1. Home
  2. Search "sword"

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

13715 Search Results for sword

Achilles at the Court of Lycomedes
Achilles at the Court of Lycomedes

FAF3567471: Achilles at the Court of Lycomedes, Batoni, Pompeo Girolamo (1708-87) / Bridgeman Images

ID: FAF3567471

Achilles at the Court of Lycomedes

Batoni, Pompeo Girolamo (1708-87)

Portrait of a young man
Portrait of a young man

FAF3567383: Portrait of a young man, Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: FAF3567383

Portrait of a young man

Tintoretto, Jacopo Robusti (1518-94)

Medal commemorating the coronation King Charles I, 1626 (gold) (reverse of 3706857)
Medal commemorating the coronation King Charles I, 1626 (gold) (reverse of 3706857)

ROC3706858: Medal commemorating the coronation King Charles I, 1626 (gold) (reverse of 3706857), Briot, Nicholas (c.1579-1646) / Bridgeman Images

ID: ROC3706858

Medal commemorating the coronation King Charles I, 1626 (gold) (reverse of 3706857)

Briot, Nicholas (c.1579-1646)

British sailor defies Napoleon over Malta, 1803 (colour litho)
British sailor defies Napoleon over Malta, 1803 (colour litho)

PNP3960069: British sailor defies Napoleon over Malta, 1803 (colour litho), British School, (19th century) / Bridgeman Images

ID: PNP3960069

British sailor defies Napoleon over Malta, 1803 (colour litho)

British School, (19th century)

Ceremonial robes of knights of the Golden Fleece A, Order of the Garter B, Teutonic Knights C, D, and sword and wreath of Georg Hund von Wenkheim E, 1560-1600. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Ceremonial robes of knights of the Golden Fleece A, Order of the Garter B, Teutonic Knights C, D, and sword and wreath of Georg Hund von Wenkheim E, 1560-1600. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644371: Ceremonial robes of knights of the Golden Fleece A, Order of the Garter B, Teutonic Knights C, D, and sword and wreath of Georg Hund von Wenkheim E, 1560-1600. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644371

Ceremonial robes of knights of the Golden Fleece A, Order of the Garter B, Teutonic Knights C, D, and sword and wreath of Georg Hund von Wenkheim E, 1560-1600. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

460 [K1497] Mount in gold of zoomorphic form (stylised horse) with filigree scrollwork (gold)
460 [K1497] Mount in gold of zoomorphic form (stylised horse) with filigree scrollwork (gold)

BIR6182355: 460 [K1497] Mount in gold of zoomorphic form (stylised horse) with filigree scrollwork (gold), Anglo-Saxon / Bridgeman Images

ID: BIR6182355

460 [K1497] Mount in gold of zoomorphic form (stylised horse) with filigree scrollwork (gold)

Anglo-Saxon

168 [K449] Hilt Collar, from the lower grip of a seax (gold & garnet)
168 [K449] Hilt Collar, from the lower grip of a seax (gold & garnet)

BIR6182354: 168 [K449] Hilt Collar, from the lower grip of a seax (gold & garnet), Anglo-Saxon / Bridgeman Images

ID: BIR6182354

168 [K449] Hilt Collar, from the lower grip of a seax (gold & garnet)

Anglo-Saxon

Egyptian cavalry
Egyptian cavalry

FLO6339052: Egyptian cavalry, Belgian School, (19th century) / Bridgeman Images

ID: FLO6339052

Egyptian cavalry

Belgian School, (19th century)

Lord, reign of Louis XIII, 1633. Handcoloured steel engraving by Hippolyte Pauquet after “” Le Bal”” by Abraham Bosse (1604-1676) from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Lord, reign of Louis XIII, 1633. Handcoloured steel engraving by Hippolyte Pauquet after “” Le Bal”” by Abraham Bosse (1604-1676) from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685977: Lord, reign of Louis XIII, 1633. Handcoloured steel engraving by Hippolyte Pauquet after “” Le Bal”” by Abraham Bosse (1604-1676) from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4685977

