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Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”
Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”

PCT4277675: Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”, Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4277675

Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”

Dore, Gustave (1832-83)

Siege of Yorktown, 17th October 1781, 1836 (oil on canvas)
Siege of Yorktown, 17th October 1781, 1836 (oil on canvas)

XIR13015: Siege of Yorktown, 17th October 1781, 1836 (oil on canvas), Couder, Louis Charles Auguste (1790-1873) / Bridgeman Images

ID: XIR13015

Siege of Yorktown, 17th October 1781, 1836 (oil on canvas)

Couder, Louis Charles Auguste (1790-1873)

Japan: The female samurai Tomoe Gozen on horseback with another rider, possibly her lover Yoshinaka. Utagawa Kuniyoshi (1797-1863), 1888
Japan: The female samurai Tomoe Gozen on horseback with another rider, possibly her lover Yoshinaka. Utagawa Kuniyoshi (1797-1863), 1888

PFH1188834: Japan: The female samurai Tomoe Gozen on horseback with another rider, possibly her lover Yoshinaka. Utagawa Kuniyoshi (1797-1863), 1888 / Bridgeman Images

ID: PFH1188834

Japan: The female samurai Tomoe Gozen on horseback with another rider, possibly her lover Yoshinaka. Utagawa Kuniyoshi (1797-1863), 1888

Habitants of the island of Oualan in the Caroline Islands archipelago; 1826 (engraving)
Habitants of the island of Oualan in the Caroline Islands archipelago; 1826 (engraving)

XIR407856: Habitants of the island of Oualan in the Caroline Islands archipelago; 1826 (engraving), French School, (19th century) / Bridgeman Images

ID: XIR407856

Habitants of the island of Oualan in the Caroline Islands archipelago; 1826 (engraving)

French School, (19th century)

Second Punic War, 1939 (chromo)
Second Punic War, 1939 (chromo)

XLF3791521: Second Punic War, 1939 (chromo), Unknown Artist, (20th century) / Bridgeman Images

ID: XLF3791521

Second Punic War, 1939 (chromo)

Unknown Artist, (20th century)

Jason Returning with the Golden Fleece, in Mantoua. Chiaroscuro Woodcut, Print Showing Jason Wearing Armor and Holding Sword in Right Hand, Returning to His Ship on the Left with Right Arm Raised and Carrying the Golden Fleece Over His Left Arm.
Jason Returning with the Golden Fleece, in Mantoua. Chiaroscuro Woodcut, Print Showing Jason Wearing Armor and Holding Sword in Right Hand, Returning to His Ship on the Left with Right Arm Raised and Carrying the Golden Fleece Over His Left Arm.

LZT1013762: Jason Returning with the Golden Fleece, in Mantoua. Chiaroscuro Woodcut, Print Showing Jason Wearing Armor and Holding Sword in Right Hand, Returning to His Ship on the Left with Right Arm Raised and Carrying the Golden Fleece Over His Left Arm., Unknown Artist, (19th century) / Bridgeman Images

ID: LZT1013762

Jason Returning with the Golden Fleece, in Mantoua. Chiaroscuro Woodcut, Print Showing Jason Wearing Armor and Holding Sword in Right Hand, Returning to His Ship on the Left with Right Arm Raised and Carrying the Golden Fleece Over His Left Arm.

Unknown Artist, (19th century)

The Jews and Money: “It's a start again” a 1789 revolutionist, standing on a barricade, pulls his sword looking at a family of Jews sitting on a throne laying on bags of money, in front of a miserable crowd - Caricature antisemite for the cover of the Libre Parole, October 1893
The Jews and Money: “It's a start again” a 1789 revolutionist, standing on a barricade, pulls his sword looking at a family of Jews sitting on a throne laying on bags of money, in front of a miserable crowd - Caricature antisemite for the cover of the Libre Parole, October 1893

LSE4088263: The Jews and Money: “It's a start again” a 1789 revolutionist, standing on a barricade, pulls his sword looking at a family of Jews sitting on a throne laying on bags of money, in front of a miserable crowd - Caricature antisemite for the cover of the Libre Parole, October 1893, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4088263

The Jews and Money: “It's a start again” a 1789 revolutionist, standing on a barricade, pulls his sword looking at a family of Jews sitting on a throne laying on bags of money, in front of a miserable crowd - Caricature antisemite for the cover of the Libre Parole, October 1893

Unknown Artist, (19th century)

Thomas Egerton, 2nd Earl of Wilton, after 1845 (oil on canvas)
Thomas Egerton, 2nd Earl of Wilton, after 1845 (oil on canvas)

