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13739 Search Results for sword

Arrest of Christ, by Unknown Artist, 11th Century, fresco
Arrest of Christ, by Unknown Artist, 11th Century, fresco

MEP943657: Arrest of Christ, by Unknown Artist, 11th Century, fresco, Unknown Artist, (11th century) / Bridgeman Images

ID: MEP943657

Arrest of Christ, by Unknown Artist, 11th Century, fresco

Unknown Artist, (11th century)

Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420. They wear suits of plate armour with tiles or toiles hanging over the thighs. Joan of Arc wears a man's armour, She carries a sword, lance and helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420. They wear suits of plate armour with tiles or toiles hanging over the thighs. Joan of Arc wears a man's armour, She carries a sword, lance and helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678441: Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420. They wear suits of plate armour with tiles or toiles hanging over the thighs. Joan of Arc wears a man's armour, She carries a sword, lance and helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678441

Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420. They wear suits of plate armour with tiles or toiles hanging over the thighs. Joan of Arc wears a man's armour, She carries a sword, lance and helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Portrait of George Brudenell, 4th Earl of Cardigan and (1st) Duke of Montagu, K.G. (1712-1790) (oil on canvas, oval)
Portrait of George Brudenell, 4th Earl of Cardigan and (1st) Duke of Montagu, K.G. (1712-1790) (oil on canvas, oval)

BLH7207537: Portrait of George Brudenell, 4th Earl of Cardigan and (1st) Duke of Montagu, K.G. (1712-1790) (oil on canvas, oval), English School, (18th century) / Bridgeman Images

ID: BLH7207537

Portrait of George Brudenell, 4th Earl of Cardigan and (1st) Duke of Montagu, K.G. (1712-1790) (oil on canvas, oval)

English School, (18th century)

Robert Blake, 1847 (engraving)
Robert Blake, 1847 (engraving)

JAB7202961: Robert Blake, 1847 (engraving), Briggs, Henry Perronet (1792-1844) (after) / Bridgeman Images

ID: JAB7202961

Robert Blake, 1847 (engraving)

Briggs, Henry Perronet (1792-1844) (after)

Illustration for
Illustration for

XEE4192523: Illustration for "The sleeping beauty" written by Charles Perrault, c.1930 (print), Thiriet, Henri (1873-1946) / Bridgeman Images

ID: XEE4192523

Illustration for "The sleeping beauty" written by Charles Perrault, c.1930 (print)

Thiriet, Henri (1873-1946)

Sword-stemmed bossiaea, Bossiaea ensata. After an illustration by E.D. Smith in “Flora Australasica.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Sword-stemmed bossiaea, Bossiaea ensata. After an illustration by E.D. Smith in “Flora Australasica.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599705: Sword-stemmed bossiaea, Bossiaea ensata. After an illustration by E.D. Smith in “Flora Australasica.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4599705

Sword-stemmed bossiaea, Bossiaea ensata. After an illustration by E.D. Smith in “Flora Australasica.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Sir Galahad meets Sir Melyas, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)
Sir Galahad meets Sir Melyas, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

STC328789: Sir Galahad meets Sir Melyas, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC328789

Sir Galahad meets Sir Melyas, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

Pyle, Howard (1853-1911)

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”
Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

PCT4260936: Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4260936

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Historical Relics in the Stuart Exhibition, at the New Gallery, Regent-Street (engraving)
Historical Relics in the Stuart Exhibition, at the New Gallery, Regent-Street (engraving)

LIP1626182: Historical Relics in the Stuart Exhibition, at the New Gallery, Regent-Street (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1626182

Historical Relics in the Stuart Exhibition, at the New Gallery, Regent-Street (engraving)

English School, (19th century)

Bremen, Rathaus, Obere Halle
Bremen, Rathaus, Obere Halle

STF833658: Bremen, Rathaus, Obere Halle / Bridgeman Images

ID: STF833658

Bremen, Rathaus, Obere Halle

The Count of Villaflor telling Pedro I (1798-1834) Emperor of Brazil and King of Portugal that he has recaptured Lisbon, from 'La Caricature', N 145, 1833 (lithograph)
The Count of Villaflor telling Pedro I (1798-1834) Emperor of Brazil and King of Portugal that he has recaptured Lisbon, from 'La Caricature', N 145, 1833 (lithograph)

