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13773 Search Results for sword

Miss Roussel as Martial in La Corde de Hangdu by Laloue and Bourgeois, Theatre du Cirque Olympique, 1844. Actress crossdressing as a trumpeter for the Musketeers. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Miss Roussel as Martial in La Corde de Hangdu by Laloue and Bourgeois, Theatre du Cirque Olympique, 1844. Actress crossdressing as a trumpeter for the Musketeers. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4633055: Miss Roussel as Martial in La Corde de Hangdu by Laloue and Bourgeois, Theatre du Cirque Olympique, 1844. Actress crossdressing as a trumpeter for the Musketeers. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

ID: FLO4633055

Miss Roussel as Martial in La Corde de Hangdu by Laloue and Bourgeois, Theatre du Cirque Olympique, 1844. Actress crossdressing as a trumpeter for the Musketeers. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

Anna von Hohenlohe, wife of Conrad von Weinsberg (d. 1446), wears armor and holds a spear and sword, wearing a dress and a coat, holding a rose in her hand - From a bronze commemorative monument of the church of the convent of Schonthal (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefnernerve Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Anna von Hohenlohe, wife of Conrad von Weinsberg (d. 1446), wears armor and holds a spear and sword, wearing a dress and a coat, holding a rose in her hand - From a bronze commemorative monument of the church of the convent of Schonthal (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefnernerve Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643825: Anna von Hohenlohe, wife of Conrad von Weinsberg (d. 1446), wears armor and holds a spear and sword, wearing a dress and a coat, holding a rose in her hand - From a bronze commemorative monument of the church of the convent of Schonthal (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefnernerve Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643825

Anna von Hohenlohe, wife of Conrad von Weinsberg (d. 1446), wears armor and holds a spear and sword, wearing a dress and a coat, holding a rose in her hand - From a bronze commemorative monument of the church of the convent of Schonthal (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefnernerve Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

English soldiers with halberds wearing harem pants, late 16th century. Gunpowder expert with his back to us, and soldier with cap and armour collar. From color pen drawings in the possession of C. Becker of Wurzburg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
English soldiers with halberds wearing harem pants, late 16th century. Gunpowder expert with his back to us, and soldier with cap and armour collar. From color pen drawings in the possession of C. Becker of Wurzburg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644223: English soldiers with halberds wearing harem pants, late 16th century. Gunpowder expert with his back to us, and soldier with cap and armour collar. From color pen drawings in the possession of C. Becker of Wurzburg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644223

English soldiers with halberds wearing harem pants, late 16th century. Gunpowder expert with his back to us, and soldier with cap and armour collar. From color pen drawings in the possession of C. Becker of Wurzburg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Italian soldier in day wear with sword and dagger A, Italian soldier in battle dress with matchlock musket, wheellock pistol, sword, helm and breastplate B, and Italian helmet C, 1560-1600. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Italian soldier in day wear with sword and dagger A, Italian soldier in battle dress with matchlock musket, wheellock pistol, sword, helm and breastplate B, and Italian helmet C, 1560-1600. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644363: Italian soldier in day wear with sword and dagger A, Italian soldier in battle dress with matchlock musket, wheellock pistol, sword, helm and breastplate B, and Italian helmet C, 1560-1600. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644363

Italian soldier in day wear with sword and dagger A, Italian soldier in battle dress with matchlock musket, wheellock pistol, sword, helm and breastplate B, and Italian helmet C, 1560-1600. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Portrait of Count Nikita Petrovich Troubetskoy (1804-1886), 1826 (oil on canvas)
Portrait of Count Nikita Petrovich Troubetskoy (1804-1886), 1826 (oil on canvas)

FIA5382604: Portrait of Count Nikita Petrovich Troubetskoy (1804-1886), 1826 (oil on canvas), Kiprensky, Orest Adamovich (1778-1836) / Bridgeman Images

ID: FIA5382604

Portrait of Count Nikita Petrovich Troubetskoy (1804-1886), 1826 (oil on canvas)

Kiprensky, Orest Adamovich (1778-1836)

