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13714 Search Results for sword

King James IV of Scotland (1473-1513)
King James IV of Scotland (1473-1513)

FLO5855297: King James IV of Scotland (1473-1513), Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

Self portrait in black costume, 1948 (oil on canvas)
Self portrait in black costume, 1948 (oil on canvas)

SBL7146736: Self portrait in black costume, 1948 (oil on canvas), Chirico, Giorgio de (1888-1978) / Bridgeman Images

Saint Paul, detail,  c.1447-50 (tempera 7 oil on board)
Saint Paul, detail,  c.1447-50 (tempera 7 oil on board)

GNU6349856: Saint Paul, detail, c.1447-50 (tempera 7 oil on board), Bonfigli, Benedetto (1420-96) / Bridgeman Images

Adam and Eve banished from Paradise, from a book of Bible Pictures, c.1250 (vellum)
Adam and Eve banished from Paradise, from a book of Bible Pictures, c.1250 (vellum)

XIR215685: Adam and Eve banished from Paradise, from a book of Bible Pictures, c.1250 (vellum), Brailes, William de (fl.c.1230) / Bridgeman Images

Sir Mordred the Traitor, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)
Sir Mordred the Traitor, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

STC324286: Sir Mordred the Traitor, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745659: Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Imperiale Crosswalk, 1815. Cartoon on the return of Napoleon Bonaparte (1759-1821) from his exile on the island of Elba, he is depicted crossing the sea between the island and the mainland, brandising a French flag surmounts with the imperial eagle and marks “Honour and Fatherland”, holding his sword and a branch in the other hand. He is observed in the foreground by several royalist figures, a woman and military officers who make their comments. Fac simile in colours from an engraving of the period, early 19th century, France. Napoleonic Museum, Antibes.
The Imperiale Crosswalk, 1815. Cartoon on the return of Napoleon Bonaparte (1759-1821) from his exile on the island of Elba, he is depicted crossing the sea between the island and the mainland, brandising a French flag surmounts with the imperial eagle and marks “Honour and Fatherland”, holding his sword and a branch in the other hand. He is observed in the foreground by several royalist figures, a woman and military officers who make their comments. Fac simile in colours from an engraving of the period, early 19th century, France. Napoleonic Museum, Antibes.

LSE4314549: The Imperiale Crosswalk, 1815. Cartoon on the return of Napoleon Bonaparte (1759-1821) from his exile on the island of Elba, he is depicted crossing the sea between the island and the mainland, brandising a French flag surmounts with the imperial eagle and marks “Honour and Fatherland”, holding his sword and a branch in the other hand. He is observed in the foreground by several royalist figures, a woman and military officers who make their comments. Fac simile in colours from an engraving of the period, early 19th century, France. Napoleonic Museum, Antibes., French School, (19th century) / Bridgeman Images

Frescoes on the Right Wall of the Brancacci Chapel, 1424-1485 (fresco)
Frescoes on the Right Wall of the Brancacci Chapel, 1424-1485 (fresco)

MEP2627804: Frescoes on the Right Wall of the Brancacci Chapel, 1424-1485 (fresco), Masaccio, Masolino and Filippino Lippi (15th c.) / Bridgeman Images

Marriage a la Mode: V, The Bagnio, c.1743 (oil on canvas)
Marriage a la Mode: V, The Bagnio, c.1743 (oil on canvas)

XOS1109254: Marriage a la Mode: V, The Bagnio, c.1743 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

The Conspiracy of the Batavians under Claudius Civilis, c.1666 (oil on canvas)
The Conspiracy of the Batavians under Claudius Civilis, c.1666 (oil on canvas)

XOS3086728: The Conspiracy of the Batavians under Claudius Civilis, c.1666 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

A selection of samurai blades including a Nan-Dachi, an Aikuchi and a Wakizashi (photo)
A selection of samurai blades including a Nan-Dachi, an Aikuchi and a Wakizashi (photo)

CH433405: A selection of samurai blades including a Nan-Dachi, an Aikuchi and a Wakizashi (photo), Japanese School / Bridgeman Images

Normans carry arms to the ships, Bayeux Tapestry (wool embroidery on linen)
Normans carry arms to the ships, Bayeux Tapestry (wool embroidery on linen)

XIR183129: Normans carry arms to the ships, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

Napoleon gives his sword to Baron Jean Dominique (Jean-Dominique) Larrey, chief surgeon of the army (1766-1842) who had seen his own derobed by enemies on the battlefield - Engraving from the book “L'Annee Francaise, un heros par jour” by Charles Ponsonhailhe, edition Mame 1900
Napoleon gives his sword to Baron Jean Dominique (Jean-Dominique) Larrey, chief surgeon of the army (1766-1842) who had seen his own derobed by enemies on the battlefield - Engraving from the book “L'Annee Francaise, un heros par jour” by Charles Ponsonhailhe, edition Mame 1900

