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13737 Search Results for sword

Arcole, 1988 (oil on canvas)
Arcole, 1988 (oil on canvas)

XIR473075: Arcole, 1988 (oil on canvas), Rohner, Georges (1913-2000) / Bridgeman Images

ID: XIR473075

Arcole, 1988 (oil on canvas)

Rohner, Georges (1913-2000)

Nakamura Matsue as Okaru and Onoe Matsusuke II as Teraoka Heiemon in a scene from Act VII of Chushingura (woodblock print)
Nakamura Matsue as Okaru and Onoe Matsusuke II as Teraoka Heiemon in a scene from Act VII of Chushingura (woodblock print)

MAM714351: Nakamura Matsue as Okaru and Onoe Matsusuke II as Teraoka Heiemon in a scene from Act VII of Chushingura (woodblock print), Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: MAM714351

Nakamura Matsue as Okaru and Onoe Matsusuke II as Teraoka Heiemon in a scene from Act VII of Chushingura (woodblock print)

Toyokuni, Utagawa (1769-1825)

The Actor Bando Mitsugoro III as Kobayashi Asahina, c.1805 (woodblock print)
The Actor Bando Mitsugoro III as Kobayashi Asahina, c.1805 (woodblock print)

MAM714107: The Actor Bando Mitsugoro III as Kobayashi Asahina, c.1805 (woodblock print), Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: MAM714107

The Actor Bando Mitsugoro III as Kobayashi Asahina, c.1805 (woodblock print)

Toyokuni, Utagawa (1769-1825)

Men on the Lusitania welcoming Japanese admiral Togo Heihachiro to New York City, 1911 (photo)
Men on the Lusitania welcoming Japanese admiral Togo Heihachiro to New York City, 1911 (photo)

PVD1696168: Men on the Lusitania welcoming Japanese admiral Togo Heihachiro to New York City, 1911 (photo) / Bridgeman Images

ID: PVD1696168

Men on the Lusitania welcoming Japanese admiral Togo Heihachiro to New York City, 1911 (photo)

Count of Flanders, 1582. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Count of Flanders, 1582. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705559: Count of Flanders, 1582. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705559

Count of Flanders, 1582. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Michael of Chaugy, Lord of Chissey, Michaud or Michel de Chaugy, d.1479. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolio VII 48 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Michael of Chaugy, Lord of Chissey, Michaud or Michel de Chaugy, d.1479. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolio VII 48 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570670: Michael of Chaugy, Lord of Chissey, Michaud or Michel de Chaugy, d.1479. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolio VII 48 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570670

Michael of Chaugy, Lord of Chissey, Michaud or Michel de Chaugy, d.1479. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolio VII 48 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Francois-Joseph Talma as Regulus, 1823 (copperplate)
Francois-Joseph Talma as Regulus, 1823 (copperplate)

FLO4562888: Francois-Joseph Talma as Regulus, 1823 (copperplate) / Bridgeman Images

ID: FLO4562888

Francois-Joseph Talma as Regulus, 1823 (copperplate)

Superb sword hilt from the mid-16th century. Guard and pommel in black iron decorated with gold and silver figures, grip with mesh of gold wire in a feather pattern. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Superb sword hilt from the mid-16th century. Guard and pommel in black iron decorated with gold and silver figures, grip with mesh of gold wire in a feather pattern. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644168: Superb sword hilt from the mid-16th century. Guard and pommel in black iron decorated with gold and silver figures, grip with mesh of gold wire in a feather pattern. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644168

Superb sword hilt from the mid-16th century. Guard and pommel in black iron decorated with gold and silver figures, grip with mesh of gold wire in a feather pattern. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

