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13737 Search Results for sword

Knight of the short-lived Order of the Knot, an order of chivalry founded in 1352 by Louis of Taranto, King of Naples - He wears a brown tabard, steel helm, suit of armour, gauntlets and spurs - The helm edges of the shield are decorated with knots - From a sepulchral stone in the church of Saint Catherine, Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Knight of the short-lived Order of the Knot, an order of chivalry founded in 1352 by Louis of Taranto, King of Naples - He wears a brown tabard, steel helm, suit of armour, gauntlets and spurs - The helm edges of the shield are decorated with knots - From a sepulchral stone in the church of Saint Catherine, Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4675970: Knight of the short-lived Order of the Knot, an order of chivalry founded in 1352 by Louis of Taranto, King of Naples - He wears a brown tabard, steel helm, suit of armour, gauntlets and spurs - The helm edges of the shield are decorated with knots - From a sepulchral stone in the church of Saint Catherine, Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4675970

Knight of the short-lived Order of the Knot, an order of chivalry founded in 1352 by Louis of Taranto, King of Naples - He wears a brown tabard, steel helm, suit of armour, gauntlets and spurs - The helm edges of the shield are decorated with knots - From a sepulchral stone in the church of Saint Catherine, Pisa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Alberto I Canfrancesco della Scala (1291-1329), war name Cangrande della Scala, lord of Verona and mecene of Dante Alighieri (1265-1321) - Cangrande della Scala, lord of Verona, 14th center- He wears a blue cap, pink cape with hanging sleeves lined with fur, belted scarlet robe, gauntlets and holds a blue two-handed sword in scabbard - From his sarcophagus in the church of Santa Maria Antica, Verona - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Alberto I Canfrancesco della Scala (1291-1329), war name Cangrande della Scala, lord of Verona and mecene of Dante Alighieri (1265-1321) - Cangrande della Scala, lord of Verona, 14th center- He wears a blue cap, pink cape with hanging sleeves lined with fur, belted scarlet robe, gauntlets and holds a blue two-handed sword in scabbard - From his sarcophagus in the church of Santa Maria Antica, Verona - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676799: Alberto I Canfrancesco della Scala (1291-1329), war name Cangrande della Scala, lord of Verona and mecene of Dante Alighieri (1265-1321) - Cangrande della Scala, lord of Verona, 14th center- He wears a blue cap, pink cape with hanging sleeves lined with fur, belted scarlet robe, gauntlets and holds a blue two-handed sword in scabbard - From his sarcophagus in the church of Santa Maria Antica, Verona - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676799

Alberto I Canfrancesco della Scala (1291-1329), war name Cangrande della Scala, lord of Verona and mecene of Dante Alighieri (1265-1321) - Cangrande della Scala, lord of Verona, 14th center- He wears a blue cap, pink cape with hanging sleeves lined with fur, belted scarlet robe, gauntlets and holds a blue two-handed sword in scabbard - From his sarcophagus in the church of Santa Maria Antica, Verona - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Mercuri, Paolo (1804-84)

Lewis Waller, 1904 (print)
Lewis Waller, 1904 (print)

XLG3919296: Lewis Waller, 1904 (print), Price, Julius Mandes (1857-1924) / Bridgeman Images

ID: XLG3919296

Lewis Waller, 1904 (print)

Price, Julius Mandes (1857-1924)

Saint Bernardino of Siena appearing at night in the bed of Giovanni Antonio Tornano and heals him, 1473 (tempera on panel)
Saint Bernardino of Siena appearing at night in the bed of Giovanni Antonio Tornano and heals him, 1473 (tempera on panel)

GNU6350004: Saint Bernardino of Siena appearing at night in the bed of Giovanni Antonio Tornano and heals him, 1473 (tempera on panel), Apollonio del Celandro, Sante di (d.1486) / Bridgeman Images

ID: GNU6350004

Saint Bernardino of Siena appearing at night in the bed of Giovanni Antonio Tornano and heals him, 1473 (tempera on panel)

Apollonio del Celandro, Sante di (d.1486)

Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705483: Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705483

Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

English standard-bearer in baggy long breeches 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
English standard-bearer in baggy long breeches 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705635: English standard-bearer in baggy long breeches 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705635

English standard-bearer in baggy long breeches 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Crossbowman taking aim, detail of 'Hunt in Honour of Charles V near Hartenfels Castle, Torgau', 1544 (oil on panel)
Crossbowman taking aim, detail of 'Hunt in Honour of Charles V near Hartenfels Castle, Torgau', 1544 (oil on panel)

XIR488632: Crossbowman taking aim, detail of 'Hunt in Honour of Charles V near Hartenfels Castle, Torgau', 1544 (oil on panel), Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