The Fifth Hall, 1902-04 (oil on canvas)
The Fifth Hall, 1902-04 (oil on canvas)

FIA5399721: The Fifth Hall, 1902-04 (oil on canvas), Munthe, Gerhard Peter Frantz Vilhelm (1849-1929) / Bridgeman Images

ID: FIA5399721

The Fifth Hall, 1902-04 (oil on canvas)

Munthe, Gerhard Peter Frantz Vilhelm (1849-1929)

Futurism: “Justice” Detail of the mosaic “La Giustizia tra la Legge, la Forza e la Verita” 1936 Palace of Justice of Milan, Italy (mosaic)
Futurism: “Justice” Detail of the mosaic “La Giustizia tra la Legge, la Forza e la Verita” 1936 Palace of Justice of Milan, Italy (mosaic)

MRZ5034598: Futurism: “Justice” Detail of the mosaic “La Giustizia tra la Legge, la Forza e la Verita” 1936 Palace of Justice of Milan, Italy (mosaic), Sironi, Mario (1885-1961) / Bridgeman Images

ID: MRZ5034598

Futurism: “Justice” Detail of the mosaic “La Giustizia tra la Legge, la Forza e la Verita” 1936 Palace of Justice of Milan, Italy (mosaic)

Sironi, Mario (1885-1961)

Angels and Saints, detail, c.1250-99 (fresco)
Angels and Saints, detail, c.1250-99 (fresco)

GNU6351285: Angels and Saints, detail, c.1250-99 (fresco), Master of the Reredos of Montelabate (14th century) / Bridgeman Images

ID: GNU6351285

Angels and Saints, detail, c.1250-99 (fresco)

Master of the Reredos of Montelabate (14th century)

AFF5615796: "A more unequal match can hardly be: Christian must fight an Angel" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Christian fights Apollyon in the Valley of Humiliation., Unknown Artist, (17th century) / Bridgeman Images

ID: AFF5615796

"A more unequal match can hardly be: Christian must fight an Angel" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Christian fights Apollyon in the Valley of Humiliation.

Unknown Artist, (17th century)

Count Axel Oxenstierna (Oxenstjerna), 1626 (oil on canvas)
Count Axel Oxenstierna (Oxenstjerna), 1626 (oil on canvas)

FIA5409871: Count Axel Oxenstierna (Oxenstjerna), 1626 (oil on canvas), Elbfas, Jacob Heinrich (c.1600-1664) / Bridgeman Images

ID: FIA5409871

Count Axel Oxenstierna (Oxenstjerna), 1626 (oil on canvas)

Elbfas, Jacob Heinrich (c.1600-1664)

Lt
Lt

FLO6337350: Lt, Williams, Charles (Ansell) (c.1797-1850) (after) / Bridgeman Images

ID: FLO6337350

Lt

Williams, Charles (Ansell) (c.1797-1850) (after)

Lucretia, 1534 (oil on panel transferred to canvas)
Lucretia, 1534 (oil on panel transferred to canvas)

XCK877239: Lucretia, 1534 (oil on panel transferred to canvas), Gossaert, Jan (Mabuse) (c.1472-c.1533) (school of) / Bridgeman Images

ID: XCK877239

Lucretia, 1534 (oil on panel transferred to canvas)

Gossaert, Jan (Mabuse) (c.1472-c.1533) (school of)

Roman mythology: Venus, Cupid and Vulcan - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Venus, Cupid and Vulcan, Roman gods and goddess of love, and the forge - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: Venus, Cupid and Vulcan - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Venus, Cupid and Vulcan, Roman gods and goddess of love, and the forge - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4974652: Roman mythology: Venus, Cupid and Vulcan - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Venus, Cupid and Vulcan, Roman gods and goddess of love, and the forge - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

ID: FLO4974652

Roman mythology: Venus, Cupid and Vulcan - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Venus, Cupid and Vulcan, Roman gods and goddess of love, and the forge - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Flaming sword, Vriesea splendens (Tillandsia splendens). Chromolithograph from an illustration by B. Herincq from Edward Step’s Favourite Flowers of Garden and Greenhouse, Frederick Warne, London, 1896.
Flaming sword, Vriesea splendens (Tillandsia splendens). Chromolithograph from an illustration by B. Herincq from Edward Step’s Favourite Flowers of Garden and Greenhouse, Frederick Warne, London, 1896.