BYD3870601: Thomas Egerton, 2nd Earl of Wilton, after 1845 (oil on canvas), Angeli, Heinrich von (1840-1925) / Bridgeman Images

ID: BYD3870601

Thomas Egerton, 2nd Earl of Wilton, after 1845 (oil on canvas)

Angeli, Heinrich von (1840-1925)

Paris Kills Achilles or Paride diretto da Apollo Ferince Achille, Book XIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Paris Kills Achilles or Paride diretto da Apollo Ferince Achille, Book XIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415877: Paris Kills Achilles or Paride diretto da Apollo Ferince Achille, Book XIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

ID: STC415877

Paris Kills Achilles or Paride diretto da Apollo Ferince Achille, Book XIII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

Ademollo, Luigi (1764-1849)

Not only is France pacifist but determined to be respected' 1913 (lithograph)
Not only is France pacifist but determined to be respected' 1913 (lithograph)

XIR414767: Not only is France pacifist but determined to be respected' 1913 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR414767

Not only is France pacifist but determined to be respected' 1913 (lithograph)

French School, (20th century)

Pala Dei, 1522 (oil on wood)
Pala Dei, 1522 (oil on wood)

MEP2627473: Pala Dei, 1522 (oil on wood), Rosso Fiorentino, Giovanni Battista (1494-1540) / Bridgeman Images

ID: MEP2627473

Pala Dei, 1522 (oil on wood)

Rosso Fiorentino, Giovanni Battista (1494-1540)

Glaieul has yellow flowers in epis and sword-shaped leaves. Yellow flowered, square-leaved cornflag. Gladiolus tristis. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.
Glaieul has yellow flowers in epis and sword-shaped leaves. Yellow flowered, square-leaved cornflag. Gladiolus tristis. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.

FLO4578186: Glaieul has yellow flowers in epis and sword-shaped leaves. Yellow flowered, square-leaved cornflag. Gladiolus tristis. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4578186

Glaieul has yellow flowers in epis and sword-shaped leaves. Yellow flowered, square-leaved cornflag. Gladiolus tristis. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.

Edwards, Sydenham Teast (c.1768-1819)

Branches of knowledge represented by Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508)
Branches of knowledge represented by Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508)

LRI4567953: Branches of knowledge represented by Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508), Unknown Artist, (16th century) / Bridgeman Images

ID: LRI4567953

Branches of knowledge represented by Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508)

Unknown Artist, (16th century)

Top: St. Jacob as a Pilgrim and St. Matthew Holding a Book and a Sword; Bottom: St. Lawrence Holding a Grid Iron and St. Sebastian Holding a Bow and Arrow, reverse of a panel from an altarpiece depicting scenes from the Passion and Saints, 1490 (oil on panel) (see also 144537-9)
Top: St. Jacob as a Pilgrim and St. Matthew Holding a Book and a Sword; Bottom: St. Lawrence Holding a Grid Iron and St. Sebastian Holding a Bow and Arrow, reverse of a panel from an altarpiece depicting scenes from the Passion and Saints, 1490 (oil on panel) (see also 144537-9)

XKH144540: Top: St. Jacob as a Pilgrim and St. Matthew Holding a Book and a Sword; Bottom: St. Lawrence Holding a Grid Iron and St. Sebastian Holding a Bow and Arrow, reverse of a panel from an altarpiece depicting scenes from the Passion and Saints, 1490 (oil on panel) (see also 144537-9), Master of the Luneburg Footwashers (15th century) / Bridgeman Images

ID: XKH144540

Top: St. Jacob as a Pilgrim and St. Matthew Holding a Book and a Sword; Bottom: St. Lawrence Holding a Grid Iron and St. Sebastian Holding a Bow and Arrow, reverse of a panel from an altarpiece depicting scenes from the Passion and Saints, 1490 (oil on panel) (see also 144537-9)

Master of the Luneburg Footwashers (15th century)

Cheating at Cards (w/c with pen & ink on paper)
Cheating at Cards (w/c with pen & ink on paper)

XYC281122: Cheating at Cards (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC281122

Cheating at Cards (w/c with pen & ink on paper)

Rowlandson, Thomas (1756-1827)

Portrait of Louis-Auguste Blanqui (1805-81) (oil on canvas transferred to board)
Portrait of Louis-Auguste Blanqui (1805-81) (oil on canvas transferred to board)

XIR170401: Portrait of Louis-Auguste Blanqui (1805-81) (oil on canvas transferred to board), Wiertz, Antoine Joseph (1806-65) / Bridgeman Images

ID: XIR170401

Portrait of Louis-Auguste Blanqui (1805-81) (oil on canvas transferred to board)

