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13714 Search Results for sword

Portrait of Eugene de Beauharnais (1781-1824) Viceroy of Italy in 1805 (oil on canvas)
Portrait of Eugene de Beauharnais (1781-1824) Viceroy of Italy in 1805 (oil on canvas)

XIR104871: Portrait of Eugene de Beauharnais (1781-1824) Viceroy of Italy in 1805 (oil on canvas), Gigola, Giovanni Battista (1769-1841) / Bridgeman Images

ID: XIR104871

Portrait of Eugene de Beauharnais (1781-1824) Viceroy of Italy in 1805 (oil on canvas)

Gigola, Giovanni Battista (1769-1841)

Bullfighting: the matador executes the faena, series of passes with the muleta, before the estocade at the sword, recalling for the bullfighting of Nerva (Andalusia), 23 September 1947 - Plate predecoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper with no cash value in replacement of banknotes, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947
Bullfighting: the matador executes the faena, series of passes with the muleta, before the estocade at the sword, recalling for the bullfighting of Nerva (Andalusia), 23 September 1947 - Plate predecoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper with no cash value in replacement of banknotes, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947

LEG4338964: Bullfighting: the matador executes the faena, series of passes with the muleta, before the estocade at the sword, recalling for the bullfighting of Nerva (Andalusia), 23 September 1947 - Plate predecoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper with no cash value in replacement of banknotes, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947 / Bridgeman Images

ID: LEG4338964

Bullfighting: the matador executes the faena, series of passes with the muleta, before the estocade at the sword, recalling for the bullfighting of Nerva (Andalusia), 23 September 1947 - Plate predecoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper with no cash value in replacement of banknotes, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947

Kudanme, Act Nine [of the Kanadehon Chushingura]. [Between 1804 and 1812], 1 Print : Woodcut, Color ; 22.4 X 16.9 ., Print Shows Two Women, Possibly Tonase and Konami, and Honzo, Looking at a Map of Morono's Villa, and Rikiya, Standing, About to Draw His Sword. Scene from Act Nine of the Play Chushingura or Revenge of the 47 Ronin.
Kudanme, Act Nine [of the Kanadehon Chushingura]. [Between 1804 and 1812], 1 Print : Woodcut, Color ; 22.4 X 16.9 ., Print Shows Two Women, Possibly Tonase and Konami, and Honzo, Looking at a Map of Morono's Villa, and Rikiya, Standing, About to Draw His Sword. Scene from Act Nine of the Play Chushingura or Revenge of the 47 Ronin.

LZT1111988: Kudanme, Act Nine [of the Kanadehon Chushingura]. [Between 1804 and 1812], 1 Print : Woodcut, Color ; 22.4 X 16.9 ., Print Shows Two Women, Possibly Tonase and Konami, and Honzo, Looking at a Map of Morono's Villa, and Rikiya, Standing, About to Draw His Sword. Scene from Act Nine of the Play Chushingura or Revenge of the 47 Ronin., Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: LZT1111988

Kudanme, Act Nine [of the Kanadehon Chushingura]. [Between 1804 and 1812], 1 Print : Woodcut, Color ; 22.4 X 16.9 ., Print Shows Two Women, Possibly Tonase and Konami, and Honzo, Looking at a Map of Morono's Villa, and Rikiya, Standing, About to Draw His Sword. Scene from Act Nine of the Play Chushingura or Revenge of the 47 Ronin.

Hokusai, Katsushika (1760-1849)

The Count of Villaflor telling Pedro I (1798-1834) Emperor of Brazil and King of Portugal that he has recaptured Lisbon, from 'La Caricature', N 145, 1833 (litho)
The Count of Villaflor telling Pedro I (1798-1834) Emperor of Brazil and King of Portugal that he has recaptured Lisbon, from 'La Caricature', N 145, 1833 (litho)

XIR207836: The Count of Villaflor telling Pedro I (1798-1834) Emperor of Brazil and King of Portugal that he has recaptured Lisbon, from 'La Caricature', N 145, 1833 (litho), Daumier, Honore (1808-79) / Bridgeman Images