Lord, reign of Louis XIII, 1633. Handcoloured steel engraving by Hippolyte Pauquet after “” Le Bal”” by Abraham Bosse (1604-1676) from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Prince of Orange (Dranien), 1572, with his command staff, and a French businessman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Prince of Orange (Dranien), 1572, with his command staff, and a French businessman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705497: Prince of Orange (Dranien), 1572, with his command staff, and a French businessman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705497

Prince of Orange (Dranien), 1572, with his command staff, and a French businessman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Coronation ceremony regalia at the time of the coronation of King George V 1910 (print)
Coronation ceremony regalia at the time of the coronation of King George V 1910 (print)

XLA3775364: Coronation ceremony regalia at the time of the coronation of King George V 1910 (print) / Bridgeman Images

ID: XLA3775364

Coronation ceremony regalia at the time of the coronation of King George V 1910 (print)

Danish astronomer Tycho Brahe (1546-1601) during a sword duel with his cousin in which his opponent chooses his nose, Rostock, 1566 - (Danish astronomer Tycho Brahe in a duel with his cousin who cut his nose, 1566) Engraving from “” Les sciences'-populaires” 1880 Private collection
Danish astronomer Tycho Brahe (1546-1601) during a sword duel with his cousin in which his opponent chooses his nose, Rostock, 1566 - (Danish astronomer Tycho Brahe in a duel with his cousin who cut his nose, 1566) Engraving from “” Les sciences'-populaires” 1880 Private collection

ELD4840735: Danish astronomer Tycho Brahe (1546-1601) during a sword duel with his cousin in which his opponent chooses his nose, Rostock, 1566 - (Danish astronomer Tycho Brahe in a duel with his cousin who cut his nose, 1566) Engraving from “” Les sciences'-populaires” 1880 Private collection / Bridgeman Images

ID: ELD4840735

Danish astronomer Tycho Brahe (1546-1601) during a sword duel with his cousin in which his opponent chooses his nose, Rostock, 1566 - (Danish astronomer Tycho Brahe in a duel with his cousin who cut his nose, 1566) Engraving from “” Les sciences'-populaires” 1880 Private collection

King George V, 1911 (colour litho)
King George V, 1911 (colour litho)

GBW699283: King George V, 1911 (colour litho), Fildes, Samuel Luke (1844-1927) (after) / Bridgeman Images

ID: GBW699283

King George V, 1911 (colour litho)

Fildes, Samuel Luke (1844-1927) (after)

Noah receiving the White Dove, Moses receiving the Tables of the Law, the sacrifice of Abraham, Moses and the Brazen Serpent, late 13th century (vellum)
Noah receiving the White Dove, Moses receiving the Tables of the Law, the sacrifice of Abraham, Moses and the Brazen Serpent, late 13th century (vellum)

XIR215672: Noah receiving the White Dove, Moses receiving the Tables of the Law, the sacrifice of Abraham, Moses and the Brazen Serpent, late 13th century (vellum), French School, (13th century) / Bridgeman Images

ID: XIR215672

Noah receiving the White Dove, Moses receiving the Tables of the Law, the sacrifice of Abraham, Moses and the Brazen Serpent, late 13th century (vellum)

French School, (13th century)

A Republican Meal, Messidor, Year II (June-July 1794) (watercolour & gouache on card)
A Republican Meal, Messidor, Year II (June-July 1794) (watercolour & gouache on card)

XIR183288: A Republican Meal, Messidor, Year II (June-July 1794) (watercolour & gouache on card), Lesueur Brothers, (18th century) / Bridgeman Images

ID: XIR183288

A Republican Meal, Messidor, Year II (June-July 1794) (watercolour & gouache on card)

Lesueur Brothers, (18th century)

Antoine-Marie-Philippe-Louis d'Orleans (1824-90) Duc de Montpensier, 1844 (oil on canvas)
Antoine-Marie-Philippe-Louis d'Orleans (1824-90) Duc de Montpensier, 1844 (oil on canvas)