English soldiers with halberds wearing harem pants, late 16th century. Gunpowder expert with his back to us, and soldier with cap and armour collar. From color pen drawings in the possession of C. Becker of Wurzburg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
English soldiers with halberds wearing harem pants, late 16th century. Gunpowder expert with his back to us, and soldier with cap and armour collar. From color pen drawings in the possession of C. Becker of Wurzburg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644223: English soldiers with halberds wearing harem pants, late 16th century. Gunpowder expert with his back to us, and soldier with cap and armour collar. From color pen drawings in the possession of C. Becker of Wurzburg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644223

English soldiers with halberds wearing harem pants, late 16th century. Gunpowder expert with his back to us, and soldier with cap and armour collar. From color pen drawings in the possession of C. Becker of Wurzburg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Count of Vergennes, captain of the Gardes de la Porte du Roi, France, 18th century.
Count of Vergennes, captain of the Gardes de la Porte du Roi, France, 18th century.

FLO5855382: Count of Vergennes, captain of the Gardes de la Porte du Roi, France, 18th century., Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

ID: FLO5855382

Count of Vergennes, captain of the Gardes de la Porte du Roi, France, 18th century.

Lechevallier-Chevignard, Edmond (1825-1902)

FIA5334933: "The knight hurts", 1931, Laudy, Jean (1877-1956) / Bridgeman Images

ID: FIA5334933

"The knight hurts", 1931

Laudy, Jean (1877-1956)

British Dragoon Officers 1815, reenactment
British Dragoon Officers 1815, reenactment

HGP956635: British Dragoon Officers 1815, reenactment / Bridgeman Images

ID: HGP956635

British Dragoon Officers 1815, reenactment

The judgement of Solomon - Bible
The judgement of Solomon - Bible

XLF3781682: The judgement of Solomon - Bible / Bridgeman Images

ID: XLF3781682

The judgement of Solomon - Bible

Joan of Arc (Jeanne d'Arc, la Pucelle d'Orléans)
Joan of Arc (Jeanne d'Arc, la Pucelle d'Orléans)

XLF3780366: Joan of Arc (Jeanne d'Arc, la Pucelle d'Orléans) / Bridgeman Images

ID: XLF3780366

Joan of Arc (Jeanne d'Arc, la Pucelle d'Orléans)

Lancelot bears off Guenevere, illustration from 'The Book of Romance' published by Longmans Green and Co, 1919 (colour litho)
Lancelot bears off Guenevere, illustration from 'The Book of Romance' published by Longmans Green and Co, 1919 (colour litho)

IL3551749: Lancelot bears off Guenevere, illustration from 'The Book of Romance' published by Longmans Green and Co, 1919 (colour litho), English School, (20th century) / Bridgeman Images

ID: IL3551749

Lancelot bears off Guenevere, illustration from 'The Book of Romance' published by Longmans Green and Co, 1919 (colour litho)

English School, (20th century)

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135602: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4135602

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)

The Grand Journees of the Hotel de Ville de Paris, On July 17, 1789, the steel vault (litho)
The Grand Journees of the Hotel de Ville de Paris, On July 17, 1789, the steel vault (litho)

JLJ4634193: The Grand Journees of the Hotel de Ville de Paris, On July 17, 1789, the steel vault (litho), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4634193

The Grand Journees of the Hotel de Ville de Paris, On July 17, 1789, the steel vault (litho)

Bombled, Louis Charles (1862-1927)

Battle of Stiklestad (July 29, 1030) - After the Battle, 19th century (oil on canvas)
Battle of Stiklestad (July 29, 1030) - After the Battle, 19th century (oil on canvas)

FIA5401911: Battle of Stiklestad (July 29, 1030) - After the Battle, 19th century (oil on canvas), Arbo, Peter Nicolai (1831-92) / Bridgeman Images

ID: FIA5401911

Battle of Stiklestad (July 29, 1030) - After the Battle, 19th century (oil on canvas)

Arbo, Peter Nicolai (1831-92)

G L von Blucher, Field Marshal of the Prussian Forces (1742-1819) (coloured engraving)
G L von Blucher, Field Marshal of the Prussian Forces (1742-1819) (coloured engraving)