FLO5893894: Flaming sword, Vriesea splendens (Tillandsia splendens). Chromolithograph from an illustration by B. Herincq from Edward Step’s Favourite Flowers of Garden and Greenhouse, Frederick Warne, London, 1896., Bois, Désiré Georges Jean Marie (1856-1946) / Bridgeman Images

ID: FLO5893894

Flaming sword, Vriesea splendens (Tillandsia splendens). Chromolithograph from an illustration by B. Herincq from Edward Step’s Favourite Flowers of Garden and Greenhouse, Frederick Warne, London, 1896.

Bois, Désiré Georges Jean Marie (1856-1946)

Ahmad Shah (b/w photo)
Ahmad Shah (b/w photo)

XIR1448900: Ahmad Shah (b/w photo), Fry, Roger Eliot (1866-1934) / Bridgeman Images

ID: XIR1448900

Ahmad Shah (b/w photo)

Fry, Roger Eliot (1866-1934)

The Battle of San Romano, detail of two cavalrymen engaged in combat, c.1450-60 (tempera on panel) (detail of 30690)
The Battle of San Romano, detail of two cavalrymen engaged in combat, c.1450-60 (tempera on panel) (detail of 30690)

BEN85547: The Battle of San Romano, detail of two cavalrymen engaged in combat, c.1450-60 (tempera on panel) (detail of 30690), Uccello, Paolo (1397-1475) / Bridgeman Images

ID: BEN85547

The Battle of San Romano, detail of two cavalrymen engaged in combat, c.1450-60 (tempera on panel) (detail of 30690)

Uccello, Paolo (1397-1475)

Detail of a scimitar set into an Indian style decorative hilt, c.1837-83 (steel, silver & velvet) (see also 447427 to 447433)
Detail of a scimitar set into an Indian style decorative hilt, c.1837-83 (steel, silver & velvet) (see also 447427 to 447433)

RUS447430: Detail of a scimitar set into an Indian style decorative hilt, c.1837-83 (steel, silver & velvet) (see also 447427 to 447433), Wilkinson, Henry (19th Century) / Bridgeman Images

ID: RUS447430

Detail of a scimitar set into an Indian style decorative hilt, c.1837-83 (steel, silver & velvet) (see also 447427 to 447433)

Wilkinson, Henry (19th Century)

St Paul, detail of the rood screen, St Helen's Church, Ranworth, Norfolk, UK (tempera on wood)
St Paul, detail of the rood screen, St Helen's Church, Ranworth, Norfolk, UK (tempera on wood)

HGP444133: St Paul, detail of the rood screen, St Helen's Church, Ranworth, Norfolk, UK (tempera on wood), English School, (15th century) / Bridgeman Images

ID: HGP444133

St Paul, detail of the rood screen, St Helen's Church, Ranworth, Norfolk, UK (tempera on wood)

English School, (15th century)

Roman art. Relief commemorating the victories of a gladiator represented in various struggles with its adversaries.
Roman art. Relief commemorating the victories of a gladiator represented in various struggles with its adversaries.

TRK561616: Roman art. Relief commemorating the victories of a gladiator represented in various struggles with its adversaries. / Bridgeman Images

ID: TRK561616

Roman art. Relief commemorating the victories of a gladiator represented in various struggles with its adversaries.

