night, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3035683

The Bridal Night, pub. 1797 (hand coloured engraving)

Gillray, James (1757-1815)

The Tomb of Napoleon Bonaparte (1769-1821) on St. Helena, 1821 (litho)
The Tomb of Napoleon Bonaparte (1769-1821) on St. Helena, 1821 (litho)

XIR160161: The Tomb of Napoleon Bonaparte (1769-1821) on St. Helena, 1821 (litho), French School, (19th century) / Bridgeman Images

ID: XIR160161

The Tomb of Napoleon Bonaparte (1769-1821) on St. Helena, 1821 (litho)

French School, (19th century)

King Harold's messenger gives him news of Duke William's army, Bayeux Tapestry (wool embroidery on linen)
King Harold's messenger gives him news of Duke William's army, Bayeux Tapestry (wool embroidery on linen)

XIR183141: King Harold's messenger gives him news of Duke William's army, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: XIR183141

King Harold's messenger gives him news of Duke William's army, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

Capture of Joan of Arc, 25 May 1430, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)
Capture of Joan of Arc, 25 May 1430, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

STC984779: Capture of Joan of Arc, 25 May 1430, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

ID: STC984779

Capture of Joan of Arc, 25 May 1430, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

Doyle, James William Edmund (1822-92)

Galahad meets Melyas de Lyle, illustration from 'The Story of the Grail and the Passing of King Arthur', 1910 (engraving)
Galahad meets Melyas de Lyle, illustration from 'The Story of the Grail and the Passing of King Arthur', 1910 (engraving)

ELD4882518: Galahad meets Melyas de Lyle, illustration from 'The Story of the Grail and the Passing of King Arthur', 1910 (engraving), Pyle, Howard (1853-1911) / Bridgeman Images

ID: ELD4882518

Galahad meets Melyas de Lyle, illustration from 'The Story of the Grail and the Passing of King Arthur', 1910 (engraving)

Pyle, Howard (1853-1911)

The Coronation of King Henry IV of England (1367-1413), by the Evechs of Westminster Abbey, London, 1399 - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Henry IV of England, 1399. The king is crowned by bishops in Westminster Abbey, while pages hold his coat of arms, helm and sword - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The Coronation of King Henry IV of England (1367-1413), by the Evechs of Westminster Abbey, London, 1399 - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Henry IV of England, 1399. The king is crowned by bishops in Westminster Abbey, while pages hold his coat of arms, helm and sword - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630623: The Coronation of King Henry IV of England (1367-1413), by the Evechs of Westminster Abbey, London, 1399 - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Henry IV of England, 1399. The king is crowned by bishops in Westminster Abbey, while pages hold his coat of arms, helm and sword - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630623

The Coronation of King Henry IV of England (1367-1413), by the Evechs of Westminster Abbey, London, 1399 - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Henry IV of England, 1399. The king is crowned by bishops in Westminster Abbey, while pages hold his coat of arms, helm and sword - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Mary Read - English female pirate (engraving)
Mary Read - English female pirate (engraving)

XLF3784190: Mary Read - English female pirate (engraving), Wentworth, F. (18th century) / Bridgeman Images

ID: XLF3784190

Mary Read - English female pirate (engraving)

Wentworth, F. (18th century)

The Rivals (oil on canvas)
The Rivals (oil on canvas)

PNY155646: The Rivals (oil on canvas), Sword, James Brade (1839-1915) / Bridgeman Images

ID: PNY155646

The Rivals (oil on canvas)

Sword, James Brade (1839-1915)

New York artillerymen with a heavy gun in Fort Corcoran, spring 1862 (b/w photo)
New York artillerymen with a heavy gun in Fort Corcoran, spring 1862 (b/w photo)

BMS869215: New York artillerymen with a heavy gun in Fort Corcoran, spring 1862 (b/w photo), American Photographer, (19th century) / Bridgeman Images

