1. Home
  2. Search "sword"

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

13739 Search Results for sword

King Harold's messenger gives him news of Duke William's army, Bayeux Tapestry (wool embroidery on linen)
King Harold's messenger gives him news of Duke William's army, Bayeux Tapestry (wool embroidery on linen)

XIR183141: King Harold's messenger gives him news of Duke William's army, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: XIR183141

King Harold's messenger gives him news of Duke William's army, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

The Tomb of Napoleon Bonaparte (1769-1821) on St. Helena, 1821 (lithograph)
The Tomb of Napoleon Bonaparte (1769-1821) on St. Helena, 1821 (lithograph)

XIR160161: The Tomb of Napoleon Bonaparte (1769-1821) on St. Helena, 1821 (lithograph), French School, (19th century) / Bridgeman Images

ID: XIR160161

The Tomb of Napoleon Bonaparte (1769-1821) on St. Helena, 1821 (lithograph)

French School, (19th century)

The Dance, (oil on canvas)
The Dance, (oil on canvas)

CH659047: The Dance, (oil on canvas), Toudouze, Edouard (1848-1907) / Bridgeman Images

ID: CH659047

The Dance, (oil on canvas)

Toudouze, Edouard (1848-1907)

The Bridal Night, pub. 1797 (hand coloured engraving)
The Bridal Night, pub. 1797 (hand coloured engraving)

STC3035683: The Bridal Night, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3035683

The Bridal Night, pub. 1797 (hand coloured engraving)

Gillray, James (1757-1815)

Scottish dancer wearing kilt
Scottish dancer wearing kilt

XLA3771845: Scottish dancer wearing kilt / Bridgeman Images

ID: XLA3771845

Scottish dancer wearing kilt

Seki Sanjuro Sakata Hangoro, the Actors Seki Sanjuro and Sakata Hanguro. [Between 1815 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 38 X 26 (Left Panel), 38.4 X 25.9 (Right Panel), Print Shows Two Actors, Seki Sanjuro and Sakata Hanguro, One with a Large Sword and the Other Carrying a Large Anchor Over His Shoulder.
Seki Sanjuro Sakata Hangoro, the Actors Seki Sanjuro and Sakata Hanguro. [Between 1815 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 38 X 26 (Left Panel), 38.4 X 25.9 (Right Panel), Print Shows Two Actors, Seki Sanjuro and Sakata Hanguro, One with a Large Sword and the Other Carrying a Large Anchor Over His Shoulder.

LZT1112551: Seki Sanjuro Sakata Hangoro, the Actors Seki Sanjuro and Sakata Hanguro. [Between 1815 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 38 X 26 (Left Panel), 38.4 X 25.9 (Right Panel), Print Shows Two Actors, Seki Sanjuro and Sakata Hanguro, One with a Large Sword and the Other Carrying a Large Anchor Over His Shoulder., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1112551

Seki Sanjuro Sakata Hangoro, the Actors Seki Sanjuro and Sakata Hanguro. [Between 1815 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 38 X 26 (Left Panel), 38.4 X 25.9 (Right Panel), Print Shows Two Actors, Seki Sanjuro and Sakata Hanguro, One with a Large Sword and the Other Carrying a Large Anchor Over His Shoulder.

Kuniyasu, Utagawa (1794-1832)

The sword, a table -1st and 2nd lecon - Reading by reading. H. Charton, Director of Ecole Normale, Chevalier de la Legion d'honneur, E. Dutoit, Director of Ecole annexe & J. Marchand, Teacher of School of Application. Second booklet. Imprimerie-librairie Camille Robbe, publisher, O. Marquant, Successor, Lille, 1921. Dimensions: 21.5 x 13.5 cm. 68 pages
The sword, a table -1st and 2nd lecon - Reading by reading. H. Charton, Director of Ecole Normale, Chevalier de la Legion d'honneur, E. Dutoit, Director of Ecole annexe & J. Marchand, Teacher of School of Application. Second booklet. Imprimerie-librairie Camille Robbe, publisher, O. Marquant, Successor, Lille, 1921. Dimensions: 21.5 x 13.5 cm. 68 pages

