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13714 Search Results for sword

Battle of Bosworth Field
Battle of Bosworth Field

XLF3789856: Battle of Bosworth Field / Bridgeman Images

ID: XLF3789856

Battle of Bosworth Field

Tribute Money, 1425-1427 (fresco)
Tribute Money, 1425-1427 (fresco)

MEP2627632: Tribute Money, 1425-1427 (fresco), Masaccio, Tommaso (1401-28) / Bridgeman Images

ID: MEP2627632

Tribute Money, 1425-1427 (fresco)

Masaccio, Tommaso (1401-28)

Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4602857: Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

ID: FLO4602857

Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

Beowulf fights with the dragon, illustration from 'Stories of Legendary Heroes' (colour litho)
Beowulf fights with the dragon, illustration from 'Stories of Legendary Heroes' (colour litho)

IL283028: Beowulf fights with the dragon, illustration from 'Stories of Legendary Heroes' (colour litho), Brock, Henry Matthew (1875-1960) / Bridgeman Images

ID: IL283028

Beowulf fights with the dragon, illustration from 'Stories of Legendary Heroes' (colour litho)

Brock, Henry Matthew (1875-1960)

Ancient Briton (oil on panel)
Ancient Briton (oil on panel)

HTL226601: Ancient Briton (oil on panel), Millais, John Everett (1829-96) / Bridgeman Images

ID: HTL226601

Ancient Briton (oil on panel)

Millais, John Everett (1829-96)

Portrait of Henry VIII, 16th century (oil on panel)
Portrait of Henry VIII, 16th century (oil on panel)

SBL7129377: Portrait of Henry VIII, 16th century (oil on panel), Holbein the Younger, Hans (1497/8-1543) / Bridgeman Images

ID: SBL7129377

Portrait of Henry VIII, 16th century (oil on panel)

Holbein the Younger, Hans (1497/8-1543)

Allegory of Christianity (oil on panel)
Allegory of Christianity (oil on panel)

XIR95765: Allegory of Christianity (oil on panel), Provost, Jan II (1465-1529) / Bridgeman Images

ID: XIR95765

Allegory of Christianity (oil on panel)

Provost, Jan II (1465-1529)

Charles Jean Baptiste Bernadotte (1763-1844) (pen & ink on paper) (b/w photo)
Charles Jean Baptiste Bernadotte (1763-1844) (pen & ink on paper) (b/w photo)

CHT233042: Charles Jean Baptiste Bernadotte (1763-1844) (pen & ink on paper) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT233042

Charles Jean Baptiste Bernadotte (1763-1844) (pen & ink on paper) (b/w photo)

French School, (19th century)

Mirmillon - A Gallic Gladiator, (oil on panel)
Mirmillon - A Gallic Gladiator, (oil on panel)

CH989220: Mirmillon - A Gallic Gladiator, (oil on panel), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: CH989220

Mirmillon - A Gallic Gladiator, (oil on panel)

Gerome, Jean Leon (1824-1904)

The archangel Saint Michael crush the head of the demon Silk Painting by Guido Reni called the Guide (1573-1642) 1635 Dim. 293x202 cm Rome, Chiesa di Santa Maria della Concezione
The archangel Saint Michael crush the head of the demon Silk Painting by Guido Reni called the Guide (1573-1642) 1635 Dim. 293x202 cm Rome, Chiesa di Santa Maria della Concezione

LRI4622129: The archangel Saint Michael crush the head of the demon Silk Painting by Guido Reni called the Guide (1573-1642) 1635 Dim. 293x202 cm Rome, Chiesa di Santa Maria della Concezione, Reni, Guido (1575-1642) / Bridgeman Images

ID: LRI4622129

The archangel Saint Michael crush the head of the demon Silk Painting by Guido Reni called the Guide (1573-1642) 1635 Dim. 293x202 cm Rome, Chiesa di Santa Maria della Concezione

Reni, Guido (1575-1642)

Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)
Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)

JLJ4688762: Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas), Delaroche, Hippolyte (Paul) (1797-1856) / Bridgeman Images

ID: JLJ4688762

Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)

Delaroche, Hippolyte (Paul) (1797-1856)

