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13714 Search Results for sword

The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving)
The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving)

STC3239917: The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3239917

The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving)

Gillray, James (1757-1815)

Edward I attacks Scotland, pub. 1890 (colour lithograph)
Edward I attacks Scotland, pub. 1890 (colour lithograph)

STC3035188: Edward I attacks Scotland, pub. 1890 (colour lithograph), English School, (19th century) / Bridgeman Images

ID: STC3035188

Edward I attacks Scotland, pub. 1890 (colour lithograph)

English School, (19th century)

Virgil In His Study, (oil on canvas)
Virgil In His Study, (oil on canvas)

CH651661: Virgil In His Study, (oil on canvas), Phillips, Tom (1937-2022) / Bridgeman Images

ID: CH651661

Virgil In His Study, (oil on canvas)

Phillips, Tom (1937-2022)

Detail of Sir Walter Raleigh by William McMillan, Old Royal Naval College (photo)
Detail of Sir Walter Raleigh by William McMillan, Old Royal Naval College (photo)

DGP421247: Detail of Sir Walter Raleigh by William McMillan, Old Royal Naval College (photo) / Bridgeman Images

ID: DGP421247

Detail of Sir Walter Raleigh by William McMillan, Old Royal Naval College (photo)

Greece at the time of the Republics: The victors erect signs of their victory on the battlefield, 1866 (coloured engraving)
Greece at the time of the Republics: The victors erect signs of their victory on the battlefield, 1866 (coloured engraving)

XEE702547: Greece at the time of the Republics: The victors erect signs of their victory on the battlefield, 1866 (coloured engraving), Leutemann, Heinrich (1824-1905) / Bridgeman Images

ID: XEE702547

Greece at the time of the Republics: The victors erect signs of their victory on the battlefield, 1866 (coloured engraving)

Leutemann, Heinrich (1824-1905)

Germany in High Esteem, 1915 (colour litho)
Germany in High Esteem, 1915 (colour litho)

GBW697691: Germany in High Esteem, 1915 (colour litho), German School, (20th century) / Bridgeman Images

ID: GBW697691

Germany in High Esteem, 1915 (colour litho)

German School, (20th century)

Defoe, Daniel (1660-1731). Robinson Crusoe rescuing of the boat all what could be before of its sinking.
Defoe, Daniel (1660-1731). Robinson Crusoe rescuing of the boat all what could be before of its sinking.

TRK562211: Defoe, Daniel (1660-1731). Robinson Crusoe rescuing of the boat all what could be before of its sinking. / Bridgeman Images

ID: TRK562211

Defoe, Daniel (1660-1731). Robinson Crusoe rescuing of the boat all what could be before of its sinking.

Wounded Cuirassier 1814 (oil on canvas)
Wounded Cuirassier 1814 (oil on canvas)

CH23328: Wounded Cuirassier 1814 (oil on canvas), Gericault, Theodore (1791-1824) (follower of) / Bridgeman Images

ID: CH23328

Wounded Cuirassier 1814 (oil on canvas)

Gericault, Theodore (1791-1824) (follower of)

The donor Jean Clement receives the ensign from St Denis, c.1230 (stained glass)
The donor Jean Clement receives the ensign from St Denis, c.1230 (stained glass)

PC941150: The donor Jean Clement receives the ensign from St Denis, c.1230 (stained glass), French School, (13th century) / Bridgeman Images

ID: PC941150

The donor Jean Clement receives the ensign from St Denis, c.1230 (stained glass)

French School, (13th century)

De Vlugt Van 'T Pausdom Uit Engelant, Hooghe, Romeyn De, 1645-1708, Artist, [1689], 1 Print (Broadside) : Etching with Letterpress., Print Shows Louis Xiv, with Peg Leg, Riding a Bear, Leading the Flight of Catholicism from England; He Moves to Draw His Sword to Strike a Lion, As a Cock on His Head is Attacked by an Eagle. Father Petre Follows Riding a Large Dog Harnessed to a Wagon Carrying the Royal Family, James II, the Queen, and James Francis, Their Infant Son, Known As the Pretender, Holding a Windmill. The Dog Defecates on the Crown. A Black Imp with Bellows Harasses Father Petre. Pantagion with Sword Drawn and Bomb Shooting Hat Brings Up the Rear Riding a Wolf. In the Middle Distance is a Long Line of Priests and Monks Fleeing London. In the Upper Right Corner, Pope Innocent Xi Wheels in a Bishop.
De Vlugt Van 'T Pausdom Uit Engelant, Hooghe, Romeyn De, 1645-1708, Artist, [1689], 1 Print (Broadside) : Etching with Letterpress., Print Shows Louis Xiv, with Peg Leg, Riding a Bear, Leading the Flight of Catholicism from England; He Moves to Draw His Sword to Strike a Lion, As a Cock on His Head is Attacked by an Eagle. Father Petre Follows Riding a Large Dog Harnessed to a Wagon Carrying the Royal Family, James II, the Queen, and James Francis, Their Infant Son, Known As the Pretender, Holding a Windmill. The Dog Defecates on the Crown. A Black Imp with Bellows Harasses Father Petre. Pantagion with Sword Drawn and Bomb Shooting Hat Brings Up the Rear Riding a Wolf. In the Middle Distance is a Long Line of Priests and Monks Fleeing London. In the Upper Right Corner, Pope Innocent Xi Wheels in a Bishop.

