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The hara kiri: condemnation of a noble to ritual suicide; condemns him, a knee on the white mat will use the knife to open his belly, then the samurai stands behind him, decapitates him with a sword. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
The hara kiri: condemnation of a noble to ritual suicide; condemns him, a knee on the white mat will use the knife to open his belly, then the samurai stands behind him, decapitates him with a sword. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326213: The hara kiri: condemnation of a noble to ritual suicide; condemns him, a knee on the white mat will use the knife to open his belly, then the samurai stands behind him, decapitates him with a sword. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4326213

The hara kiri: condemnation of a noble to ritual suicide; condemns him, a knee on the white mat will use the knife to open his belly, then the samurai stands behind him, decapitates him with a sword. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

Unknown Artist, (19th century)

King William I, The Conqueror (chromolitho)
King William I, The Conqueror (chromolitho)

LLM962850: King William I, The Conqueror (chromolitho), English School, (19th century) / Bridgeman Images

ID: LLM962850

King William I, The Conqueror (chromolitho)

English School, (19th century)

France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas)
France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas)

XIR218295: France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas), Dubois, (fl.1812) / Bridgeman Images

ID: XIR218295

France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas)

Dubois, (fl.1812)

St. Michael the Archangel, 1540-1545 (fresco)
St. Michael the Archangel, 1540-1545 (fresco)

MEP2627571: St. Michael the Archangel, 1540-1545 (fresco), Bronzino, Agnolo di Cosimo (1503-72) / Bridgeman Images

ID: MEP2627571

St. Michael the Archangel, 1540-1545 (fresco)

Bronzino, Agnolo di Cosimo (1503-72)

King Richard III in battle
King Richard III in battle

LAL320052: King Richard III in battle, McConnell, James Edwin (1903-95) / Bridgeman Images

ID: LAL320052

King Richard III in battle

McConnell, James Edwin (1903-95)

Portrait of Cardinal-Infante Ferdinand of Austria, c.1634 (oil on canvas)
Portrait of Cardinal-Infante Ferdinand of Austria, c.1634 (oil on canvas)

XIR423411: Portrait of Cardinal-Infante Ferdinand of Austria, c.1634 (oil on canvas), Dyck, Anthony van (1599-1641) / Bridgeman Images

ID: XIR423411

Portrait of Cardinal-Infante Ferdinand of Austria, c.1634 (oil on canvas)

Dyck, Anthony van (1599-1641)

The Resurrection of Christ, c.1610-20 (oil on canvas)
The Resurrection of Christ, c.1610-20 (oil on canvas)

XIR171843: The Resurrection of Christ, c.1610-20 (oil on canvas), Seghers, Gerard (1591-1651) / Bridgeman Images

ID: XIR171843

The Resurrection of Christ, c.1610-20 (oil on canvas)

Seghers, Gerard (1591-1651)

Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal
Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal

XIR736749: Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal", supplement illustre, 18th October 1914 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR736749

Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal", supplement illustre, 18th October 1914 (lithograph)

French School, (20th century)

Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph)
Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph)

XIR60203: Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: XIR60203

Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)
Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)

STC429657: Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving), Loutherbourg, Philip James (Jacques) de (1740-1812) / Bridgeman Images

ID: STC429657

Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)

Loutherbourg, Philip James (Jacques) de (1740-1812)

Tutankhamun treasure selection
Tutankhamun treasure selection

LRP693120: Tutankhamun treasure selection / Bridgeman Images

ID: LRP693120

Tutankhamun treasure selection

Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s
Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s

EVB2950141: Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s / Bridgeman Images

ID: EVB2950141

Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s

Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4602857: Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

ID: FLO4602857

Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

Presages of the Millennium, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint)
Presages of the Millennium, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint)

NCO189734: Presages of the Millennium, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189734

Presages of the Millennium, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint)

Gillray, James (1757-1815)

Portrait of Cornelis van Diest (?) and his Wife, 1636-8 (oil on canvas)
Portrait of Cornelis van Diest (?) and his Wife, 1636-8 (oil on canvas)

BYD3849595: Portrait of Cornelis van Diest (?) and his Wife, 1636-8 (oil on canvas), Jordaens, Jacob (1593-1678) / Bridgeman Images

ID: BYD3849595

Portrait of Cornelis van Diest (?) and his Wife, 1636-8 (oil on canvas)

Jordaens, Jacob (1593-1678)

Alexander the Great Cutting the Gordian Knot, c.1718-19 (oil on canvas)
Alexander the Great Cutting the Gordian Knot, c.1718-19 (oil on canvas)