ID: XIR488632

Crossbowman taking aim, detail of 'Hunt in Honour of Charles V near Hartenfels Castle, Torgau', 1544 (oil on panel)

Cranach, Lucas the Elder (1472-1553)

Tale of a Bearded Giant, c.1900 (colour slide)
Tale of a Bearded Giant, c.1900 (colour slide)

TEP445653: Tale of a Bearded Giant, c.1900 (colour slide) / Bridgeman Images

ID: TEP445653

Tale of a Bearded Giant, c.1900 (colour slide)

Il corsaro nero by Sergio Sollima, 1976
Il corsaro nero by Sergio Sollima, 1976

MEP2824789: Il corsaro nero by Sergio Sollima, 1976 / Bridgeman Images

ID: MEP2824789

Il corsaro nero by Sergio Sollima, 1976

Shah Abbas I 'The Great' fighting against the Turks (fresco)
Shah Abbas I 'The Great' fighting against the Turks (fresco)

TRK1109387: Shah Abbas I 'The Great' fighting against the Turks (fresco), Persian School, (17th century) / Bridgeman Images

ID: TRK1109387

Shah Abbas I 'The Great' fighting against the Turks (fresco)

Persian School, (17th century)

Leopold I (1790-1865) c.1846 (oil on canvas)
Leopold I (1790-1865) c.1846 (oil on canvas)

XIR182647: Leopold I (1790-1865) c.1846 (oil on canvas), Winterhalter, Franz Xaver (1806-73) (after) / Bridgeman Images

ID: XIR182647

Leopold I (1790-1865) c.1846 (oil on canvas)

Winterhalter, Franz Xaver (1806-73) (after)

Edward, Duke of Kent, 1819 (w/c on ivory)
Edward, Duke of Kent, 1819 (w/c on ivory)

ROC862738: Edward, Duke of Kent, 1819 (w/c on ivory), English School, (19th century) / Bridgeman Images

ID: ROC862738

Edward, Duke of Kent, 1819 (w/c on ivory)

English School, (19th century)

Peter Pan -
Peter Pan -

XLA3748248: Peter Pan -, Woodward, Alice Bolingbroke (1862-1951) / Bridgeman Images

ID: XLA3748248

Peter Pan -

Woodward, Alice Bolingbroke (1862-1951)

The Resurrection, (oil on canvas)
The Resurrection, (oil on canvas)

CH827926: The Resurrection, (oil on canvas), Loo, Carle van (1705-65) / Bridgeman Images

ID: CH827926

The Resurrection, (oil on canvas)

Loo, Carle van (1705-65)

Jean Baptiste Faure (1840-1914) in the Opera 'Hamlet' by Ambroise Thomas (1811-86) (Study), 1877 (oil on canvas)
Jean Baptiste Faure (1840-1914) in the Opera 'Hamlet' by Ambroise Thomas (1811-86) (Study), 1877 (oil on canvas)

XKH155135: Jean Baptiste Faure (1840-1914) in the Opera 'Hamlet' by Ambroise Thomas (1811-86) (Study), 1877 (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

ID: XKH155135

Jean Baptiste Faure (1840-1914) in the Opera 'Hamlet' by Ambroise Thomas (1811-86) (Study), 1877 (oil on canvas)

Manet, Edouard (1832-83)

Dress of the Britons, Gauls and Germans, from 'Trachten der Voelker', 1864 (colour litho)
Dress of the Britons, Gauls and Germans, from 'Trachten der Voelker', 1864 (colour litho)

BAL246079: Dress of the Britons, Gauls and Germans, from 'Trachten der Voelker', 1864 (colour litho), Kretschmer, Albert (1825-91) / Bridgeman Images

ID: BAL246079

Dress of the Britons, Gauls and Germans, from 'Trachten der Voelker', 1864 (colour litho)

Kretschmer, Albert (1825-91)

Marquis Ambrogio Spinola, c.1630 (oil on canvas)
Marquis Ambrogio Spinola, c.1630 (oil on canvas)

STM620769: Marquis Ambrogio Spinola, c.1630 (oil on canvas), Rubens, Peter Paul (1577-1640) (studio of) / Bridgeman Images

ID: STM620769

Marquis Ambrogio Spinola, c.1630 (oil on canvas)

Rubens, Peter Paul (1577-1640) (studio of)

Turkey: A levha or panel honouring Imam 'Ali ibn Abi Talib I(r. 656-661 CE) and his celebrated bifurcated sword Dhu'l-fiqar (Zulfiqar), 'The Cleaver of Vertebrae'. Calligraphy attributed to Farid al-Din, early 19th century
Turkey: A levha or panel honouring Imam 'Ali ibn Abi Talib I(r. 656-661 CE) and his celebrated bifurcated sword Dhu'l-fiqar (Zulfiqar), 'The Cleaver of Vertebrae'. Calligraphy attributed to Farid al-Din, early 19th century

