ID: BRA76573

The Fight with Sir Marhalt, from 'The Story of Tristan and Isolde', William Morris & Co. (stained glass)

Rossetti, Dante Gabriel Charles (1828-82)

ID: XIR82805

The Forge of Vulcan, tapestry cartoon, 1757 (oil on canvas)

Boucher, Francois (1703-70)

ID: KWE7212147

Archduke Charles presents his sword to the Duke of Marlborough (1700). c.1890 (engraving)

ID: FAF3563745

Judith and Holofernes, bronze, Donato di Niccolo di Betto Bardi said Donatello (1386-1466), Sala dei Gigli, Palazzo Vecchio, Florence

ID: PCT4265065

Night duel in the moonlight between Baron de Sigognac and Jacquemin Lampourde, under the equestrian statue of the Bronze King. Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863.

Dore, Gustave (1832-83)

ID: XCC2970052

Arab Horseman Attacked by a Lion, 1849-50 (oil on panel)

Delacroix, Ferdinand Victor Eugene (1798-1863)

ID: STC415846

Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

Ademollo, Luigi (1764-1849)

ID: IL193444

The Meeting of Sir Colin Campbell (1792-1863) and General Outram illustration from 'Glorious Battles of English History' by Major C.H. Wylly, 1920s (colour litho)

Payne, Henry A. (Harry) (1868-1940)

ID: XIR182131

Officer of the Hussars of the Imperial Guard during the First Empire (coloured engraving)

French School, (19th century)

ID: LZT1111662

Buruburu Taisho, Electrified Manchurian. 1895., 1 Print : Woodcut, Color ; 37.3 X 24.8 ., Print Shows a Jagged-Edged Depiction of a Man on Horseback, Holding Raised Sword. Verbal Puns.

Kobayashi Kiyochika (1847-1915)

ID: GRL5962666

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", 1756-57 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

ID: FAF1249513

Model in evening dress created by the Italian couture house "Dragoni". The font of the article has a flashy sequined decoration in the shape of a sword. A hat and fur overcoat complete the ensemble. (b/w photo)

Bogino, Luis (fl.1935)

ID: BFM314955

The Apostle Paul in Prison (oil on canvas) (b/w photo)

Rembrandt Harmensz. van Rijn (1606-69)

ID: XIR164842

Foulques III Nerra (or the Black) (970-1040) and Geoffroy II Martel (1005-60) (engraving) (b/w photo)

French School, (19th century)

ID: KWE619306

Knight's Sword with double edged blade, spirally twisted crosspiece and forefinger and thumb guard, dated A.D. 1455, from The British Army: Its Origins, Progress and Equipment, published 1868.

English School, (19th century)

ID: XRA2675679

Exhibition about "Napoleon 1st and his family" at the Invalides in Paris, on February 26, 1951 : a portrait, his hat (used at Waterloo) and his sword (used at the coronation) (b/w photo)

ID: PCT4273543

Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” Frontispice of the 1682 edition illustrated by Pierre Brissart (sometimes written Brisart).

ID: LLM665011

Relics of Prince Charles Edward (engraving)

Williams, J.L. (c.1815-77) (after)

ID: BEN44375

Detail of the Three Graces and Mercury, from the Primavera, c.1478 (tempera on panel)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

ID: DAM183952

America (colour litho)

Crane, Walter (1845-1915)

ID: FAS45568

Perseus and Andromeda

Poynter, Edward John (1836-1919)

ID: LRI4607115

General A German officer with a helmet pointed, holding in one hand a velo saddle and in the other a blood-maculee sword. Behind him, ruins. Drawing by Georg Gross dit George Grosz (1893-1959) 1919. German Expressionism. Paris, private collection

Grosz, George (1893-1959)

ID: FIA5401947

Vladimir II Monomaque (1053-1125) (Vladimir Vsevoltodovitch), 2010 (oil on canvas)

Demakov, Evgeny (b.1968)

ID: FAF360398

The Madonna of Loreto with Saint Paul and Saint Francis (oil on canvas)

Vanni, Francesco (1563-1610)

ID: FIA5370901

Portrait of John Baker-Holroyd (Baker Holroyd), Count of Sheffield (1735-1821), 18th century (oil on board)

Kauffman, Angelica (1741-1807)

ID: CH780743

Paradise Lost, 1867 (oil on canvas)

Cabanel, Alexandre (1823-89)

ID: PFH1188987

Japan: Traditional crafts and trades of the 18th century from a hand-painted album by an anonymous artist. Folio 47: A man armed with with bow (yumi), arrows (ya) and long sword (katana)

Japanese School, (18th century)

ID: PFH1168087

Italy: Vatican Zouave of Major O'Reilley's Papal Brigade, and a veteran of the battles against Garibaldi. Fully armed and equipped with a .71 cal. Model 1842 French Rifle with sword bayonet, and backpack.

ID: EVB2929312

Joan of Arc Statue, in armor with sword raised, by Anna V. Hyatt Huntington, Riverside Drive and 93rd Street, pedestal designed by John Van Pelt, New York City, 1920

ID: XDR336042

Still from the film "Die Nibelungen: Siegfried" with Paul Richter, 1924 (b/w photo)

German Photographer, (20th Century)

ID: LAL319817

Jason and the Golden Fleece

McConnell, James Edwin (1903-95)

ID: LIP1107260

Odd Fish at the International Fisheries Exhibition (engraving)

Wain, Louis (1860-1939) (after)

ID: CHT224705

In 1747, the Companions are told, the pretender Charles-Edward Stuart (1720-1788) established a Chapter of the Rose Cross in Arras, illustration from 'The Free-Masonry' by Leo Taxil (engraving) (b/w photo)

Mejanel, Pierre (b.c.1850)

ID: ROC929957

Pedro V, King of Portugal, 1854 (oil on canvas)

Winterhalter, Franz Xaver (1805-73)

ID: XIR32802

Jean Baptiste Faure (1830-1914) as Hamlet, 1877 (oil on canvas)

Manet, Edouard (1832-83)

ID: BAL75864

David and Jonathan, 1642 (oil on panel)

Rembrandt Harmensz. van Rijn (1606-69)