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13715 Search Results for sword

The Emperor Charlemagne (747-814) holding the Globe and Sword, after a miniature in the Registers of the University of Paris, from 'Le Moyen Age et la Renaissance' by Paul Lacroix (1806-84) published 1847 (litho)
The Emperor Charlemagne (747-814) holding the Globe and Sword, after a miniature in the Registers of the University of Paris, from 'Le Moyen Age et la Renaissance' by Paul Lacroix (1806-84) published 1847 (litho)

KWE260665: The Emperor Charlemagne (747-814) holding the Globe and Sword, after a miniature in the Registers of the University of Paris, from 'Le Moyen Age et la Renaissance' by Paul Lacroix (1806-84) published 1847 (litho), French School, (19th century) / Bridgeman Images

Vietnam: The Vietnamese Emperor Le Loi (Lê L?i) returns the sacred sword to the Golden Turtle God, Kim Qui; puppets dancing on the water at the Thang Long Water Puppet Theatre, Hanoi (photo)
Vietnam: The Vietnamese Emperor Le Loi (Lê L?i) returns the sacred sword to the Golden Turtle God, Kim Qui; puppets dancing on the water at the Thang Long Water Puppet Theatre, Hanoi (photo)

PFH2966111: Vietnam: The Vietnamese Emperor Le Loi (Lê L?i) returns the sacred sword to the Golden Turtle God, Kim Qui; puppets dancing on the water at the Thang Long Water Puppet Theatre, Hanoi (photo) / Bridgeman Images

Three-quarter-length portrait of a young woman, poorly dressed, holding a child dressed as a solder in her arms. The child has a small wooden sword on his jacket, 08/1938 (b/w photo)
Three-quarter-length portrait of a young woman, poorly dressed, holding a child dressed as a solder in her arms. The child has a small wooden sword on his jacket, 08/1938 (b/w photo)

FAF1250086: Three-quarter-length portrait of a young woman, poorly dressed, holding a child dressed as a solder in her arms. The child has a small wooden sword on his jacket, 08/1938 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

Japan, act II of Chushingura, tale of the 47 Ronin (or 47 Samurai): Rikiya, with sword and fan, standing next to Konami, kneeling on the floor, offering him a cup of tea, engraving by Utagawa Kuniyasu, 1815-1818
Japan, act II of Chushingura, tale of the 47 Ronin (or 47 Samurai): Rikiya, with sword and fan, standing next to Konami, kneeling on the floor, offering him a cup of tea, engraving by Utagawa Kuniyasu, 1815-1818

PVD1698214: Japan, act II of Chushingura, tale of the 47 Ronin (or 47 Samurai): Rikiya, with sword and fan, standing next to Konami, kneeling on the floor, offering him a cup of tea, engraving by Utagawa Kuniyasu, 1815-1818, Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

Fencing, illustration from 'L'Ecole des Armes' by Domenico Angelo, 1763, 1906 (engraving)
Fencing, illustration from 'L'Ecole des Armes' by Domenico Angelo, 1763, 1906 (engraving)

XLF3789511: Fencing, illustration from 'L'Ecole des Armes' by Domenico Angelo, 1763, 1906 (engraving), German School, (20th century) / Bridgeman Images

revolution francaise de 1789: la prise de la Bastille on July 14, 1789, allegory of the people under the features of a woman holdint a torch and a sword, wearing a Phrygian cap - Yeah. Illustration by Tancredi Scarpelli (1866-1937) from “” Storia d'Italia”” (History of Italy) by Paolo Giudici, 1930 Private collection
revolution francaise de 1789: la prise de la Bastille on July 14, 1789, allegory of the people under the features of a woman holdint a torch and a sword, wearing a Phrygian cap - Yeah. Illustration by Tancredi Scarpelli (1866-1937) from “” Storia d'Italia”” (History of Italy) by Paolo Giudici, 1930 Private collection