Wiertz, Antoine Joseph (1806-65)

St George and the Dragon (w/c on paper)
St George and the Dragon (w/c on paper)

HMG392118: St George and the Dragon (w/c on paper), Nash, John Northcote (1893-1977) / Bridgeman Images

ID: HMG392118

St George and the Dragon (w/c on paper)

Nash, John Northcote (1893-1977)

Frederick William I, King of Prussia in his Regalia,
Frederick William I, King of Prussia in his Regalia,

XPH312429: Frederick William I, King of Prussia in his Regalia,, Menzel, Adolph Friedrich Erdmann von (1815-1905) / Bridgeman Images

ID: XPH312429

Frederick William I, King of Prussia in his Regalia,

Menzel, Adolph Friedrich Erdmann von (1815-1905)

Britain: Satirical drawing depicting 'small' Japan's 1894-5 victory over 'large' China by the magazine Punch, 28 September 1894
Britain: Satirical drawing depicting 'small' Japan's 1894-5 victory over 'large' China by the magazine Punch, 28 September 1894

PFH3432026: Britain: Satirical drawing depicting 'small' Japan's 1894-5 victory over 'large' China by the magazine Punch, 28 September 1894 / Bridgeman Images

ID: PFH3432026

Britain: Satirical drawing depicting 'small' Japan's 1894-5 victory over 'large' China by the magazine Punch, 28 September 1894

Napoleon and his Escort, (oil on canvas)
Napoleon and his Escort, (oil on canvas)

CH827129: Napoleon and his Escort, (oil on canvas), Chelminski, Jan van (1851-1925) / Bridgeman Images

ID: CH827129

Napoleon and his Escort, (oil on canvas)

Chelminski, Jan van (1851-1925)

Portrait of a Knight of the Order of Santiago, 1542 (oil on canvas)
Portrait of a Knight of the Order of Santiago, 1542 (oil on canvas)

XIR336954: Portrait of a Knight of the Order of Santiago, 1542 (oil on canvas), Titian (Tiziano Vecellio) (c.1488-1576) / Bridgeman Images

ID: XIR336954

Portrait of a Knight of the Order of Santiago, 1542 (oil on canvas)

Titian (Tiziano Vecellio) (c.1488-1576)

Jacques de Molay, last Grand Master of the Knights Templar, 14th Century (coloured engraving)
Jacques de Molay, last Grand Master of the Knights Templar, 14th Century (coloured engraving)

LLM977745: Jacques de Molay, last Grand Master of the Knights Templar, 14th Century (coloured engraving), French School, (19th century) / Bridgeman Images

ID: LLM977745

Jacques de Molay, last Grand Master of the Knights Templar, 14th Century (coloured engraving)

French School, (19th century)

Saints Peter and Paul, 1923 (pencil & watercolour)
Saints Peter and Paul, 1923 (pencil & watercolour)

WFA3619812: Saints Peter and Paul, 1923 (pencil & watercolour), Jones, David Michael (1895-1974) / Bridgeman Images

ID: WFA3619812

Saints Peter and Paul, 1923 (pencil & watercolour)

Jones, David Michael (1895-1974)

The Crowned Virgin, A vision of John, Holy Bible (engraving)
The Crowned Virgin, A vision of John, Holy Bible (engraving)

TRK3514578: The Crowned Virgin, A vision of John, Holy Bible (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: TRK3514578

The Crowned Virgin, A vision of John, Holy Bible (engraving)

Dore, Gustave (1832-83)

Last duel in France, 1903 (print)
Last duel in France, 1903 (print)

CCI7143410: Last duel in France, 1903 (print), French School, (20th century) / Bridgeman Images

ID: CCI7143410

Last duel in France, 1903 (print)

French School, (20th century)

Indian ceremony of a tribe from the south east, involving a ritual of fire, circa 1500. In the centre of a tent village, the sorcerer poured liquid on flames, under the watchful eyes of the warriors of his community. Lithography, 19th century.
Indian ceremony of a tribe from the south east, involving a ritual of fire, circa 1500. In the centre of a tent village, the sorcerer poured liquid on flames, under the watchful eyes of the warriors of his community. Lithography, 19th century.

NWI4894135: Indian ceremony of a tribe from the south east, involving a ritual of fire, circa 1500. In the centre of a tent village, the sorcerer poured liquid on flames, under the watchful eyes of the warriors of his community. Lithography, 19th century. / Bridgeman Images

ID: NWI4894135

Indian ceremony of a tribe from the south east, involving a ritual of fire, circa 1500. In the centre of a tent village, the sorcerer poured liquid on flames, under the watchful eyes of the warriors of his community. Lithography, 19th century.

