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25449 Search Results for sword

Pyramus and Thisbe, c.1513-14 (mixed media on canvas)
Pyramus and Thisbe, c.1513-14 (mixed media on canvas)

XOS3588554: Pyramus and Thisbe, c.1513-14 (mixed media on canvas), Deutsch, Niklaus Manuel (1484-1530) / Bridgeman Images

Illustration from the book
Illustration from the book

JLJ4625280: Illustration from the book "Histoire du chevalier Bayard " by Theodore Cahu (engraving), Semant, Paul de (1855-1915) / Bridgeman Images

Ronin with Two Swords, 1863-1866 (b/w photo)
Ronin with Two Swords, 1863-1866 (b/w photo)

PAC2640656: Ronin with Two Swords, 1863-1866 (b/w photo), Beato, Felice (Felix) (1825-c.1908) / Bridgeman Images

John Justin, (center), June Duprez, on-set of the Film
John Justin, (center), June Duprez, on-set of the Film

GLH2559534: John Justin, (center), June Duprez, on-set of the Film "The Thief of Baghdad", 1940 / Bridgeman Images

Sabu, on-set of the Film
Sabu, on-set of the Film

GLH2559538: Sabu, on-set of the Film "The Thief of Baghdad", 1940 / Bridgeman Images

Coat of arms of the Right Honourable Christopher Vane, Lord Bernard, 1st Baron Barnard, 1653-1723
Coat of arms of the Right Honourable Christopher Vane, Lord Bernard, 1st Baron Barnard, 1653-1723

FLO6337636: Coat of arms of the Right Honourable Christopher Vane, Lord Bernard, 1st Baron Barnard, 1653-1723, Johnston, Andrew (18th century) / Bridgeman Images

The Civil War. General Winfield Scott, carte de visite signed by Scott, c. 1860 - 1861. Mathhew Brady Studio
The Civil War. General Winfield Scott, carte de visite signed by Scott, c. 1860 - 1861. Mathhew Brady Studio

EVB2931271: The Civil War. General Winfield Scott, carte de visite signed by Scott, c. 1860 - 1861. Mathhew Brady Studio / Bridgeman Images

COMET, 1528 The fearful Comet of 1528, accompanied by a cloud of swords, daggers, halberds, and decapitated heads. Woodcut from Ambroise Pare's 'Livres de Chirurgie,' 1597.
COMET, 1528 The fearful Comet of 1528, accompanied by a cloud of swords, daggers, halberds, and decapitated heads. Woodcut from Ambroise Pare's 'Livres de Chirurgie,' 1597.

GCL3128549: COMET, 1528 The fearful Comet of 1528, accompanied by a cloud of swords, daggers, halberds, and decapitated heads. Woodcut from Ambroise Pare's 'Livres de Chirurgie,' 1597. / Bridgeman Images

Mohicans, c.1919 (print)
Mohicans, c.1919 (print)

SSI2448640: Mohicans, c.1919 (print), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

HJ-group in a Japanese military hospital in Tokyo, 1938 (b/w photo)
HJ-group in a Japanese military hospital in Tokyo, 1938 (b/w photo)

SZT3668691: HJ-group in a Japanese military hospital in Tokyo, 1938 (b/w photo) / Bridgeman Images

Great Siege Monument, Valletta, Malta, by Antonio Sciortino, 1927 (photo)
Great Siege Monument, Valletta, Malta, by Antonio Sciortino, 1927 (photo)

PNP3960064: Great Siege Monument, Valletta, Malta, by Antonio Sciortino, 1927 (photo) / Bridgeman Images

John de Eltham, First Earl of Cornwall, 1316-1336, second son of King Edward II of England. He wears a conical cervelliere helmet with coronet, vandyked drapery and gorget, sleeveless hauberk, platterarmour, greaves and gauntlets. He wears a hauketon and pourpoint under the armorial cyclas, ornamented girdle and studded sword sheath. Shield with coat of arms of three lions within a border France. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
John de Eltham, First Earl of Cornwall, 1316-1336, second son of King Edward II of England. He wears a conical cervelliere helmet with coronet, vandyked drapery and gorget, sleeveless hauberk, platterarmour, greaves and gauntlets. He wears a hauketon and pourpoint under the armorial cyclas, ornamented girdle and studded sword sheath. Shield with coat of arms of three lions within a border France. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678178: John de Eltham, First Earl of Cornwall, 1316-1336, second son of King Edward II of England. He wears a conical cervelliere helmet with coronet, vandyked drapery and gorget, sleeveless hauberk, platterarmour, greaves and gauntlets. He wears a hauketon and pourpoint under the armorial cyclas, ornamented girdle and studded sword sheath. Shield with coat of arms of three lions within a border France. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Thomas Montacute or Montagu, 4th Earl of Salisbury, English military commander during the 100 Years War and a knight, 1422. Montagu wears a fur hat, a suit of plate armour with ornamented palettes, a cloak and holds a pole-axe. A bevor helmet with overlapping chin plates at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Thomas Montacute or Montagu, 4th Earl of Salisbury, English military commander during the 100 Years War and a knight, 1422. Montagu wears a fur hat, a suit of plate armour with ornamented palettes, a cloak and holds a pole-axe. A bevor helmet with overlapping chin plates at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678400: Thomas Montacute or Montagu, 4th Earl of Salisbury, English military commander during the 100 Years War and a knight, 1422. Montagu wears a fur hat, a suit of plate armour with ornamented palettes, a cloak and holds a pole-axe. A bevor helmet with overlapping chin plates at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

