Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

13714 Search Results for sword

Portrait of Adolph Frederick (1710-1771), King of Sweden, 1743 (oil on canvas)
Portrait of Adolph Frederick (1710-1771), King of Sweden, 1743 (oil on canvas)

FIA5407673: Portrait of Adolph Frederick (1710-1771), King of Sweden, 1743 (oil on canvas), Pesne, Antoine (1683-1747) / Bridgeman Images

Portrait of Alexandre Nevsky, Grand Prince of Novgorod and Vladimir (1220-1263), 20th century (oil on canvas)
Portrait of Alexandre Nevsky, Grand Prince of Novgorod and Vladimir (1220-1263), 20th century (oil on canvas)

FIA5347348: Portrait of Alexandre Nevsky, Grand Prince of Novgorod and Vladimir (1220-1263), 20th century (oil on canvas), Kulikov, Afanasiy Yefremovich (1884-1949) / Bridgeman Images

Attack (tanks and cavalry of the red army during the October Revolution) - Attack, 1936 (oil on canvas)
Attack (tanks and cavalry of the red army during the October Revolution) - Attack, 1936 (oil on canvas)

FIA5355057: Attack (tanks and cavalry of the red army during the October Revolution) - Attack, 1936 (oil on canvas), Savitsky, Georgiy Konstantinovich (1887-1949) / Bridgeman Images

The national revolte of Kouzma (Kuzma or Kozma), 1850 (oil on canvas)
The national revolte of Kouzma (Kuzma or Kozma), 1850 (oil on canvas)

FIA5350836: The national revolte of Kouzma (Kuzma or Kozma), 1850 (oil on canvas), Skotti, Michail Ivanovich (1814-61) / Bridgeman Images

Portrait of the King Charles X Gustavof Sweden (1622-1660), 17th century (oil on canvas)
Portrait of the King Charles X Gustavof Sweden (1622-1660), 17th century (oil on canvas)

FIA5408300: Portrait of the King Charles X Gustavof Sweden (1622-1660), 17th century (oil on canvas), Bourdon, Sebastien (1616-71) / Bridgeman Images

Ferdinand II de Tyrol (from Habsburg), Archduke of Austria, c.1540 (oil on canvas)
Ferdinand II de Tyrol (from Habsburg), Archduke of Austria, c.1540 (oil on canvas)

FIA5409531: Ferdinand II de Tyrol (from Habsburg), Archduke of Austria, c.1540 (oil on canvas), Seisenegger, Jakob (1505-67) / Bridgeman Images

Peter Pan and Wendy
Peter Pan and Wendy

LAL298575: Peter Pan and Wendy, Quinto, Nadir (1918-94) / Bridgeman Images

Portrait of Angelo Memmo dressed as a sea captain (oil on canvas)
Portrait of Angelo Memmo dressed as a sea captain (oil on canvas)

CPH383478: Portrait of Angelo Memmo dressed as a sea captain (oil on canvas), Longhi, Alessandro (1733-1813) / Bridgeman Images

Detail of a scimitar set into an Indian style decorative hilt, c.1837-83 (steel, silver & velvet) (see also 447427 to 447433)
Detail of a scimitar set into an Indian style decorative hilt, c.1837-83 (steel, silver & velvet) (see also 447427 to 447433)

RUS447430: Detail of a scimitar set into an Indian style decorative hilt, c.1837-83 (steel, silver & velvet) (see also 447427 to 447433), Wilkinson, Henry (19th Century) / Bridgeman Images

Adoration of the Virgin and Child, by Bernardino Castelli, 18th century, oil on canvas.
Adoration of the Virgin and Child, by Bernardino Castelli, 18th century, oil on canvas.

MEP1125059: Adoration of the Virgin and Child, by Bernardino Castelli, 18th century, oil on canvas., Castelli, Bernardino (1750-1810) / Bridgeman Images

St. Paul caught up into the third Heaven (San Paolo rapito al Terzo Cielo), by Gerard van Honthorst known as Gherardo delle Notti, 1617, 17th Century (oil on canvas)
St. Paul caught up into the third Heaven (San Paolo rapito al Terzo Cielo), by Gerard van Honthorst known as Gherardo delle Notti, 1617, 17th Century (oil on canvas)

MEP3612678: St. Paul caught up into the third Heaven (San Paolo rapito al Terzo Cielo), by Gerard van Honthorst known as Gherardo delle Notti, 1617, 17th Century (oil on canvas), Honthorst, Gerrit van (1590-1656) / Bridgeman Images

The King of Siam, 1934 (b/w photo)
The King of Siam, 1934 (b/w photo)

HRP2625025: The King of Siam, 1934 (b/w photo), Thai Photographer, (20th century) / Bridgeman Images