German Ecuyer et ses compagnons, armes de muskets - German country squire and his companions armed with muskets.
German Ecuyer et ses compagnons, armes de muskets - German country squire and his companions armed with muskets.

NWI4956658: German Ecuyer et ses compagnons, armes de muskets - German country squire and his companions armed with muskets. / Bridgeman Images

ID: NWI4956658

German Ecuyer et ses compagnons, armes de muskets - German country squire and his companions armed with muskets.

Robert Surcouf attacks English ship
Robert Surcouf attacks English ship

JLJ4639107: Robert Surcouf attacks English ship "Queen Mary" with his ship "La Coquette" (Engraving), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4639107

Robert Surcouf attacks English ship "Queen Mary" with his ship "La Coquette" (Engraving)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Le general comte Mikhail Miloradovich (Miloradovitch), 1987 (oil on canvas)
Le general comte Mikhail Miloradovich (Miloradovitch), 1987 (oil on canvas)

FIA5374895: Le general comte Mikhail Miloradovich (Miloradovitch), 1987 (oil on canvas), Danilov, S.V. (20th century) / Bridgeman Images

ID: FIA5374895

Le general comte Mikhail Miloradovich (Miloradovitch), 1987 (oil on canvas)

Danilov, S.V. (20th century)

Illuminated
Illuminated

AFF5615731: Illuminated "O" from the 1518 Basel third edition of 'Utopia' by Sir Thomas More (1478-1535) first published in 1516. Woodcut by Hans Holbein the Younger (c.1497-1543) showing putti fighting., Holbein the Younger, Hans (1497/8-1543) / Bridgeman Images

ID: AFF5615731

Illuminated "O" from the 1518 Basel third edition of 'Utopia' by Sir Thomas More (1478-1535) first published in 1516. Woodcut by Hans Holbein the Younger (c.1497-1543) showing putti fighting.

Holbein the Younger, Hans (1497/8-1543)

Military costumes - German infantry of the 16th century (engraving)
Military costumes - German infantry of the 16th century (engraving)

LLM957913: Military costumes - German infantry of the 16th century (engraving), Jacquemin, Raphael (1821-81) / Bridgeman Images

ID: LLM957913

Military costumes - German infantry of the 16th century (engraving)

Jacquemin, Raphael (1821-81)

The First Kiss this Ten Years! Or the meeting of Britannia & Citizen Francois, pub. 1803 (hand coloured engraving)
The First Kiss this Ten Years! Or the meeting of Britannia & Citizen Francois, pub. 1803 (hand coloured engraving)

STC2490889: The First Kiss this Ten Years! Or the meeting of Britannia & Citizen Francois, pub. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC2490889

The First Kiss this Ten Years! Or the meeting of Britannia & Citizen Francois, pub. 1803 (hand coloured engraving)

Gillray, James (1757-1815)

Indonesia / Netherlands: Dutch patrol in Aceh, 1880 (engraving)
Indonesia / Netherlands: Dutch patrol in Aceh, 1880 (engraving)

PFH1774463: Indonesia / Netherlands: Dutch patrol in Aceh, 1880 (engraving) / Bridgeman Images

ID: PFH1774463

Indonesia / Netherlands: Dutch patrol in Aceh, 1880 (engraving)

Harlequin, 1941 (tempera on panel)
Harlequin, 1941 (tempera on panel)

JGB327483: Harlequin, 1941 (tempera on panel), Armstrong, John (1893-1973) / Bridgeman Images

ID: JGB327483

Harlequin, 1941 (tempera on panel)

Armstrong, John (1893-1973)

Portrait of King Phra Buddha Lertla Napalai (oil on canvas)
Portrait of King Phra Buddha Lertla Napalai (oil on canvas)

LIT389111: Portrait of King Phra Buddha Lertla Napalai (oil on canvas), Thai School / Bridgeman Images

ID: LIT389111

Portrait of King Phra Buddha Lertla Napalai (oil on canvas)

Thai School

Mr C. Kean as Gloster, Act I Scene 1, in Richard III, by William Shakespeare (1564-1616) (engraving)
Mr C. Kean as Gloster, Act I Scene 1, in Richard III, by William Shakespeare (1564-1616) (engraving)

STC134779: Mr C. Kean as Gloster, Act I Scene 1, in Richard III, by William Shakespeare (1564-1616) (engraving), Reid, Alexander (1747-1823) (after) / Bridgeman Images

ID: STC134779

Mr C. Kean as Gloster, Act I Scene 1, in Richard III, by William Shakespeare (1564-1616) (engraving)

Reid, Alexander (1747-1823) (after)


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