LZT1012667: De Vlugt Van 'T Pausdom Uit Engelant, Hooghe, Romeyn De, 1645-1708, Artist, [1689], 1 Print (Broadside) : Etching with Letterpress., Print Shows Louis Xiv, with Peg Leg, Riding a Bear, Leading the Flight of Catholicism from England; He Moves to Draw His Sword to Strike a Lion, As a Cock on His Head is Attacked by an Eagle. Father Petre Follows Riding a Large Dog Harnessed to a Wagon Carrying the Royal Family, James II, the Queen, and James Francis, Their Infant Son, Known As the Pretender, Holding a Windmill. The Dog Defecates on the Crown. A Black Imp with Bellows Harasses Father Petre. Pantagion with Sword Drawn and Bomb Shooting Hat Brings Up the Rear Riding a Wolf. In the Middle Distance is a Long Line of Priests and Monks Fleeing London. In the Upper Right Corner, Pope Innocent Xi Wheels in a Bishop. / Bridgeman Images

ID: LZT1012667

De Vlugt Van 'T Pausdom Uit Engelant, Hooghe, Romeyn De, 1645-1708, Artist, [1689], 1 Print (Broadside) : Etching with Letterpress., Print Shows Louis Xiv, with Peg Leg, Riding a Bear, Leading the Flight of Catholicism from England; He Moves to Draw His Sword to Strike a Lion, As a Cock on His Head is Attacked by an Eagle. Father Petre Follows Riding a Large Dog Harnessed to a Wagon Carrying the Royal Family, James II, the Queen, and James Francis, Their Infant Son, Known As the Pretender, Holding a Windmill. The Dog Defecates on the Crown. A Black Imp with Bellows Harasses Father Petre. Pantagion with Sword Drawn and Bomb Shooting Hat Brings Up the Rear Riding a Wolf. In the Middle Distance is a Long Line of Priests and Monks Fleeing London. In the Upper Right Corner, Pope Innocent Xi Wheels in a Bishop.

Queen Elizabeth I (1530-1603) Knighting Francis Drake (c.1540-96) in 1581 (engraving)
Queen Elizabeth I (1530-1603) Knighting Francis Drake (c.1540-96) in 1581 (engraving)

XJF137060: Queen Elizabeth I (1530-1603) Knighting Francis Drake (c.1540-96) in 1581 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF137060

Queen Elizabeth I (1530-1603) Knighting Francis Drake (c.1540-96) in 1581 (engraving)

English School, (19th century)

LLM2809352: "Elizabeth knighted the greatest of her immortal seamen" (engraving), English School, (20th century) / Bridgeman Images

ID: LLM2809352

"Elizabeth knighted the greatest of her immortal seamen" (engraving)

English School, (20th century)

A Scottish combat with swords - American Vaudeville act, 1907
A Scottish combat with swords - American Vaudeville act, 1907

BOF1073090: A Scottish combat with swords - American Vaudeville act, 1907 / Bridgeman Images

ID: BOF1073090

A Scottish combat with swords - American Vaudeville act, 1907

Untitled, 1950 (watercolour, pen and black ink and graphite on paper mounted on)
Untitled, 1950 (watercolour, pen and black ink and graphite on paper mounted on)

CH986564: Untitled, 1950 (watercolour, pen and black ink and graphite on paper mounted on), Lindner, Richard (1901-78) / Bridgeman Images

ID: CH986564

Untitled, 1950 (watercolour, pen and black ink and graphite on paper mounted on)

Lindner, Richard (1901-78)

Madonna and Child with Sts Peter, Paul and John the Baptist, 1476 (tempera on panel)
Madonna and Child with Sts Peter, Paul and John the Baptist, 1476 (tempera on panel)

MEB858617: Madonna and Child with Sts Peter, Paul and John the Baptist, 1476 (tempera on panel), Vivarini, Alvise (c.1445/6-1503/5) / Bridgeman Images