George III (1738-1820), 1799-1800 (oil on canvas)
George III (1738-1820), 1799-1800 (oil on canvas)

ROC7071961: George III (1738-1820), 1799-1800 (oil on canvas), Beechey, William (1753-1839) / Bridgeman Images

ID: ROC7071961

George III (1738-1820), 1799-1800 (oil on canvas)

Beechey, William (1753-1839)

Anaute Avec Deux Chiens Whippets, 1867 (oil on panel)
Anaute Avec Deux Chiens Whippets, 1867 (oil on panel)

CH1766687: Anaute Avec Deux Chiens Whippets, 1867 (oil on panel), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: CH1766687

Anaute Avec Deux Chiens Whippets, 1867 (oil on panel)

Gerome, Jean Leon (1824-1904)

Death and succession of Charles II the Bald (823-877), 877: the king handed over to the imperress the imperial crown, his golden sceptre, the sword of Saint Peter and a testament by which he designees his son Louis the Begue for inheritance. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.
Death and succession of Charles II the Bald (823-877), 877: the king handed over to the imperress the imperial crown, his golden sceptre, the sword of Saint Peter and a testament by which he designees his son Louis the Begue for inheritance. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.

XEE4160537: Death and succession of Charles II the Bald (823-877), 877: the king handed over to the imperress the imperial crown, his golden sceptre, the sword of Saint Peter and a testament by which he designees his son Louis the Begue for inheritance. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century., Moreau, Jean Michel the Younger (1741-1814) / Bridgeman Images

ID: XEE4160537

Death and succession of Charles II the Bald (823-877), 877: the king handed over to the imperress the imperial crown, his golden sceptre, the sword of Saint Peter and a testament by which he designees his son Louis the Begue for inheritance. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.

Moreau, Jean Michel the Younger (1741-1814)

Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.
Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.

LZT1111817: Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1111817

Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.

Kuniyasu, Utagawa (1794-1832)

Title page illustrated by Robida for the complete works of Francois Rabelais published by the Librairie Illustree in 1885 - Pantagruel, roy (king) of the dipsodes, restored to its naturalness with its hopes and prowess by the late M. Alcofribas Nasier (anagram of Francois Rabelais) abstractor of quinte essence (quintessence) - The giant weapon of a huge sword goes on galloping horse (load) -
Title page illustrated by Robida for the complete works of Francois Rabelais published by the Librairie Illustree in 1885 - Pantagruel, roy (king) of the dipsodes, restored to its naturalness with its hopes and prowess by the late M. Alcofribas Nasier (anagram of Francois Rabelais) abstractor of quinte essence (quintessence) - The giant weapon of a huge sword goes on galloping horse (load) -

PCT4281736: Title page illustrated by Robida for the complete works of Francois Rabelais published by the Librairie Illustree in 1885 - Pantagruel, roy (king) of the dipsodes, restored to its naturalness with its hopes and prowess by the late M. Alcofribas Nasier (anagram of Francois Rabelais) abstractor of quinte essence (quintessence) - The giant weapon of a huge sword goes on galloping horse (load) - / Bridgeman Images

ID: PCT4281736

Title page illustrated by Robida for the complete works of Francois Rabelais published by the Librairie Illustree in 1885 - Pantagruel, roy (king) of the dipsodes, restored to its naturalness with its hopes and prowess by the late M. Alcofribas Nasier (anagram of Francois Rabelais) abstractor of quinte essence (quintessence) - The giant weapon of a huge sword goes on galloping horse (load) -

Kudanme, Act Nine [of the Chushingura]. [1775 or 1776], 1 Print : Woodcut, Color ; 25.4 X 18.4 ., Print Shows Tonase Holding a Sword, Standing behind Her Step-Daughter Konami on a Veranda As Honzo Walks by, Disguised As a Traveling Monk, Wearing a Beehive-Shaped Basket Over His Head and Playing a Recorder.
Kudanme, Act Nine [of the Chushingura]. [1775 or 1776], 1 Print : Woodcut, Color ; 25.4 X 18.4 ., Print Shows Tonase Holding a Sword, Standing behind Her Step-Daughter Konami on a Veranda As Honzo Walks by, Disguised As a Traveling Monk, Wearing a Beehive-Shaped Basket Over His Head and Playing a Recorder.