Oliver Cromwell, Protecteur, engraved by Pierre Drevet (1663-1738) (engraving)
Oliver Cromwell, Protecteur, engraved by Pierre Drevet (1663-1738) (engraving)

FLP2563365: Oliver Cromwell, Protecteur, engraved by Pierre Drevet (1663-1738) (engraving), Werff, Adriaan van der (1659-1722) (after) / Bridgeman Images

ID: FLP2563365

Oliver Cromwell, Protecteur, engraved by Pierre Drevet (1663-1738) (engraving)

Werff, Adriaan van der (1659-1722) (after)

Russian Postcard from the First World War Depicting the Cossack Hero Kuzma Kryuchkov. 1914
Russian Postcard from the First World War Depicting the Cossack Hero Kuzma Kryuchkov. 1914

RPP5245040: Russian Postcard from the First World War Depicting the Cossack Hero Kuzma Kryuchkov. 1914, Narbut, Georgy (1886-1920) / Bridgeman Images

ID: RPP5245040

Russian Postcard from the First World War Depicting the Cossack Hero Kuzma Kryuchkov. 1914

Narbut, Georgy (1886-1920)

David Prostrate, Whilst the Destroying Angel Sheathes the Sword, 1798 (oil on paper, mounted on panel)
David Prostrate, Whilst the Destroying Angel Sheathes the Sword, 1798 (oil on paper, mounted on panel)

MAM712556: David Prostrate, Whilst the Destroying Angel Sheathes the Sword, 1798 (oil on paper, mounted on panel), West, Benjamin (1738-1820) / Bridgeman Images

ID: MAM712556

David Prostrate, Whilst the Destroying Angel Sheathes the Sword, 1798 (oil on paper, mounted on panel)

West, Benjamin (1738-1820)

United States Civil War, Officer of Berdan's Sharpshooters
United States Civil War, Officer of Berdan's Sharpshooters

DTO3126460: United States Civil War, Officer of Berdan's Sharpshooters / Bridgeman Images

ID: DTO3126460

United States Civil War, Officer of Berdan's Sharpshooters

The King of Siam, 1934 (b/w photo)
The King of Siam, 1934 (b/w photo)

HRP2625025: The King of Siam, 1934 (b/w photo), Thai Photographer, (20th century) / Bridgeman Images

ID: HRP2625025

The King of Siam, 1934 (b/w photo)

Thai Photographer, (20th century)

Peel Viking Festival, July 1964 (b/w photo)
Peel Viking Festival, July 1964 (b/w photo)

MNX3322510: Peel Viking Festival, July 1964 (b/w photo) / Bridgeman Images

ID: MNX3322510

Peel Viking Festival, July 1964 (b/w photo)

St. Paul caught up into the third Heaven (San Paolo rapito al Terzo Cielo), by Gerard van Honthorst known as Gherardo delle Notti, 1617, 17th Century (oil on canvas)
St. Paul caught up into the third Heaven (San Paolo rapito al Terzo Cielo), by Gerard van Honthorst known as Gherardo delle Notti, 1617, 17th Century (oil on canvas)

MEP3612678: St. Paul caught up into the third Heaven (San Paolo rapito al Terzo Cielo), by Gerard van Honthorst known as Gherardo delle Notti, 1617, 17th Century (oil on canvas), Honthorst, Gerrit van (1590-1656) / Bridgeman Images

ID: MEP3612678

St. Paul caught up into the third Heaven (San Paolo rapito al Terzo Cielo), by Gerard van Honthorst known as Gherardo delle Notti, 1617, 17th Century (oil on canvas)

Honthorst, Gerrit van (1590-1656)

The Duke of Brittany and the Duke of Bourbon engaged in combat with swords at a tournament, (litho)
The Duke of Brittany and the Duke of Bourbon engaged in combat with swords at a tournament, (litho)

AMR3929564: The Duke of Brittany and the Duke of Bourbon engaged in combat with swords at a tournament, (litho), French School, (15th century) (after) / Bridgeman Images

ID: AMR3929564

The Duke of Brittany and the Duke of Bourbon engaged in combat with swords at a tournament, (litho)

French School, (15th century) (after)

Portrait of Joseph Vinoy (1800-1880), French General and Senator, Grand Chancellor of the National Order of the Legion of Honour. Photography Disderi, 19th century. Private collection.
Portrait of Joseph Vinoy (1800-1880), French General and Senator, Grand Chancellor of the National Order of the Legion of Honour. Photography Disderi, 19th century. Private collection.