ELD4856625: revolution francaise de 1789: la prise de la Bastille on July 14, 1789, allegory of the people under the features of a woman holdint a torch and a sword, wearing a Phrygian cap - Yeah. Illustration by Tancredi Scarpelli (1866-1937) from “” Storia d'Italia”” (History of Italy) by Paolo Giudici, 1930 Private collection, Scarpelli, Tancredi (1866-1937) / Bridgeman Images

The Conversion of St. Paul, 1601 (oil on canvas)
The Conversion of St. Paul, 1601 (oil on canvas)

XOS1274001: The Conversion of St. Paul, 1601 (oil on canvas), Caravaggio, Michelangelo Merisi da (1571-1610) / Bridgeman Images

Rodney Triumphant, or Admiral Lee-Shore in the Dumps, 1782 (hand-coloured etching)
Rodney Triumphant, or Admiral Lee-Shore in the Dumps, 1782 (hand-coloured etching)

NCO190187: Rodney Triumphant, or Admiral Lee-Shore in the Dumps, 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Soldier's Return, or Rare News for Old England, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Soldier's Return, or Rare News for Old England, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO193141: The Soldier's Return, or Rare News for Old England, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Interview between Napoleon and Bismarck at Doncherry, illustration from 'Cassell's History of the War between France and Germany, 1870-1871' (litho)
Interview between Napoleon and Bismarck at Doncherry, illustration from 'Cassell's History of the War between France and Germany, 1870-1871' (litho)

STC410932: Interview between Napoleon and Bismarck at Doncherry, illustration from 'Cassell's History of the War between France and Germany, 1870-1871' (litho), French School, (19th century) / Bridgeman Images

The Holy Trinity with Saint Michael Conquering the Dragon, 1666 (pen & ink, brush and wash, lead white and chalk on paper)
The Holy Trinity with Saint Michael Conquering the Dragon, 1666 (pen & ink, brush and wash, lead white and chalk on paper)

XCC2971625: The Holy Trinity with Saint Michael Conquering the Dragon, 1666 (pen & ink, brush and wash, lead white and chalk on paper), Cortona, Pietro da (Berrettini) (1596-1669) / Bridgeman Images

The Chevalier de Bayard single-handedly defending the Bridge of Garigliano, Italy, against the Spaniards, 1503 (colour litho)
The Chevalier de Bayard single-handedly defending the Bridge of Garigliano, Italy, against the Spaniards, 1503 (colour litho)

LLM3630196: The Chevalier de Bayard single-handedly defending the Bridge of Garigliano, Italy, against the Spaniards, 1503 (colour litho), French School, (20th century) / Bridgeman Images

The Council Finances in Times of War and of Peace, 1468 (oil on panel)
The Council Finances in Times of War and of Peace, 1468 (oil on panel)

XIR109447: The Council Finances in Times of War and of Peace, 1468 (oil on panel), Benvenuto di Giovanni, (1436-c.1518) / Bridgeman Images

Bonnie Prince Charlie enters Edinburgh in 1745
Bonnie Prince Charlie enters Edinburgh in 1745

PNP3697353: Bonnie Prince Charlie enters Edinburgh in 1745, Unknown Artist / Bridgeman Images

Japan: Traditional crafts and trades of the 18th century from a hand-painted album. Folio 68: Two warriors (shinobi) or mercenaries wearing concealed body armour and armed with katana sword (left) and naginata (right)
Japan: Traditional crafts and trades of the 18th century from a hand-painted album. Folio 68: Two warriors (shinobi) or mercenaries wearing concealed body armour and armed with katana sword (left) and naginata (right)

PFH1188988: Japan: Traditional crafts and trades of the 18th century from a hand-painted album. Folio 68: Two warriors (shinobi) or mercenaries wearing concealed body armour and armed with katana sword (left) and naginata (right), Japanese School, (18th century) / Bridgeman Images