DUV4224270: The sword, a table -1st and 2nd lecon - Reading by reading. H. Charton, Director of Ecole Normale, Chevalier de la Legion d'honneur, E. Dutoit, Director of Ecole annexe & J. Marchand, Teacher of School of Application. Second booklet. Imprimerie-librairie Camille Robbe, publisher, O. Marquant, Successor, Lille, 1921. Dimensions: 21.5 x 13.5 cm. 68 pages, Unknown Artist, (20th century) / Bridgeman Images

ID: DUV4224270

The sword, a table -1st and 2nd lecon - Reading by reading. H. Charton, Director of Ecole Normale, Chevalier de la Legion d'honneur, E. Dutoit, Director of Ecole annexe & J. Marchand, Teacher of School of Application. Second booklet. Imprimerie-librairie Camille Robbe, publisher, O. Marquant, Successor, Lille, 1921. Dimensions: 21.5 x 13.5 cm. 68 pages

Unknown Artist, (20th century)

Charles V, King of France, military costume, 1338-1380. He wears a crown, chainmail hauberk, buffalo-hide leotard tunic, plate armour greaves and thighs, gauntlets, belt and sword. From a painting in the Basilica of Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Charles V, King of France, military costume, 1338-1380. He wears a crown, chainmail hauberk, buffalo-hide leotard tunic, plate armour greaves and thighs, gauntlets, belt and sword. From a painting in the Basilica of Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673551: Charles V, King of France, military costume, 1338-1380. He wears a crown, chainmail hauberk, buffalo-hide leotard tunic, plate armour greaves and thighs, gauntlets, belt and sword. From a painting in the Basilica of Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673551

Charles V, King of France, military costume, 1338-1380. He wears a crown, chainmail hauberk, buffalo-hide leotard tunic, plate armour greaves and thighs, gauntlets, belt and sword. From a painting in the Basilica of Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

World War II Invasion of France Part of the British invasion fleet bound for the Gold Juno and Sword Normandy beaches seen here on the morning of D-day from the cliffs overlooking Folkestone. Destroyers of the Royal Navy lay a smoke screen to hide the fleet from the French coast The Pier at Folkstone, Kent, with war ships in the distance June 1944 (b/w photo)
World War II Invasion of France Part of the British invasion fleet bound for the Gold Juno and Sword Normandy beaches seen here on the morning of D-day from the cliffs overlooking Folkestone. Destroyers of the Royal Navy lay a smoke screen to hide the fleet from the French coast The Pier at Folkstone, Kent, with war ships in the distance June 1944 (b/w photo)

MPX5121244: World War II Invasion of France Part of the British invasion fleet bound for the Gold Juno and Sword Normandy beaches seen here on the morning of D-day from the cliffs overlooking Folkestone. Destroyers of the Royal Navy lay a smoke screen to hide the fleet from the French coast The Pier at Folkstone, Kent, with war ships in the distance June 1944 (b/w photo) / Bridgeman Images

ID: MPX5121244

World War II Invasion of France Part of the British invasion fleet bound for the Gold Juno and Sword Normandy beaches seen here on the morning of D-day from the cliffs overlooking Folkestone. Destroyers of the Royal Navy lay a smoke screen to hide the fleet from the French coast The Pier at Folkstone, Kent, with war ships in the distance June 1944 (b/w photo)

A Boyar before the Campaign, 1871 (oil on canvas)
A Boyar before the Campaign, 1871 (oil on canvas)

XAB241161: A Boyar before the Campaign, 1871 (oil on canvas), Shamshin, Petr Mikhailovich (1811-95) / Bridgeman Images