ID: XIR207836

The Count of Villaflor telling Pedro I (1798-1834) Emperor of Brazil and King of Portugal that he has recaptured Lisbon, from 'La Caricature', N 145, 1833 (litho)

Daumier, Honore (1808-79)

Bremen, Rathaus, Obere Halle
Bremen, Rathaus, Obere Halle

STF833658: Bremen, Rathaus, Obere Halle / Bridgeman Images

ID: STF833658

Bremen, Rathaus, Obere Halle

Queen Elizabeth II leaving Buckingham Palace to take the salute at the trooping of the colour at horse guards, parade to mark her official birthday, London, 1985 (photo)
Queen Elizabeth II leaving Buckingham Palace to take the salute at the trooping of the colour at horse guards, parade to mark her official birthday, London, 1985 (photo)

XRE2244676: Queen Elizabeth II leaving Buckingham Palace to take the salute at the trooping of the colour at horse guards, parade to mark her official birthday, London, 1985 (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: XRE2244676

Queen Elizabeth II leaving Buckingham Palace to take the salute at the trooping of the colour at horse guards, parade to mark her official birthday, London, 1985 (photo)

Unknown photographer, (20th century)

Seated Qajar Prince (pencil & opaque w/c on paper)
Seated Qajar Prince (pencil & opaque w/c on paper)

TBM364032: Seated Qajar Prince (pencil & opaque w/c on paper), Iranian School / Bridgeman Images

ID: TBM364032

Seated Qajar Prince (pencil & opaque w/c on paper)

Iranian School

Godanme, Act Five. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.5 X 22.8 ., Print for a Scene from Act 5 of the Chushingura which Shows the Robber Sadakuro Holding a Sword at the Throat of Yoichibei, an Elderly Man, As He Robs Him and Then Kills Him. In the Background, Kampei, Holding a Rifle, Shoots at a Wild Boar, But Kills Sadakuro Instead.
Godanme, Act Five. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.5 X 22.8 ., Print for a Scene from Act 5 of the Chushingura which Shows the Robber Sadakuro Holding a Sword at the Throat of Yoichibei, an Elderly Man, As He Robs Him and Then Kills Him. In the Background, Kampei, Holding a Rifle, Shoots at a Wild Boar, But Kills Sadakuro Instead.

LZT1111641: Godanme, Act Five. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.5 X 22.8 ., Print for a Scene from Act 5 of the Chushingura which Shows the Robber Sadakuro Holding a Sword at the Throat of Yoichibei, an Elderly Man, As He Robs Him and Then Kills Him. In the Background, Kampei, Holding a Rifle, Shoots at a Wild Boar, But Kills Sadakuro Instead., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

ID: LZT1111641

Godanme, Act Five. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.5 X 22.8 ., Print for a Scene from Act 5 of the Chushingura which Shows the Robber Sadakuro Holding a Sword at the Throat of Yoichibei, an Elderly Man, As He Robs Him and Then Kills Him. In the Background, Kampei, Holding a Rifle, Shoots at a Wild Boar, But Kills Sadakuro Instead.

Utamaro, Kitagawa (1753-1806)

The Church Militant and Triumphant, 1365-1367 (fresco)
The Church Militant and Triumphant, 1365-1367 (fresco)

MEP2627602: The Church Militant and Triumphant, 1365-1367 (fresco), Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77) / Bridgeman Images

ID: MEP2627602

The Church Militant and Triumphant, 1365-1367 (fresco)

Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77)

Sir Galahad meets Sir Melyas, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)
Sir Galahad meets Sir Melyas, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

STC328789: Sir Galahad meets Sir Melyas, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC328789

Sir Galahad meets Sir Melyas, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

Pyle, Howard (1853-1911)

The Death of Dido, 1650-66 (oil on canvas)
The Death of Dido, 1650-66 (oil on canvas)

MAN7210228: The Death of Dido, 1650-66 (oil on canvas), Guercino (Giovanni Francesco Barbieri) (1591-1666) (after) / Bridgeman Images

ID: MAN7210228

The Death of Dido, 1650-66 (oil on canvas)

