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13772 Search Results for sword

Duel between Faust and Valentine, from Goethe's Faust, after 1828, (lithograph)
Duel between Faust and Valentine, from Goethe's Faust, after 1828, (lithograph)

XIR60199: Duel between Faust and Valentine, from Goethe's Faust, after 1828, (lithograph), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: XIR60199

Duel between Faust and Valentine, from Goethe's Faust, after 1828, (lithograph)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Cavalry battle between crusaders and infidels, 12th century. The crusaders wear chainmail coats and pointed helmets with small crosses. One crusader holds a standard (gonfanon or gonfalon). Taken from Montfaucon and from a stainless-glass window in Saint Denis, 1140. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Cavalry battle between crusaders and infidels, 12th century. The crusaders wear chainmail coats and pointed helmets with small crosses. One crusader holds a standard (gonfanon or gonfalon). Taken from Montfaucon and from a stainless-glass window in Saint Denis, 1140. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674336: Cavalry battle between crusaders and infidels, 12th century. The crusaders wear chainmail coats and pointed helmets with small crosses. One crusader holds a standard (gonfanon or gonfalon). Taken from Montfaucon and from a stainless-glass window in Saint Denis, 1140. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4674336

Cavalry battle between crusaders and infidels, 12th century. The crusaders wear chainmail coats and pointed helmets with small crosses. One crusader holds a standard (gonfanon or gonfalon). Taken from Montfaucon and from a stainless-glass window in Saint Denis, 1140. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Mirmillon - A Gallic Gladiator, (oil on panel)
Mirmillon - A Gallic Gladiator, (oil on panel)

CH989220: Mirmillon - A Gallic Gladiator, (oil on panel), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: CH989220

Mirmillon - A Gallic Gladiator, (oil on panel)

Gerome, Jean Leon (1824-1904)

Presages of the Millennium, published by Hannah Humphrey in 1795 (colour etching, engraving & aquatint)
Presages of the Millennium, published by Hannah Humphrey in 1795 (colour etching, engraving & aquatint)

XCF290983: Presages of the Millennium, published by Hannah Humphrey in 1795 (colour etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

ID: XCF290983

Presages of the Millennium, published by Hannah Humphrey in 1795 (colour etching, engraving & aquatint)

Gillray, James (1757-1815)

Jean-Leon Gerome (1824-1904). A duel after the masquerade, 1857 (oil on canvas)
Jean-Leon Gerome (1824-1904). A duel after the masquerade, 1857 (oil on canvas)

TRK2973291: Jean-Leon Gerome (1824-1904). A duel after the masquerade, 1857 (oil on canvas), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: TRK2973291

Jean-Leon Gerome (1824-1904). A duel after the masquerade, 1857 (oil on canvas)

Gerome, Jean Leon (1824-1904)

Kabuki Techniques
Kabuki Techniques

CTA622426: Kabuki Techniques / Bridgeman Images

ID: CTA622426

Kabuki Techniques

The Marriage of Thetis and Peleus (oil on panel)
The Marriage of Thetis and Peleus (oil on panel)

XIR175123: The Marriage of Thetis and Peleus (oil on panel), Bartolomeo di Giovanni, (fl.1488-c.1500) / Bridgeman Images

ID: XIR175123

The Marriage of Thetis and Peleus (oil on panel)

Bartolomeo di Giovanni, (fl.1488-c.1500)

Death and succession of Charles II the Bald (823-877), 877: the king handed over to the imperress the imperial crown, his golden sceptre, the sword of Saint Peter and a testament by which he designees his son Louis the Begue for inheritance. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.
Death and succession of Charles II the Bald (823-877), 877: the king handed over to the imperress the imperial crown, his golden sceptre, the sword of Saint Peter and a testament by which he designees his son Louis the Begue for inheritance. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.

XEE4160537: Death and succession of Charles II the Bald (823-877), 877: the king handed over to the imperress the imperial crown, his golden sceptre, the sword of Saint Peter and a testament by which he designees his son Louis the Begue for inheritance. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century., Moreau, Jean Michel the Younger (1741-1814) / Bridgeman Images

ID: XEE4160537

Death and succession of Charles II the Bald (823-877), 877: the king handed over to the imperress the imperial crown, his golden sceptre, the sword of Saint Peter and a testament by which he designees his son Louis the Begue for inheritance. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.

