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13739 Search Results for sword

An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper)
An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper)

CH989701: An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: CH989701

An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper)

Delacroix, Ferdinand Victor Eugene (1798-1863)

George III, 1771 (oil on canvas)
George III, 1771 (oil on canvas)

ROC1072985: George III, 1771 (oil on canvas), Zoffany, Johann (1733-1810) / Bridgeman Images

ID: ROC1072985

George III, 1771 (oil on canvas)

Zoffany, Johann (1733-1810)

Shah Jahan and an elderly courtier with a falcon, c.1650 (vellum)
Shah Jahan and an elderly courtier with a falcon, c.1650 (vellum)

PVD1163574: Shah Jahan and an elderly courtier with a falcon, c.1650 (vellum), Hashim (fl.1598-1654) / Bridgeman Images

ID: PVD1163574

Shah Jahan and an elderly courtier with a falcon, c.1650 (vellum)

Hashim (fl.1598-1654)

The Resurrection of Christ, c.1610-20 (oil on canvas)
The Resurrection of Christ, c.1610-20 (oil on canvas)

XIR171843: The Resurrection of Christ, c.1610-20 (oil on canvas), Seghers, Gerard (1591-1651) / Bridgeman Images

ID: XIR171843

The Resurrection of Christ, c.1610-20 (oil on canvas)

Seghers, Gerard (1591-1651)

Portrait of Cardinal-Infante Ferdinand of Austria, c.1634 (oil on canvas)
Portrait of Cardinal-Infante Ferdinand of Austria, c.1634 (oil on canvas)

XIR423411: Portrait of Cardinal-Infante Ferdinand of Austria, c.1634 (oil on canvas), Dyck, Anthony van (1599-1641) / Bridgeman Images

ID: XIR423411

Portrait of Cardinal-Infante Ferdinand of Austria, c.1634 (oil on canvas)

Dyck, Anthony van (1599-1641)

Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)
Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)

JLJ4688762: Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas), Delaroche, Hippolyte (Paul) (1797-1856) / Bridgeman Images

ID: JLJ4688762

Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)

Delaroche, Hippolyte (Paul) (1797-1856)

George III (1738-1820), 1799-1800 (oil on canvas)
George III (1738-1820), 1799-1800 (oil on canvas)

ROC7071961: George III (1738-1820), 1799-1800 (oil on canvas), Beechey, William (1753-1839) / Bridgeman Images

ID: ROC7071961

George III (1738-1820), 1799-1800 (oil on canvas)

Beechey, William (1753-1839)

Oath of allegiance during coronation of hungarian king Charles IV left prince primate next to him Prime minister Count Tsza center the king clad with St Stephen coronation cloak and sword 1917
Oath of allegiance during coronation of hungarian king Charles IV left prince primate next to him Prime minister Count Tsza center the king clad with St Stephen coronation cloak and sword 1917

TAD1752697: Oath of allegiance during coronation of hungarian king Charles IV left prince primate next to him Prime minister Count Tsza center the king clad with St Stephen coronation cloak and sword 1917 / Bridgeman Images

ID: TAD1752697

Oath of allegiance during coronation of hungarian king Charles IV left prince primate next to him Prime minister Count Tsza center the king clad with St Stephen coronation cloak and sword 1917

Baron von Steuben drilling American recruits at Valley Forge in 1778, 1911 (oil on canvas)
Baron von Steuben drilling American recruits at Valley Forge in 1778, 1911 (oil on canvas)

XTD75662: Baron von Steuben drilling American recruits at Valley Forge in 1778, 1911 (oil on canvas), Abbey, Edwin Austin (1852-1911) / Bridgeman Images

ID: XTD75662

Baron von Steuben drilling American recruits at Valley Forge in 1778, 1911 (oil on canvas)

Abbey, Edwin Austin (1852-1911)

The Polish Plumb-Cake, Lodge, John, -1796, Engraving 1774, Leopold II and Frederick William II with Swords Drawn, Catherine II Holding a Cleaver, and Louis XV with a Knife Seated Around a Table on which Rests a Partitioned Cake, Representing Poland, Each Monarch Getting a Separate, But Not Equal Share; in the Background on the Left Stands a Weeping King of Poland, on the Right, with Sword Raised is the Sultan.
The Polish Plumb-Cake, Lodge, John, -1796, Engraving 1774, Leopold II and Frederick William II with Swords Drawn, Catherine II Holding a Cleaver, and Louis XV with a Knife Seated Around a Table on which Rests a Partitioned Cake, Representing Poland, Each Monarch Getting a Separate, But Not Equal Share; in the Background on the Left Stands a Weeping King of Poland, on the Right, with Sword Raised is the Sultan.