Guercino (Giovanni Francesco Barbieri) (1591-1666) (after)

Meeting between Jean Cavalier (1681-1740) and Claude Louis Hector (1653-1734) Duke of Villars (oil on canvas)
Meeting between Jean Cavalier (1681-1740) and Claude Louis Hector (1653-1734) Duke of Villars (oil on canvas)

XIR167572: Meeting between Jean Cavalier (1681-1740) and Claude Louis Hector (1653-1734) Duke of Villars (oil on canvas), Salles-Wagner, Jules (1814-98) / Bridgeman Images

ID: XIR167572

Meeting between Jean Cavalier (1681-1740) and Claude Louis Hector (1653-1734) Duke of Villars (oil on canvas)

Salles-Wagner, Jules (1814-98)

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”
Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

PCT4260936: Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4260936

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

Grandville (Jean Ignace Isidore Gerard) (1803-47)

The Last Judgement, before 1562 (oil on canvas)
The Last Judgement, before 1562 (oil on canvas)

CPH182929: The Last Judgement, before 1562 (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH182929

The Last Judgement, before 1562 (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Mr Charles Pitt as Gloster, Act V Scene VI, in Henry VI (Part 3) by William Shakespeare (engraving)
Mr Charles Pitt as Gloster, Act V Scene VI, in Henry VI (Part 3) by William Shakespeare (engraving)

STC134795: Mr Charles Pitt as Gloster, Act V Scene VI, in Henry VI (Part 3) by William Shakespeare (engraving), Sherratt, Thomas (fl.1860-80) / Bridgeman Images

ID: STC134795

Mr Charles Pitt as Gloster, Act V Scene VI, in Henry VI (Part 3) by William Shakespeare (engraving)

Sherratt, Thomas (fl.1860-80)

Russian Soldiers Accompanying a Priest on Horseback, (w/c on paper)
Russian Soldiers Accompanying a Priest on Horseback, (w/c on paper)

CH1195652: Russian Soldiers Accompanying a Priest on Horseback, (w/c on paper), Opitz, Georg Emanuel (1775-1841) / Bridgeman Images

ID: CH1195652

Russian Soldiers Accompanying a Priest on Horseback, (w/c on paper)

Opitz, Georg Emanuel (1775-1841)

The Russian Bear and Her Invincible Rider Encountering the British Legion, Engraving 1791, Potemkin, with Sword Raised Overhead and Wearing Hussar's Uniform, Riding Catherine the Great Who is Dressed As a Black Bear, They Approach George III and His Ministers, Pitt, Salisbury, and Thurlow, Who Are Carrying Spears, Three of which Have Had Their Points Broken Off; behind Them Stand Two Bishops.
The Russian Bear and Her Invincible Rider Encountering the British Legion, Engraving 1791, Potemkin, with Sword Raised Overhead and Wearing Hussar's Uniform, Riding Catherine the Great Who is Dressed As a Black Bear, They Approach George III and His Ministers, Pitt, Salisbury, and Thurlow, Who Are Carrying Spears, Three of which Have Had Their Points Broken Off; behind Them Stand Two Bishops.

LZT1012576: The Russian Bear and Her Invincible Rider Encountering the British Legion, Engraving 1791, Potemkin, with Sword Raised Overhead and Wearing Hussar's Uniform, Riding Catherine the Great Who is Dressed As a Black Bear, They Approach George III and His Ministers, Pitt, Salisbury, and Thurlow, Who Are Carrying Spears, Three of which Have Had Their Points Broken Off; behind Them Stand Two Bishops. / Bridgeman Images

ID: LZT1012576

The Russian Bear and Her Invincible Rider Encountering the British Legion, Engraving 1791, Potemkin, with Sword Raised Overhead and Wearing Hussar's Uniform, Riding Catherine the Great Who is Dressed As a Black Bear, They Approach George III and His Ministers, Pitt, Salisbury, and Thurlow, Who Are Carrying Spears, Three of which Have Had Their Points Broken Off; behind Them Stand Two Bishops.

