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13714 Search Results for sword

Conversion of St Paul, 1600 - 1601 (oil on canvas)
Conversion of St Paul, 1600 - 1601 (oil on canvas)

ELC853470: Conversion of St Paul, 1600 - 1601 (oil on canvas), Caravaggio, Michelangelo Merisi da (1571-1610) / Bridgeman Images

ID: ELC853470

Conversion of St Paul, 1600 - 1601 (oil on canvas)

Caravaggio, Michelangelo Merisi da (1571-1610)

Anaute Avec Deux Chiens Whippets, 1867 (oil on panel)
Anaute Avec Deux Chiens Whippets, 1867 (oil on panel)

CH1766687: Anaute Avec Deux Chiens Whippets, 1867 (oil on panel), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: CH1766687

Anaute Avec Deux Chiens Whippets, 1867 (oil on panel)

Gerome, Jean Leon (1824-1904)

Yodaime Ichikawa Danzo, Ichikawa Danzo I. [Between 1776 and 1781], 1 Print : Woodcut, Color ; 30.1 X 14.5 ., Print Shows Ichikawa Danzo I, a Kabuki Actor, Full-Length Portrait, Standing, Facing Slightly Left, Holding a Sword Over Right Shoulder, Possibly in the Role of a Samurai or As Shoki the Demon Queller.
Yodaime Ichikawa Danzo, Ichikawa Danzo I. [Between 1776 and 1781], 1 Print : Woodcut, Color ; 30.1 X 14.5 ., Print Shows Ichikawa Danzo I, a Kabuki Actor, Full-Length Portrait, Standing, Facing Slightly Left, Holding a Sword Over Right Shoulder, Possibly in the Role of a Samurai or As Shoki the Demon Queller.

LZT1112650: Yodaime Ichikawa Danzo, Ichikawa Danzo I. [Between 1776 and 1781], 1 Print : Woodcut, Color ; 30.1 X 14.5 ., Print Shows Ichikawa Danzo I, a Kabuki Actor, Full-Length Portrait, Standing, Facing Slightly Left, Holding a Sword Over Right Shoulder, Possibly in the Role of a Samurai or As Shoki the Demon Queller., Shunsho, Katsukawa (1726-93) / Bridgeman Images

ID: LZT1112650

Yodaime Ichikawa Danzo, Ichikawa Danzo I. [Between 1776 and 1781], 1 Print : Woodcut, Color ; 30.1 X 14.5 ., Print Shows Ichikawa Danzo I, a Kabuki Actor, Full-Length Portrait, Standing, Facing Slightly Left, Holding a Sword Over Right Shoulder, Possibly in the Role of a Samurai or As Shoki the Demon Queller.

Shunsho, Katsukawa (1726-93)

At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn!
At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn!

PCT4277943: At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn! / Bridgeman Images

ID: PCT4277943

At the beginning of the 20th century, school curricula were very linked to rural life. This excerpt from a reading book shows a country guard from the French countryside. However, in this lecture of village morality, highlighting the sound “” on” (phoneme), the text is not entirely in line with the image: indeed, if the guard seems to have a sword, he wears a cap and not a tricorn!

Portrait of King James I of England and VI of Scotland (1566-1625), three-quarter-length, in a white doublet with a lace collar, jewelled hose and a fur cloak, wearing the Greater George, a black hat with a jewel, holding a pair of gloves in his right hand, his left hand resting on the hilt of his sword (oil on panel)
Portrait of King James I of England and VI of Scotland (1566-1625), three-quarter-length, in a white doublet with a lace collar, jewelled hose and a fur cloak, wearing the Greater George, a black hat with a jewel, holding a pair of gloves in his right hand, his left hand resting on the hilt of his sword (oil on panel)

CH6386999: Portrait of King James I of England and VI of Scotland (1566-1625), three-quarter-length, in a white doublet with a lace collar, jewelled hose and a fur cloak, wearing the Greater George, a black hat with a jewel, holding a pair of gloves in his right hand, his left hand resting on the hilt of his sword (oil on panel), Critz, John de (1555-1641) (attr.to) / Bridgeman Images

ID: CH6386999

Portrait of King James I of England and VI of Scotland (1566-1625), three-quarter-length, in a white doublet with a lace collar, jewelled hose and a fur cloak, wearing the Greater George, a black hat with a jewel, holding a pair of gloves in his right hand, his left hand resting on the hilt of his sword (oil on panel)