ID: XAB241161

A Boyar before the Campaign, 1871 (oil on canvas)

Shamshin, Petr Mikhailovich (1811-95)

St. John the Baptist and St. John the Evangelist, c.1618-20 (oil on canvas)
St. John the Baptist and St. John the Evangelist, c.1618-20 (oil on canvas)

XIR221148: St. John the Baptist and St. John the Evangelist, c.1618-20 (oil on canvas), Dyck, Anthony van (1599-1641) / Bridgeman Images

ID: XIR221148

St. John the Baptist and St. John the Evangelist, c.1618-20 (oil on canvas)

Dyck, Anthony van (1599-1641)

The Opening of the Fourth Seal, depicting Death Riding the Pale Horse, no.12 from 'The Apocalypse of Angers', 1373-87 (tapestry)
The Opening of the Fourth Seal, depicting Death Riding the Pale Horse, no.12 from 'The Apocalypse of Angers', 1373-87 (tapestry)

XIR104644: The Opening of the Fourth Seal, depicting Death Riding the Pale Horse, no.12 from 'The Apocalypse of Angers', 1373-87 (tapestry), Bataille, Nicolas (fl. 1363-1400) / Bridgeman Images

ID: XIR104644

The Opening of the Fourth Seal, depicting Death Riding the Pale Horse, no.12 from 'The Apocalypse of Angers', 1373-87 (tapestry)

Bataille, Nicolas (fl. 1363-1400)

Napoleon I (1769-1821) Receiving the Deputies of the Conservative Senate at the Royal Palace in Berlin, 19th November 1806 (oil on canvas)
Napoleon I (1769-1821) Receiving the Deputies of the Conservative Senate at the Royal Palace in Berlin, 19th November 1806 (oil on canvas)

XIR187779: Napoleon I (1769-1821) Receiving the Deputies of the Conservative Senate at the Royal Palace in Berlin, 19th November 1806 (oil on canvas), Berthon, Rene Theodore (1776-1859) / Bridgeman Images

ID: XIR187779

Napoleon I (1769-1821) Receiving the Deputies of the Conservative Senate at the Royal Palace in Berlin, 19th November 1806 (oil on canvas)

Berthon, Rene Theodore (1776-1859)

Portrait of Charles I as Prince of Wales, early 17th century (oil on panel)
Portrait of Charles I as Prince of Wales, early 17th century (oil on panel)

AMR424752: Portrait of Charles I as Prince of Wales, early 17th century (oil on panel), Anglo-Flemish School, (17th century) / Bridgeman Images

ID: AMR424752

Portrait of Charles I as Prince of Wales, early 17th century (oil on panel)

Anglo-Flemish School, (17th century)

Mary Read - English female pirate (engraving)
Mary Read - English female pirate (engraving)

XLF3784190: Mary Read - English female pirate (engraving), Wentworth, F. (18th century) / Bridgeman Images

ID: XLF3784190

Mary Read - English female pirate (engraving)

Wentworth, F. (18th century)

Man's costume, under the reign of George II (1683-1760), 1751, wearing an embroidered vest under a large lapel coat, panties and stockings, buckle shoes, tricorn and wig, he wears a cane and a sword. From views of the gardens of Vauxhall (London, England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Man's costume, under the reign of George II (1683-1760), 1751, wearing an embroidered vest under a large lapel coat, panties and stockings, buckle shoes, tricorn and wig, he wears a cane and a sword. From views of the gardens of Vauxhall (London, England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672396: Man's costume, under the reign of George II (1683-1760), 1751, wearing an embroidered vest under a large lapel coat, panties and stockings, buckle shoes, tricorn and wig, he wears a cane and a sword. From views of the gardens of Vauxhall (London, England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672396