XIR207606: Antoine-Marie-Philippe-Louis d'Orleans (1824-90) Duc de Montpensier, 1844 (oil on canvas), Winterhalter, Franz Xaver (1805-73) / Bridgeman Images

ID: XIR207606

Antoine-Marie-Philippe-Louis d'Orleans (1824-90) Duc de Montpensier, 1844 (oil on canvas)

Winterhalter, Franz Xaver (1805-73)

Joan of Arc (colour litho)
Joan of Arc (colour litho)

LLM3099038: Joan of Arc (colour litho), Backhouse, G. W (20th century) / Bridgeman Images

ID: LLM3099038

Joan of Arc (colour litho)

Backhouse, G. W (20th century)

Into Battle: They Fought for England's Crown. The Battle of Bosworth
Into Battle: They Fought for England's Crown. The Battle of Bosworth

LAL302269: Into Battle: They Fought for England's Crown. The Battle of Bosworth, Embleton, Ron (1930-88) / Bridgeman Images

ID: LAL302269

Into Battle: They Fought for England's Crown. The Battle of Bosworth

Embleton, Ron (1930-88)

Soldiers of the 10th Light Dragoons, 1793 (oil on canvas)
Soldiers of the 10th Light Dragoons, 1793 (oil on canvas)

ROC452100: Soldiers of the 10th Light Dragoons, 1793 (oil on canvas), Stubbs, George (1724-1806) / Bridgeman Images

ID: ROC452100

Soldiers of the 10th Light Dragoons, 1793 (oil on canvas)

Stubbs, George (1724-1806)

Jack of Crackers- illustration to Lewis Carroll 's 'Alice's Adventures in Wonderland' (1865), September 2005
Jack of Crackers- illustration to Lewis Carroll 's 'Alice's Adventures in Wonderland' (1865), September 2005

OSN3927287: Jack of Crackers- illustration to Lewis Carroll 's 'Alice's Adventures in Wonderland' (1865), September 2005, Osborne, Neale / Bridgeman Images

ID: OSN3927287

Jack of Crackers- illustration to Lewis Carroll 's 'Alice's Adventures in Wonderland' (1865), September 2005

Osborne, Neale

French gentleman in ceremonial dress, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17e et 18e ecles” by Georges Duplessis (1834-1899), edition 1867
French gentleman in ceremonial dress, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17e et 18e ecles” by Georges Duplessis (1834-1899), edition 1867

FLO4616781: French gentleman in ceremonial dress, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17e et 18e ecles” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO4616781

French gentleman in ceremonial dress, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17e et 18e ecles” by Georges Duplessis (1834-1899), edition 1867

Lechevallier-Chevignard, Edmond (1825-1902)

Gilbert Motier (1757-1834) Marquis de la Fayette, 1788 (oil on canvas)
Gilbert Motier (1757-1834) Marquis de la Fayette, 1788 (oil on canvas)

XIR156889: Gilbert Motier (1757-1834) Marquis de la Fayette, 1788 (oil on canvas), Boilly, Louis Leopold (1761-1845) / Bridgeman Images

ID: XIR156889

Gilbert Motier (1757-1834) Marquis de la Fayette, 1788 (oil on canvas)

Boilly, Louis Leopold (1761-1845)

Surrender of emir Abd-el-Kader to France, 1847 (engraving)
Surrender of emir Abd-el-Kader to France, 1847 (engraving)

PVD1685158: Surrender of emir Abd-el-Kader to France, 1847 (engraving) / Bridgeman Images

ID: PVD1685158

Surrender of emir Abd-el-Kader to France, 1847 (engraving)

Knight Templar in combat uniform, 12th century. He wears a steel helm, white tunic and stockings, carries a sword and buckler. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Knight Templar in combat uniform, 12th century. He wears a steel helm, white tunic and stockings, carries a sword and buckler. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674226: Knight Templar in combat uniform, 12th century. He wears a steel helm, white tunic and stockings, carries a sword and buckler. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4674226

