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13714 Search Results for sword

Sir Jeffrey Amherst (1717-97) c.1768 (oil on canvas)
Sir Jeffrey Amherst (1717-97) c.1768 (oil on canvas)

XYC139609: Sir Jeffrey Amherst (1717-97) c.1768 (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images

St Catherine, worked by Jane Morris (1839-1914), c.1860 (brick stitch appliqued on velvet)
St Catherine, worked by Jane Morris (1839-1914), c.1860 (brick stitch appliqued on velvet)

KLM278245: St Catherine, worked by Jane Morris (1839-1914), c.1860 (brick stitch appliqued on velvet), Morris, William (1834-96) / Bridgeman Images

Lawrence Monck, 1760 (oil on canvas)
Lawrence Monck, 1760 (oil on canvas)

TW426964: Lawrence Monck, 1760 (oil on canvas), Wright of Derby, Joseph (1734-97) / Bridgeman Images

King Alfonso V of Aragon, called The Magnanimous (1396-1458) (coloured engraving)
King Alfonso V of Aragon, called The Magnanimous (1396-1458) (coloured engraving)

TRK2637233: King Alfonso V of Aragon, called The Magnanimous (1396-1458) (coloured engraving) / Bridgeman Images

Circe and Odysseus (oil on panel)
Circe and Odysseus (oil on panel)

CH3674579: Circe and Odysseus (oil on panel), Jordaens, Jacob (1593-1678) / Bridgeman Images

The arrest of the Cato Street conspirators (engraving) - “The Cato Street conspirators...”” (Cato Street Conspiracy), 1820 - Three Bow Street officers have entered the loft above the stable; the foremost, Richard Smithers, is stabbed with a sword by Arthur Thistlewood; the other conspirators leap to their feet and attempt to escape
The arrest of the Cato Street conspirators (engraving) - “The Cato Street conspirators...”” (Cato Street Conspiracy), 1820 - Three Bow Street officers have entered the loft above the stable; the foremost, Richard Smithers, is stabbed with a sword by Arthur Thistlewood; the other conspirators leap to their feet and attempt to escape

XEE4148268: The arrest of the Cato Street conspirators (engraving) - “The Cato Street conspirators...”” (Cato Street Conspiracy), 1820 - Three Bow Street officers have entered the loft above the stable; the foremost, Richard Smithers, is stabbed with a sword by Arthur Thistlewood; the other conspirators leap to their feet and attempt to escape, Unknown Artist, (19th century) / Bridgeman Images

Dress of the Britons, Gauls and Germans, from 'Trachten der Voelker', 1864 (colour litho)
Dress of the Britons, Gauls and Germans, from 'Trachten der Voelker', 1864 (colour litho)

BAL246079: Dress of the Britons, Gauls and Germans, from 'Trachten der Voelker', 1864 (colour litho), Kretschmer, Albert (1825-91) / Bridgeman Images

The Resurrection,  (oil on canvas)
The Resurrection,  (oil on canvas)

CH827926: The Resurrection, (oil on canvas), Loo, Carle van (1705-65) / Bridgeman Images

The Hand-Writing upon the Wall, published by Hannah Humphrey in 1803 (hand-coloured etching)
The Hand-Writing upon the Wall, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO190183: The Hand-Writing upon the Wall, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Painting for the Apprentices' Lodge, c.1787 (w/c on paper)
Painting for the Apprentices' Lodge, c.1787 (w/c on paper)

TOR138764: Painting for the Apprentices' Lodge, c.1787 (w/c on paper), Loutherbourg, Philip James (Jacques) de (1740-1812) / Bridgeman Images

Costume d'un fantassin italian, 15th century - Italian infantry soldier with lance and sword, 15th century - He wears a laced, pink velvet doublet over a white shirt, brayette (codpiece), stockings of blue and red/white, black shoes - Sword with gold grip and black scabbard - From a miniature in the great Bible of the Duke of Urbino - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un fantassin italian, 15th century - Italian infantry soldier with lance and sword, 15th century - He wears a laced, pink velvet doublet over a white shirt, brayette (codpiece), stockings of blue and red/white, black shoes - Sword with gold grip and black scabbard - From a miniature in the great Bible of the Duke of Urbino - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676006: Costume d'un fantassin italian, 15th century - Italian infantry soldier with lance and sword, 15th century - He wears a laced, pink velvet doublet over a white shirt, brayette (codpiece), stockings of blue and red/white, black shoes - Sword with gold grip and black scabbard - From a miniature in the great Bible of the Duke of Urbino - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

The Wild Hunt of Odin, 1872 (oil on canvas)
The Wild Hunt of Odin, 1872 (oil on canvas)

XOS3086601: The Wild Hunt of Odin, 1872 (oil on canvas), Arbo, Peter Nicolai (1831-92) / Bridgeman Images

Battle of Agincourt on october 25, 1415 : duke of Orleans, duke of Bourbon, marshal Boucicaut and supreme commander of the French armies Richemont are prisoners, illumination from
Battle of Agincourt on october 25, 1415 : duke of Orleans, duke of Bourbon, marshal Boucicaut and supreme commander of the French armies Richemont are prisoners, illumination from