LLE811080: G L von Blucher, Field Marshal of the Prussian Forces (1742-1819) (coloured engraving), German School, (18th century) / Bridgeman Images

ID: LLE811080

G L von Blucher, Field Marshal of the Prussian Forces (1742-1819) (coloured engraving)

German School, (18th century)

A soldier being knighted, 14th Century (colour litho)
A soldier being knighted, 14th Century (colour litho)

LLM969056: A soldier being knighted, 14th Century (colour litho), Dutch School, (19th century) / Bridgeman Images

ID: LLM969056

A soldier being knighted, 14th Century (colour litho)

Dutch School, (19th century)

French and Spanish troops from the second half of the 16th century (engraving)
French and Spanish troops from the second half of the 16th century (engraving)

LLM957915: French and Spanish troops from the second half of the 16th century (engraving), Jacquemin, Raphael (1821-81) / Bridgeman Images

ID: LLM957915

French and Spanish troops from the second half of the 16th century (engraving)

Jacquemin, Raphael (1821-81)

Saints Cecilia, George, Catherine of Alexandria, and Peter, detail of the rood screen, All Saints Church, Filby, Norfolk, UK, c.1450 (tempera on wood)
Saints Cecilia, George, Catherine of Alexandria, and Peter, detail of the rood screen, All Saints Church, Filby, Norfolk, UK, c.1450 (tempera on wood)

HGP443978: Saints Cecilia, George, Catherine of Alexandria, and Peter, detail of the rood screen, All Saints Church, Filby, Norfolk, UK, c.1450 (tempera on wood), English School, (15th century) / Bridgeman Images

ID: HGP443978

Saints Cecilia, George, Catherine of Alexandria, and Peter, detail of the rood screen, All Saints Church, Filby, Norfolk, UK, c.1450 (tempera on wood)

English School, (15th century)

Procne, Philomela, and Tereus Driven Insane or Progne e Filomena presentano a Teseo la Testa di suo Figlio da Loro Ucciso, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Procne, Philomela, and Tereus Driven Insane or Progne e Filomena presentano a Teseo la Testa di suo Figlio da Loro Ucciso, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415863: Procne, Philomela, and Tereus Driven Insane or Progne e Filomena presentano a Teseo la Testa di suo Figlio da Loro Ucciso, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

ID: STC415863

Procne, Philomela, and Tereus Driven Insane or Progne e Filomena presentano a Teseo la Testa di suo Figlio da Loro Ucciso, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

Ademollo, Luigi (1764-1849)

Detail of Richard I, the Lionheart, by Baron Carlo Marochetti, Old Palace Yard (photo)
Detail of Richard I, the Lionheart, by Baron Carlo Marochetti, Old Palace Yard (photo)

DGP421255: Detail of Richard I, the Lionheart, by Baron Carlo Marochetti, Old Palace Yard (photo) / Bridgeman Images

ID: DGP421255

Detail of Richard I, the Lionheart, by Baron Carlo Marochetti, Old Palace Yard (photo)