Moreau, Jean Michel the Younger (1741-1814)

Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4602857: Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

ID: FLO4602857

Maximilian Christopher Miller, the German Giant, 8 feet tall, exhibited at London fairs. He wears a Hungarian jacket, fancy cap with plume of feathers and carries a gilt sceptre and falchion sword. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.
Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.

LZT1111817: Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1111817

Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.

Kuniyasu, Utagawa (1794-1832)

Illustration for 'L'Armee de la Loire' by Eugene Sergent, dit Grenest, 19th century (engraving)
Illustration for 'L'Armee de la Loire' by Eugene Sergent, dit Grenest, 19th century (engraving)

JLJ4632009: Illustration for 'L'Armee de la Loire' by Eugene Sergent, dit Grenest, 19th century (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4632009

Illustration for 'L'Armee de la Loire' by Eugene Sergent, dit Grenest, 19th century (engraving)

Bombled, Louis Charles (1862-1927)

The Battle of San Romano
The Battle of San Romano

IKN703582: The Battle of San Romano / Bridgeman Images

ID: IKN703582

The Battle of San Romano

Prince George of Cumberland, later King George of Hanover, 1828 (oil on canvas)
Prince George of Cumberland, later King George of Hanover, 1828 (oil on canvas)

ROC409836: Prince George of Cumberland, later King George of Hanover, 1828 (oil on canvas), Lawrence, Thomas (1769-1830) / Bridgeman Images

ID: ROC409836

Prince George of Cumberland, later King George of Hanover, 1828 (oil on canvas)

Lawrence, Thomas (1769-1830)

Sir John Martin-Harvey as Richard III, 1920s (oil on canvas)
Sir John Martin-Harvey as Richard III, 1920s (oil on canvas)

RSC937068: Sir John Martin-Harvey as Richard III, 1920s (oil on canvas), Munns, Bernard (1869-1942) / Bridgeman Images

ID: RSC937068

Sir John Martin-Harvey as Richard III, 1920s (oil on canvas)

Munns, Bernard (1869-1942)

Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)

ELC852565: Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache), Martini, Alberto (1876-1954) / Bridgeman Images

ID: ELC852565

Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)

Martini, Alberto (1876-1954)

St George and the Dragon, 1526 (fresco)
St George and the Dragon, 1526 (fresco)

ELC856439: St George and the Dragon, 1526 (fresco), Piazza, Callisto (c.1500-61/62) / Bridgeman Images

ID: ELC856439

St George and the Dragon, 1526 (fresco)

Piazza, Callisto (c.1500-61/62)

Charity of St Martin, 1629-75 (canvas)
Charity of St Martin, 1629-75 (canvas)

MEP860252: Charity of St Martin, 1629-75 (canvas), Nagli, Francesco (Il Centino) (d. after 1654) / Bridgeman Images

ID: MEP860252

Charity of St Martin, 1629-75 (canvas)

Nagli, Francesco (Il Centino) (d. after 1654)

Famous Warrior on Horse, 18th-19th century (woodblock print)
Famous Warrior on Horse, 18th-19th century (woodblock print)

MAM713510: Famous Warrior on Horse, 18th-19th century (woodblock print), Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: MAM713510

Famous Warrior on Horse, 18th-19th century (woodblock print)

Toyokuni, Utagawa (1769-1825)

Siegfried splits the anvil with the newly re-forged Nothung, illustration from 'Siegfried' (linocut)
Siegfried splits the anvil with the newly re-forged Nothung, illustration from 'Siegfried' (linocut)

RFD258868: Siegfried splits the anvil with the newly re-forged Nothung, illustration from 'Siegfried' (linocut), Redford, Phil (b.1943) / Bridgeman Images

ID: RFD258868

Siegfried splits the anvil with the newly re-forged Nothung, illustration from 'Siegfried' (linocut)

Redford, Phil (b.1943)