Critz, John de (1555-1641) (attr.to)

A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678553: A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678553

A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper)
An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper)

CH989701: An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: CH989701

An Arab Warrior on Horseback in a Landscape, (black lead, watercolour and gum arabic on paper)

Delacroix, Ferdinand Victor Eugene (1798-1863)

George III, 1771 (oil on canvas)
George III, 1771 (oil on canvas)

ROC1072985: George III, 1771 (oil on canvas), Zoffany, Johann (1733-1810) / Bridgeman Images

ID: ROC1072985

George III, 1771 (oil on canvas)

Zoffany, Johann (1733-1810)

Allegory of Christianity (oil on panel)
Allegory of Christianity (oil on panel)

XIR95765: Allegory of Christianity (oil on panel), Provost, Jan II (1465-1529) / Bridgeman Images

ID: XIR95765

Allegory of Christianity (oil on panel)

Provost, Jan II (1465-1529)

Indians Sioux in Washington in 187 to meet american president: seated front: Yellow Bear II (Oglala), Red Cloud (Oglala), Big Road (Oglala), Little Wound (Oglala), Young-Man-Afraid-of-his-Horses (Oglala) ; standing back: George Sword (Oglala), Good Voice (Brule), ?, Ring Thunder (Brule), Little Hawk (Brule), White Tail (Brule), Young Spotted Tail (Brule), Hollow Horn Bear (Brule), on l with hat the interpreter Joe Merrivale
Indians Sioux in Washington in 187 to meet american president: seated front: Yellow Bear II (Oglala), Red Cloud (Oglala), Big Road (Oglala), Little Wound (Oglala), Young-Man-Afraid-of-his-Horses (Oglala) ; standing back: George Sword (Oglala), Good Voice (Brule), ?, Ring Thunder (Brule), Little Hawk (Brule), White Tail (Brule), Young Spotted Tail (Brule), Hollow Horn Bear (Brule), on l with hat the interpreter Joe Merrivale

PVD1693778: Indians Sioux in Washington in 187 to meet american president: seated front: Yellow Bear II (Oglala), Red Cloud (Oglala), Big Road (Oglala), Little Wound (Oglala), Young-Man-Afraid-of-his-Horses (Oglala) ; standing back: George Sword (Oglala), Good Voice (Brule), ?, Ring Thunder (Brule), Little Hawk (Brule), White Tail (Brule), Young Spotted Tail (Brule), Hollow Horn Bear (Brule), on l with hat the interpreter Joe Merrivale / Bridgeman Images

ID: PVD1693778

Indians Sioux in Washington in 187 to meet american president: seated front: Yellow Bear II (Oglala), Red Cloud (Oglala), Big Road (Oglala), Little Wound (Oglala), Young-Man-Afraid-of-his-Horses (Oglala) ; standing back: George Sword (Oglala), Good Voice (Brule), ?, Ring Thunder (Brule), Little Hawk (Brule), White Tail (Brule), Young Spotted Tail (Brule), Hollow Horn Bear (Brule), on l with hat the interpreter Joe Merrivale

Mirmillon - A Gallic Gladiator, (oil on panel)
Mirmillon - A Gallic Gladiator, (oil on panel)

CH989220: Mirmillon - A Gallic Gladiator, (oil on panel), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: CH989220

Mirmillon - A Gallic Gladiator, (oil on panel)

Gerome, Jean Leon (1824-1904)

Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)
Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)

JLJ4688762: Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas), Delaroche, Hippolyte (Paul) (1797-1856) / Bridgeman Images

ID: JLJ4688762

Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)

Delaroche, Hippolyte (Paul) (1797-1856)

George III (1738-1820), 1799-1800 (oil on canvas)
George III (1738-1820), 1799-1800 (oil on canvas)

ROC7071961: George III (1738-1820), 1799-1800 (oil on canvas), Beechey, William (1753-1839) / Bridgeman Images

ID: ROC7071961

George III (1738-1820), 1799-1800 (oil on canvas)

Beechey, William (1753-1839)

Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.
Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.

LZT1111817: Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1111817

Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.

