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13739 Search Results for sword

Cardinal Prince-Bishop Dr. Pfiffl consecrating the weapons of new officers during WWI, Vienna 1914 (b/w photo)
Cardinal Prince-Bishop Dr. Pfiffl consecrating the weapons of new officers during WWI, Vienna 1914 (b/w photo)

SZT353813: Cardinal Prince-Bishop Dr. Pfiffl consecrating the weapons of new officers during WWI, Vienna 1914 (b/w photo) / Bridgeman Images

ID: SZT353813

Cardinal Prince-Bishop Dr. Pfiffl consecrating the weapons of new officers during WWI, Vienna 1914 (b/w photo)

Kabuki Actor Holding Pipe, 18th-19th century (woodblock print)
Kabuki Actor Holding Pipe, 18th-19th century (woodblock print)

MAM713518: Kabuki Actor Holding Pipe, 18th-19th century (woodblock print), Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: MAM713518

Kabuki Actor Holding Pipe, 18th-19th century (woodblock print)

Toyokuni, Utagawa (1769-1825)

David, 1440 (Bronze)
David, 1440 (Bronze)

MEB857098: David, 1440 (Bronze), Donatello, (c.1386-1466) / Bridgeman Images

ID: MEB857098

David, 1440 (Bronze)

Donatello, (c.1386-1466)

King Henry VIII Presenting a Charter to the Barber Surgeons
King Henry VIII Presenting a Charter to the Barber Surgeons

HRP5245979: King Henry VIII Presenting a Charter to the Barber Surgeons / Bridgeman Images

ID: HRP5245979

King Henry VIII Presenting a Charter to the Barber Surgeons

King Edward VIII as Prince of Wales, 1911
King Edward VIII as Prince of Wales, 1911

HRP5246114: King Edward VIII as Prince of Wales, 1911, English Photographer, (20th century) / Bridgeman Images

ID: HRP5246114

King Edward VIII as Prince of Wales, 1911

English Photographer, (20th century)

Illustration for the story
Illustration for the story

IBE5386907: Illustration for the story ""Kim"" by Rudyard Kipling (1865-1936) Drawing by Charles Fouqueray (1869-1956). 1931., Fouqueray, Charles (1872-1956) / Bridgeman Images

ID: IBE5386907

Illustration for the story ""Kim"" by Rudyard Kipling (1865-1936) Drawing by Charles Fouqueray (1869-1956). 1931.

Fouqueray, Charles (1872-1956)

Die Walkure Act 3
Die Walkure Act 3

MOE3850097: Die Walkure Act 3, Moore, Rob / Bridgeman Images

ID: MOE3850097

Die Walkure Act 3

Moore, Rob

Die Walkure Act 3
Die Walkure Act 3

MOE3850102: Die Walkure Act 3, Moore, Rob / Bridgeman Images

ID: MOE3850102

Die Walkure Act 3

Moore, Rob

The Four Horsemen of the Apocalypse, by Albrecht Durer, 1497, 15th Century (xylography)
The Four Horsemen of the Apocalypse, by Albrecht Durer, 1497, 15th Century (xylography)

MEB3613162: The Four Horsemen of the Apocalypse, by Albrecht Durer, 1497, 15th Century (xylography), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: MEB3613162

The Four Horsemen of the Apocalypse, by Albrecht Durer, 1497, 15th Century (xylography)

Dürer or Duerer, Albrecht (1471-1528)

Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676632: Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676632

Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Mercuri, Paolo (1804-84)

Military costume of an officer in the court of Frederic III of the Holy Empire (1415-1493) - Military costume of an officer in the court of Frederick III, Holy Roman Emperor, 15th century - He wears a black cap, doublet with slashed sleeves revealing his shirt, breeches, stockings, garters, and carries a cane - From the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume of an officer in the court of Frederic III of the Holy Empire (1415-1493) - Military costume of an officer in the court of Frederick III, Holy Roman Emperor, 15th century - He wears a black cap, doublet with slashed sleeves revealing his shirt, breeches, stockings, garters, and carries a cane - From the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676237: Military costume of an officer in the court of Frederic III of the Holy Empire (1415-1493) - Military costume of an officer in the court of Frederick III, Holy Roman Emperor, 15th century - He wears a black cap, doublet with slashed sleeves revealing his shirt, breeches, stockings, garters, and carries a cane - From the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676237