LZT1111822: Kudanme, Act Nine [of the Chushingura]. [1775 or 1776], 1 Print : Woodcut, Color ; 25.4 X 18.4 ., Print Shows Tonase Holding a Sword, Standing behind Her Step-Daughter Konami on a Veranda As Honzo Walks by, Disguised As a Traveling Monk, Wearing a Beehive-Shaped Basket Over His Head and Playing a Recorder., Shunsho, Katsukawa (1726-93) / Bridgeman Images

ID: LZT1111822

Kudanme, Act Nine [of the Chushingura]. [1775 or 1776], 1 Print : Woodcut, Color ; 25.4 X 18.4 ., Print Shows Tonase Holding a Sword, Standing behind Her Step-Daughter Konami on a Veranda As Honzo Walks by, Disguised As a Traveling Monk, Wearing a Beehive-Shaped Basket Over His Head and Playing a Recorder.

Shunsho, Katsukawa (1726-93)

Military costume of a Norman soldier (or Saxon), 12th century, from a manuscript in England. He wears a tunic with sleeves, stockings, shoes, and is armed with a lance, buckler (shield), sword and helmet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Military costume of a Norman soldier (or Saxon), 12th century, from a manuscript in England. He wears a tunic with sleeves, stockings, shoes, and is armed with a lance, buckler (shield), sword and helmet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673616: Military costume of a Norman soldier (or Saxon), 12th century, from a manuscript in England. He wears a tunic with sleeves, stockings, shoes, and is armed with a lance, buckler (shield), sword and helmet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673616

Military costume of a Norman soldier (or Saxon), 12th century, from a manuscript in England. He wears a tunic with sleeves, stockings, shoes, and is armed with a lance, buckler (shield), sword and helmet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

King William I, The Conqueror (chromolitho)
King William I, The Conqueror (chromolitho)

LLM962850: King William I, The Conqueror (chromolitho), English School, (19th century) / Bridgeman Images

ID: LLM962850

King William I, The Conqueror (chromolitho)

English School, (19th century)

France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas)
France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas)

XIR218295: France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas), Dubois, (fl.1812) / Bridgeman Images

ID: XIR218295

France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas)

Dubois, (fl.1812)

King Richard III in battle
King Richard III in battle

LAL320052: King Richard III in battle, McConnell, James Edwin (1903-95) / Bridgeman Images

ID: LAL320052

King Richard III in battle

McConnell, James Edwin (1903-95)

St. Michael the Archangel, 1540-1545 (fresco)
St. Michael the Archangel, 1540-1545 (fresco)

MEP2627571: St. Michael the Archangel, 1540-1545 (fresco), Bronzino, Agnolo di Cosimo (1503-72) / Bridgeman Images

ID: MEP2627571

St. Michael the Archangel, 1540-1545 (fresco)

Bronzino, Agnolo di Cosimo (1503-72)

The training of Japanese warriors in sword and spear combat, in a kind of arena surrounded by stretched canvas. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
The training of Japanese warriors in sword and spear combat, in a kind of arena surrounded by stretched canvas. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326210: The training of Japanese warriors in sword and spear combat, in a kind of arena surrounded by stretched canvas. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4326210

The training of Japanese warriors in sword and spear combat, in a kind of arena surrounded by stretched canvas. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

Unknown Artist, (19th century)

Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328588: Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328588

Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper)
An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper)

CH989701: An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: CH989701

An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper)

Delacroix, Ferdinand Victor Eugene (1798-1863)

George III, 1771 (oil on canvas)
George III, 1771 (oil on canvas)

ROC1072985: George III, 1771 (oil on canvas), Zoffany, Johann (1733-1810) / Bridgeman Images

ID: ROC1072985

George III, 1771 (oil on canvas)

Zoffany, Johann (1733-1810)

Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal
Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal

XIR736749: Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal", supplement illustre, 18th October 1914 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR736749

Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal", supplement illustre, 18th October 1914 (lithograph)

French School, (20th century)

Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph)
Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph)

XIR60203: Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: XIR60203

Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)
Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)

STC429657: Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving), Loutherbourg, Philip James (Jacques) de (1740-1812) / Bridgeman Images

ID: STC429657

Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)

Loutherbourg, Philip James (Jacques) de (1740-1812)

Tutankhamun treasure selection
Tutankhamun treasure selection

LRP693120: Tutankhamun treasure selection / Bridgeman Images

ID: LRP693120

Tutankhamun treasure selection

Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s
Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s

EVB2950141: Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s / Bridgeman Images

ID: EVB2950141

Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s

The Serenade, 1887 (oil on canvas)
The Serenade, 1887 (oil on canvas)

BAL5337: The Serenade, 1887 (oil on canvas), Vinea, Francesco (1845-1902) / Bridgeman Images

ID: BAL5337

The Serenade, 1887 (oil on canvas)

Vinea, Francesco (1845-1902)

German World War 1 poster encouraging the purchase of war bonds, c.1914-18
German World War 1 poster encouraging the purchase of war bonds, c.1914-18

BYD3850861: German World War 1 poster encouraging the purchase of war bonds, c.1914-18, German School, (20th century) / Bridgeman Images

ID: BYD3850861

German World War 1 poster encouraging the purchase of war bonds, c.1914-18

German School, (20th century)

Jansenist convulsionary (or Saint Medard) (Works of convulsions) in the 18th century: “” experience of catalepsy and ansensitivities of a convulsionary, the young woman in convulsion gives herself blows”” (Convulsionnaire practices (Convulsionnaires of Saint-Medard) in the 18th century: secours at a convulsionary meeting, a young girl in convulsion bites herself with a sword) Engraving from “Les mysteres de la science” by Louis Figuier, Private Collection
Jansenist convulsionary (or Saint Medard) (Works of convulsions) in the 18th century: “” experience of catalepsy and ansensitivities of a convulsionary, the young woman in convulsion gives herself blows”” (Convulsionnaire practices (Convulsionnaires of Saint-Medard) in the 18th century: secours at a convulsionary meeting, a young girl in convulsion bites herself with a sword) Engraving from “Les mysteres de la science” by Louis Figuier, Private Collection

ELD4846067: Jansenist convulsionary (or Saint Medard) (Works of convulsions) in the 18th century: “” experience of catalepsy and ansensitivities of a convulsionary, the young woman in convulsion gives herself blows”” (Convulsionnaire practices (Convulsionnaires of Saint-Medard) in the 18th century: secours at a convulsionary meeting, a young girl in convulsion bites herself with a sword) Engraving from “Les mysteres de la science” by Louis Figuier, Private Collection / Bridgeman Images

ID: ELD4846067

Jansenist convulsionary (or Saint Medard) (Works of convulsions) in the 18th century: “” experience of catalepsy and ansensitivities of a convulsionary, the young woman in convulsion gives herself blows”” (Convulsionnaire practices (Convulsionnaires of Saint-Medard) in the 18th century: secours at a convulsionary meeting, a young girl in convulsion bites herself with a sword) Engraving from “Les mysteres de la science” by Louis Figuier, Private Collection

Detail of the left part of the base of the portal. Representations of virtues and vices are a frequent moral teaching in the 13th century. Here, the Lachete is represented by a knight whom a hare has frightened and who fled by throwing his sword. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Detail of the left part of the base of the portal. Representations of virtues and vices are a frequent moral teaching in the 13th century. Here, the Lachete is represented by a knight whom a hare has frightened and who fled by throwing his sword. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553817: Detail of the left part of the base of the portal. Representations of virtues and vices are a frequent moral teaching in the 13th century. Here, the Lachete is represented by a knight whom a hare has frightened and who fled by throwing his sword. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553817

Detail of the left part of the base of the portal. Representations of virtues and vices are a frequent moral teaching in the 13th century. Here, the Lachete is represented by a knight whom a hare has frightened and who fled by throwing his sword. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)
Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)

XJF397640: Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF397640

Marriage a la Mode, Plate V, The Bagnio, 1745 (engraving)

Hogarth, William (1697-1764)


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