ID: BMS869215

New York artillerymen with a heavy gun in Fort Corcoran, spring 1862 (b/w photo)

American Photographer, (19th century)

Christian passing the Valley of the Shadow of Death. 19th century (print)
Christian passing the Valley of the Shadow of Death. 19th century (print)

KWE2603550: Christian passing the Valley of the Shadow of Death. 19th century (print) / Bridgeman Images

ID: KWE2603550

Christian passing the Valley of the Shadow of Death. 19th century (print)

Yoshitsune's Encounter with Princess Joruri, from The Tale of Joruri in Twelve Episodes, c.1684-1704 (hand-coloured woodblock print)
Yoshitsune's Encounter with Princess Joruri, from The Tale of Joruri in Twelve Episodes, c.1684-1704 (hand-coloured woodblock print)

XCC2969320: Yoshitsune's Encounter with Princess Joruri, from The Tale of Joruri in Twelve Episodes, c.1684-1704 (hand-coloured woodblock print), Jihei, Sigimura (c.1681-1703) / Bridgeman Images

ID: XCC2969320

Yoshitsune's Encounter with Princess Joruri, from The Tale of Joruri in Twelve Episodes, c.1684-1704 (hand-coloured woodblock print)

Jihei, Sigimura (c.1681-1703)

Spring Banishing Winter, 1908 (tempera on canvas)
Spring Banishing Winter, 1908 (tempera on canvas)

CH658024: Spring Banishing Winter, 1908 (tempera on canvas), Armfield, Maxwell Ashby (1882-1972) / Bridgeman Images

ID: CH658024

Spring Banishing Winter, 1908 (tempera on canvas)

Armfield, Maxwell Ashby (1882-1972)

Sir Launcelot defends the door, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)
Sir Launcelot defends the door, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

STC328797: Sir Launcelot defends the door, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC328797

Sir Launcelot defends the door, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

Pyle, Howard (1853-1911)

The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.
The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.

LZT1012634: The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012634

The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.

Gillray, James (1757-1815)

The Great Seal of Edward I (1239-1307) (engraving)
The Great Seal of Edward I (1239-1307) (engraving)

XJF148714: The Great Seal of Edward I (1239-1307) (engraving), English School, (19th century) / Bridgeman Images

ID: XJF148714

The Great Seal of Edward I (1239-1307) (engraving)

English School, (19th century)

Battle of Agincourt in 1415 (gouache on paper)
Battle of Agincourt in 1415 (gouache on paper)

LAL278379: Battle of Agincourt in 1415 (gouache on paper), Jackson, Peter (1922-2003) / Bridgeman Images

ID: LAL278379

Battle of Agincourt in 1415 (gouache on paper)

Jackson, Peter (1922-2003)

Henri d'Orleans (1822-97) Duc d'Aumale and Colonel Joseph Vantini (Yousof) (1808-66) 1835 (w/c on paper)
Henri d'Orleans (1822-97) Duc d'Aumale and Colonel Joseph Vantini (Yousof) (1808-66) 1835 (w/c on paper)

CND227975: Henri d'Orleans (1822-97) Duc d'Aumale and Colonel Joseph Vantini (Yousof) (1808-66) 1835 (w/c on paper), Leblanc, Theodore (1800-37) / Bridgeman Images

ID: CND227975

Henri d'Orleans (1822-97) Duc d'Aumale and Colonel Joseph Vantini (Yousof) (1808-66) 1835 (w/c on paper)

Leblanc, Theodore (1800-37)

Secutor and retiarius (mosaic)
Secutor and retiarius (mosaic)

ANC379215: Secutor and retiarius (mosaic), Roman, (3rd century AD) / Bridgeman Images

ID: ANC379215

Secutor and retiarius (mosaic)

Roman, (3rd century AD)

Discovery of America by Christopher Columbus (chromolitho)
Discovery of America by Christopher Columbus (chromolitho)

LLM961330: Discovery of America by Christopher Columbus (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM961330