ID: MEB858617

Madonna and Child with Sts Peter, Paul and John the Baptist, 1476 (tempera on panel)

Vivarini, Alvise (c.1445/6-1503/5)

The Virgin in Glory with Saints Peter and Paul, a Saint Bishop and Saint Giustina, School of Federico Fiori also known as Barocci or Baroccio, 17th Century, oil on canvas, 312 x 178 cm
The Virgin in Glory with Saints Peter and Paul, a Saint Bishop and Saint Giustina, School of Federico Fiori also known as Barocci or Baroccio, 17th Century, oil on canvas, 312 x 178 cm

MEB943611: The Virgin in Glory with Saints Peter and Paul, a Saint Bishop and Saint Giustina, School of Federico Fiori also known as Barocci or Baroccio, 17th Century, oil on canvas, 312 x 178 cm / Bridgeman Images

ID: MEB943611

The Virgin in Glory with Saints Peter and Paul, a Saint Bishop and Saint Giustina, School of Federico Fiori also known as Barocci or Baroccio, 17th Century, oil on canvas, 312 x 178 cm

Three Saints, 1890 (canvas)
Three Saints, 1890 (canvas)

ELC860196: Three Saints, 1890 (canvas), Rin, Tomaso Da (1838-1922) / Bridgeman Images

ID: ELC860196

Three Saints, 1890 (canvas)

Rin, Tomaso Da (1838-1922)

The Death of Edward Pakenham at the Battle of New Orleans (litho)
The Death of Edward Pakenham at the Battle of New Orleans (litho)

PNP468403: The Death of Edward Pakenham at the Battle of New Orleans (litho), Hardy, Paul (19th Century) (after) / Bridgeman Images

ID: PNP468403

The Death of Edward Pakenham at the Battle of New Orleans (litho)

Hardy, Paul (19th Century) (after)

The Taming of the Shrew
The Taming of the Shrew

XLA3749904: The Taming of the Shrew, Jackson, Albert Edward (1873-1952) / Bridgeman Images

ID: XLA3749904

The Taming of the Shrew

Jackson, Albert Edward (1873-1952)

Gentilhomme et dame, nobility anglaise, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17e et 18e ecles” by Georges Duplessis (1834-1899), edition 1867
Gentilhomme et dame, nobility anglaise, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17e et 18e ecles” by Georges Duplessis (1834-1899), edition 1867

FLO4616634: Gentilhomme et dame, nobility anglaise, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17e et 18e ecles” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616634

Gentilhomme et dame, nobility anglaise, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17e et 18e ecles” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Altarpiece of the Adoration of the Magi (Pala Strozzi), 1423 (Tempera on wood)
Altarpiece of the Adoration of the Magi (Pala Strozzi), 1423 (Tempera on wood)

LRI4605822: Altarpiece of the Adoration of the Magi (Pala Strozzi), 1423 (Tempera on wood), Fabriano, Gentile da (c.1370-1427) / Bridgeman Images

ID: LRI4605822

Altarpiece of the Adoration of the Magi (Pala Strozzi), 1423 (Tempera on wood)

Fabriano, Gentile da (c.1370-1427)

Portrait of Edward, 3rd Lord Montagu of Boughton (1562-1644) (oil on canvas)
Portrait of Edward, 3rd Lord Montagu of Boughton (1562-1644) (oil on canvas)

BLH7207829: Portrait of Edward, 3rd Lord Montagu of Boughton (1562-1644) (oil on canvas), Eyden, Jeremias van der (d.1697) / Bridgeman Images

ID: BLH7207829

Portrait of Edward, 3rd Lord Montagu of Boughton (1562-1644) (oil on canvas)

Eyden, Jeremias van der (d.1697)

La fete des rois. The Bean King (The Feast of the Bean King), 1638 (oil on canvas)
La fete des rois. The Bean King (The Feast of the Bean King), 1638 (oil on canvas)

FIA5326326: La fete des rois. The Bean King (The Feast of the Bean King), 1638 (oil on canvas), Jordaens, Jacob (1593-1678) / Bridgeman Images

ID: FIA5326326

La fete des rois. The Bean King (The Feast of the Bean King), 1638 (oil on canvas)

Jordaens, Jacob (1593-1678)

Sanjo Kokaji No Manebigoto Zu, Remake of the Noh Play About the Swordmaker Sanjo Kokaji. [Between 1848 and 1854], 1 Print (3 Sheets) : Woodcut, Color ; 34.8 X 23.5 (Left Panel), 35 X 24.7 (Center Panel), 34.8 X 23.9 (Right Panel), Print Shows Three Actors As Warrior/Metalworkers Hammering a Sword.
Sanjo Kokaji No Manebigoto Zu, Remake of the Noh Play About the Swordmaker Sanjo Kokaji. [Between 1848 and 1854], 1 Print (3 Sheets) : Woodcut, Color ; 34.8 X 23.5 (Left Panel), 35 X 24.7 (Center Panel), 34.8 X 23.9 (Right Panel), Print Shows Three Actors As Warrior/Metalworkers Hammering a Sword.