JEB4833219: Portrait of Joseph Vinoy (1800-1880), French General and Senator, Grand Chancellor of the National Order of the Legion of Honour. Photography Disderi, 19th century. Private collection. / Bridgeman Images

ID: JEB4833219

Portrait of Joseph Vinoy (1800-1880), French General and Senator, Grand Chancellor of the National Order of the Legion of Honour. Photography Disderi, 19th century. Private collection.

Statue of Joan of ARC (JOAN of ARC, 1412-1431), saint, military woman and symbol of France. Photography Florent Lamontagne
Statue of Joan of ARC (JOAN of ARC, 1412-1431), saint, military woman and symbol of France. Photography Florent Lamontagne

LOR4251823: Statue of Joan of ARC (JOAN of ARC, 1412-1431), saint, military woman and symbol of France. Photography Florent Lamontagne / Bridgeman Images

ID: LOR4251823

Statue of Joan of ARC (JOAN of ARC, 1412-1431), saint, military woman and symbol of France. Photography Florent Lamontagne

Portrait of a miltarian, with his armour helmet. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of a miltarian, with his armour helmet. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316257: Portrait of a miltarian, with his armour helmet. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316257

Portrait of a miltarian, with his armour helmet. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Bronze sword
Bronze sword

UTD2839528: Bronze sword / Bridgeman Images

ID: UTD2839528

Bronze sword

Battle of Ping-Yang, 1894 (engraving)
Battle of Ping-Yang, 1894 (engraving)

TRK1776078: Battle of Ping-Yang, 1894 (engraving) / Bridgeman Images

ID: TRK1776078

Battle of Ping-Yang, 1894 (engraving)

Perseus, c.1540 (pen and brown pencil with black chalk on white paper)
Perseus, c.1540 (pen and brown pencil with black chalk on white paper)

XKH155187: Perseus, c.1540 (pen and brown pencil with black chalk on white paper), Romano, Giulio (1492-1546) / Bridgeman Images

ID: XKH155187

Perseus, c.1540 (pen and brown pencil with black chalk on white paper)

Romano, Giulio (1492-1546)

Guardhouse (Corpo di guardia), by Alessandro Magnasco known as Lissandrino, 18th century, oil on canvas, 69 x 46 cm.
Guardhouse (Corpo di guardia), by Alessandro Magnasco known as Lissandrino, 18th century, oil on canvas, 69 x 46 cm.

MEP1125076: Guardhouse (Corpo di guardia), by Alessandro Magnasco known as Lissandrino, 18th century, oil on canvas, 69 x 46 cm., Magnasco, Alessandro (1667-1749) / Bridgeman Images

ID: MEP1125076

Guardhouse (Corpo di guardia), by Alessandro Magnasco known as Lissandrino, 18th century, oil on canvas, 69 x 46 cm.

Magnasco, Alessandro (1667-1749)

Peter Pan and Wendy
Peter Pan and Wendy

LAL298575: Peter Pan and Wendy, Quinto, Nadir (1918-94) / Bridgeman Images

ID: LAL298575

Peter Pan and Wendy

Quinto, Nadir (1918-94)

Robinson Crusoe, illustration from 'The Story of Robinson Crusoe: An adaptation for children following Defoe's language', pub. by Griffith Farran Browne & Co. Limited, London (litho)
Robinson Crusoe, illustration from 'The Story of Robinson Crusoe: An adaptation for children following Defoe's language', pub. by Griffith Farran Browne & Co. Limited, London (litho)

STC405590: Robinson Crusoe, illustration from 'The Story of Robinson Crusoe: An adaptation for children following Defoe's language', pub. by Griffith Farran Browne & Co. Limited, London (litho), English School, (19th century) / Bridgeman Images

ID: STC405590

Robinson Crusoe, illustration from 'The Story of Robinson Crusoe: An adaptation for children following Defoe's language', pub. by Griffith Farran Browne & Co. Limited, London (litho)

English School, (19th century)


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