Knight Templar in combat uniform, 12th century. He wears a steel helm, white tunic and stockings, carries a sword and buckler. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Achilles Defeating Hector, 1630-32 (oil on panel)
Achilles Defeating Hector, 1630-32 (oil on panel)

XIR175918: Achilles Defeating Hector, 1630-32 (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: XIR175918

Achilles Defeating Hector, 1630-32 (oil on panel)

Rubens, Peter Paul (1577-1640)

The Battle of Agnadello, 14th May, 1509, detail from the Tomb of Louis XII (1462-1515) and Anne of Brittany (1496-1533) 1515 (marble)
The Battle of Agnadello, 14th May, 1509, detail from the Tomb of Louis XII (1462-1515) and Anne of Brittany (1496-1533) 1515 (marble)

XIR187735: The Battle of Agnadello, 14th May, 1509, detail from the Tomb of Louis XII (1462-1515) and Anne of Brittany (1496-1533) 1515 (marble), Juste, Jean I (1485-1549) & Antoine (1479-1519) / Bridgeman Images

ID: XIR187735

The Battle of Agnadello, 14th May, 1509, detail from the Tomb of Louis XII (1462-1515) and Anne of Brittany (1496-1533) 1515 (marble)

Juste, Jean I (1485-1549) & Antoine (1479-1519)

Thomas Brown, valiant English soldier at Dettingen who recaptured the regimental standard despite receiving eight sword cuts and two musketballs. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Thomas Brown, valiant English soldier at Dettingen who recaptured the regimental standard despite receiving eight sword cuts and two musketballs. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4601856: Thomas Brown, valiant English soldier at Dettingen who recaptured the regimental standard despite receiving eight sword cuts and two musketballs. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

ID: FLO4601856

Thomas Brown, valiant English soldier at Dettingen who recaptured the regimental standard despite receiving eight sword cuts and two musketballs. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

The Entry of Napoleon (1769-1821) and Marie-Louise (1791-1847) into the Tuileries Gardens on the Day of their Wedding, 2nd April 1810, detail of the carriage, 1810 (oil on canvas) (see also 155379 & 335481)
The Entry of Napoleon (1769-1821) and Marie-Louise (1791-1847) into the Tuileries Gardens on the Day of their Wedding, 2nd April 1810, detail of the carriage, 1810 (oil on canvas) (see also 155379 & 335481)

XIR19847: The Entry of Napoleon (1769-1821) and Marie-Louise (1791-1847) into the Tuileries Gardens on the Day of their Wedding, 2nd April 1810, detail of the carriage, 1810 (oil on canvas) (see also 155379 & 335481), Garnier, Etienne-Barthelemy (1759-1849) / Bridgeman Images

ID: XIR19847

The Entry of Napoleon (1769-1821) and Marie-Louise (1791-1847) into the Tuileries Gardens on the Day of their Wedding, 2nd April 1810, detail of the carriage, 1810 (oil on canvas) (see also 155379 & 335481)

Garnier, Etienne-Barthelemy (1759-1849)

Portrait of an Officer of the Cisalpine Republic, 1801 (oil on canvas)
Portrait of an Officer of the Cisalpine Republic, 1801 (oil on canvas)

XIR182628: Portrait of an Officer of the Cisalpine Republic, 1801 (oil on canvas), Gauffier, Louis (1761-1801) / Bridgeman Images

ID: XIR182628

Portrait of an Officer of the Cisalpine Republic, 1801 (oil on canvas)

Gauffier, Louis (1761-1801)

Revelation, Brunnhilde (Brunehilde, Brynhildr) Decouvrant Siegmund and Sieglinde, 1893 (oil on canvas)
Revelation, Brunnhilde (Brunehilde, Brynhildr) Decouvrant Siegmund and Sieglinde, 1893 (oil on canvas)