Discovery of America by Christopher Columbus (chromolitho)

French School, (19th century)

And who knoweth whether he shall be wise man or a fool, 1901 (oil on panel)
And who knoweth whether he shall be wise man or a fool, 1901 (oil on panel)

CH989551: And who knoweth whether he shall be wise man or a fool, 1901 (oil on panel), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

ID: CH989551

And who knoweth whether he shall be wise man or a fool, 1901 (oil on panel)

Shaw, John Byam Liston (1872-1919)

Portrait of Captain, later Lieutenent Colonel, Henry Francis Mellish (1782-1817), full-length, in Military Uniform, a Cavalry Officer with a Horse in a Landscape Beyond, (oil on canvas)
Portrait of Captain, later Lieutenent Colonel, Henry Francis Mellish (1782-1817), full-length, in Military Uniform, a Cavalry Officer with a Horse in a Landscape Beyond, (oil on canvas)

CH824255: Portrait of Captain, later Lieutenent Colonel, Henry Francis Mellish (1782-1817), full-length, in Military Uniform, a Cavalry Officer with a Horse in a Landscape Beyond, (oil on canvas), Marshall, Benjamin (1767-1835) / Bridgeman Images

ID: CH824255

Portrait of Captain, later Lieutenent Colonel, Henry Francis Mellish (1782-1817), full-length, in Military Uniform, a Cavalry Officer with a Horse in a Landscape Beyond, (oil on canvas)

Marshall, Benjamin (1767-1835)

Three Saints (oil on canvas)
Three Saints (oil on canvas)

MFA167772: Three Saints (oil on canvas), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: MFA167772

Three Saints (oil on canvas)

Burne-Jones, Edward Coley (1833-98)

The Seals of Edward I (litho)
The Seals of Edward I (litho)

XJF311605: The Seals of Edward I (litho), English School / Bridgeman Images

ID: XJF311605

The Seals of Edward I (litho)

English School

MS 1-2005, fol. 9r: The Tree of Jesse and the Beatus initial border with musician and grotesque combat, from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum)
MS 1-2005, fol. 9r: The Tree of Jesse and the Beatus initial border with musician and grotesque combat, from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum)

FIT309701: MS 1-2005, fol. 9r: The Tree of Jesse and the Beatus initial border with musician and grotesque combat, from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum), English School, (14th century) / Bridgeman Images

ID: FIT309701

MS 1-2005, fol. 9r: The Tree of Jesse and the Beatus initial border with musician and grotesque combat, from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum)

English School, (14th century)

Jeanne d'Arc au Sacre du Roi (Joan of Arc at the King's Coronation) (litho)
Jeanne d'Arc au Sacre du Roi (Joan of Arc at the King's Coronation) (litho)

LLM3099039: Jeanne d'Arc au Sacre du Roi (Joan of Arc at the King's Coronation) (litho), Lenepveu, Jules Eugene (1819-98) / Bridgeman Images

ID: LLM3099039

Jeanne d'Arc au Sacre du Roi (Joan of Arc at the King's Coronation) (litho)

Lenepveu, Jules Eugene (1819-98)

Ichikawa Monnosuke II as Haya no Kanpei in Chushingura Nagori no Kura (colour woodblock print, hosoban)
Ichikawa Monnosuke II as Haya no Kanpei in Chushingura Nagori no Kura (colour woodblock print, hosoban)

XCC2969338: Ichikawa Monnosuke II as Haya no Kanpei in Chushingura Nagori no Kura (colour woodblock print, hosoban), Masanobu, Kitao (1761-1816) / Bridgeman Images

ID: XCC2969338

Ichikawa Monnosuke II as Haya no Kanpei in Chushingura Nagori no Kura (colour woodblock print, hosoban)

Masanobu, Kitao (1761-1816)