PCT4281293: Napoleon gives his sword to Baron Jean Dominique (Jean-Dominique) Larrey, chief surgeon of the army (1766-1842) who had seen his own derobed by enemies on the battlefield - Engraving from the book “L'Annee Francaise, un heros par jour” by Charles Ponsonhailhe, edition Mame 1900 / Bridgeman Images

Prince Charlie at Holyrood, 1833 (oil on panel)
Prince Charlie at Holyrood, 1833 (oil on panel)

DRB130300: Prince Charlie at Holyrood, 1833 (oil on panel), Simson, William (1800-47) / Bridgeman Images

Portrait the Prince Consort Albert of Saxe-Coburg-Gotha (1819-1861), 1842 (oil on canvas)
Portrait the Prince Consort Albert of Saxe-Coburg-Gotha (1819-1861), 1842 (oil on canvas)

XIR895657: Portrait the Prince Consort Albert of Saxe-Coburg-Gotha (1819-1861), 1842 (oil on canvas), Winterhalter, Franz Xaver (1805-73) / Bridgeman Images

Charles Emmanuel I (engraving)
Charles Emmanuel I (engraving)

LLM957911: Charles Emmanuel I (engraving), Fornazeris, Jacques de (16th-17th century) / Bridgeman Images

The Resurrection of Christ, c.1610-20 (oil on canvas)
The Resurrection of Christ, c.1610-20 (oil on canvas)

XIR171843: The Resurrection of Christ, c.1610-20 (oil on canvas), Seghers, Gerard (1591-1651) / Bridgeman Images

Cover of the newspaper l Plate au Butter of 9 July 1912: About a soule woman. Speech after drink: Constitution... m in crazy.. Alsace Lorraine N. de D... put in it... send to Prussia... my father's sword... dry powder... everyone in it... Sakrament noch animal. Break up! Drawing of Ostoya.
Cover of the newspaper l Plate au Butter of 9 July 1912: About a soule woman. Speech after drink: Constitution... m in crazy.. Alsace Lorraine N. de D... put in it... send to Prussia... my father's sword... dry powder... everyone in it... Sakrament noch animal. Break up! Drawing of Ostoya.

XRH1740233: Cover of the newspaper l Plate au Butter of 9 July 1912: About a soule woman. Speech after drink: Constitution... m in crazy.. Alsace Lorraine N. de D... put in it... send to Prussia... my father's sword... dry powder... everyone in it... Sakrament noch animal. Break up! Drawing of Ostoya. / Bridgeman Images

Portrait of Cardinal-Infante Ferdinand of Austria, c.1634 (oil on canvas)
Portrait of Cardinal-Infante Ferdinand of Austria, c.1634 (oil on canvas)

XIR423411: Portrait of Cardinal-Infante Ferdinand of Austria, c.1634 (oil on canvas), Dyck, Anthony van (1599-1641) / Bridgeman Images

Sir Thomas, Lord Fairfax, commander-in-chief of the Parliamentarian army in the English Civil War (engraving)
Sir Thomas, Lord Fairfax, commander-in-chief of the Parliamentarian army in the English Civil War (engraving)

LLM3647501: Sir Thomas, Lord Fairfax, commander-in-chief of the Parliamentarian army in the English Civil War (engraving), German School, (19th century) / Bridgeman Images

Hallam Tennyson 28th September 1857 (sepia photo)
Hallam Tennyson 28th September 1857 (sepia photo)

STC363558: Hallam Tennyson 28th September 1857 (sepia photo), Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98) / Bridgeman Images

'The Soldier', plaque depicting an illustration from Shakespeare's 'Seven Ages', Minton ware, Staffordshire, 1874 (enamelled earthenware)
'The Soldier', plaque depicting an illustration from Shakespeare's 'Seven Ages', Minton ware, Staffordshire, 1874 (enamelled earthenware)

MSC141936: 'The Soldier', plaque depicting an illustration from Shakespeare's 'Seven Ages', Minton ware, Staffordshire, 1874 (enamelled earthenware), Marks, Henry Stacy (1829-98) (after) / Bridgeman Images

Come, come, be patient; we must bring you to our captain - Illustration reproduction for
Come, come, be patient; we must bring you to our captain - Illustration reproduction for

DMA1067134: Come, come, be patient; we must bring you to our captain - Illustration reproduction for "The Two Gentlemen of Verona", 1936 (litho), Kent, Rockwell (1882-1971) / Bridgeman Images

King Henry VIII Granting a Charter to the Barber Surgeons (engraving)
King Henry VIII Granting a Charter to the Barber Surgeons (engraving)