Backstage, (oil on panel)
Backstage, (oil on panel)

CH658346: Backstage, (oil on panel), Duverger, Theophile Emmanuel (1821-86) / Bridgeman Images

ID: CH658346

Backstage, (oil on panel)

Duverger, Theophile Emmanuel (1821-86)

Henry VI, Part III, 1890 (litho)
Henry VI, Part III, 1890 (litho)

KWE428141: Henry VI, Part III, 1890 (litho), Gilbert, John (1817-97) / Bridgeman Images

ID: KWE428141

Henry VI, Part III, 1890 (litho)

Gilbert, John (1817-97)

Grand Vizier Said Halim Pasha, c.1916 (oil on canvas)
Grand Vizier Said Halim Pasha, c.1916 (oil on canvas)

XOT366529: Grand Vizier Said Halim Pasha, c.1916 (oil on canvas), Nedomansky Studio, Vienna (fl.1914-18) / Bridgeman Images

ID: XOT366529

Grand Vizier Said Halim Pasha, c.1916 (oil on canvas)

Nedomansky Studio, Vienna (fl.1914-18)

Melchior, 1887 (coloured chalks and gold)
Melchior, 1887 (coloured chalks and gold)

AGN81570: Melchior, 1887 (coloured chalks and gold), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: AGN81570

Melchior, 1887 (coloured chalks and gold)

Burne-Jones, Edward Coley (1833-98)

Harold II Swearing an Oath to Uphold the Bequest of the Throne to William I, the Conqueror, by Edward the Confessor in 1064 (engraving)
Harold II Swearing an Oath to Uphold the Bequest of the Throne to William I, the Conqueror, by Edward the Confessor in 1064 (engraving)

XJF105880: Harold II Swearing an Oath to Uphold the Bequest of the Throne to William I, the Conqueror, by Edward the Confessor in 1064 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF105880

Harold II Swearing an Oath to Uphold the Bequest of the Throne to William I, the Conqueror, by Edward the Confessor in 1064 (engraving)

English School, (19th century)

The Peace Thanksgiving at St Paul's, 8 June (b/w photo)
The Peace Thanksgiving at St Paul's, 8 June (b/w photo)

LIP1629795: The Peace Thanksgiving at St Paul's, 8 June (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LIP1629795

The Peace Thanksgiving at St Paul's, 8 June (b/w photo)

English Photographer, (20th century)

Alexandre Dumas Pere (chromolitho)
Alexandre Dumas Pere (chromolitho)

LLH982467: Alexandre Dumas Pere (chromolitho), French School, (20th century) / Bridgeman Images

ID: LLH982467

Alexandre Dumas Pere (chromolitho)

French School, (20th century)

Pilgrims attacking Giant Despair, 19th century (print)
Pilgrims attacking Giant Despair, 19th century (print)

KWE2603522: Pilgrims attacking Giant Despair, 19th century (print) / Bridgeman Images

ID: KWE2603522

Pilgrims attacking Giant Despair, 19th century (print)

Greatheart defending Christiana in the valley. From The Pilgrim's Progress by John Bunyan. 19th century print.
Greatheart defending Christiana in the valley. From The Pilgrim's Progress by John Bunyan. 19th century print.

KWE2603525: Greatheart defending Christiana in the valley. From The Pilgrim's Progress by John Bunyan. 19th century print. / Bridgeman Images

ID: KWE2603525

Greatheart defending Christiana in the valley. From The Pilgrim's Progress by John Bunyan. 19th century print.

National Peace Poster Stamps, featuring student peace posters, 1935-1940 (litho)
National Peace Poster Stamps, featuring student peace posters, 1935-1940 (litho)

RCN5906426: National Peace Poster Stamps, featuring student peace posters, 1935-1940 (litho), American School, (20th century) / Bridgeman Images

ID: RCN5906426

National Peace Poster Stamps, featuring student peace posters, 1935-1940 (litho)

American School, (20th century)

Ubu king. 1896 (poster)
Ubu king. 1896 (poster)

CCI6437625: Ubu king. 1896 (poster), Jarry, Alfred (1873-1907) / Bridgeman Images