Letters E: Ernani, in “” Ernani”” (created in 1844), opera by Giuseppe Verdi (1813-1901) and F: Fra Diavolo, in “” Fra Diavolo” or “” L'Hoellerie de Terracine”” (created in 1830), opera by Daniel Auber (1782-1871); Alphabet hommes (Liebig) Serie S0369. Compagnie Liebig, publisher (b at Antwerp 1893). Abecedaire consists of 12 advertising images in chromolithography. The Liebig brand was invented in 1865 by the German chemist Justus von Liebig (1803-1873). Private Collection
Letters E: Ernani, in “” Ernani”” (created in 1844), opera by Giuseppe Verdi (1813-1901) and F: Fra Diavolo, in “” Fra Diavolo” or “” L'Hoellerie de Terracine”” (created in 1830), opera by Daniel Auber (1782-1871); Alphabet hommes (Liebig) Serie S0369. Compagnie Liebig, publisher (b at Antwerp 1893). Abecedaire consists of 12 advertising images in chromolithography. The Liebig brand was invented in 1865 by the German chemist Justus von Liebig (1803-1873). Private Collection

DUV4208533: Letters E: Ernani, in “” Ernani”” (created in 1844), opera by Giuseppe Verdi (1813-1901) and F: Fra Diavolo, in “” Fra Diavolo” or “” L'Hoellerie de Terracine”” (created in 1830), opera by Daniel Auber (1782-1871); Alphabet hommes (Liebig) Serie S0369. Compagnie Liebig, publisher (b at Antwerp 1893). Abecedaire consists of 12 advertising images in chromolithography. The Liebig brand was invented in 1865 by the German chemist Justus von Liebig (1803-1873). Private Collection / Bridgeman Images

ID: DUV4208533

Letters E: Ernani, in “” Ernani”” (created in 1844), opera by Giuseppe Verdi (1813-1901) and F: Fra Diavolo, in “” Fra Diavolo” or “” L'Hoellerie de Terracine”” (created in 1830), opera by Daniel Auber (1782-1871); Alphabet hommes (Liebig) Serie S0369. Compagnie Liebig, publisher (b at Antwerp 1893). Abecedaire consists of 12 advertising images in chromolithography. The Liebig brand was invented in 1865 by the German chemist Justus von Liebig (1803-1873). Private Collection

Alexander Vitelleschi (?) , Knight of Empire and Count Palatin, 11th century - Alexandre Vitelleschi, imperial knight and count palatine, 11th century - Anachronistic costume of cape and tunic in burnt siena, red toque, lead-coloured stockings, gold spurs - From a 14th century sepulchral monument in Corneto - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Alexander Vitelleschi (?) , Knight of Empire and Count Palatin, 11th century - Alexandre Vitelleschi, imperial knight and count palatine, 11th century - Anachronistic costume of cape and tunic in burnt siena, red toque, lead-coloured stockings, gold spurs - From a 14th century sepulchral monument in Corneto - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676700: Alexander Vitelleschi (?) , Knight of Empire and Count Palatin, 11th century - Alexandre Vitelleschi, imperial knight and count palatine, 11th century - Anachronistic costume of cape and tunic in burnt siena, red toque, lead-coloured stockings, gold spurs - From a 14th century sepulchral monument in Corneto - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676700

Alexander Vitelleschi (?) , Knight of Empire and Count Palatin, 11th century - Alexandre Vitelleschi, imperial knight and count palatine, 11th century - Anachronistic costume of cape and tunic in burnt siena, red toque, lead-coloured stockings, gold spurs - From a 14th century sepulchral monument in Corneto - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Mercuri, Paolo (1804-84)

An imaginary portrait of Ralph de Monthermer, Earl of Gloucester (d.1325) (oil on canvas)
An imaginary portrait of Ralph de Monthermer, Earl of Gloucester (d.1325) (oil on canvas)

BLH7207814: An imaginary portrait of Ralph de Monthermer, Earl of Gloucester (d.1325) (oil on canvas), Eyden, Jeremias van der (d.1697) / Bridgeman Images