PFH1774311: Turkey: A levha or panel honouring Imam 'Ali ibn Abi Talib I(r. 656-661 CE) and his celebrated bifurcated sword Dhu'l-fiqar (Zulfiqar), 'The Cleaver of Vertebrae'. Calligraphy attributed to Farid al-Din, early 19th century / Bridgeman Images

ID: PFH1774311

Turkey: A levha or panel honouring Imam 'Ali ibn Abi Talib I(r. 656-661 CE) and his celebrated bifurcated sword Dhu'l-fiqar (Zulfiqar), 'The Cleaver of Vertebrae'. Calligraphy attributed to Farid al-Din, early 19th century

Sword-leaved helleborine, Cephalanthera longifolia (Narrow-leaved helleborine, Serapias ensifolia) (epipactis a broad leaf) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Sword-leaved helleborine, Cephalanthera longifolia (Narrow-leaved helleborine, Serapias ensifolia) (epipactis a broad leaf) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618316: Sword-leaved helleborine, Cephalanthera longifolia (Narrow-leaved helleborine, Serapias ensifolia) (epipactis a broad leaf) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4618316

Sword-leaved helleborine, Cephalanthera longifolia (Narrow-leaved helleborine, Serapias ensifolia) (epipactis a broad leaf) Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Return from prime parade to low-carte thrust, Plain cut over the point from carte in tierce, Pass on the sword in carte. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Return from prime parade to low-carte thrust, Plain cut over the point from carte in tierce, Pass on the sword in carte. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611771: Return from prime parade to low-carte thrust, Plain cut over the point from carte in tierce, Pass on the sword in carte. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

ID: FLO4611771

Return from prime parade to low-carte thrust, Plain cut over the point from carte in tierce, Pass on the sword in carte. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

A frightened woman observes a scene of combat with the sword between riders, cover illustration for the novel “Les etranges noces de Rouletabille, 1st part: l'incomprehensible fiancee” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection.
A frightened woman observes a scene of combat with the sword between riders, cover illustration for the novel “Les etranges noces de Rouletabille, 1st part: l'incomprehensible fiancee” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection.

LSE4326489: A frightened woman observes a scene of combat with the sword between riders, cover illustration for the novel “Les etranges noces de Rouletabille, 1st part: l'incomprehensible fiancee” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4326489

A frightened woman observes a scene of combat with the sword between riders, cover illustration for the novel “Les etranges noces de Rouletabille, 1st part: l'incomprehensible fiancee” by Gaston Leroux (1868-1927), edition Pierre Lafitte, Paris, 1922. Selva Collection.

Unknown Artist, (20th century)

Bishop Odo Urges on the Young Soldiers, Bayeux Tapestry (wool embroidery on linen)
Bishop Odo Urges on the Young Soldiers, Bayeux Tapestry (wool embroidery on linen)

XIR154190: Bishop Odo Urges on the Young Soldiers, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: XIR154190

Bishop Odo Urges on the Young Soldiers, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

The Last Judgement, detail of a Woman being Carried Along by a Demon, c.1504 (oil on panel)
The Last Judgement, detail of a Woman being Carried Along by a Demon, c.1504 (oil on panel)

XIR158134: The Last Judgement, detail of a Woman being Carried Along by a Demon, c.1504 (oil on panel), Bosch, Hieronymus (c.1450-1516) / Bridgeman Images

ID: XIR158134

The Last Judgement, detail of a Woman being Carried Along by a Demon, c.1504 (oil on panel)

Bosch, Hieronymus (c.1450-1516)

The Tragedian Actor (Rouviere as Hamlet), 1866 (oil on canvas)
The Tragedian Actor (Rouviere as Hamlet), 1866 (oil on canvas)

XOS741873: The Tragedian Actor (Rouviere as Hamlet), 1866 (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

ID: XOS741873

The Tragedian Actor (Rouviere as Hamlet), 1866 (oil on canvas)

Manet, Edouard (1832-83)

St. George and the Dragon, scene from the predella panel of the 'Madonna della Rondine' altarpiece, after 1490 (egg and oil on poplar)
St. George and the Dragon, scene from the predella panel of the 'Madonna della Rondine' altarpiece, after 1490 (egg and oil on poplar)

BAL10478: St. George and the Dragon, scene from the predella panel of the 'Madonna della Rondine' altarpiece, after 1490 (egg and oil on poplar), Crivelli, Carlo (c.1430/35-1495) / Bridgeman Images