Man's costume, under the reign of George II (1683-1760), 1751, wearing an embroidered vest under a large lapel coat, panties and stockings, buckle shoes, tricorn and wig, he wears a cane and a sword. From views of the gardens of Vauxhall (London, England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Sketch for the Battle of Yorktown, 1st to 17th October 1781, c.1836 (oil on canvas)
Sketch for the Battle of Yorktown, 1st to 17th October 1781, c.1836 (oil on canvas)

XIR102599: Sketch for the Battle of Yorktown, 1st to 17th October 1781, c.1836 (oil on canvas), Couder, Louis Charles Auguste (1790-1873) / Bridgeman Images

ID: XIR102599

Sketch for the Battle of Yorktown, 1st to 17th October 1781, c.1836 (oil on canvas)

Couder, Louis Charles Auguste (1790-1873)

The Rivals (oil on canvas)
The Rivals (oil on canvas)

PNY155646: The Rivals (oil on canvas), Sword, James Brade (1839-1915) / Bridgeman Images

ID: PNY155646

The Rivals (oil on canvas)

Sword, James Brade (1839-1915)

Triptych depicting Pieta between St. Martin and St. Catherine, 1475 (oil on panel)
Triptych depicting Pieta between St. Martin and St. Catherine, 1475 (oil on panel)

XIR197121: Triptych depicting Pieta between St. Martin and St. Catherine, 1475 (oil on panel), Brea, Ludovico (c.1450-1523) / Bridgeman Images

ID: XIR197121

Triptych depicting Pieta between St. Martin and St. Catherine, 1475 (oil on panel)

Brea, Ludovico (c.1450-1523)

Aug 08, 1954 - Founder's Camp On The Playing Field's of Eton. The great International Camp in celebration of the Centenary of the birth of Sir William Smith, Founder of the Boys Brigade - is being formally opened on the playing fields of Eton, where more than 2,000 members of the Boys Brigade assembled. Keystone Photo Shows: - Members of the Scottish Boys Brigade playing and performing a sword dance for other members gathered at the camp
Aug 08, 1954 - Founder's Camp On The Playing Field's of Eton. The great International Camp in celebration of the Centenary of the birth of Sir William Smith, Founder of the Boys Brigade - is being formally opened on the playing fields of Eton, where more than 2,000 members of the Boys Brigade assembled. Keystone Photo Shows: - Members of the Scottish Boys Brigade playing and performing a sword dance for other members gathered at the camp

ZUM4940323: Aug 08, 1954 - Founder's Camp On The Playing Field's of Eton. The great International Camp in celebration of the Centenary of the birth of Sir William Smith, Founder of the Boys Brigade - is being formally opened on the playing fields of Eton, where more than 2,000 members of the Boys Brigade assembled. Keystone Photo Shows: - Members of the Scottish Boys Brigade playing and performing a sword dance for other members gathered at the camp / Bridgeman Images

ID: ZUM4940323

Aug 08, 1954 - Founder's Camp On The Playing Field's of Eton. The great International Camp in celebration of the Centenary of the birth of Sir William Smith, Founder of the Boys Brigade - is being formally opened on the playing fields of Eton, where more than 2,000 members of the Boys Brigade assembled. Keystone Photo Shows: - Members of the Scottish Boys Brigade playing and performing a sword dance for other members gathered at the camp

John Beaufort, First Duke of Somerset, English nobleman and military commander, 1403-1444. He wears a conical helm, and a suit of splendid armour with borders along the arms, legs and knees, tiles and chainmail apron. He carries a pole-axe and long sword. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
John Beaufort, First Duke of Somerset, English nobleman and military commander, 1403-1444. He wears a conical helm, and a suit of splendid armour with borders along the arms, legs and knees, tiles and chainmail apron. He carries a pole-axe and long sword. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678462: John Beaufort, First Duke of Somerset, English nobleman and military commander, 1403-1444. He wears a conical helm, and a suit of splendid armour with borders along the arms, legs and knees, tiles and chainmail apron. He carries a pole-axe and long sword. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678462