“” Brennus putting his sword in the balance””, 390 BC: Brennus sacked Rome by the Gauls led by their leader Brennus (Brennos) In front of the resistance of the Romans, Brennus agreed to deal with the military tribune Roman Quintus Sulpicius: he left Rome against the payment of a strong grudge - A large balance was then prepared on a square of Rome - the Gallic army leader Brennus (Brennus) defeats the Romans - in the face of the protests who fail to balance the balance, Brennus adds to their despair by throwing his sword on the balance and uttering the words “vae victis”” - (The Gallic army leader Brennos (Brennus) defeats the Romans the Romans and proclaims the “” Vae Victis”” (Woe to the vanquished), The Gauls demanded ransom after their conquest of Rome, When the Romans complained about the false weight on the scale, the leader of the Gauls, Brennus, put his sword on the scale, 390 BC) Engraving 19th century Private collection
“” Brennus putting his sword in the balance””, 390 BC: Brennus sacked Rome by the Gauls led by their leader Brennus (Brennos) In front of the resistance of the Romans, Brennus agreed to deal with the military tribune Roman Quintus Sulpicius: he left Rome against the payment of a strong grudge - A large balance was then prepared on a square of Rome - the Gallic army leader Brennus (Brennus) defeats the Romans - in the face of the protests who fail to balance the balance, Brennus adds to their despair by throwing his sword on the balance and uttering the words “vae victis”” - (The Gallic army leader Brennos (Brennus) defeats the Romans the Romans and proclaims the “” Vae Victis”” (Woe to the vanquished), The Gauls demanded ransom after their conquest of Rome, When the Romans complained about the false weight on the scale, the leader of the Gauls, Brennus, put his sword on the scale, 390 BC) Engraving 19th century Private collection

ELD4920752: “” Brennus putting his sword in the balance””, 390 BC: Brennus sacked Rome by the Gauls led by their leader Brennus (Brennos) In front of the resistance of the Romans, Brennus agreed to deal with the military tribune Roman Quintus Sulpicius: he left Rome against the payment of a strong grudge - A large balance was then prepared on a square of Rome - the Gallic army leader Brennus (Brennus) defeats the Romans - in the face of the protests who fail to balance the balance, Brennus adds to their despair by throwing his sword on the balance and uttering the words “vae victis”” - (The Gallic army leader Brennos (Brennus) defeats the Romans the Romans and proclaims the “” Vae Victis”” (Woe to the vanquished), The Gauls demanded ransom after their conquest of Rome, When the Romans complained about the false weight on the scale, the leader of the Gauls, Brennus, put his sword on the scale, 390 BC) Engraving 19th century Private collection / Bridgeman Images

ID: ELD4920752

“” Brennus putting his sword in the balance””, 390 BC: Brennus sacked Rome by the Gauls led by their leader Brennus (Brennos) In front of the resistance of the Romans, Brennus agreed to deal with the military tribune Roman Quintus Sulpicius: he left Rome against the payment of a strong grudge - A large balance was then prepared on a square of Rome - the Gallic army leader Brennus (Brennus) defeats the Romans - in the face of the protests who fail to balance the balance, Brennus adds to their despair by throwing his sword on the balance and uttering the words “vae victis”” - (The Gallic army leader Brennos (Brennus) defeats the Romans the Romans and proclaims the “” Vae Victis”” (Woe to the vanquished), The Gauls demanded ransom after their conquest of Rome, When the Romans complained about the false weight on the scale, the leader of the Gauls, Brennus, put his sword on the scale, 390 BC) Engraving 19th century Private collection

Counts of Holland and Flanders, 15th century (engraving)
Counts of Holland and Flanders, 15th century (engraving)

LLM957945: Counts of Holland and Flanders, 15th century (engraving), Jacquemin, Raphael (1821-81) / Bridgeman Images

ID: LLM957945

Counts of Holland and Flanders, 15th century (engraving)

Jacquemin, Raphael (1821-81)

Spanish and Moorish Dress, c.1300, from 'Trachten der Voelker', 1864 (coloured lithograph)
Spanish and Moorish Dress, c.1300, from 'Trachten der Voelker', 1864 (coloured lithograph)

BAL246806: Spanish and Moorish Dress, c.1300, from 'Trachten der Voelker', 1864 (coloured lithograph), Kretschmer, Albert (1825-91) / Bridgeman Images

ID: BAL246806

Spanish and Moorish Dress, c.1300, from 'Trachten der Voelker', 1864 (coloured lithograph)

Kretschmer, Albert (1825-91)

The Public Order also reigns in Paris, 1831 (lithograph)
The Public Order also reigns in Paris, 1831 (lithograph)