ID: CCI6437625

Ubu king. 1896 (poster)

Jarry, Alfred (1873-1907)

The Life and Strange Surprising Adventures of Robinson Crusoe, 18th century (engraving)
The Life and Strange Surprising Adventures of Robinson Crusoe, 18th century (engraving)

AFF3614712: The Life and Strange Surprising Adventures of Robinson Crusoe, 18th century (engraving), English School, (18th century) / Bridgeman Images

ID: AFF3614712

The Life and Strange Surprising Adventures of Robinson Crusoe, 18th century (engraving)

English School, (18th century)

Francis Drake being knighted by Queen Elizabeth 1 in 1581 (engraving)
Francis Drake being knighted by Queen Elizabeth 1 in 1581 (engraving)

XEE4162440: Francis Drake being knighted by Queen Elizabeth 1 in 1581 (engraving), Gilbert, John (1817-97) (after) / Bridgeman Images

ID: XEE4162440

Francis Drake being knighted by Queen Elizabeth 1 in 1581 (engraving)

Gilbert, John (1817-97) (after)

Portrait of Charles Mangin (photo)
Portrait of Charles Mangin (photo)

XIR698866: Portrait of Charles Mangin (photo), Walery Studio (fl.1884-1935) / Bridgeman Images

ID: XIR698866

Portrait of Charles Mangin (photo)

Walery Studio (fl.1884-1935)

Madonna in glory with Saints Peter, Paul, Bernard and Zeno (Madonna in gloria e i santi Pietro, Paolo, Bernardo e Zeno), by Giovanni Girolamo (Gerolamo) Savoldo, 1533, 16h Century, oil on wood
Madonna in glory with Saints Peter, Paul, Bernard and Zeno (Madonna in gloria e i santi Pietro, Paolo, Bernardo e Zeno), by Giovanni Girolamo (Gerolamo) Savoldo, 1533, 16h Century, oil on wood

ELC851076: Madonna in glory with Saints Peter, Paul, Bernard and Zeno (Madonna in gloria e i santi Pietro, Paolo, Bernardo e Zeno), by Giovanni Girolamo (Gerolamo) Savoldo, 1533, 16h Century, oil on wood, Savoldo, Giovanni Girolamo (c.1480-p.1548) / Bridgeman Images

ID: ELC851076

Madonna in glory with Saints Peter, Paul, Bernard and Zeno (Madonna in gloria e i santi Pietro, Paolo, Bernardo e Zeno), by Giovanni Girolamo (Gerolamo) Savoldo, 1533, 16h Century, oil on wood

Savoldo, Giovanni Girolamo (c.1480-p.1548)

Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)

ELC852476: Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache), Martini, Alberto (1876-1954) / Bridgeman Images

ID: ELC852476

Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)

Martini, Alberto (1876-1954)

The Martyrdom of St Dorothy, (canvas)
The Martyrdom of St Dorothy, (canvas)

ELC855295: The Martyrdom of St Dorothy, (canvas), Fabrizi, Anton Maria (c.1594-1649) / Bridgeman Images

ID: ELC855295

The Martyrdom of St Dorothy, (canvas)

Fabrizi, Anton Maria (c.1594-1649)

Navigator Francis Drake is made knight by Queen elizabeth 1st of England on April 4, 1581 (engraving)
Navigator Francis Drake is made knight by Queen elizabeth 1st of England on April 4, 1581 (engraving)

XRH1730721: Navigator Francis Drake is made knight by Queen elizabeth 1st of England on April 4, 1581 (engraving), Gilbert, John (1817-97) (after) / Bridgeman Images

ID: XRH1730721

Navigator Francis Drake is made knight by Queen elizabeth 1st of England on April 4, 1581 (engraving)

Gilbert, John (1817-97) (after)

The Wolverines, 2013 (oil on canvas)
The Wolverines, 2013 (oil on canvas)

MMO5307099: The Wolverines, 2013 (oil on canvas), Maritato, Mark / Bridgeman Images

ID: MMO5307099

The Wolverines, 2013 (oil on canvas)

Maritato, Mark


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