XIR207836: The Count of Villaflor telling Pedro I (1798-1834) Emperor of Brazil and King of Portugal that he has recaptured Lisbon, from 'La Caricature', N 145, 1833 (lithograph), Daumier, Honore (1808-79) / Bridgeman Images

ID: XIR207836

The Count of Villaflor telling Pedro I (1798-1834) Emperor of Brazil and King of Portugal that he has recaptured Lisbon, from 'La Caricature', N 145, 1833 (lithograph)

Daumier, Honore (1808-79)

Queen Elizabeth II leaving Buckingham Palace to take the salute at the trooping of the colour at horse guards, parade to mark her official birthday, London, 1985 (photo)
Queen Elizabeth II leaving Buckingham Palace to take the salute at the trooping of the colour at horse guards, parade to mark her official birthday, London, 1985 (photo)

XRE2244676: Queen Elizabeth II leaving Buckingham Palace to take the salute at the trooping of the colour at horse guards, parade to mark her official birthday, London, 1985 (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: XRE2244676

Queen Elizabeth II leaving Buckingham Palace to take the salute at the trooping of the colour at horse guards, parade to mark her official birthday, London, 1985 (photo)

Unknown photographer, (20th century)

Seated Qajar Prince (pencil & opaque watercolour on paper)
Seated Qajar Prince (pencil & opaque watercolour on paper)

TBM364032: Seated Qajar Prince (pencil & opaque watercolour on paper), Iranian School / Bridgeman Images

ID: TBM364032

Seated Qajar Prince (pencil & opaque watercolour on paper)

Iranian School

Sandaime Onoe Kikugoro No Oboshi Yuranosuke, the Actor Onoe Kikugoro III in the Role of Oboshi Yuranosuke. [Between 1824 and 1830], 1 Print : Woodcut, Color ; 38.5 X 26 ., Print Shows a Full-Length Portrait of Onoi Kikugoro, Actor, Facing Left, Holding Sword in Right Hand, Wearing Robe, in the Role of Oboshi Yuranosuke, One of the 47 Ronin, in His Farewell Performace. Greeting and Poem Written above Image.
Sandaime Onoe Kikugoro No Oboshi Yuranosuke, the Actor Onoe Kikugoro III in the Role of Oboshi Yuranosuke. [Between 1824 and 1830], 1 Print : Woodcut, Color ; 38.5 X 26 ., Print Shows a Full-Length Portrait of Onoi Kikugoro, Actor, Facing Left, Holding Sword in Right Hand, Wearing Robe, in the Role of Oboshi Yuranosuke, One of the 47 Ronin, in His Farewell Performace. Greeting and Poem Written above Image.

LZT1111850: Sandaime Onoe Kikugoro No Oboshi Yuranosuke, the Actor Onoe Kikugoro III in the Role of Oboshi Yuranosuke. [Between 1824 and 1830], 1 Print : Woodcut, Color ; 38.5 X 26 ., Print Shows a Full-Length Portrait of Onoi Kikugoro, Actor, Facing Left, Holding Sword in Right Hand, Wearing Robe, in the Role of Oboshi Yuranosuke, One of the 47 Ronin, in His Farewell Performace. Greeting and Poem Written above Image., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: LZT1111850

Sandaime Onoe Kikugoro No Oboshi Yuranosuke, the Actor Onoe Kikugoro III in the Role of Oboshi Yuranosuke. [Between 1824 and 1830], 1 Print : Woodcut, Color ; 38.5 X 26 ., Print Shows a Full-Length Portrait of Onoi Kikugoro, Actor, Facing Left, Holding Sword in Right Hand, Wearing Robe, in the Role of Oboshi Yuranosuke, One of the 47 Ronin, in His Farewell Performace. Greeting and Poem Written above Image.