John Beaufort, First Duke of Somerset, English nobleman and military commander, 1403-1444. He wears a conical helm, and a suit of splendid armour with borders along the arms, legs and knees, tiles and chainmail apron. He carries a pole-axe and long sword. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

New York artillerymen with a heavy gun in Fort Corcoran, spring 1862 (b/w photo)
New York artillerymen with a heavy gun in Fort Corcoran, spring 1862 (b/w photo)

BMS869215: New York artillerymen with a heavy gun in Fort Corcoran, spring 1862 (b/w photo), American Photographer, (19th century) / Bridgeman Images

ID: BMS869215

New York artillerymen with a heavy gun in Fort Corcoran, spring 1862 (b/w photo)

American Photographer, (19th century)

East Pediment's Group of the Temple of Aegina. Reconstruction. Detail.
East Pediment's Group of the Temple of Aegina. Reconstruction. Detail.

TRK832537: East Pediment's Group of the Temple of Aegina. Reconstruction. Detail., Greek school, (6th-5th century BC) / Bridgeman Images

ID: TRK832537

East Pediment's Group of the Temple of Aegina. Reconstruction. Detail.

Greek school, (6th-5th century BC)

East Pediment's Group of the Temple of Aegina. Reconstruction. Detail.
East Pediment's Group of the Temple of Aegina. Reconstruction. Detail.

TRK832536: East Pediment's Group of the Temple of Aegina. Reconstruction. Detail., Greek school, (6th-5th century BC) / Bridgeman Images

ID: TRK832536

East Pediment's Group of the Temple of Aegina. Reconstruction. Detail.

Greek school, (6th-5th century BC)

The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.
The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.

LZT1012634: The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other., Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012634

The First Kiss This Ten Years! - or - the Meeting of Britannia & Citizen Francois, Gillray, James, 1756 1815, Engraver, [London]: H. Humphrey, 1803., 1 Print : Etching, Hand-Colored., a Tall, Thin, French Officer Kissing a Fat, Richly Dressed, Seated Britannia. His Hat and Sword Lay on the Carpet. Britannia's Shield and Trident Rest on the Wall behind Her Chair. Above Them Are Portraits of George III and Napoleon, Facing Each Other.

Gillray, James (1757-1815)

The Great Seal of Edward I (1239-1307) (engraving)
The Great Seal of Edward I (1239-1307) (engraving)

XJF148714: The Great Seal of Edward I (1239-1307) (engraving), English School, (19th century) / Bridgeman Images

ID: XJF148714

The Great Seal of Edward I (1239-1307) (engraving)

English School, (19th century)

Sir Launcelot defends the door, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)
Sir Launcelot defends the door, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

STC328797: Sir Launcelot defends the door, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC328797

Sir Launcelot defends the door, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

Pyle, Howard (1853-1911)

Ms E-14 Humayun (1508-56) and Akbar (1542-1605) with a vizier, from a Moraqqa (gouache on paper)
Ms E-14 Humayun (1508-56) and Akbar (1542-1605) with a vizier, from a Moraqqa (gouache on paper)

XIR195536: Ms E-14 Humayun (1508-56) and Akbar (1542-1605) with a vizier, from a Moraqqa (gouache on paper), Indian School, (17th century) / Bridgeman Images

ID: XIR195536

Ms E-14 Humayun (1508-56) and Akbar (1542-1605) with a vizier, from a Moraqqa (gouache on paper)

Indian School, (17th century)

Portrait of Louis du Vergier, 1819 (oil on canvas)
Portrait of Louis du Vergier, 1819 (oil on canvas)

XIR391457: Portrait of Louis du Vergier, 1819 (oil on canvas), Guerin, Baron Pierre-Narcisse (1774-1833) / Bridgeman Images

ID: XIR391457

Portrait of Louis du Vergier, 1819 (oil on canvas)

Guerin, Baron Pierre-Narcisse (1774-1833)