Military costume of an officer in the court of Frederic III of the Holy Empire (1415-1493) - Military costume of an officer in the court of Frederick III, Holy Roman Emperor, 15th century - He wears a black cap, doublet with slashed sleeves revealing his shirt, breeches, stockings, garters, and carries a cane - From the Titius Livius manuscript in the Biblioteca Ambrosiana, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Military costume: un gentilhomme Tuscan (Italy), 15th century - Military costume of a Tuscan gentleman, 15th century - He wears a scarlet cape lined in black, white doublet, red stockings and yellow leather boots - He holds a sword and dagger with gold handles - From a painting by Matteo di Giovanni in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume: un gentilhomme Tuscan (Italy), 15th century - Military costume of a Tuscan gentleman, 15th century - He wears a scarlet cape lined in black, white doublet, red stockings and yellow leather boots - He holds a sword and dagger with gold handles - From a painting by Matteo di Giovanni in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676469: Military costume: un gentilhomme Tuscan (Italy), 15th century - Military costume of a Tuscan gentleman, 15th century - He wears a scarlet cape lined in black, white doublet, red stockings and yellow leather boots - He holds a sword and dagger with gold handles - From a painting by Matteo di Giovanni in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676469

Military costume: un gentilhomme Tuscan (Italy), 15th century - Military costume of a Tuscan gentleman, 15th century - He wears a scarlet cape lined in black, white doublet, red stockings and yellow leather boots - He holds a sword and dagger with gold handles - From a painting by Matteo di Giovanni in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690164: The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690164

The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Portrait of two Spanish artists, 17th century, based on a painting by Diego Velasquez (1599-1660), from the Musee du Louvre - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “” Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
Portrait of two Spanish artists, 17th century, based on a painting by Diego Velasquez (1599-1660), from the Musee du Louvre - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “” Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616664: Portrait of two Spanish artists, 17th century, based on a painting by Diego Velasquez (1599-1660), from the Musee du Louvre - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “” Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Velazquez, Diego Rodriguez de Silva y (1599-1660) / Bridgeman Images

ID: FLO4616664

Portrait of two Spanish artists, 17th century, based on a painting by Diego Velasquez (1599-1660), from the Musee du Louvre - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “” Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Velazquez, Diego Rodriguez de Silva y (1599-1660)

French cavalry, 17th century, based on a painting by Sebastien Bourdon (1616-1671) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
French cavalry, 17th century, based on a painting by Sebastien Bourdon (1616-1671) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616742: French cavalry, 17th century, based on a painting by Sebastien Bourdon (1616-1671) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616742

French cavalry, 17th century, based on a painting by Sebastien Bourdon (1616-1671) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Piquier of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867
Piquier of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616688: Piquier of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616688

Piquier of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th century” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570322: Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570322

Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570412: Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570412

Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

World War I, German soldiers' Christmas, c.1914-1918
World War I, German soldiers' Christmas, c.1914-1918

EVB2929068: World War I, German soldiers' Christmas, c.1914-1918 / Bridgeman Images

ID: EVB2929068

World War I, German soldiers' Christmas, c.1914-1918

Reis of Barbary, Ottoman naval captain. Illustration From Francois Pouqueville (1770-1838), Travels through More, Albania and several other parts of the Ottoman Empire, 1805. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817
Reis of Barbary, Ottoman naval captain. Illustration From Francois Pouqueville (1770-1838), Travels through More, Albania and several other parts of the Ottoman Empire, 1805. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817

FLO4721813: Reis of Barbary, Ottoman naval captain. Illustration From Francois Pouqueville (1770-1838), Travels through More, Albania and several other parts of the Ottoman Empire, 1805. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817 / Bridgeman Images

ID: FLO4721813

Reis of Barbary, Ottoman naval captain. Illustration From Francois Pouqueville (1770-1838), Travels through More, Albania and several other parts of the Ottoman Empire, 1805. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817

Amaury VI de Montfort, (1195-1241). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Amaury VI de Montfort, (1195-1241). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674171: Amaury VI de Montfort, (1195-1241). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4674171

Amaury VI de Montfort, (1195-1241). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Tony Curtis And Janet Leigh, The Vikings 1958 (film still)
Tony Curtis And Janet Leigh, The Vikings 1958 (film still)

DIL4061636: Tony Curtis And Janet Leigh, The Vikings 1958 (film still) / Bridgeman Images

ID: DIL4061636

Tony Curtis And Janet Leigh, The Vikings 1958 (film still)

Codex Atlanticus, sheet 366 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 366 recto, 1478-1518 (pen & ink)

MEV5045914: Codex Atlanticus, sheet 366 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: MEV5045914

Codex Atlanticus, sheet 366 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