Queen Elizabeth honors the best cadet, 1941 (b/w photo)
Queen Elizabeth honors the best cadet, 1941 (b/w photo)

SZT6309804: Queen Elizabeth honors the best cadet, 1941 (b/w photo) / Bridgeman Images

Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at left
Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at left

FLO6340031: Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at left, Villain (19th century) / Bridgeman Images

Joan of Arc, Statue of Jeanne d'Arc, by Anna V. Hyatt Huntington, 1915
Joan of Arc, Statue of Jeanne d'Arc, by Anna V. Hyatt Huntington, 1915

EVB2929313: Joan of Arc, Statue of Jeanne d'Arc, by Anna V. Hyatt Huntington, 1915 / Bridgeman Images

A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678336: A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Costume of a Cent-Suisse, elite infantry guard, in Henri IV by Saint-Hilaire and Michel Delaporte, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Costume of a Cent-Suisse, elite infantry guard, in Henri IV by Saint-Hilaire and Michel Delaporte, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632125: Costume of a Cent-Suisse, elite infantry guard, in Henri IV by Saint-Hilaire and Michel Delaporte, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Arms and armour of the Mamluks including armour, sabre, mace, arrow, helmet, sword, quiver, arrows, shield, musket, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i i Popoli), 1843.
Arms and armour of the Mamluks including armour, sabre, mace, arrow, helmet, sword, quiver, arrows, shield, musket, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i i Popoli), 1843.

FLO4620299: Arms and armour of the Mamluks including armour, sabre, mace, arrow, helmet, sword, quiver, arrows, shield, musket, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i i Popoli), 1843. / Bridgeman Images

Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4704055: Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

Harold II (Godwinson, King of England 1022-1066) offering his sword to the winner Guy I, Count of Ponthew (died 1010). The Franks, living in the cities, wore a longer tunic, covered in a coat, like Guy I (88). The defeated bearing his guard pointed to the ground, as Harold II executed him (87). The ordinary soldier due Guy I was wearing a shirt with short panties and shoes wearing a sword on the belt and a hat (89). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Harold II (Godwinson, King of England 1022-1066) offering his sword to the winner Guy I, Count of Ponthew (died 1010). The Franks, living in the cities, wore a longer tunic, covered in a coat, like Guy I (88). The defeated bearing his guard pointed to the ground, as Harold II executed him (87). The ordinary soldier due Guy I was wearing a shirt with short panties and shoes wearing a sword on the belt and a hat (89). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707693: Harold II (Godwinson, King of England 1022-1066) offering his sword to the winner Guy I, Count of Ponthew (died 1010). The Franks, living in the cities, wore a longer tunic, covered in a coat, like Guy I (88). The defeated bearing his guard pointed to the ground, as Harold II executed him (87). The ordinary soldier due Guy I was wearing a shirt with short panties and shoes wearing a sword on the belt and a hat (89). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Circassian in armor - Circassian man in helmet, chain mail tunic over skirt, with plate metal armor on his forearms and shins, carrying a musket and curved sword - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Historical Library Artistic, Brussels, 1845
Circassian in armor - Circassian man in helmet, chain mail tunic over skirt, with plate metal armor on his forearms and shins, carrying a musket and curved sword - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Historical Library Artistic, Brussels, 1845

FLO4723960: Circassian in armor - Circassian man in helmet, chain mail tunic over skirt, with plate metal armor on his forearms and shins, carrying a musket and curved sword - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Historical Library Artistic, Brussels, 1845 / Bridgeman Images

Japanese soldier wearing helmet, jacket, short kimono, trousers and sandals, with two swords in his belt - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845
Japanese soldier wearing helmet, jacket, short kimono, trousers and sandals, with two swords in his belt - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

FLO4724342: Japanese soldier wearing helmet, jacket, short kimono, trousers and sandals, with two swords in his belt - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845 / Bridgeman Images

Guardhouse (Corpo di guardia), by Alessandro Magnasco known as Lissandrino, 18th century, oil on canvas, 69 x 46 cm.
Guardhouse (Corpo di guardia), by Alessandro Magnasco known as Lissandrino, 18th century, oil on canvas, 69 x 46 cm.

MEP1125076: Guardhouse (Corpo di guardia), by Alessandro Magnasco known as Lissandrino, 18th century, oil on canvas, 69 x 46 cm., Magnasco, Alessandro (1667-1749) / Bridgeman Images

The Pharaohs' Woman, 1960 (film still)
The Pharaohs' Woman, 1960 (film still)

XRD1736026: The Pharaohs' Woman, 1960 (film still) / Bridgeman Images

Cromwell Statue, Westminster (colour litho)
Cromwell Statue, Westminster (colour litho)

LLM3093839: Cromwell Statue, Westminster (colour litho), English School, (20th century) / Bridgeman Images

Portrait of Hugues I Capet (v. 941 - 996), Duke of France and then King of France. Chromolithography of the late 19th century.
Portrait of Hugues I Capet (v. 941 - 996), Duke of France and then King of France. Chromolithography of the late 19th century.