Toyokuni, Utagawa (1769-1825)

Portrait of Eugene de Beauharnais (1781-1824) Viceroy of Italy in 1805 (oil on canvas)
Portrait of Eugene de Beauharnais (1781-1824) Viceroy of Italy in 1805 (oil on canvas)

XIR104871: Portrait of Eugene de Beauharnais (1781-1824) Viceroy of Italy in 1805 (oil on canvas), Gigola, Giovanni Battista (1769-1841) / Bridgeman Images

ID: XIR104871

Portrait of Eugene de Beauharnais (1781-1824) Viceroy of Italy in 1805 (oil on canvas)

Gigola, Giovanni Battista (1769-1841)

Sabre Dance (pencil on paper)
Sabre Dance (pencil on paper)

CH1769843: Sabre Dance (pencil on paper), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: CH1769843

Sabre Dance (pencil on paper)

Gerome, Jean Leon (1824-1904)

War of Independence of the United States of America (1775-1783): American General Benjamin Lincoln (1733-1810) received the sword of Lord Cornwallis (1738-1805) from the hands of English General Charles O'Hara (1740-1802) during the surrender of Yorktown, 1781. engraving in “Histoire de France from the most remote times to the present day” by Jules Pacher. Patriotic imagery of Pont-a-Mousson. Late 19th century. Private collection.
War of Independence of the United States of America (1775-1783): American General Benjamin Lincoln (1733-1810) received the sword of Lord Cornwallis (1738-1805) from the hands of English General Charles O'Hara (1740-1802) during the surrender of Yorktown, 1781. engraving in “Histoire de France from the most remote times to the present day” by Jules Pacher. Patriotic imagery of Pont-a-Mousson. Late 19th century. Private collection.

XEE4141809: War of Independence of the United States of America (1775-1783): American General Benjamin Lincoln (1733-1810) received the sword of Lord Cornwallis (1738-1805) from the hands of English General Charles O'Hara (1740-1802) during the surrender of Yorktown, 1781. engraving in “Histoire de France from the most remote times to the present day” by Jules Pacher. Patriotic imagery of Pont-a-Mousson. Late 19th century. Private collection., Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4141809

War of Independence of the United States of America (1775-1783): American General Benjamin Lincoln (1733-1810) received the sword of Lord Cornwallis (1738-1805) from the hands of English General Charles O'Hara (1740-1802) during the surrender of Yorktown, 1781. engraving in “Histoire de France from the most remote times to the present day” by Jules Pacher. Patriotic imagery of Pont-a-Mousson. Late 19th century. Private collection.

Pacher, Jules (19th-20th century)

The Battle of Malplaquet, 11th September 1709, engraved by Jeremias Wolff and Johann August Corninus (1683-1738) (engraving)
The Battle of Malplaquet, 11th September 1709, engraved by Jeremias Wolff and Johann August Corninus (1683-1738) (engraving)

XIR168360: The Battle of Malplaquet, 11th September 1709, engraved by Jeremias Wolff and Johann August Corninus (1683-1738) (engraving), Decker, Paul (the Younger) (1685-1742) (after) / Bridgeman Images

ID: XIR168360

The Battle of Malplaquet, 11th September 1709, engraved by Jeremias Wolff and Johann August Corninus (1683-1738) (engraving)

Decker, Paul (the Younger) (1685-1742) (after)

XIR902318: "Brevis Narratio", the women whose husband is killed in combat or died of disease are claimed by King (page 213), 1563 (engraving), Bry, Theodor de (1528-98) / Bridgeman Images

ID: XIR902318

"Brevis Narratio", the women whose husband is killed in combat or died of disease are claimed by King (page 213), 1563 (engraving)

Bry, Theodor de (1528-98)

Meeting between Jean Cavalier (1681-1740) and Claude Louis Hector (1653-1734) Duke of Villars (oil on canvas)
Meeting between Jean Cavalier (1681-1740) and Claude Louis Hector (1653-1734) Duke of Villars (oil on canvas)