XWM3597205: Alexander the Great Cutting the Gordian Knot, c.1718-19 (oil on canvas) , Pannini or Panini, Giovanni Paolo (1691/2-1765) / Bridgeman Images

ID: XWM3597205

Alexander the Great Cutting the Gordian Knot, c.1718-19 (oil on canvas)

Pannini or Panini, Giovanni Paolo (1691/2-1765)

Isolde the Fair attempts to kill herself, from 'The Story of Tristan and Isolde', William Morris & Co. (stained glass)
Isolde the Fair attempts to kill herself, from 'The Story of Tristan and Isolde', William Morris & Co. (stained glass)

BRA76577: Isolde the Fair attempts to kill herself, from 'The Story of Tristan and Isolde', William Morris & Co. (stained glass), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: BRA76577

Isolde the Fair attempts to kill herself, from 'The Story of Tristan and Isolde', William Morris & Co. (stained glass)

Burne-Jones, Edward Coley (1833-98)

General of the First Empire Attacking the Enemy, c.1810 (oil on canvas)
General of the First Empire Attacking the Enemy, c.1810 (oil on canvas)

TFJ225926: General of the First Empire Attacking the Enemy, c.1810 (oil on canvas), Gericault, Theodore (1791-1824) / Bridgeman Images

ID: TFJ225926

General of the First Empire Attacking the Enemy, c.1810 (oil on canvas)

Gericault, Theodore (1791-1824)

King Melchior, 1887 (coloured chalks and gold)
King Melchior, 1887 (coloured chalks and gold)

AGN81569: King Melchior, 1887 (coloured chalks and gold), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: AGN81569

King Melchior, 1887 (coloured chalks and gold)

Burne-Jones, Edward Coley (1833-98)

Teatro La Scala, Milan, Siegfried's Combat With The Dragon, In The Opera Siegfried By Wagner (Colour Litho)
Teatro La Scala, Milan, Siegfried's Combat With The Dragon, In The Opera Siegfried By Wagner (Colour Litho)

LLM2798262: Teatro La Scala, Milan, Siegfried's Combat With The Dragon, In The Opera Siegfried By Wagner (Colour Litho), Beltrame, Achille (1871-1945) / Bridgeman Images

ID: LLM2798262

Teatro La Scala, Milan, Siegfried's Combat With The Dragon, In The Opera Siegfried By Wagner (Colour Litho)

Beltrame, Achille (1871-1945)

portrait of William I the Conquerant (1027-1087) (William II of Normandy or even called the basard, then William I of England). Colour engraving, 19th century.
portrait of William I the Conquerant (1027-1087) (William II of Normandy or even called the basard, then William I of England). Colour engraving, 19th century.

NWI4944955: portrait of William I the Conquerant (1027-1087) (William II of Normandy or even called the basard, then William I of England). Colour engraving, 19th century. / Bridgeman Images

ID: NWI4944955

portrait of William I the Conquerant (1027-1087) (William II of Normandy or even called the basard, then William I of England). Colour engraving, 19th century.

the Saber dance, 1881 (oil on canvas)
the Saber dance, 1881 (oil on canvas)

FIA5328832: the Saber dance, 1881 (oil on canvas), Siemiradzki, Hendrik (1843-1902) / Bridgeman Images

ID: FIA5328832

the Saber dance, 1881 (oil on canvas)

Siemiradzki, Hendrik (1843-1902)

Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)
Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)

XJF397640: Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397640

Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)

Hogarth, William (1697-1764)

The pounding of the corn; Spanish American Scene (oil on panel)
The pounding of the corn; Spanish American Scene (oil on panel)

MGS225686: The pounding of the corn; Spanish American Scene (oil on panel), Palliere, Jean-Leon (1823-87) / Bridgeman Images

ID: MGS225686

The pounding of the corn; Spanish American Scene (oil on panel)

Palliere, Jean-Leon (1823-87)

The Emperor Napoleon in His Study at the Tuileries, 1812 (oil on canvas)
The Emperor Napoleon in His Study at the Tuileries, 1812 (oil on canvas)

XOS741944: The Emperor Napoleon in His Study at the Tuileries, 1812 (oil on canvas), David, Jacques Louis (1748-1825) / Bridgeman Images

ID: XOS741944

The Emperor Napoleon in His Study at the Tuileries, 1812 (oil on canvas)

David, Jacques Louis (1748-1825)