Wedding of Lord and Lady Mountbatten, 1922 (photo)
Wedding of Lord and Lady Mountbatten, 1922 (photo)

PVD1695518: Wedding of Lord and Lady Mountbatten, 1922 (photo), Lafayette Studio (1880-1930s) / Bridgeman Images

ID: PVD1695518

Wedding of Lord and Lady Mountbatten, 1922 (photo)

Lafayette Studio (1880-1930s)

The Hero (L'eroe), by Giorgio De Chirico, 1922, 20th Century, pencil drawing, 22,9 x 10,7 cm
The Hero (L'eroe), by Giorgio De Chirico, 1922, 20th Century, pencil drawing, 22,9 x 10,7 cm

MEB1191658: The Hero (L'eroe), by Giorgio De Chirico, 1922, 20th Century, pencil drawing, 22,9 x 10,7 cm, Chirico, Giorgio de (1888-1978) / Bridgeman Images

ID: MEB1191658

The Hero (L'eroe), by Giorgio De Chirico, 1922, 20th Century, pencil drawing, 22,9 x 10,7 cm

Chirico, Giorgio de (1888-1978)

St Paul in Prison (litho)
St Paul in Prison (litho)

LLM5997154: St Paul in Prison (litho), Rembrandt Harmensz. van Rijn (1606-69) (after) / Bridgeman Images

ID: LLM5997154

St Paul in Prison (litho)

Rembrandt Harmensz. van Rijn (1606-69) (after)

Breakfast in Beijing
Breakfast in Beijing

MAV480653: Breakfast in Beijing / Bridgeman Images

ID: MAV480653

Breakfast in Beijing

Albert, Count of Wallenstein and General of the Holy Empire, 1629-34 (engraving)
Albert, Count of Wallenstein and General of the Holy Empire, 1629-34 (engraving)

LLM957962: Albert, Count of Wallenstein and General of the Holy Empire, 1629-34 (engraving), Jacquemin, Raphael (1821-81) / Bridgeman Images

ID: LLM957962

Albert, Count of Wallenstein and General of the Holy Empire, 1629-34 (engraving)

Jacquemin, Raphael (1821-81)

Thrones, holding a pair of scales, and Archangels, in plate armour, two of the Nine Orders of Angels, south screen, detail of the rood screen, St. Michael's Church, Barton Turf, Norfolk, UK (tempera on wood) (see also 443811 to 443813, 443824 to 443826, 443852, 443854 and 44368 to 443873)
Thrones, holding a pair of scales, and Archangels, in plate armour, two of the Nine Orders of Angels, south screen, detail of the rood screen, St. Michael's Church, Barton Turf, Norfolk, UK (tempera on wood) (see also 443811 to 443813, 443824 to 443826, 443852, 443854 and 44368 to 443873)

HGP443869: Thrones, holding a pair of scales, and Archangels, in plate armour, two of the Nine Orders of Angels, south screen, detail of the rood screen, St. Michael's Church, Barton Turf, Norfolk, UK (tempera on wood) (see also 443811 to 443813, 443824 to 443826, 443852, 443854 and 44368 to 443873), English School / Bridgeman Images

ID: HGP443869

Thrones, holding a pair of scales, and Archangels, in plate armour, two of the Nine Orders of Angels, south screen, detail of the rood screen, St. Michael's Church, Barton Turf, Norfolk, UK (tempera on wood) (see also 443811 to 443813, 443824 to 443826, 443852, 443854 and 44368 to 443873)

English School

STC3598144: "Then the King was sworn upon the four Evangelists,...", from 'Mort d'Arthur', pub.1911 (colour lithograh), Flint, William Russell (1880-1969) / Bridgeman Images

ID: STC3598144

"Then the King was sworn upon the four Evangelists,...", from 'Mort d'Arthur', pub.1911 (colour lithograh)

Flint, William Russell (1880-1969)

Habit of Sir Philip Sidney (Knight) in 1580 (engraving)
Habit of Sir Philip Sidney (Knight) in 1580 (engraving)