ID: BAL10478

St. George and the Dragon, scene from the predella panel of the 'Madonna della Rondine' altarpiece, after 1490 (egg and oil on poplar)

Crivelli, Carlo (c.1430/35-1495)

Hundred Years War: Entry of the French army into Paris, April 13, 1436 (oil on canvas)
Hundred Years War: Entry of the French army into Paris, April 13, 1436 (oil on canvas)

JLJ4598396: Hundred Years War: Entry of the French army into Paris, April 13, 1436 (oil on canvas), Berthelemy, Jean-Simon (1743-1811) / Bridgeman Images

ID: JLJ4598396

Hundred Years War: Entry of the French army into Paris, April 13, 1436 (oil on canvas)

Berthelemy, Jean-Simon (1743-1811)

Grenadier Guards of the First Empire (lithograph)
Grenadier Guards of the First Empire (lithograph)

XIR214271: Grenadier Guards of the First Empire (lithograph), Rousselot, Lucien (19th century) / Bridgeman Images

ID: XIR214271

Grenadier Guards of the First Empire (lithograph)

Rousselot, Lucien (19th century)

Carabinier officer giving the order to charge (pencil & watercolour)
Carabinier officer giving the order to charge (pencil & watercolour)

CH23319: Carabinier officer giving the order to charge (pencil & watercolour), Gericault, Theodore (1791-1824) / Bridgeman Images

ID: CH23319

Carabinier officer giving the order to charge (pencil & watercolour)

Gericault, Theodore (1791-1824)

Reflections for the Mistresses, c.1787 (w/c on paper)
Reflections for the Mistresses, c.1787 (w/c on paper)

TOR138767: Reflections for the Mistresses, c.1787 (w/c on paper), Loutherbourg, Philip James (Jacques) de (1740-1812) / Bridgeman Images

ID: TOR138767

Reflections for the Mistresses, c.1787 (w/c on paper)

Loutherbourg, Philip James (Jacques) de (1740-1812)

The Wild Hunt of Odin, 1872 (oil on canvas)
The Wild Hunt of Odin, 1872 (oil on canvas)

XOS3086601: The Wild Hunt of Odin, 1872 (oil on canvas), Arbo, Peter Nicolai (1831-92) / Bridgeman Images

ID: XOS3086601

The Wild Hunt of Odin, 1872 (oil on canvas)

Arbo, Peter Nicolai (1831-92)

Richard III (1452-85) (oil on panel)
Richard III (1452-85) (oil on panel)

SOA235456: Richard III (1452-85) (oil on panel), English School, (16th century) / Bridgeman Images

ID: SOA235456

Richard III (1452-85) (oil on panel)

English School, (16th century)

Saint George and the Dragon, c.1506 (oil on panel)
Saint George and the Dragon, c.1506 (oil on panel)

XOS3058129: Saint George and the Dragon, c.1506 (oil on panel), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images

ID: XOS3058129

Saint George and the Dragon, c.1506 (oil on panel)

Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Soldier of the Imperial Guard on Horseback, 1898 (watercolour on paper)
Soldier of the Imperial Guard on Horseback, 1898 (watercolour on paper)

XIR177180: Soldier of the Imperial Guard on Horseback, 1898 (watercolour on paper), Chartier, Henri Georges Jacques (1859-1924) / Bridgeman Images

ID: XIR177180

Soldier of the Imperial Guard on Horseback, 1898 (watercolour on paper)

Chartier, Henri Georges Jacques (1859-1924)

A Warrior in Thought (oil on canvas)
A Warrior in Thought (oil on canvas)

XIR182592: A Warrior in Thought (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) (school of) / Bridgeman Images

ID: XIR182592

A Warrior in Thought (oil on canvas)

Rembrandt Harmensz. van Rijn (1606-69) (school of)

The ascension of Christ Detail representing the apoters, 1496 (oil on canvas)
The ascension of Christ Detail representing the apoters, 1496 (oil on canvas)

JLJ4602371: The ascension of Christ Detail representing the apoters, 1496 (oil on canvas), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: JLJ4602371

The ascension of Christ Detail representing the apoters, 1496 (oil on canvas)

Perugino, Pietro (c.1445-1523)

The Battle of Anghiari, after Leonardo da Vinci, 17th century (drawing)
The Battle of Anghiari, after Leonardo da Vinci, 17th century (drawing)

XIR79509: The Battle of Anghiari, after Leonardo da Vinci, 17th century (drawing), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: XIR79509

The Battle of Anghiari, after Leonardo da Vinci, 17th century (drawing)

Rubens, Peter Paul (1577-1640)


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