The Coronation of Louis XII in 1498, School of Amiens, c.1501 (tempera on panel)
The Coronation of Louis XII in 1498, School of Amiens, c.1501 (tempera on panel)

XIR65816: The Coronation of Louis XII in 1498, School of Amiens, c.1501 (tempera on panel), French School, (16th century) / Bridgeman Images

ID: XIR65816

The Coronation of Louis XII in 1498, School of Amiens, c.1501 (tempera on panel)

French School, (16th century)

Queen Elizabeth I (1530-1603) knights Francis Drake in 1581 (print)
Queen Elizabeth I (1530-1603) knights Francis Drake in 1581 (print)

IL212317: Queen Elizabeth I (1530-1603) knights Francis Drake in 1581 (print), Davie, Howard (fl.1914-44) / Bridgeman Images

ID: IL212317

Queen Elizabeth I (1530-1603) knights Francis Drake in 1581 (print)

Davie, Howard (fl.1914-44)

The Dream of Sir Lancelot at the Chapel of the Holy Grail, 1896 (oil on canvas)
The Dream of Sir Lancelot at the Chapel of the Holy Grail, 1896 (oil on canvas)

SOU80773: The Dream of Sir Lancelot at the Chapel of the Holy Grail, 1896 (oil on canvas), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: SOU80773

The Dream of Sir Lancelot at the Chapel of the Holy Grail, 1896 (oil on canvas)

Burne-Jones, Edward Coley (1833-98)

Side altar panel depicting a supplicant soul between St Peter and St Paul, Early 14th century, By Master of Soriguerola (active late 13th century-early 14th century)
Side altar panel depicting a supplicant soul between St Peter and St Paul, Early 14th century, By Master of Soriguerola (active late 13th century-early 14th century)

TRK3619380: Side altar panel depicting a supplicant soul between St Peter and St Paul, Early 14th century, By Master of Soriguerola (active late 13th century-early 14th century) / Bridgeman Images

ID: TRK3619380

Side altar panel depicting a supplicant soul between St Peter and St Paul, Early 14th century, By Master of Soriguerola (active late 13th century-early 14th century)

The Battle of the Boyne, from The Comic History of England, pub. 1864 (hand coloured etching)
The Battle of the Boyne, from The Comic History of England, pub. 1864 (hand coloured etching)

STC3075740: The Battle of the Boyne, from The Comic History of England, pub. 1864 (hand coloured etching), Leech, John (1817-64) / Bridgeman Images

ID: STC3075740

The Battle of the Boyne, from The Comic History of England, pub. 1864 (hand coloured etching)

Leech, John (1817-64)

Portrait of Charles V the Wise in military costume (1338 - 1380), 1830 (engraving)
Portrait of Charles V the Wise in military costume (1338 - 1380), 1830 (engraving)

GIA4745233: Portrait of Charles V the Wise in military costume (1338 - 1380), 1830 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4745233

Portrait of Charles V the Wise in military costume (1338 - 1380), 1830 (engraving)

Unknown Artist, (19th century)

History of the glove: the golden glove in England - Liebig chromolithography, 19th century
History of the glove: the golden glove in England - Liebig chromolithography, 19th century

LSE4088366: History of the glove: the golden glove in England - Liebig chromolithography, 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4088366

History of the glove: the golden glove in England - Liebig chromolithography, 19th century

Unknown Artist, (19th century)

Ras Makonnen (colour litho)
Ras Makonnen (colour litho)

LLM2818705: Ras Makonnen (colour litho), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LLM2818705

Ras Makonnen (colour litho)

Meaulle, Fortune Louis (1844-1901)

Apostle Paul at his desk, c.1629-30 (oil on oak panel)
Apostle Paul at his desk, c.1629-30 (oil on oak panel)

GNM5906645: Apostle Paul at his desk, c.1629-30 (oil on oak panel), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: GNM5906645

Apostle Paul at his desk, c.1629-30 (oil on oak panel)

Rembrandt Harmensz. van Rijn (1606-69)

The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving)
The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving)

STC3239917: The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3239917

The Magnanimous-Minister, chastising Prussian-perfidy, pub. 1806 (hand coloured engraving)

Gillray, James (1757-1815)

Edward I attacks Scotland, pub. 1890 (colour lithograph)
Edward I attacks Scotland, pub. 1890 (colour lithograph)

STC3035188: Edward I attacks Scotland, pub. 1890 (colour lithograph), English School, (19th century) / Bridgeman Images

ID: STC3035188

Edward I attacks Scotland, pub. 1890 (colour lithograph)

English School, (19th century)


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