Christian passing the Valley of the Shadow of Death. 19th century (print)
Christian passing the Valley of the Shadow of Death. 19th century (print)

KWE2603550: Christian passing the Valley of the Shadow of Death. 19th century (print) / Bridgeman Images

ID: KWE2603550

Christian passing the Valley of the Shadow of Death. 19th century (print)

Yoshitsune's Encounter with Princess Joruri, from The Tale of Joruri in Twelve Episodes, c.1684-1704 (hand-coloured woodblock print)
Yoshitsune's Encounter with Princess Joruri, from The Tale of Joruri in Twelve Episodes, c.1684-1704 (hand-coloured woodblock print)

XCC2969320: Yoshitsune's Encounter with Princess Joruri, from The Tale of Joruri in Twelve Episodes, c.1684-1704 (hand-coloured woodblock print), Jihei, Sigimura (c.1681-1703) / Bridgeman Images

ID: XCC2969320

Yoshitsune's Encounter with Princess Joruri, from The Tale of Joruri in Twelve Episodes, c.1684-1704 (hand-coloured woodblock print)

Jihei, Sigimura (c.1681-1703)

Monument dedicated to General Lafayette (1757-1834) 1899-1907 (bronze)
Monument dedicated to General Lafayette (1757-1834) 1899-1907 (bronze)

XIR200484: Monument dedicated to General Lafayette (1757-1834) 1899-1907 (bronze), Bartlett, Paul Wayland (1865-1925) / Bridgeman Images

ID: XIR200484

Monument dedicated to General Lafayette (1757-1834) 1899-1907 (bronze)

Bartlett, Paul Wayland (1865-1925)

Spring Banishing Winter, 1908 (tempera on canvas)
Spring Banishing Winter, 1908 (tempera on canvas)

CH658024: Spring Banishing Winter, 1908 (tempera on canvas), Armfield, Maxwell Ashby (1882-1972) / Bridgeman Images

ID: CH658024

Spring Banishing Winter, 1908 (tempera on canvas)

Armfield, Maxwell Ashby (1882-1972)

Triptych of the Seven Sorrows of the Virgin, c.1520-35 (oil on panel) (see 154026 for detail)
Triptych of the Seven Sorrows of the Virgin, c.1520-35 (oil on panel) (see 154026 for detail)

XIR231788: Triptych of the Seven Sorrows of the Virgin, c.1520-35 (oil on panel) (see 154026 for detail), Orley, Bernard van (c.1488-1541) & Campana, Pedro (1503-80) / Bridgeman Images

ID: XIR231788

Triptych of the Seven Sorrows of the Virgin, c.1520-35 (oil on panel) (see 154026 for detail)

Orley, Bernard van (c.1488-1541) & Campana, Pedro (1503-80)

Henri d'Orleans (1822-97) Duc d'Aumale and Colonel Joseph Vantini (Yousof) (1808-66) 1835 (w/c on paper)
Henri d'Orleans (1822-97) Duc d'Aumale and Colonel Joseph Vantini (Yousof) (1808-66) 1835 (w/c on paper)

CND227975: Henri d'Orleans (1822-97) Duc d'Aumale and Colonel Joseph Vantini (Yousof) (1808-66) 1835 (w/c on paper), Leblanc, Theodore (1800-37) / Bridgeman Images

ID: CND227975

Henri d'Orleans (1822-97) Duc d'Aumale and Colonel Joseph Vantini (Yousof) (1808-66) 1835 (w/c on paper)

Leblanc, Theodore (1800-37)

Battle of Agincourt in 1415 (gouache on paper)
Battle of Agincourt in 1415 (gouache on paper)

LAL278379: Battle of Agincourt in 1415 (gouache on paper), Jackson, Peter (1922-2003) / Bridgeman Images

ID: LAL278379

Battle of Agincourt in 1415 (gouache on paper)

Jackson, Peter (1922-2003)


Back to top