LLR3640599: Habit of Sir Philip Sidney (Knight) in 1580 (engraving), English School, (18th century) / Bridgeman Images

ID: LLR3640599

Habit of Sir Philip Sidney (Knight) in 1580 (engraving)

English School, (18th century)

German costumes, early 16th Century (coloured engraving)
German costumes, early 16th Century (coloured engraving)

LLM3620562: German costumes, early 16th Century (coloured engraving), German School, (19th century) / Bridgeman Images

ID: LLM3620562

German costumes, early 16th Century (coloured engraving)

German School, (19th century)

The Shrine of Honour, for Punch, 1914-18 (pen & ink on paper)
The Shrine of Honour, for Punch, 1914-18 (pen & ink on paper)

AAH3057633: The Shrine of Honour, for Punch, 1914-18 (pen & ink on paper), Partridge, Bernard John (1861-1945) / Bridgeman Images

ID: AAH3057633

The Shrine of Honour, for Punch, 1914-18 (pen & ink on paper)

Partridge, Bernard John (1861-1945)

The Triumph of Truth, 1598, by Hans von Aachen (1552-1615).
The Triumph of Truth, 1598, by Hans von Aachen (1552-1615).

TRK879789: The Triumph of Truth, 1598, by Hans von Aachen (1552-1615)., Aachen, Johann or Hans von (1552-1616) / Bridgeman Images

ID: TRK879789

The Triumph of Truth, 1598, by Hans von Aachen (1552-1615).

Aachen, Johann or Hans von (1552-1616)

Ferdinand III of Castile (ca.1198-1252) (coloured engraving)
Ferdinand III of Castile (ca.1198-1252) (coloured engraving)

TRK2618019: Ferdinand III of Castile (ca.1198-1252) (coloured engraving) / Bridgeman Images

ID: TRK2618019

Ferdinand III of Castile (ca.1198-1252) (coloured engraving)

Samori Ture, 1899 (engraving)
Samori Ture, 1899 (engraving)

CCI7143437: Samori Ture, 1899 (engraving), French School, (19th century) / Bridgeman Images

ID: CCI7143437

Samori Ture, 1899 (engraving)

French School, (19th century)

Saint George and the Dragon, (oil on panel, shaped top)
Saint George and the Dragon, (oil on panel, shaped top)

CH827901: Saint George and the Dragon, (oil on panel, shaped top), Huguet, Jaume (1415-92) (circle of) / Bridgeman Images

ID: CH827901

Saint George and the Dragon, (oil on panel, shaped top)

Huguet, Jaume (1415-92) (circle of)

Alfred in the neatherd's cottage, c.AD 878, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)
Alfred in the neatherd's cottage, c.AD 878, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

STC984723: Alfred in the neatherd's cottage, c.AD 878, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

ID: STC984723

Alfred in the neatherd's cottage, c.AD 878, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

Doyle, James William Edmund (1822-92)

The Pilgrims at the house of Manson, illustration from 'The Pilgrim's Progress' by John Bunyan (1628-88) (colour litho)
The Pilgrims at the house of Manson, illustration from 'The Pilgrim's Progress' by John Bunyan (1628-88) (colour litho)

KWE265416: The Pilgrims at the house of Manson, illustration from 'The Pilgrim's Progress' by John Bunyan (1628-88) (colour litho), English School, (19th century) / Bridgeman Images

ID: KWE265416

The Pilgrims at the house of Manson, illustration from 'The Pilgrim's Progress' by John Bunyan (1628-88) (colour litho)

English School, (19th century)

Propaganda Postcard Satirising the Bolshevik Abandonment of the Triple Entente, c.1919
Propaganda Postcard Satirising the Bolshevik Abandonment of the Triple Entente, c.1919

RPP3697495: Propaganda Postcard Satirising the Bolshevik Abandonment of the Triple Entente, c.1919, Zhivotovskii, Sergei Vasilievich (1869-1936) / Bridgeman Images

ID: RPP3697495

Propaganda Postcard Satirising the Bolshevik Abandonment of the Triple Entente, c.1919

Zhivotovskii, Sergei Vasilievich (1869-1936)


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