Kuniyasu, Utagawa (1794-1832)

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)
Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

PC719761: Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass) / Bridgeman Images

ID: PC719761

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)
Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

PC719760: Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass) / Bridgeman Images

ID: PC719760

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672310: Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672310

Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Joan of Arc and St. Michael at the feet of the Virgin (colour engraving)
Joan of Arc and St. Michael at the feet of the Virgin (colour engraving)

CHT420058: Joan of Arc and St. Michael at the feet of the Virgin (colour engraving), French School, (19th century) / Bridgeman Images

ID: CHT420058

Joan of Arc and St. Michael at the feet of the Virgin (colour engraving)

French School, (19th century)

Union Brig. Gen. George W. Cullum, ca. November 1861 (b/w photo)
Union Brig. Gen. George W. Cullum, ca. November 1861 (b/w photo)

BMS869206: Union Brig. Gen. George W. Cullum, ca. November 1861 (b/w photo), Brady, Mathew (1823-96) & studio / Bridgeman Images

ID: BMS869206

Union Brig. Gen. George W. Cullum, ca. November 1861 (b/w photo)

Brady, Mathew (1823-96) & studio

Evening Attack on the Grenelle Camp, 23 Fructidor Year 4 (August 1796) (engraving)
Evening Attack on the Grenelle Camp, 23 Fructidor Year 4 (August 1796) (engraving)

XIR241599: Evening Attack on the Grenelle Camp, 23 Fructidor Year 4 (August 1796) (engraving), French School, (18th century) / Bridgeman Images

ID: XIR241599

Evening Attack on the Grenelle Camp, 23 Fructidor Year 4 (August 1796) (engraving)

French School, (18th century)

A scene from an amateur production of a play titled
A scene from an amateur production of a play titled

MNY381296: A scene from an amateur production of a play titled "The Heir at Law" presented at Barnard College, New York (silver gelatin print), Byron Company (fl.1890-1942) / Bridgeman Images

ID: MNY381296

A scene from an amateur production of a play titled "The Heir at Law" presented at Barnard College, New York (silver gelatin print)

Byron Company (fl.1890-1942)

Burying the Regalia of Scotland (oil on canvas)
Burying the Regalia of Scotland (oil on canvas)

AGN358257: Burying the Regalia of Scotland (oil on canvas), Wilkie, David (1785-1841) / Bridgeman Images

ID: AGN358257

Burying the Regalia of Scotland (oil on canvas)

Wilkie, David (1785-1841)

Battle of Austerlitz in 1805 (chromolitho)
Battle of Austerlitz in 1805 (chromolitho)

LLM724797: Battle of Austerlitz in 1805 (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM724797

Battle of Austerlitz in 1805 (chromolitho)

French School, (19th century)

History of Louis IX (chromolitho)
History of Louis IX (chromolitho)

LLM724717: History of Louis IX (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM724717

History of Louis IX (chromolitho)

French School, (19th century)

The Household Cavalry at Kassassin (engraving)
The Household Cavalry at Kassassin (engraving)

LLP729571: The Household Cavalry at Kassassin (engraving), English School, (19th century) / Bridgeman Images

ID: LLP729571

The Household Cavalry at Kassassin (engraving)

English School, (19th century)

The Roman standard bearer of the tenth legion landing in Britain, 55 BC, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)
The Roman standard bearer of the tenth legion landing in Britain, 55 BC, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

STC984719: The Roman standard bearer of the tenth legion landing in Britain, 55 BC, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

ID: STC984719

The Roman standard bearer of the tenth legion landing in Britain, 55 BC, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

Doyle, James William Edmund (1822-92)

Facsimile of the cover of the Booklet of Conversations by Ulrich von Hutten (1488-1523). Engraving.
Facsimile of the cover of the Booklet of Conversations by Ulrich von Hutten (1488-1523). Engraving.

TRK832240: Facsimile of the cover of the Booklet of Conversations by Ulrich von Hutten (1488-1523). Engraving. / Bridgeman Images

ID: TRK832240

Facsimile of the cover of the Booklet of Conversations by Ulrich von Hutten (1488-1523). Engraving.