XIR167572: Meeting between Jean Cavalier (1681-1740) and Claude Louis Hector (1653-1734) Duke of Villars (oil on canvas), Salles-Wagner, Jules (1814-98) / Bridgeman Images

ID: XIR167572

Meeting between Jean Cavalier (1681-1740) and Claude Louis Hector (1653-1734) Duke of Villars (oil on canvas)

Salles-Wagner, Jules (1814-98)

The Flower Book: II. Golden Thread, 1905 (litho with gouache on paper)
The Flower Book: II. Golden Thread, 1905 (litho with gouache on paper)

PNH356963: The Flower Book: II. Golden Thread, 1905 (litho with gouache on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: PNH356963

The Flower Book: II. Golden Thread, 1905 (litho with gouache on paper)

Burne-Jones, Edward Coley (1833-98)

Union Brig. Gen. Samuel Wylie Crawford and staff, summer 1862 (b/w photo)
Union Brig. Gen. Samuel Wylie Crawford and staff, summer 1862 (b/w photo)

BMS869212: Union Brig. Gen. Samuel Wylie Crawford and staff, summer 1862 (b/w photo), Brady, Mathew (1823-96) & studio / Bridgeman Images

ID: BMS869212

Union Brig. Gen. Samuel Wylie Crawford and staff, summer 1862 (b/w photo)

Brady, Mathew (1823-96) & studio

The King and Queen in the Highlands (litho)
The King and Queen in the Highlands (litho)

LIP1628462: The King and Queen in the Highlands (litho), Stewart, Allan (1865-1951) / Bridgeman Images

ID: LIP1628462

The King and Queen in the Highlands (litho)

Stewart, Allan (1865-1951)

Great Seal of Edward III (litho)
Great Seal of Edward III (litho)

STC475417: Great Seal of Edward III (litho), English School, (19th century) / Bridgeman Images

ID: STC475417

Great Seal of Edward III (litho)

English School, (19th century)

Movement of revolt in China, evolution of the Chinese army, illustration from 'Le Petit Journal', supplement illustre, 29th October 1911 (lithograph)
Movement of revolt in China, evolution of the Chinese army, illustration from 'Le Petit Journal', supplement illustre, 29th October 1911 (lithograph)

XIR414750: Movement of revolt in China, evolution of the Chinese army, illustration from 'Le Petit Journal', supplement illustre, 29th October 1911 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR414750

Movement of revolt in China, evolution of the Chinese army, illustration from 'Le Petit Journal', supplement illustre, 29th October 1911 (lithograph)

French School, (20th century)

The Kiss of Judas and the Arrest of Christ (wood)
The Kiss of Judas and the Arrest of Christ (wood)

XIR414033: The Kiss of Judas and the Arrest of Christ (wood), Basabe, Vicente Martin (fl.1603-10) / Bridgeman Images

ID: XIR414033

The Kiss of Judas and the Arrest of Christ (wood)

Basabe, Vicente Martin (fl.1603-10)

The Presentation of The Medal of Combatants 1870-71, illustration from 'Le Petit Journal', supplement illustre, 2nd April 1911 (lithograph)
The Presentation of The Medal of Combatants 1870-71, illustration from 'Le Petit Journal', supplement illustre, 2nd April 1911 (lithograph)

XIR346512: The Presentation of The Medal of Combatants 1870-71, illustration from 'Le Petit Journal', supplement illustre, 2nd April 1911 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR346512

The Presentation of The Medal of Combatants 1870-71, illustration from 'Le Petit Journal', supplement illustre, 2nd April 1911 (lithograph)

French School, (20th century)

A scene from an amateur production of
A scene from an amateur production of

MNY381304: A scene from an amateur production of "The Taming of the Shrew" presented at Barnard College, New York (silver gelatin print), Byron Company (fl.1890-1942) / Bridgeman Images

ID: MNY381304

A scene from an amateur production of "The Taming of the Shrew" presented at Barnard College, New York (silver gelatin print)

Byron Company (fl.1890-1942)

The Education of Achilles by centaur Chiron, 1530-40 (fresco)
The Education of Achilles by centaur Chiron, 1530-40 (fresco)