Portrait of a Nobleman, Said to be Henry Rich, 1st Earl of Holland, Full Length, Wearing a Breastplate, Sash and Sword, His Hand Resting on a Stick, a Helmet on a Plinth, Standing Before a Draped Colonnade, (oil on canvas)
Portrait of a Nobleman, Said to be Henry Rich, 1st Earl of Holland, Full Length, Wearing a Breastplate, Sash and Sword, His Hand Resting on a Stick, a Helmet on a Plinth, Standing Before a Draped Colonnade, (oil on canvas)

CH652150: Portrait of a Nobleman, Said to be Henry Rich, 1st Earl of Holland, Full Length, Wearing a Breastplate, Sash and Sword, His Hand Resting on a Stick, a Helmet on a Plinth, Standing Before a Draped Colonnade, (oil on canvas), Dyck, Anthony van (1599-1641) / Bridgeman Images

First World War 1914-1918 (14-18): French postcard of 1914: France loves God - a French soldier embraces Christ - return to faith - arms and religion - sword and pin - patriotism - defense of the homeland -
First World War 1914-1918 (14-18): French postcard of 1914: France loves God - a French soldier embraces Christ - return to faith - arms and religion - sword and pin - patriotism - defense of the homeland -

PCT4288831: First World War 1914-1918 (14-18): French postcard of 1914: France loves God - a French soldier embraces Christ - return to faith - arms and religion - sword and pin - patriotism - defense of the homeland - / Bridgeman Images

Sir Edward Coke, English barrister and judge, 1552Ð1634, within architectural oval with sword and mace below. Copperplate engraving by Ryder from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Sir Edward Coke, English barrister and judge, 1552Ð1634, within architectural oval with sword and mace below. Copperplate engraving by Ryder from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608147: Sir Edward Coke, English barrister and judge, 1552Ð1634, within architectural oval with sword and mace below. Copperplate engraving by Ryder from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

Matador making the estocada (death blow) with the sword while holding the muleta (cape). Chromolithograph by E. Casanova after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894.
Matador making the estocada (death blow) with the sword while holding the muleta (cape). Chromolithograph by E. Casanova after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894.

FLO4598148: Matador making the estocada (death blow) with the sword while holding the muleta (cape). Chromolithograph by E. Casanova after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894. / Bridgeman Images

Guillaume Brune (1763-1815) after a painting by Marie Guilhelmine Benoist (1768-1826) (oil on canvas)
Guillaume Brune (1763-1815) after a painting by Marie Guilhelmine Benoist (1768-1826) (oil on canvas)

XIR213375: Guillaume Brune (1763-1815) after a painting by Marie Guilhelmine Benoist (1768-1826) (oil on canvas), Battaille, Eugene (1817-75) / Bridgeman Images

Mars and Venus, c.1627-29 (oil on canvas)
Mars and Venus, c.1627-29 (oil on canvas)

BST193839: Mars and Venus, c.1627-29 (oil on canvas), Poussin, Nicolas (1594-1665) / Bridgeman Images

Japan: Traditional crafts and trades of the 18th century from a hand-painted album by an anonymous artist. Folio 68: A warrior (shinobi) or mercenary wearing concealed body armour and armed with wakizashi short sword and naginata pole
Japan: Traditional crafts and trades of the 18th century from a hand-painted album by an anonymous artist. Folio 68: A warrior (shinobi) or mercenary wearing concealed body armour and armed with wakizashi short sword and naginata pole

PFH1188990: Japan: Traditional crafts and trades of the 18th century from a hand-painted album by an anonymous artist. Folio 68: A warrior (shinobi) or mercenary wearing concealed body armour and armed with wakizashi short sword and naginata pole, Japanese School, (18th century) / Bridgeman Images