TAD1758577: Battle of Agincourt on october 25, 1415 : duke of Orleans, duke of Bourbon, marshal Boucicaut and supreme commander of the French armies Richemont are prisoners, illumination from "Vigiles de Charles VII" by Martial d'Auvergne, 1484 / Bridgeman Images

Character Sketches in Rome with Portraits of Prince Charles Edward Stuart (1720-88) and his brother Cardinal York (1725-1807) (pen and ink on paper)
Character Sketches in Rome with Portraits of Prince Charles Edward Stuart (1720-88) and his brother Cardinal York (1725-1807) (pen and ink on paper)

MDR106954: Character Sketches in Rome with Portraits of Prince Charles Edward Stuart (1720-88) and his brother Cardinal York (1725-1807) (pen and ink on paper), Flaxman, John (1755-1826) / Bridgeman Images

The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191729: The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Perseus with the head of Medusa turning his enemies into stone, Loves of the Gods,  1597
Perseus with the head of Medusa turning his enemies into stone, Loves of the Gods,  1597

IBE5382719: Perseus with the head of Medusa turning his enemies into stone, Loves of the Gods, 1597, Carracci, Annibale (1560-1609) / Bridgeman Images

Copy of a Mughal Miniature, c.1655 (pen & ink with wash on paper)
Copy of a Mughal Miniature, c.1655 (pen & ink with wash on paper)

FOG1555184: Copy of a Mughal Miniature, c.1655 (pen & ink with wash on paper), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

Detail of St. Cecilia surrounded by St. Paul, St. John the Evangelist, St. Augustine and Mary Magdalene, c.1513 (oil on panel)
Detail of St. Cecilia surrounded by St. Paul, St. John the Evangelist, St. Augustine and Mary Magdalene, c.1513 (oil on panel)

XAL1191983: Detail of St. Cecilia surrounded by St. Paul, St. John the Evangelist, St. Augustine and Mary Magdalene, c.1513 (oil on panel), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images

Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome, Italy
Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome, Italy

SBL868142: Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome, Italy, Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images

Top: St. Jacob as a Pilgrim and St. Matthew Holding a Book and a Sword; Bottom: St. Lawrence Holding a Grid Iron and St. Sebastian Holding a Bow and Arrow, reverse of a panel from an altarpiece depicting scenes from the Passion and Saints, 1490 (oil on panel) (see also 144537-9)
Top: St. Jacob as a Pilgrim and St. Matthew Holding a Book and a Sword; Bottom: St. Lawrence Holding a Grid Iron and St. Sebastian Holding a Bow and Arrow, reverse of a panel from an altarpiece depicting scenes from the Passion and Saints, 1490 (oil on panel) (see also 144537-9)

XKH144540: Top: St. Jacob as a Pilgrim and St. Matthew Holding a Book and a Sword; Bottom: St. Lawrence Holding a Grid Iron and St. Sebastian Holding a Bow and Arrow, reverse of a panel from an altarpiece depicting scenes from the Passion and Saints, 1490 (oil on panel) (see also 144537-9), Master of the Luneburg Footwashers (15th century) / Bridgeman Images

Tribute to the defender of Andrianople, Czar Ferdinand I of Bulgaria gives back to Shukri Pasha the sword of the glorious defeated, front cover illustration from 'Le Petit Journal', supplement illustre, 13th April 1913 (colour litho)
Tribute to the defender of Andrianople, Czar Ferdinand I of Bulgaria gives back to Shukri Pasha the sword of the glorious defeated, front cover illustration from 'Le Petit Journal', supplement illustre, 13th April 1913 (colour litho)

XIR414772: Tribute to the defender of Andrianople, Czar Ferdinand I of Bulgaria gives back to Shukri Pasha the sword of the glorious defeated, front cover illustration from 'Le Petit Journal', supplement illustre, 13th April 1913 (colour litho), French School, (20th century) / Bridgeman Images

Chua Thiep Long buddhist pagoda. The Great Tonsure: the Buddha cuts his hair with his sword. Then he changed his prince's clothes for a beggar's robe. Then he began his quest for enlightenment Thay Ninh. Vietnam
Chua Thiep Long buddhist pagoda. The Great Tonsure: the Buddha cuts his hair with his sword. Then he changed his prince's clothes for a beggar's robe. Then he began his quest for enlightenment Thay Ninh. Vietnam

GNG5301687: Chua Thiep Long buddhist pagoda. The Great Tonsure: the Buddha cuts his hair with his sword. Then he changed his prince's clothes for a beggar's robe. Then he began his quest for enlightenment Thay Ninh. Vietnam / Bridgeman Images

Medieval hunting from a bas relief on a sarcophagus: hunter with horn and hounds, and man with sword attacking a stag at a fountain. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844
Medieval hunting from a bas relief on a sarcophagus: hunter with horn and hounds, and man with sword attacking a stag at a fountain. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

FLO4623477: Medieval hunting from a bas relief on a sarcophagus: hunter with horn and hounds, and man with sword attacking a stag at a fountain. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844 / Bridgeman Images