At knight, 1320. He wears a suit of plate armour on a cloth tunic with bassinet helmet, hauketon, gauntlets, ornamented kneecaps, short surcoat laced on the right side. From an effigy in Ash Church, Kent. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
At knight, 1320. He wears a suit of plate armour on a cloth tunic with bassinet helmet, hauketon, gauntlets, ornamented kneecaps, short surcoat laced on the right side. From an effigy in Ash Church, Kent. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678416: At knight, 1320. He wears a suit of plate armour on a cloth tunic with bassinet helmet, hauketon, gauntlets, ornamented kneecaps, short surcoat laced on the right side. From an effigy in Ash Church, Kent. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Allegorical Figure of the Justice with Putto, 1760-69 (charcoal, tempera & white lead on cardboard mounted on canvas)
Allegorical Figure of the Justice with Putto, 1760-69 (charcoal, tempera & white lead on cardboard mounted on canvas)

MEV5044658: Allegorical Figure of the Justice with Putto, 1760-69 (charcoal, tempera & white lead on cardboard mounted on canvas), Lombard School, (18th century) / Bridgeman Images

Veterans' meeting of the Berlin Garde-Jaeger, 1926
Veterans' meeting of the Berlin Garde-Jaeger, 1926

SZT5178304: Veterans' meeting of the Berlin Garde-Jaeger, 1926 / Bridgeman Images

WILLIAM THE CONQUEROR (1027-1087). King of England, 1066-1087. William the Conqueror, unhorsed while trying to subdue a rebellion in his French possessions being led by his eldest son, Robert, is aided by Robert on the battlefield, 1079. Wood engraving, 19th century.
WILLIAM THE CONQUEROR (1027-1087). King of England, 1066-1087. William the Conqueror, unhorsed while trying to subdue a rebellion in his French possessions being led by his eldest son, Robert, is aided by Robert on the battlefield, 1079. Wood engraving, 19th century.

GCL3370841: WILLIAM THE CONQUEROR (1027-1087). King of England, 1066-1087. William the Conqueror, unhorsed while trying to subdue a rebellion in his French possessions being led by his eldest son, Robert, is aided by Robert on the battlefield, 1079. Wood engraving, 19th century. / Bridgeman Images

SPANISH INQUISITION Banners of the Spanish Inquisition in Spain (left) and the Portuguese colony of Goa. Line engraving from 'Historia Inquisitionis,' by Philipp van Limborch, 1692.
SPANISH INQUISITION Banners of the Spanish Inquisition in Spain (left) and the Portuguese colony of Goa. Line engraving from 'Historia Inquisitionis,' by Philipp van Limborch, 1692.

GCL3393010: SPANISH INQUISITION Banners of the Spanish Inquisition in Spain (left) and the Portuguese colony of Goa. Line engraving from 'Historia Inquisitionis,' by Philipp van Limborch, 1692. / Bridgeman Images

OBESE MAN WITH DRINK Line engraving, English, 18th century.
OBESE MAN WITH DRINK Line engraving, English, 18th century.

GCL3378058: OBESE MAN WITH DRINK Line engraving, English, 18th century. / Bridgeman Images

BATTLE OF OUDENARDE, 1708 The future King George II leading his squadron into action at the Battle of Oudenarde during the War of Spanish Succession, 1708. Illustration, English, 1893.
BATTLE OF OUDENARDE, 1708 The future King George II leading his squadron into action at the Battle of Oudenarde during the War of Spanish Succession, 1708. Illustration, English, 1893.