LZT1012574: The Polish Plumb-Cake, Lodge, John, -1796, Engraving 1774, Leopold II and Frederick William II with Swords Drawn, Catherine II Holding a Cleaver, and Louis XV with a Knife Seated Around a Table on which Rests a Partitioned Cake, Representing Poland, Each Monarch Getting a Separate, But Not Equal Share; in the Background on the Left Stands a Weeping King of Poland, on the Right, with Sword Raised is the Sultan. / Bridgeman Images

ID: LZT1012574

The Polish Plumb-Cake, Lodge, John, -1796, Engraving 1774, Leopold II and Frederick William II with Swords Drawn, Catherine II Holding a Cleaver, and Louis XV with a Knife Seated Around a Table on which Rests a Partitioned Cake, Representing Poland, Each Monarch Getting a Separate, But Not Equal Share; in the Background on the Left Stands a Weeping King of Poland, on the Right, with Sword Raised is the Sultan.

Sanjo Kokaji No Manebigoto Zu, Remake of the Noh Play About the Swordmaker Sanjo Kokaji. [Between 1848 and 1854], 1 Print (3 Sheets) : Woodcut, Color ; 34.8 X 23.5 (Left Panel), 35 X 24.7 (Center Panel), 34.8 X 23.9 (Right Panel), Print Shows Three Actors As Warrior/Metalworkers Hammering a Sword.
Sanjo Kokaji No Manebigoto Zu, Remake of the Noh Play About the Swordmaker Sanjo Kokaji. [Between 1848 and 1854], 1 Print (3 Sheets) : Woodcut, Color ; 34.8 X 23.5 (Left Panel), 35 X 24.7 (Center Panel), 34.8 X 23.9 (Right Panel), Print Shows Three Actors As Warrior/Metalworkers Hammering a Sword.

LZT1112237: Sanjo Kokaji No Manebigoto Zu, Remake of the Noh Play About the Swordmaker Sanjo Kokaji. [Between 1848 and 1854], 1 Print (3 Sheets) : Woodcut, Color ; 34.8 X 23.5 (Left Panel), 35 X 24.7 (Center Panel), 34.8 X 23.9 (Right Panel), Print Shows Three Actors As Warrior/Metalworkers Hammering a Sword., Kunisada, Utagawa (Toyokuni III) (1786-1865) / Bridgeman Images

ID: LZT1112237

Sanjo Kokaji No Manebigoto Zu, Remake of the Noh Play About the Swordmaker Sanjo Kokaji. [Between 1848 and 1854], 1 Print (3 Sheets) : Woodcut, Color ; 34.8 X 23.5 (Left Panel), 35 X 24.7 (Center Panel), 34.8 X 23.9 (Right Panel), Print Shows Three Actors As Warrior/Metalworkers Hammering a Sword.

Kunisada, Utagawa (Toyokuni III) (1786-1865)

Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.
Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.

LZT1111821: Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1111821

Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.

Kuniyasu, Utagawa (1794-1832)

Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo)
Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo)

MPX5157395: Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo) / Bridgeman Images

ID: MPX5157395

Lib - Friendship Force - The Killingworth Sword Dancers entertain the crowd in Stone Mountain Park's Memorial Hall, 16 miles east of Atlanta, USA. Nearly 400 Geordies and their Atlanta hosts watched two performances by the dancers before a tour through the 3,200 acre park and an evening picnic, c. 14 July, 1977 (b/w photo)

Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676984: Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861 / Bridgeman Images

ID: FLO4676984

Military costume: a soldier with a small shield and an epee, 14th century - Soldier with small shield, sword and plumed helmet, from the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan, 14th century - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)
Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

PC719761: Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass) / Bridgeman Images

ID: PC719761

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)
Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

PC719760: Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass) / Bridgeman Images

ID: PC719760

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672310: Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672310

Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas)
France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas)

XIR218295: France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas), Dubois, (fl.1812) / Bridgeman Images

ID: XIR218295

France Receiving the Wishes of the Nation from the Three Orders and presenting them to Louis XVI (1754-93) and Jacques Necker (1732-1804) 1789 (oil on canvas)

Dubois, (fl.1812)

King William I, The Conqueror (chromolitho)
King William I, The Conqueror (chromolitho)

LLM962850: King William I, The Conqueror (chromolitho), English School, (19th century) / Bridgeman Images

ID: LLM962850

King William I, The Conqueror (chromolitho)

English School, (19th century)