XIR468142: The Public Order also reigns in Paris, 1831 (lithograph), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: XIR468142

The Public Order also reigns in Paris, 1831 (lithograph)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration from the book
Illustration from the book

JLJ4639174: Illustration from the book "Les epees de France" : Les poilus de 14 en route pour le front (engraving), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4639174

Illustration from the book "Les epees de France" : Les poilus de 14 en route pour le front (engraving)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Genl. Thomas Francis Meagher, pub. by Currier & Ives, c.1862 (colour litho)
Genl. Thomas Francis Meagher, pub. by Currier & Ives, c.1862 (colour litho)

AQS331953: Genl. Thomas Francis Meagher, pub. by Currier & Ives, c.1862 (colour litho), American School, (19th century) / Bridgeman Images

ID: AQS331953

Genl. Thomas Francis Meagher, pub. by Currier & Ives, c.1862 (colour litho)

American School, (19th century)

Uniform of the French War Commissioner, Napoleionic era. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Uniform of the French War Commissioner, Napoleionic era. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4572887: Uniform of the French War Commissioner, Napoleionic era. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4572887

Uniform of the French War Commissioner, Napoleionic era. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Hector and Achilles, 1923-26 (oil on canvas)
Hector and Achilles, 1923-26 (oil on canvas)

CH827954: Hector and Achilles, 1923-26 (oil on canvas), Schneider, Sascha (1870-1927) / Bridgeman Images

ID: CH827954

Hector and Achilles, 1923-26 (oil on canvas)

Schneider, Sascha (1870-1927)

The Myth of Perseus and Gorgon Medusa, and Fame, 1511 (fresco)
The Myth of Perseus and Gorgon Medusa, and Fame, 1511 (fresco)

GRL2646186: The Myth of Perseus and Gorgon Medusa, and Fame, 1511 (fresco), Peruzzi, Baldassarre (1481-1536) / Bridgeman Images

ID: GRL2646186

The Myth of Perseus and Gorgon Medusa, and Fame, 1511 (fresco)

Peruzzi, Baldassarre (1481-1536)

Battle of Las Navas de Tolosa (1212) in which Alfonso VIII of Castile defeated the Almohad army of Caliph al-Nasir Muhammed (colour engraving)
Battle of Las Navas de Tolosa (1212) in which Alfonso VIII of Castile defeated the Almohad army of Caliph al-Nasir Muhammed (colour engraving)

TRK3514620: Battle of Las Navas de Tolosa (1212) in which Alfonso VIII of Castile defeated the Almohad army of Caliph al-Nasir Muhammed (colour engraving) / Bridgeman Images

ID: TRK3514620

Battle of Las Navas de Tolosa (1212) in which Alfonso VIII of Castile defeated the Almohad army of Caliph al-Nasir Muhammed (colour engraving)

Triumph of Fame, a birth salver of Lorenzo the Magnificent, reverse, c. 1449 (tempera, silver, and gold on wood)
Triumph of Fame, a birth salver of Lorenzo the Magnificent, reverse, c. 1449 (tempera, silver, and gold on wood)

XOS3432863: Triumph of Fame, a birth salver of Lorenzo the Magnificent, reverse, c. 1449 (tempera, silver, and gold on wood) , Scheggia, Giovanni di Ser Giovanni (1406-86) / Bridgeman Images

ID: XOS3432863

Triumph of Fame, a birth salver of Lorenzo the Magnificent, reverse, c. 1449 (tempera, silver, and gold on wood)

Scheggia, Giovanni di Ser Giovanni (1406-86)

William IV, 1834 (oil on canvas)
William IV, 1834 (oil on canvas)

ROC937160: William IV, 1834 (oil on canvas), Shee, Martin Archer (1769-1850) / Bridgeman Images

ID: ROC937160

William IV, 1834 (oil on canvas)

Shee, Martin Archer (1769-1850)


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