France / USA: 'To the French People in Comradeship-in-Arms; The People of America'. Joan of Arc painting by Arthur Syzyk, New York, 1942
France / USA: 'To the French People in Comradeship-in-Arms; The People of America'. Joan of Arc painting by Arthur Syzyk, New York, 1942

PFH1176274: France / USA: 'To the French People in Comradeship-in-Arms; The People of America'. Joan of Arc painting by Arthur Syzyk, New York, 1942 / Bridgeman Images

ID: PFH1176274

France / USA: 'To the French People in Comradeship-in-Arms; The People of America'. Joan of Arc painting by Arthur Syzyk, New York, 1942

The King's Thanksgiving for his Recovery, the Drive to St Paul's (litho)
The King's Thanksgiving for his Recovery, the Drive to St Paul's (litho)

LIP1601188: The King's Thanksgiving for his Recovery, the Drive to St Paul's (litho), Cleaver, Ralph (1870-1938) / Bridgeman Images

ID: LIP1601188

The King's Thanksgiving for his Recovery, the Drive to St Paul's (litho)

Cleaver, Ralph (1870-1938)

The Tudor Exhibition, Relics of the Sixteenth Century (engraving)
The Tudor Exhibition, Relics of the Sixteenth Century (engraving)

LIP1626745: The Tudor Exhibition, Relics of the Sixteenth Century (engraving), Kitton, Frederick George (1856-1904) / Bridgeman Images

ID: LIP1626745

The Tudor Exhibition, Relics of the Sixteenth Century (engraving)

Kitton, Frederick George (1856-1904)

Portrait of Dom Joao VI, c. 1825-6 (black and red chalks and grey wash)
Portrait of Dom Joao VI, c. 1825-6 (black and red chalks and grey wash)

CH1199468: Portrait of Dom Joao VI, c. 1825-6 (black and red chalks and grey wash), Landseer, Charles (1799-1879) / Bridgeman Images

ID: CH1199468

Portrait of Dom Joao VI, c. 1825-6 (black and red chalks and grey wash)

Landseer, Charles (1799-1879)

Saint George, 1517 (oil on panel)
Saint George, 1517 (oil on panel)

CH991429: Saint George, 1517 (oil on panel), Duerer, Hans (1490-c.1538) & workshop / Bridgeman Images

ID: CH991429

Saint George, 1517 (oil on panel)

Duerer, Hans (1490-c.1538) & workshop

The Kit-Cat Club done from the original paintings of Sir, 1735 (mezzotint engraving)
The Kit-Cat Club done from the original paintings of Sir, 1735 (mezzotint engraving)

CH986156: The Kit-Cat Club done from the original paintings of Sir, 1735 (mezzotint engraving), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images

ID: CH986156

The Kit-Cat Club done from the original paintings of Sir, 1735 (mezzotint engraving)

Kneller, Godfrey (1646-1723) (after)

Charles Lee, Esq, Major General of the Continental Army in America, (engraving)
Charles Lee, Esq, Major General of the Continental Army in America, (engraving)

STC3090434: Charles Lee, Esq, Major General of the Continental Army in America, (engraving), German School, (18th century) / Bridgeman Images

ID: STC3090434

Charles Lee, Esq, Major General of the Continental Army in America, (engraving)

German School, (18th century)

The Wounded Cuirassier 1893 (colour litho)
The Wounded Cuirassier 1893 (colour litho)

LLM2818358: The Wounded Cuirassier 1893 (colour litho), Gericault, Theodore (1791-1824) (after) / Bridgeman Images

ID: LLM2818358

The Wounded Cuirassier 1893 (colour litho)

Gericault, Theodore (1791-1824) (after)

The actors Ichikawa Yaozo lll (R) as Fuwa Banzaemon and Sakata Hangoro lll (L) as Kosodate Kannonbo, 1794 (colour woodblock print)
The actors Ichikawa Yaozo lll (R) as Fuwa Banzaemon and Sakata Hangoro lll (L) as Kosodate Kannonbo, 1794 (colour woodblock print)

XCC2969484: The actors Ichikawa Yaozo lll (R) as Fuwa Banzaemon and Sakata Hangoro lll (L) as Kosodate Kannonbo, 1794 (colour woodblock print), Sharaku, Toshusai (fl.1794-95) / Bridgeman Images

ID: XCC2969484

The actors Ichikawa Yaozo lll (R) as Fuwa Banzaemon and Sakata Hangoro lll (L) as Kosodate Kannonbo, 1794 (colour woodblock print)

Sharaku, Toshusai (fl.1794-95)


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