A party of Sikhs drive around the tarmac at Heathrow airport with Sikh, Kilburchan Singh holding sacred sword which he has brought back to England to baptise member of the Sikh Community, April 1967 (b/w photo)
A party of Sikhs drive around the tarmac at Heathrow airport with Sikh, Kilburchan Singh holding sacred sword which he has brought back to England to baptise member of the Sikh Community, April 1967 (b/w photo)

MPX5120993: A party of Sikhs drive around the tarmac at Heathrow airport with Sikh, Kilburchan Singh holding sacred sword which he has brought back to England to baptise member of the Sikh Community, April 1967 (b/w photo) / Bridgeman Images

Branches of knowledge represented by  Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508)
Branches of knowledge represented by  Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508)

LRI4567953: Branches of knowledge represented by Aristotle (top left) represents Natural Philosophy, with Seneca representing Moral Philosophy on the right, the Emperor Justinian (top centre). The woman in the centre has a sword and a flowering branch issuing from her mouth (woodcut, 1508), Unknown Artist, (16th century) / Bridgeman Images

Henry Holiday (b/w photo)
Henry Holiday (b/w photo)

TWG352640: Henry Holiday (b/w photo), English Photographer / Bridgeman Images

Knight, 14th Century (chromolitho)
Knight, 14th Century (chromolitho)

LLM1092159: Knight, 14th Century (chromolitho), French School, (19th century) / Bridgeman Images

Crossbowman taking aim, detail of 'Hunt in Honour of Charles V near Hartenfels Castle, Torgau', 1544 (oil on panel)
Crossbowman taking aim, detail of 'Hunt in Honour of Charles V near Hartenfels Castle, Torgau', 1544 (oil on panel)

XIR488632: Crossbowman taking aim, detail of 'Hunt in Honour of Charles V near Hartenfels Castle, Torgau', 1544 (oil on panel) , Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

Tale of a Bearded Giant, c.1900 (colour slide)
Tale of a Bearded Giant, c.1900 (colour slide)

TEP445653: Tale of a Bearded Giant, c.1900 (colour slide) / Bridgeman Images

The Artillery Corps of Philadelphia Greys, (Company D), Comd. by Capt. Geo. Cadwalader, First Regiment of Artillery, 1st Brigade, 1st Division, P. M., printed by Peter S. Duval (1804-1886), c.1845 (litho)
The Artillery Corps of Philadelphia Greys, (Company D), Comd. by Capt. Geo. Cadwalader, First Regiment of Artillery, 1st Brigade, 1st Division, P. M., printed by Peter S. Duval (1804-1886), c.1845 (litho)

LCP463801: The Artillery Corps of Philadelphia Greys, (Company D), Comd. by Capt. Geo. Cadwalader, First Regiment of Artillery, 1st Brigade, 1st Division, P. M., printed by Peter S. Duval (1804-1886), c.1845 (litho) , Hoffy, Alfred M. (c.1790-1860) (after) / Bridgeman Images

The Knave of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Knave of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD336585: The Knave of Swords, facsimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

Detail of Entrance of Emperor Charles V (1500-58) into Antwerp in 1520, 1878 (oil on canvas) (see also 141421, 141422 and 141424)
Detail of Entrance of Emperor Charles V (1500-58) into Antwerp in 1520, 1878 (oil on canvas) (see also 141421, 141422 and 141424)

XKH141423: Detail of Entrance of Emperor Charles V (1500-58) into Antwerp in 1520, 1878 (oil on canvas) (see also 141421, 141422 and 141424), Makart, Hans (1840-84) / Bridgeman Images

The Coronation of the Czar, Some of the Russian Regalia in the Imperial Treasury at the Kremlin, Moscow (engraving)
The Coronation of the Czar, Some of the Russian Regalia in the Imperial Treasury at the Kremlin, Moscow (engraving)

LIP1605369: The Coronation of the Czar, Some of the Russian Regalia in the Imperial Treasury at the Kremlin, Moscow (engraving), English School, (19th century) / Bridgeman Images

Alfonso XI,  King of Castile and Leon, on Horseback, 1551 (woodcut)
Alfonso XI,  King of Castile and Leon, on Horseback, 1551 (woodcut)

CH986082: Alfonso XI, King of Castile and Leon, on Horseback, 1551 (woodcut), Spanish School, (16th century) / Bridgeman Images

Pierre de Chantemelle, French chevalier, Seigneur de Flavacourt, 1352. (engraving)
Pierre de Chantemelle, French chevalier, Seigneur de Flavacourt, 1352. (engraving)

LLM957923: Pierre de Chantemelle, French chevalier, Seigneur de Flavacourt, 1352. (engraving), Jacquemin, Raphael (1821-81) / Bridgeman Images

Military costumes from the nineteenth century - Russian infantry (engraving)
Military costumes from the nineteenth century - Russian infantry (engraving)

LLM957890: Military costumes from the nineteenth century - Russian infantry (engraving), Jacquemin, Raphael (1821-81) / Bridgeman Images


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