XRH1700612: King Henry VIII Granting a Charter to the Barber Surgeons (engraving), English School / Bridgeman Images

Small Arms in the International Exhibition (engraving)
Small Arms in the International Exhibition (engraving)

LIP1587935: Small Arms in the International Exhibition (engraving), English School, (19th century) / Bridgeman Images

Mr Creswick as Coriolanus, Coriolanus, Act V, Scene III (engraving)
Mr Creswick as Coriolanus, Coriolanus, Act V, Scene III (engraving)

LLM971680: Mr Creswick as Coriolanus, Coriolanus, Act V, Scene III (engraving), English School, (19th century) / Bridgeman Images

King John, Act III, Scene I (engraving)
King John, Act III, Scene I (engraving)

LLM971685: King John, Act III, Scene I (engraving), Meadows, Joseph Kenny (1770-1874) (after) / Bridgeman Images

Portrait of a Gentleman, half-length, wearing a black costume and a black hat,  (oil on canvas)
Portrait of a Gentleman, half-length, wearing a black costume and a black hat,  (oil on canvas)

CH990275: Portrait of a Gentleman, half-length, wearing a black costume and a black hat, (oil on canvas), Cariani, Giovanni de Busi (c.1485-p.1547) / Bridgeman Images

Maximilian I (1459-1519). King of the Romans (also known as King of the Germans) from 1486 and Holy Roman Emperor from 1493 until his death. Colored engraving.
Maximilian I (1459-1519). King of the Romans (also known as King of the Germans) from 1486 and Holy Roman Emperor from 1493 until his death. Colored engraving.

TRK697363: Maximilian I (1459-1519). King of the Romans (also known as King of the Germans) from 1486 and Holy Roman Emperor from 1493 until his death. Colored engraving. / Bridgeman Images

Imperial and Popular Thanks for the Army and Navy, 1916 (colour litho)
Imperial and Popular Thanks for the Army and Navy, 1916 (colour litho)

GBW697917: Imperial and Popular Thanks for the Army and Navy, 1916 (colour litho), Ehmcke, Fritz Helmuth (1878-1965) / Bridgeman Images

The Besieged Castle - The Black Knight, illustration from 'Modern Stories' (colour litho)
The Besieged Castle - The Black Knight, illustration from 'Modern Stories' (colour litho)

IL352892: The Besieged Castle - The Black Knight, illustration from 'Modern Stories' (colour litho), Brock, Charles Edmund (1870-1938) / Bridgeman Images

A Soldier's Conquests,  (oil on canvas)
A Soldier's Conquests,  (oil on canvas)

CH989395: A Soldier's Conquests, (oil on canvas), Waite, James Clarke (fl.1863-85) / Bridgeman Images

Arab Horsemen,  (oil on canvas)
Arab Horsemen,  (oil on canvas)

CH989449: Arab Horsemen, (oil on canvas), Schreyer, Adolf (1828-99) / Bridgeman Images

Henry V, King of England, from 'Old England: A Pictorial Museum', 1847 (engraving)
Henry V, King of England, from 'Old England: A Pictorial Museum', 1847 (engraving)

KWE3736215: Henry V, King of England, from 'Old England: A Pictorial Museum', 1847 (engraving), English School, (19th century) / Bridgeman Images

Cover of “” The Don Quixote””, number 302, Satirique en Colours, 1880_4_2: Le coup d'epee de l'Officiel - Anticlericalism - Rome/Vatican, Eg combative - Jesuites - Illustration by Charles Gilbert-Martin (1839-1905)
Cover of “” The Don Quixote””, number 302, Satirique en Colours, 1880_4_2: Le coup d'epee de l'Officiel - Anticlericalism - Rome/Vatican, Eg combative - Jesuites - Illustration by Charles Gilbert-Martin (1839-1905)

ICA4926564: Cover of “” The Don Quixote””, number 302, Satirique en Colours, 1880_4_2: Le coup d'epee de l'Officiel - Anticlericalism - Rome/Vatican, Eg combative - Jesuites - Illustration by Charles Gilbert-Martin (1839-1905), Gilbert-Martin, Charles (1839-1905) / Bridgeman Images

British Field Marshals Lord Roberts and Lord Wolseley in their robes and carrying Swords of State at the coronation of King Edward VII, 1902 (litho)
British Field Marshals Lord Roberts and Lord Wolseley in their robes and carrying Swords of State at the coronation of King Edward VII, 1902 (litho)

LLM5207162: British Field Marshals Lord Roberts and Lord Wolseley in their robes and carrying Swords of State at the coronation of King Edward VII, 1902 (litho), Buchel, Charles A. (1872-1950) / Bridgeman Images


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