Spain, Andalusia, Granada. Casa de los Tiros (House of the Shots). Facade of the 16th century Renaissance building. It was constructed between 1530 and 1540. Sculptural detail on the linteled door of the 17th century, with a sword perforating the heart and
Spain, Andalusia, Granada. Casa de los Tiros (House of the Shots). Facade of the 16th century Renaissance building. It was constructed between 1530 and 1540. Sculptural detail on the linteled door of the 17th century, with a sword perforating the heart and

TRK7141776: Spain, Andalusia, Granada. Casa de los Tiros (House of the Shots). Facade of the 16th century Renaissance building. It was constructed between 1530 and 1540. Sculptural detail on the linteled door of the 17th century, with a sword perforating the heart and / Bridgeman Images

Agincourt - The Impossible Victory 25 October 1415 (gouache on paper)
Agincourt - The Impossible Victory 25 October 1415 (gouache on paper)

LAL262416: Agincourt - The Impossible Victory 25 October 1415 (gouache on paper), Embleton, Ron (1930-88) / Bridgeman Images

Sir William Howe, Commander in Chief of the British Army (1776-78) in full dress dismounted (w/c on paper)
Sir William Howe, Commander in Chief of the British Army (1776-78) in full dress dismounted (w/c on paper)

NYH188146: Sir William Howe, Commander in Chief of the British Army (1776-78) in full dress dismounted (w/c on paper), Lefferts, Charles MacKubin (1873-1923) / Bridgeman Images

Sir Robert Shirley (1581-1628), 1622 (oil on canvas)
Sir Robert Shirley (1581-1628), 1622 (oil on canvas)

USB487555: Sir Robert Shirley (1581-1628), 1622 (oil on canvas), Dyck, Anthony van (1599-1641) / Bridgeman Images

Vietnam: The Vietnamese Emperor Le Loi (Lê L?i) returns the sacred sword to the Golden Turtle God, Kim Qui; puppets dancing on the water at the Thang Long Water Puppet Theatre, Hanoi (photo)
Vietnam: The Vietnamese Emperor Le Loi (Lê L?i) returns the sacred sword to the Golden Turtle God, Kim Qui; puppets dancing on the water at the Thang Long Water Puppet Theatre, Hanoi (photo)

PFH2966108: Vietnam: The Vietnamese Emperor Le Loi (Lê L?i) returns the sacred sword to the Golden Turtle God, Kim Qui; puppets dancing on the water at the Thang Long Water Puppet Theatre, Hanoi (photo) / Bridgeman Images

The unveiling of the Joan of Arc Statue, in armor with sword raised, by Anna V. Hyatt Huntington, Riverside Drive and 93rd Street, pedestal designed by John Van Pelt, New York City, December 6, 1915
The unveiling of the Joan of Arc Statue, in armor with sword raised, by Anna V. Hyatt Huntington, Riverside Drive and 93rd Street, pedestal designed by John Van Pelt, New York City, December 6, 1915

EVB2929328: The unveiling of the Joan of Arc Statue, in armor with sword raised, by Anna V. Hyatt Huntington, Riverside Drive and 93rd Street, pedestal designed by John Van Pelt, New York City, December 6, 1915 / Bridgeman Images

Vietnam: The Vietnamese Emperor Le Loi (Lê L?i) returns the sacred sword to the Golden Turtle God, Kim Qui; puppets dancing on the water at the Thang Long Water Puppet Theatre, Hanoi (photo)
Vietnam: The Vietnamese Emperor Le Loi (Lê L?i) returns the sacred sword to the Golden Turtle God, Kim Qui; puppets dancing on the water at the Thang Long Water Puppet Theatre, Hanoi (photo)

PFH2966110: Vietnam: The Vietnamese Emperor Le Loi (Lê L?i) returns the sacred sword to the Golden Turtle God, Kim Qui; puppets dancing on the water at the Thang Long Water Puppet Theatre, Hanoi (photo) / Bridgeman Images

He gave him such a buffet upon the helm with his sword that King Arthur had no power to keep his saddle, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)
He gave him such a buffet upon the helm with his sword that King Arthur had no power to keep his saddle, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)