King Richard III in battle
King Richard III in battle

LAL320052: King Richard III in battle, McConnell, James Edwin (1903-95) / Bridgeman Images

ID: LAL320052

King Richard III in battle

McConnell, James Edwin (1903-95)

St. Michael the Archangel, 1540-1545 (fresco)
St. Michael the Archangel, 1540-1545 (fresco)

MEP2627571: St. Michael the Archangel, 1540-1545 (fresco), Bronzino, Agnolo di Cosimo (1503-72) / Bridgeman Images

ID: MEP2627571

St. Michael the Archangel, 1540-1545 (fresco)

Bronzino, Agnolo di Cosimo (1503-72)

France Sustaining America: Allegory of the Siege of Yorktown (oil on canvas)
France Sustaining America: Allegory of the Siege of Yorktown (oil on canvas)

XIR86112: France Sustaining America: Allegory of the Siege of Yorktown (oil on canvas), Rioult, Louis Edouard (1790-1855) / Bridgeman Images

ID: XIR86112

France Sustaining America: Allegory of the Siege of Yorktown (oil on canvas)

Rioult, Louis Edouard (1790-1855)

Sketch of an Officer of the Hussars, 1814 (oil on canvas) (see also 26088)
Sketch of an Officer of the Hussars, 1814 (oil on canvas) (see also 26088)

XIR391115: Sketch of an Officer of the Hussars, 1814 (oil on canvas) (see also 26088), Gericault, Theodore (1791-1824) / Bridgeman Images

ID: XIR391115

Sketch of an Officer of the Hussars, 1814 (oil on canvas) (see also 26088)

Gericault, Theodore (1791-1824)

Thomas Muntzer (Munzer), 1701 (copper engraving)
Thomas Muntzer (Munzer), 1701 (copper engraving)

FIA5406196: Thomas Muntzer (Munzer), 1701 (copper engraving), Hooghe, Romeyn de (d.1708) / Bridgeman Images

ID: FIA5406196

Thomas Muntzer (Munzer), 1701 (copper engraving)

Hooghe, Romeyn de (d.1708)

The Lady of the Lake teaches Arthur about Excalibur, 1893-94 (engraving)
The Lady of the Lake teaches Arthur about Excalibur, 1893-94 (engraving)

ELD4881446: The Lady of the Lake teaches Arthur about Excalibur, 1893-94 (engraving), Beardsley, Aubrey (1872-98) / Bridgeman Images

ID: ELD4881446

The Lady of the Lake teaches Arthur about Excalibur, 1893-94 (engraving)

Beardsley, Aubrey (1872-98)

The Rainbow; L'Arc en Ciel, c.1894 (oil on canvas)
The Rainbow; L'Arc en Ciel, c.1894 (oil on canvas)

CH823522: The Rainbow; L'Arc en Ciel, c.1894 (oil on canvas), Cheret, Jules (1836-1932) / Bridgeman Images

ID: CH823522

The Rainbow; L'Arc en Ciel, c.1894 (oil on canvas)

Cheret, Jules (1836-1932)

Ben Jonson describing his Duel to Drummond at Hawthornden, (oil on canvas)
Ben Jonson describing his Duel to Drummond at Hawthornden, (oil on canvas)

CH828419: Ben Jonson describing his Duel to Drummond at Hawthornden, (oil on canvas), Crawford, Ebenezer (1830-74) / Bridgeman Images

ID: CH828419

Ben Jonson describing his Duel to Drummond at Hawthornden, (oil on canvas)

Crawford, Ebenezer (1830-74)

Costume of Henry IV of France (1553-1610), called the Bearnais, 16th century. Lace ruff, suit of black silk with slashed breeches, sword. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.
Costume of Henry IV of France (1553-1610), called the Bearnais, 16th century. Lace ruff, suit of black silk with slashed breeches, sword. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

FLO4565238: Costume of Henry IV of France (1553-1610), called the Bearnais, 16th century. Lace ruff, suit of black silk with slashed breeches, sword. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher. / Bridgeman Images

ID: FLO4565238

Costume of Henry IV of France (1553-1610), called the Bearnais, 16th century. Lace ruff, suit of black silk with slashed breeches, sword. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal
Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal

XIR736749: Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal", supplement illustre, 18th October 1914 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR736749

Go, my son, you've got the most beautiful death than one can wish', front cover illustration from 'Le Petit Journal", supplement illustre, 18th October 1914 (lithograph)

French School, (20th century)

Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph)
Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph)