XIR210355: The Education of Achilles by centaur Chiron, 1530-40 (fresco), Rosso Fiorentino, Giovanni Battista (1494-1540) / Bridgeman Images

ID: XIR210355

The Education of Achilles by centaur Chiron, 1530-40 (fresco)

Rosso Fiorentino, Giovanni Battista (1494-1540)

A horse! A horse! My Kingdom for a horse! - Illustration reproduction for
A horse! A horse! My Kingdom for a horse! - Illustration reproduction for

DMA1067138: A horse! A horse! My Kingdom for a horse! - Illustration reproduction for "Richard III", 1936 (litho), Kent, Rockwell (1882-1971) / Bridgeman Images

ID: DMA1067138

A horse! A horse! My Kingdom for a horse! - Illustration reproduction for "Richard III", 1936 (litho)

Kent, Rockwell (1882-1971)

St. George, late 17th century, 19th century over painting (tempera on wood)
St. George, late 17th century, 19th century over painting (tempera on wood)

STM620540: St. George, late 17th century, 19th century over painting (tempera on wood) , Russian School, (17th century) / Bridgeman Images

ID: STM620540

St. George, late 17th century, 19th century over painting (tempera on wood)

Russian School, (17th century)

Illustration from the book
Illustration from the book

JLJ4639058: Illustration from the book "Les epees de France": The Battle of Fontenoy on 11 May 1745 (engraving), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4639058

Illustration from the book "Les epees de France": The Battle of Fontenoy on 11 May 1745 (engraving)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Letter Incredible, Ibis, Italie; J: Judge, Janissaire, Japanese; K: Kanguroo, Kakatoes, Kabyle
Letter Incredible, Ibis, Italie; J: Judge, Janissaire, Japanese; K: Kanguroo, Kakatoes, Kabyle

DUV4209805: Letter Incredible, Ibis, Italie; J: Judge, Janissaire, Japanese; K: Kanguroo, Kakatoes, Kabyle, Prunaire, Alfred (1837-1912) / Bridgeman Images

ID: DUV4209805

Letter Incredible, Ibis, Italie; J: Judge, Janissaire, Japanese; K: Kanguroo, Kakatoes, Kabyle

Prunaire, Alfred (1837-1912)

Victor Emmanuel III King of Italy, 1911 (engraving)
Victor Emmanuel III King of Italy, 1911 (engraving)

GEG6431829: Victor Emmanuel III King of Italy, 1911 (engraving), Barrere, Adrien (1874-1931) / Bridgeman Images

ID: GEG6431829

Victor Emmanuel III King of Italy, 1911 (engraving)

Barrere, Adrien (1874-1931)

Cartoon attributed to the writer Francois Rabelais (1494-1553) representing Charles III de Bourbon constable of France (1490-1527). Late 19th century (engraving from “Museum-Criminal” by Henri Varennes and Edgar Troimaux)
Cartoon attributed to the writer Francois Rabelais (1494-1553) representing Charles III de Bourbon constable of France (1490-1527). Late 19th century (engraving from “Museum-Criminal” by Henri Varennes and Edgar Troimaux)

ELD4871822: Cartoon attributed to the writer Francois Rabelais (1494-1553) representing Charles III de Bourbon constable of France (1490-1527). Late 19th century (engraving from “Museum-Criminal” by Henri Varennes and Edgar Troimaux) / Bridgeman Images

ID: ELD4871822

Cartoon attributed to the writer Francois Rabelais (1494-1553) representing Charles III de Bourbon constable of France (1490-1527). Late 19th century (engraving from “Museum-Criminal” by Henri Varennes and Edgar Troimaux)

Queen Elizabeth I of England knighting Francis Drakein 1581 (print)
Queen Elizabeth I of England knighting Francis Drakein 1581 (print)

NWI4944381: Queen Elizabeth I of England knighting Francis Drakein 1581 (print) / Bridgeman Images

ID: NWI4944381

Queen Elizabeth I of England knighting Francis Drakein 1581 (print)


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