XEE4408837: Portrait of Hugues I Capet (v. 941 - 996), Duke of France and then King of France. Chromolithography of the late 19th century., French School, (19th century) / Bridgeman Images

Allegory of the thirteen values of the republic: the Peace embracing the Justice (Painting, after 1783)
Allegory of the thirteen values of the republic: the Peace embracing the Justice (Painting, after 1783)

LRI4696118: Allegory of the thirteen values of the republic: the Peace embracing the Justice (Painting, after 1783), Ratti, Carlo Giuseppe (1737-1795) / Bridgeman Images

Sir John of Sitsylt - knight 's costume from 14th century
Sir John of Sitsylt - knight 's costume from 14th century

XLF3780440: Sir John of Sitsylt - knight 's costume from 14th century / Bridgeman Images

Portrait of Frederick I, the Victorious (engraving)
Portrait of Frederick I, the Victorious (engraving)

TRK3714428: Portrait of Frederick I, the Victorious (engraving) / Bridgeman Images

Q: Genie. Engraving in
Q: Genie. Engraving in

DUV4207066: Q: Genie. Engraving in "Military Alphabet" . Illustrator's initials: A. D. Unknown publisher. Chromolithographs late 19th century. Dim: 10,5x7cm ., French School, (19th century) / Bridgeman Images

Statue of Joan of ARC (JOAN of ARC, 1412-1431), saint, military woman and symbol of France. Photography Florent Lamontagne
Statue of Joan of ARC (JOAN of ARC, 1412-1431), saint, military woman and symbol of France. Photography Florent Lamontagne

LOR4251817: Statue of Joan of ARC (JOAN of ARC, 1412-1431), saint, military woman and symbol of France. Photography Florent Lamontagne / Bridgeman Images

Portrait of Joan of Arc (1412-1431) holding her sword and banner with the IHS monogram of Jesus Christ (Jesus Christ), the only portrait realized in her lifetime still preserved. It was done by a clerk, Clement de Fauquembergue, in 1429. Engraving after a 15th century miniature. This is a drawing in the margin of a register recording the elevation of the seat of Orleans on May 8, 1429. In the text it reads: “the enemies had in their company a single virgin carrying a banner”. See the full text of the original document: ref. 2015114
Portrait of Joan of Arc (1412-1431) holding her sword and banner with the IHS monogram of Jesus Christ (Jesus Christ), the only portrait realized in her lifetime still preserved. It was done by a clerk, Clement de Fauquembergue, in 1429. Engraving after a 15th century miniature. This is a drawing in the margin of a register recording the elevation of the seat of Orleans on May 8, 1429. In the text it reads: “the enemies had in their company a single virgin carrying a banner”. See the full text of the original document: ref. 2015114

PCT4274028: Portrait of Joan of Arc (1412-1431) holding her sword and banner with the IHS monogram of Jesus Christ (Jesus Christ), the only portrait realized in her lifetime still preserved. It was done by a clerk, Clement de Fauquembergue, in 1429. Engraving after a 15th century miniature. This is a drawing in the margin of a register recording the elevation of the seat of Orleans on May 8, 1429. In the text it reads: “the enemies had in their company a single virgin carrying a banner”. See the full text of the original document: ref. 2015114 / Bridgeman Images

David about to cut off Goliath 's head - Bible
David about to cut off Goliath 's head - Bible

XLF3779934: David about to cut off Goliath 's head - Bible, Hole, William Brassey (1846-1917) / Bridgeman Images

Welsh soliders in the 13th century
Welsh soliders in the 13th century

XLF3787851: Welsh soliders in the 13th century / Bridgeman Images

Knights Templar: Effigy of a member of the de Ros family, in the Temple Church, London, 1811 (etching)
Knights Templar: Effigy of a member of the de Ros family, in the Temple Church, London, 1811 (etching)

AMR3929605: Knights Templar: Effigy of a member of the de Ros family, in the Temple Church, London, 1811 (etching), Stothard, Charles Alfred (1786-1821) / Bridgeman Images

Cavalry Combat, 17th century (painting)
Cavalry Combat, 17th century (painting)

FIA5326113: Cavalry Combat, 17th century (painting), Courtois, Jacques (Le Bourguignon) (1621-76) / Bridgeman Images


Back to top