IL3482358: He gave him such a buffet upon the helm with his sword that King Arthur had no power to keep his saddle, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

THE SURVIVAL OF THE FITTEST. Cartoon celebrating the victory of the gold standard against the populist inflation promoting silver standard. The 'Gold Stand' Gladiator stands victorious over the 'Silver Standard' gladiator whose sword is labeled '16 to
THE SURVIVAL OF THE FITTEST. Cartoon celebrating the victory of the gold standard against the populist inflation promoting silver standard. The 'Gold Stand' Gladiator stands victorious over the 'Silver Standard' gladiator whose sword is labeled '16 to

EVB2938577: THE SURVIVAL OF THE FITTEST. Cartoon celebrating the victory of the gold standard against the populist inflation promoting silver standard. The 'Gold Stand' Gladiator stands victorious over the 'Silver Standard' gladiator whose sword is labeled '16 to / Bridgeman Images

THE SURVIVAL OF THE FITTEST. Cartoon celebrating the victory of the gold standard against the populist inflation promoting silver standard. The 'Gold Stand' Gladiator stands victorious over the 'Silver Standard' gladiator whose sword is labeled '16 to
THE SURVIVAL OF THE FITTEST. Cartoon celebrating the victory of the gold standard against the populist inflation promoting silver standard. The 'Gold Stand' Gladiator stands victorious over the 'Silver Standard' gladiator whose sword is labeled '16 to

EVB2938578: THE SURVIVAL OF THE FITTEST. Cartoon celebrating the victory of the gold standard against the populist inflation promoting silver standard. The 'Gold Stand' Gladiator stands victorious over the 'Silver Standard' gladiator whose sword is labeled '16 to / Bridgeman Images

World War I, streetcar advertisement showing the devil as a German Soldier on a mound of skulls, bloodied sword at his feet. The text reads: Uber alles. Barron Collier Patriotic Series #2, circa 1917.
World War I, streetcar advertisement showing the devil as a German Soldier on a mound of skulls, bloodied sword at his feet. The text reads: Uber alles. Barron Collier Patriotic Series #2, circa 1917.

EVB2087140: World War I, streetcar advertisement showing the devil as a German Soldier on a mound of skulls, bloodied sword at his feet. The text reads: Uber alles. Barron Collier Patriotic Series #2, circa 1917., Unknown Artist, (20th century) / Bridgeman Images

Sub-Lieutenant David Bingham (l) receives the sword of honour in 1970 two years before being jailed for selling secrets to the Russians to pay off debts, 14th March 1972 (b/w photo)
Sub-Lieutenant David Bingham (l) receives the sword of honour in 1970 two years before being jailed for selling secrets to the Russians to pay off debts, 14th March 1972 (b/w photo)

MPX5124051: Sub-Lieutenant David Bingham (l) receives the sword of honour in 1970 two years before being jailed for selling secrets to the Russians to pay off debts, 14th March 1972 (b/w photo) / Bridgeman Images

Three pages from the 'Small Passion' series: (top) titlepage with Christ as the Man of Sorrows and a Latin inscription; (left) The Expulsion from Paradise; (right) Adam and Eve, pub. 1511 (woodcut)
Three pages from the 'Small Passion' series: (top) titlepage with Christ as the Man of Sorrows and a Latin inscription; (left) The Expulsion from Paradise; (right) Adam and Eve, pub. 1511 (woodcut)

XAM78013: Three pages from the 'Small Passion' series: (top) titlepage with Christ as the Man of Sorrows and a Latin inscription; (left) The Expulsion from Paradise; (right) Adam and Eve, pub. 1511 (woodcut), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

The Miracle of the Virgin of Atocha, detail, 17th century painting
The Miracle of the Virgin of Atocha, detail, 17th century painting

IBE5348098: The Miracle of the Virgin of Atocha, detail, 17th century painting, Spanish School, (17th century) / Bridgeman Images


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