XIR60203: Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: XIR60203

Mephistopheles and the Drinking Companions, from Goethe's Faust, 1828, (lithograph)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)
Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)

STC429657: Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving), Loutherbourg, Philip James (Jacques) de (1740-1812) / Bridgeman Images

ID: STC429657

Richard the First in Palestine, engraved by A. Smith, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)

Loutherbourg, Philip James (Jacques) de (1740-1812)

Saint Martin and the Beggar; and Saint George and the Dragon - the wings of an altarpiece, (oil on panel)
Saint Martin and the Beggar; and Saint George and the Dragon - the wings of an altarpiece, (oil on panel)

CH827805: Saint Martin and the Beggar; and Saint George and the Dragon - the wings of an altarpiece, (oil on panel), Koerbecke, Johann (fl.1446-91) / Bridgeman Images

ID: CH827805

Saint Martin and the Beggar; and Saint George and the Dragon - the wings of an altarpiece, (oil on panel)

Koerbecke, Johann (fl.1446-91)

Fresco of the life of Saint Martin. Saint Martin is a knight, detail. The eveque Saint Martin de Tours and the musicians. Painting by Simone Martini (1280-1344). Fresco, 1315-1317. Assisi, Basilica Inferiore di San Francesco, Cappella di San Martino (Assisi, Lower Basilica of Saint Francois, Chapel of Saint Martin)
Fresco of the life of Saint Martin. Saint Martin is a knight, detail. The eveque Saint Martin de Tours and the musicians. Painting by Simone Martini (1280-1344). Fresco, 1315-1317. Assisi, Basilica Inferiore di San Francesco, Cappella di San Martino (Assisi, Lower Basilica of Saint Francois, Chapel of Saint Martin)

LRI4608621: Fresco of the life of Saint Martin. Saint Martin is a knight, detail. The eveque Saint Martin de Tours and the musicians. Painting by Simone Martini (1280-1344). Fresco, 1315-1317. Assisi, Basilica Inferiore di San Francesco, Cappella di San Martino (Assisi, Lower Basilica of Saint Francois, Chapel of Saint Martin), Martini, Simone (1284-1344) / Bridgeman Images

ID: LRI4608621

Fresco of the life of Saint Martin. Saint Martin is a knight, detail. The eveque Saint Martin de Tours and the musicians. Painting by Simone Martini (1280-1344). Fresco, 1315-1317. Assisi, Basilica Inferiore di San Francesco, Cappella di San Martino (Assisi, Lower Basilica of Saint Francois, Chapel of Saint Martin)

Martini, Simone (1284-1344)

Tutankhamun treasure selection
Tutankhamun treasure selection

LRP693120: Tutankhamun treasure selection / Bridgeman Images

ID: LRP693120

Tutankhamun treasure selection

Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s
Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s

EVB2950141: Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s / Bridgeman Images

ID: EVB2950141

Duchess of Windsor Wallis Simpson and Prince Edward, Duke of Windsor, c.late 1930s

Top: St. Peter Holding a Key and St. Paul Holding a Sword; Bottom: St. John the Evangelist Holding a Chalice Containing a Snake and St. Anthony the Great Holding a Pilgrim's Rod with a Pig at His Feet, reverse of a panel from an altarpiece depicting scenes from the Passion and saints, 1490 (oil on panel) (see also 144537-8 and 144540)
Top: St. Peter Holding a Key and St. Paul Holding a Sword; Bottom: St. John the Evangelist Holding a Chalice Containing a Snake and St. Anthony the Great Holding a Pilgrim's Rod with a Pig at His Feet, reverse of a panel from an altarpiece depicting scenes from the Passion and saints, 1490 (oil on panel) (see also 144537-8 and 144540)

XKH144539: Top: St. Peter Holding a Key and St. Paul Holding a Sword; Bottom: St. John the Evangelist Holding a Chalice Containing a Snake and St. Anthony the Great Holding a Pilgrim's Rod with a Pig at His Feet, reverse of a panel from an altarpiece depicting scenes from the Passion and saints, 1490 (oil on panel) (see also 144537-8 and 144540), Master of the Luneburg Footwashers (15th century) / Bridgeman Images

ID: XKH144539

Top: St. Peter Holding a Key and St. Paul Holding a Sword; Bottom: St. John the Evangelist Holding a Chalice Containing a Snake and St. Anthony the Great Holding a Pilgrim's Rod with a Pig at His Feet, reverse of a panel from an altarpiece depicting scenes from the Passion and saints, 1490 (oil on panel) (see also 144537-8 and 144540)

Master of the Luneburg Footwashers (15th century)


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