FIA5401935: Revelation, Brunnhilde (Brunehilde, Brynhildr) Decouvrant Siegmund and Sieglinde, 1893 (oil on canvas), Bussiere, Gaston (1862-1929) / Bridgeman Images

ID: FIA5401935

Revelation, Brunnhilde (Brunehilde, Brynhildr) Decouvrant Siegmund and Sieglinde, 1893 (oil on canvas)

Bussiere, Gaston (1862-1929)

Sir Lancelot fighting the Lions, 1344 (vellum)
Sir Lancelot fighting the Lions, 1344 (vellum)

PFH3431903: Sir Lancelot fighting the Lions, 1344 (vellum), Belgian School, (14th century) / Bridgeman Images

ID: PFH3431903

Sir Lancelot fighting the Lions, 1344 (vellum)

Belgian School, (14th century)

Harold and Count Guy of Ponthieu talking together at Beaurain, Bayeux Tapestry (wool embroidery on linen)
Harold and Count Guy of Ponthieu talking together at Beaurain, Bayeux Tapestry (wool embroidery on linen)

XIR183102: Harold and Count Guy of Ponthieu talking together at Beaurain, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: XIR183102

Harold and Count Guy of Ponthieu talking together at Beaurain, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

'O Sister Anne, do you nothing see?', illustration for 'Bluebeard' by Charles Perrault (1628-1703) (colour engraving)
'O Sister Anne, do you nothing see?', illustration for 'Bluebeard' by Charles Perrault (1628-1703) (colour engraving)

PER190840: 'O Sister Anne, do you nothing see?', illustration for 'Bluebeard' by Charles Perrault (1628-1703) (colour engraving), Crane, Walter (1845-1915) / Bridgeman Images

ID: PER190840

'O Sister Anne, do you nothing see?', illustration for 'Bluebeard' by Charles Perrault (1628-1703) (colour engraving)

Crane, Walter (1845-1915)

A Knight-errant - Figure of chivalric romance literature, illustration from 'Romance and Legend of Chivalry' by A. R. Hope Moncrieff (colour litho)
A Knight-errant - Figure of chivalric romance literature, illustration from 'Romance and Legend of Chivalry' by A. R. Hope Moncrieff (colour litho)

KWE342909: A Knight-errant - Figure of chivalric romance literature, illustration from 'Romance and Legend of Chivalry' by A. R. Hope Moncrieff (colour litho), Millais, John Everett (1826-96) (after) / Bridgeman Images

ID: KWE342909

A Knight-errant - Figure of chivalric romance literature, illustration from 'Romance and Legend of Chivalry' by A. R. Hope Moncrieff (colour litho)

Millais, John Everett (1826-96) (after)

English sword, c. 1580, with very rare flat pommel and swept S-Hilt, inlaid with silver. On the pommel and extremities of the hilt are inlaid medallions of silver representing St. George and the Dragon, from The British Army: Its Origins, Progress and Equipment, published 1868.
English sword, c. 1580, with very rare flat pommel and swept S-Hilt, inlaid with silver. On the pommel and extremities of the hilt are inlaid medallions of silver representing St. George and the Dragon, from The British Army: Its Origins, Progress and Equipment, published 1868.

KWE619307: English sword, c. 1580, with very rare flat pommel and swept S-Hilt, inlaid with silver. On the pommel and extremities of the hilt are inlaid medallions of silver representing St. George and the Dragon, from The British Army: Its Origins, Progress and Equipment, published 1868., English School, (19th century) / Bridgeman Images

ID: KWE619307

English sword, c. 1580, with very rare flat pommel and swept S-Hilt, inlaid with silver. On the pommel and extremities of the hilt are inlaid medallions of silver representing St. George and the Dragon, from The British Army: Its Origins, Progress and Equipment, published 1868.

English School, (19th century)

Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”
Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”

PCT4277675: Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”, Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4277675

Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”

Dore, Gustave (1832-83)


Back to top