LZT1112237: Sanjo Kokaji No Manebigoto Zu, Remake of the Noh Play About the Swordmaker Sanjo Kokaji. [Between 1848 and 1854], 1 Print (3 Sheets) : Woodcut, Color ; 34.8 X 23.5 (Left Panel), 35 X 24.7 (Center Panel), 34.8 X 23.9 (Right Panel), Print Shows Three Actors As Warrior/Metalworkers Hammering a Sword., Kunisada, Utagawa (Toyokuni III) (1786-1865) / Bridgeman Images

ID: LZT1112237

Sanjo Kokaji No Manebigoto Zu, Remake of the Noh Play About the Swordmaker Sanjo Kokaji. [Between 1848 and 1854], 1 Print (3 Sheets) : Woodcut, Color ; 34.8 X 23.5 (Left Panel), 35 X 24.7 (Center Panel), 34.8 X 23.9 (Right Panel), Print Shows Three Actors As Warrior/Metalworkers Hammering a Sword.

Kunisada, Utagawa (Toyokuni III) (1786-1865)

Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.
Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.

LZT1111821: Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1111821

Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.

Kuniyasu, Utagawa (1794-1832)

Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676984: Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861 / Bridgeman Images

ID: FLO4676984

Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo)
Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo)

MPX5157395: Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo) / Bridgeman Images

ID: MPX5157395

Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo)

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”
Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

PCT4260936: Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4260936

Cartoon d'animaux - soldats: Grandville engraving, extracted from the book Private and Public Life of Animals (“Les animaux ints par eux memes”), Hetzel edition 1867 p. 561 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “” The occasion of these massacres is usually the sound nothing called a word, or the indefinable nothing called an idea. In the absence of the natural weapons that the wise forecast of Providence has denied to man, he has invented, for these horrific collisions, instruments of death that infallibly destroy all that they touch and which are generally copies of those whose nature has equipped the Animals for their defense; they are seen carrying alongside the thigh, with a sort of of pride, a long and pointed sword like that of the Unicorn or a curved and sharp sword like that of the Grasshopper.”

Grandville (Jean Ignace Isidore Gerard) (1803-47)

French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)
French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190463: French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190463

French Generals Retiring on account of their health with Lepaux presiding in the Directorial Dispensary, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

Egypt with the Bisharin tribe
Egypt with the Bisharin tribe

PLC615469: Egypt with the Bisharin tribe / Bridgeman Images

ID: PLC615469

Egypt with the Bisharin tribe

Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas)
Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas)

CH1196699: Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas), Mihr 'Ali (fl.1795-1830) / Bridgeman Images

ID: CH1196699

Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas)

Mihr 'Ali (fl.1795-1830)

Joan of Arc (c 1412-1431) (photo)
Joan of Arc (c 1412-1431) (photo)

LLM724626: Joan of Arc (c 1412-1431) (photo), French Photographer, (20th century) / Bridgeman Images

ID: LLM724626

Joan of Arc (c 1412-1431) (photo)

French Photographer, (20th century)

Queen Elizabeth knighting Francis Drake (engraving)
Queen Elizabeth knighting Francis Drake (engraving)

LLM654382: Queen Elizabeth knighting Francis Drake (engraving), Gilbert, John (1817-97) (after) / Bridgeman Images

ID: LLM654382

Queen Elizabeth knighting Francis Drake (engraving)

Gilbert, John (1817-97) (after)

Robert taken prisoner by the clerk Baudri, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)
Robert taken prisoner by the clerk Baudri, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

STC984736: Robert taken prisoner by the clerk Baudri, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

ID: STC984736

Robert taken prisoner by the clerk Baudri, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

Doyle, James William Edmund (1822-92)

Dangerous trades (colour litho)
Dangerous trades (colour litho)

LLM2783857: Dangerous trades (colour litho), Beltrame, Achille (1871-1945) / Bridgeman Images

ID: LLM2783857

Dangerous trades (colour litho)

Beltrame, Achille (1871-1945)

Short-arms (Colour Litho)
Short-arms (Colour Litho)

LLM2808624: Short-arms (Colour Litho), Beltrame, Achille (1871-1945) / Bridgeman Images

ID: LLM2808624

Short-arms (Colour Litho)

Beltrame, Achille (1871-1945)


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