GCL3415414: BATTLE OF OUDENARDE, 1708 The future King George II leading his squadron into action at the Battle of Oudenarde during the War of Spanish Succession, 1708. Illustration, English, 1893. / Bridgeman Images

500000 zloty banknote, 1990, reverse, coat of arms, flags and swords, Poland, 20th century
500000 zloty banknote, 1990, reverse, coat of arms, flags and swords, Poland, 20th century

DGA2587384: 500000 zloty banknote, 1990, reverse, coat of arms, flags and swords, Poland, 20th century / Bridgeman Images

The Prince to his Father kneels lowly: His is the battle - his wholly! illustration from 'Ballads of Famous Fights', c.1900 (colour litho)
The Prince to his Father kneels lowly: His is the battle - his wholly! illustration from 'Ballads of Famous Fights', c.1900 (colour litho)

IL251870: The Prince to his Father kneels lowly: His is the battle - his wholly! illustration from 'Ballads of Famous Fights', c.1900 (colour litho), Webb, Archibald (fl.1825-66) / Bridgeman Images

Costume sketch for Il Giuramento (The Oath), 1857, opera by Saverio Mercadante (1795-1870)
Costume sketch for Il Giuramento (The Oath), 1857, opera by Saverio Mercadante (1795-1870)

DGA768890: Costume sketch for Il Giuramento (The Oath), 1857, opera by Saverio Mercadante (1795-1870) / Bridgeman Images

Serbia, Nis, Monument to the Liberators of Nis
Serbia, Nis, Monument to the Liberators of Nis

UDK838916: Serbia, Nis, Monument to the Liberators of Nis / Bridgeman Images

Knight in armour, stained-glass window, Spiez Castle (12th-17th century), Spiez, Canton of Bern, Switzerland
Knight in armour, stained-glass window, Spiez Castle (12th-17th century), Spiez, Canton of Bern, Switzerland

DGA914141: Knight in armour, stained-glass window, Spiez Castle (12th-17th century), Spiez, Canton of Bern, Switzerland / Bridgeman Images

LLM979595: "Three times he came on in fury - three times he turned back in dread" (colour litho), Michael, Arthur C. (1881-1965) / Bridgeman Images

The Sultan of Turkey giving an Audience to the British Ambassador a Hundred Years ago (engraving)
The Sultan of Turkey giving an Audience to the British Ambassador a Hundred Years ago (engraving)

LIP1051240: The Sultan of Turkey giving an Audience to the British Ambassador a Hundred Years ago (engraving), English School, (19th century) / Bridgeman Images

Martyrdom of St. Thomas Becket, by Unknown Artist, 12th Century, fresco
Martyrdom of St. Thomas Becket, by Unknown Artist, 12th Century, fresco

ELC943558: Martyrdom of St. Thomas Becket, by Unknown Artist, 12th Century, fresco, Unknown Artist, (12th century) / Bridgeman Images

Ajouree relief of a soldier, first half of the 17th century (parcel gilt wood)
Ajouree relief of a soldier, first half of the 17th century (parcel gilt wood)

CH745218: Ajouree relief of a soldier, first half of the 17th century (parcel gilt wood), Netherlandish School, (17th century) / Bridgeman Images

Militarism or Communism, front cover illustration of 'Simplicissimus', 15th September 1920 (colour litho)
Militarism or Communism, front cover illustration of 'Simplicissimus', 15th September 1920 (colour litho)

CHT383156: Militarism or Communism, front cover illustration of 'Simplicissimus', 15th September 1920 (colour litho), Arnold, Karl (1883-1953) / Bridgeman Images

Illustration from 'The Big Book of Knights and Castles', 1995 (colour litho)
Illustration from 'The Big Book of Knights and Castles', 1995 (colour litho)

GNO404848: Illustration from 'The Big Book of Knights and Castles', 1995 (colour litho), D'Achille, Gino (1935-2017) / Bridgeman Images

The Death of Richard II, 1852 (w/c on paper)
The Death of Richard II, 1852 (w/c on paper)

CH401746: The Death of Richard II, 1852 (w/c on paper), Dadd, Richard (1817-86) / Bridgeman Images

Captain on the Headquarters staff of the Jaipur State Forces, Indian Princely States, 1938 (colour litho)
Captain on the Headquarters staff of the Jaipur State Forces, Indian Princely States, 1938 (colour litho)

KDC469455: Captain on the Headquarters staff of the Jaipur State Forces, Indian Princely States, 1938 (colour litho) / Bridgeman Images

Ximena embracing Rodrigo Diaz, shortly before his departure for battle against Moors, scene from tale of El Cid, illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 385, November 20, 1841
Ximena embracing Rodrigo Diaz, shortly before his departure for battle against Moors, scene from tale of El Cid, illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 385, November 20, 1841

DGA3954881: Ximena embracing Rodrigo Diaz, shortly before his departure for battle against Moors, scene from tale of El Cid, illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 385, November 20, 1841 / Bridgeman Images

The Lamentations of Louis, 1757 (engraving)
The Lamentations of Louis, 1757 (engraving)

XJF867811: The Lamentations of Louis, 1757 (engraving), English School, (18th century) / Bridgeman Images

Detail of Stefano Panata clock frame with two vellum
Detail of Stefano Panata clock frame with two vellum

CPH1154581: Detail of Stefano Panata clock frame with two vellum, Pianta, Francesco the Younger (c.1630-92) / Bridgeman Images


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