Miss Zita Porteous, facing camera and Mrs. Jose Martin who won a style prize in 1937 practicing on the NAAF roof matched by other NAAF girls. March 1943
Miss Zita Porteous, facing camera and Mrs. Jose Martin who won a style prize in 1937 practicing on the NAAF roof matched by other NAAF girls. March 1943

MPX5088710: Miss Zita Porteous, facing camera and Mrs. Jose Martin who won a style prize in 1937 practicing on the NAAF roof matched by other NAAF girls. March 1943 / Bridgeman Images

ID: MPX5088710

Miss Zita Porteous, facing camera and Mrs. Jose Martin who won a style prize in 1937 practicing on the NAAF roof matched by other NAAF girls. March 1943

Anaute Avec Deux Chiens Whippets, 1867 (oil on panel)
Anaute Avec Deux Chiens Whippets, 1867 (oil on panel)

CH1766687: Anaute Avec Deux Chiens Whippets, 1867 (oil on panel), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: CH1766687

Anaute Avec Deux Chiens Whippets, 1867 (oil on panel)

Gerome, Jean Leon (1824-1904)

The Defence of the Sampo, 1896 (Tempera on canvas)
The Defence of the Sampo, 1896 (Tempera on canvas)

TAU7203169: The Defence of the Sampo, 1896 (Tempera on canvas), Gallen-Kallela, Akseli Valdemar (1865-1931) / Bridgeman Images

ID: TAU7203169

The Defence of the Sampo, 1896 (Tempera on canvas)

Gallen-Kallela, Akseli Valdemar (1865-1931)

Two men (woodblock print)
Two men (woodblock print)

XIR233979: Two men (woodblock print), Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: XIR233979

Two men (woodblock print)

Hokusai, Katsushika (1760-1849)

Circe and Odysseus (oil on panel)
Circe and Odysseus (oil on panel)

CH3674579: Circe and Odysseus (oil on panel), Jordaens, Jacob (1593-1678) / Bridgeman Images

ID: CH3674579

Circe and Odysseus (oil on panel)

Jordaens, Jacob (1593-1678)

Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)
Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)

JLJ4688762: Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas), Delaroche, Hippolyte (Paul) (1797-1856) / Bridgeman Images

ID: JLJ4688762

Cromwell in front of the coffin of Charles I Stuart (1649). Oliver Cromwell (1599-1658), 1831 (oil on canvas)

Delaroche, Hippolyte (Paul) (1797-1856)

George III (1738-1820), 1799-1800 (oil on canvas)
George III (1738-1820), 1799-1800 (oil on canvas)

ROC7071961: George III (1738-1820), 1799-1800 (oil on canvas), Beechey, William (1753-1839) / Bridgeman Images

ID: ROC7071961

George III (1738-1820), 1799-1800 (oil on canvas)

Beechey, William (1753-1839)

Charles Jean Baptiste Bernadotte (1763-1844) (pen & ink on paper) (b/w photo)
Charles Jean Baptiste Bernadotte (1763-1844) (pen & ink on paper) (b/w photo)

CHT233042: Charles Jean Baptiste Bernadotte (1763-1844) (pen & ink on paper) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT233042

Charles Jean Baptiste Bernadotte (1763-1844) (pen & ink on paper) (b/w photo)

French School, (19th century)

Beowulf fights with the dragon, illustration from 'Stories of Legendary Heroes' (colour litho)
Beowulf fights with the dragon, illustration from 'Stories of Legendary Heroes' (colour litho)

IL283028: Beowulf fights with the dragon, illustration from 'Stories of Legendary Heroes' (colour litho), Brock, Henry Matthew (1875-1960) / Bridgeman Images

ID: IL283028

Beowulf fights with the dragon, illustration from 'Stories of Legendary Heroes' (colour litho)

Brock, Henry Matthew (1875-1960)

Ancient Briton (oil on panel)
Ancient Briton (oil on panel)

HTL226601: Ancient Briton (oil on panel), Millais, John Everett (1829-96) / Bridgeman Images

ID: HTL226601

Ancient Briton (oil on panel)

Millais, John Everett (1829-96)

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)
Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

PC719761: Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass) / Bridgeman Images

ID: PC719761

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)
Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

PC719760: Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass) / Bridgeman Images

ID: PC719760

Panel 17 of the story of Psyche and Cupid: the jealous sisters deduce Psyche that she has never actually seen her husband. They believe he is the monster predicted by the oracle and tell her to kill him before he kills her. They give her a lamp so she can see him and a sword. (stained glass)

Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672310: Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672310

Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat). By Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.


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