ID: BLH7207814

An imaginary portrait of Ralph de Monthermer, Earl of Gloucester (d.1325) (oil on canvas)

Eyden, Jeremias van der (d.1697)

An imaginary portrait of Sir John de Montacute (d.1396) (oil on canvas)
An imaginary portrait of Sir John de Montacute (d.1396) (oil on canvas)

BLH7207818: An imaginary portrait of Sir John de Montacute (d.1396) (oil on canvas), Eyden, Jeremias van der (d.1697) / Bridgeman Images

ID: BLH7207818

An imaginary portrait of Sir John de Montacute (d.1396) (oil on canvas)

Eyden, Jeremias van der (d.1697)

Joan of Arc at the Siege of Orleans, 1913 (colour litho)
Joan of Arc at the Siege of Orleans, 1913 (colour litho)

CHT420053: Joan of Arc at the Siege of Orleans, 1913 (colour litho), Hémard, Joseph (1880-1961) / Bridgeman Images

ID: CHT420053

Joan of Arc at the Siege of Orleans, 1913 (colour litho)

Hémard, Joseph (1880-1961)

George IV as Prince of Wales (after Harlow) c.1820-21 (pencil & w/c on paper)
George IV as Prince of Wales (after Harlow) c.1820-21 (pencil & w/c on paper)

TWC62805: George IV as Prince of Wales (after Harlow) c.1820-21 (pencil & w/c on paper), Gericault, Theodore (1791-1824) / Bridgeman Images

ID: TWC62805

George IV as Prince of Wales (after Harlow) c.1820-21 (pencil & w/c on paper)

Gericault, Theodore (1791-1824)

Save Your Country, Buy War Savings Stamps, 1918 (colour offset litho)
Save Your Country, Buy War Savings Stamps, 1918 (colour offset litho)

XDM1068768: Save Your Country, Buy War Savings Stamps, 1918 (colour offset litho), Coffin, Haskell William (1878-1941) / Bridgeman Images

ID: XDM1068768

Save Your Country, Buy War Savings Stamps, 1918 (colour offset litho)

Coffin, Haskell William (1878-1941)

Title Page of the 'Tatler' with Illustration from Volume 1, London, 1710 (engraving)
Title Page of the 'Tatler' with Illustration from Volume 1, London, 1710 (engraving)

XJF1147558: Title Page of the 'Tatler' with Illustration from Volume 1, London, 1710 (engraving) / Bridgeman Images

ID: XJF1147558

Title Page of the 'Tatler' with Illustration from Volume 1, London, 1710 (engraving)

Perseus and Andromeda, (oil on lapis lazuli)
Perseus and Andromeda, (oil on lapis lazuli)

CH990354: Perseus and Andromeda, (oil on lapis lazuli), Cesari, Giuseppe (Cavalier d'Arpino) (1568-1640) / Bridgeman Images

ID: CH990354

Perseus and Andromeda, (oil on lapis lazuli)

Cesari, Giuseppe (Cavalier d'Arpino) (1568-1640)

Act Nine: Yuranosuke's House in Yamashina from the play Chushingura (Treasury of Loyal Retainers), c.1779-80 (colour woodblock print; chuban)
Act Nine: Yuranosuke's House in Yamashina from the play Chushingura (Treasury of Loyal Retainers), c.1779-80 (colour woodblock print; chuban)

XCC2969541: Act Nine: Yuranosuke's House in Yamashina from the play Chushingura (Treasury of Loyal Retainers), c.1779-80 (colour woodblock print; chuban), Shunsho, Katsukawa (1726-93) / Bridgeman Images

ID: XCC2969541

Act Nine: Yuranosuke's House in Yamashina from the play Chushingura (Treasury of Loyal Retainers), c.1779-80 (colour woodblock print; chuban)

Shunsho, Katsukawa (1726-93)


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