Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

13715 Search Results for sword

St. Paul caught up into the third Heaven (San Paolo rapito al Terzo Cielo), by Gerard van Honthorst known as Gherardo delle Notti, 1617, 17th Century (oil on canvas)
St. Paul caught up into the third Heaven (San Paolo rapito al Terzo Cielo), by Gerard van Honthorst known as Gherardo delle Notti, 1617, 17th Century (oil on canvas)

MEP3612678: St. Paul caught up into the third Heaven (San Paolo rapito al Terzo Cielo), by Gerard van Honthorst known as Gherardo delle Notti, 1617, 17th Century (oil on canvas), Honthorst, Gerrit van (1590-1656) / Bridgeman Images

Arms and armour of the Mamluks including armour, sabre, mace, arrow, helmet, sword, quiver, arrows, shield, musket, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i i Popoli), 1843.
Arms and armour of the Mamluks including armour, sabre, mace, arrow, helmet, sword, quiver, arrows, shield, musket, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i i Popoli), 1843.

FLO4620299: Arms and armour of the Mamluks including armour, sabre, mace, arrow, helmet, sword, quiver, arrows, shield, musket, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i i Popoli), 1843. / Bridgeman Images

Costume of a Cent-Suisse, elite infantry guard, in Henri IV by Saint-Hilaire and Michel Delaporte, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Costume of a Cent-Suisse, elite infantry guard, in Henri IV by Saint-Hilaire and Michel Delaporte, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632125: Costume of a Cent-Suisse, elite infantry guard, in Henri IV by Saint-Hilaire and Michel Delaporte, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678336: A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4704055: Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

Queen Elizabeth honors the best cadet, 1941 (b/w photo)
Queen Elizabeth honors the best cadet, 1941 (b/w photo)

SZT6309804: Queen Elizabeth honors the best cadet, 1941 (b/w photo) / Bridgeman Images

Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at left
Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at left

FLO6340031: Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at left, Villain (19th century) / Bridgeman Images

Circassian in armor - Circassian man in helmet, chain mail tunic over skirt, with plate metal armor on his forearms and shins, carrying a musket and curved sword - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Historical Library Artistic, Brussels, 1845
Circassian in armor - Circassian man in helmet, chain mail tunic over skirt, with plate metal armor on his forearms and shins, carrying a musket and curved sword - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Historical Library Artistic, Brussels, 1845

FLO4723960: Circassian in armor - Circassian man in helmet, chain mail tunic over skirt, with plate metal armor on his forearms and shins, carrying a musket and curved sword - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Historical Library Artistic, Brussels, 1845 / Bridgeman Images

Japanese soldier wearing helmet, jacket, short kimono, trousers and sandals, with two swords in his belt - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845
Japanese soldier wearing helmet, jacket, short kimono, trousers and sandals, with two swords in his belt - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

FLO4724342: Japanese soldier wearing helmet, jacket, short kimono, trousers and sandals, with two swords in his belt - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845 / Bridgeman Images

Harold II (Godwinson, King of England 1022-1066) offering his sword to the winner Guy I, Count of Ponthew (died 1010). The Franks, living in the cities, wore a longer tunic, covered in a coat, like Guy I (88). The defeated bearing his guard pointed to the ground, as Harold II executed him (87). The ordinary soldier due Guy I was wearing a shirt with short panties and shoes wearing a sword on the belt and a hat (89). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Harold II (Godwinson, King of England 1022-1066) offering his sword to the winner Guy I, Count of Ponthew (died 1010). The Franks, living in the cities, wore a longer tunic, covered in a coat, like Guy I (88). The defeated bearing his guard pointed to the ground, as Harold II executed him (87). The ordinary soldier due Guy I was wearing a shirt with short panties and shoes wearing a sword on the belt and a hat (89). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707693: Harold II (Godwinson, King of England 1022-1066) offering his sword to the winner Guy I, Count of Ponthew (died 1010). The Franks, living in the cities, wore a longer tunic, covered in a coat, like Guy I (88). The defeated bearing his guard pointed to the ground, as Harold II executed him (87). The ordinary soldier due Guy I was wearing a shirt with short panties and shoes wearing a sword on the belt and a hat (89). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” Frontispice of the 1682 edition illustrated by Pierre Brissart (sometimes written Brisart).
Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” Frontispice of the 1682 edition illustrated by Pierre Brissart (sometimes written Brisart).

PCT4273543: Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” Frontispice of the 1682 edition illustrated by Pierre Brissart (sometimes written Brisart). / Bridgeman Images

Archduke Charles presents his sword to the Duke of Marlborough (1700). c.1890 (engraving)
Archduke Charles presents his sword to the Duke of Marlborough (1700). c.1890 (engraving)

KWE7212147: Archduke Charles presents his sword to the Duke of Marlborough (1700). c.1890 (engraving) / Bridgeman Images

Exhibition about
Exhibition about

XRA2675679: Exhibition about "Napoleon 1st and his family" at the Invalides in Paris, on February 26, 1951 : a portrait, his hat (used at Waterloo) and his sword (used at the coronation) (b/w photo) / Bridgeman Images

Knight's Sword with double edged blade, spirally twisted crosspiece and forefinger and thumb guard, dated A.D. 1455, from The British Army: Its Origins, Progress and Equipment, published 1868.
Knight's Sword with double edged blade, spirally twisted crosspiece and forefinger and thumb guard, dated A.D. 1455, from The British Army: Its Origins, Progress and Equipment, published 1868.

KWE619306: Knight's Sword with double edged blade, spirally twisted crosspiece and forefinger and thumb guard, dated A.D. 1455, from The British Army: Its Origins, Progress and Equipment, published 1868., English School, (19th century) / Bridgeman Images

Madame de Montule et sa famille (pencil, watercolour, gouache and red chalk on paper) c.1760
Madame de Montule et sa famille (pencil, watercolour, gouache and red chalk on paper) c.1760

CND233500: Madame de Montule et sa famille (pencil, watercolour, gouache and red chalk on paper) c.1760, Carmontelle, Louis Carrogis (1717-1806) / Bridgeman Images

The Governor of Buenos Aires, illustration to Chapter 13 of 'Candide' by Voltaire (1694-1778) (collage)
The Governor of Buenos Aires, illustration to Chapter 13 of 'Candide' by Voltaire (1694-1778) (collage)

HBY185046: The Governor of Buenos Aires, illustration to Chapter 13 of 'Candide' by Voltaire (1694-1778) (collage), Bulley, Hugh (1924-2020) / Bridgeman Images

Christ on the Mount of Olives, c.1507 (tempera on poplar wood)
Christ on the Mount of Olives, c.1507 (tempera on poplar wood)

BFM286556: Christ on the Mount of Olives, c.1507 (tempera on poplar wood), Signorelli, Luca (c.1450-1523) / Bridgeman Images

Poster advertising 'La Megere Apprivoisee', a comedy based on 'The Taming of the Shrew' by William Shakespeare (1564-1616) 1895  (colour litho)
Poster advertising 'La Megere Apprivoisee', a comedy based on 'The Taming of the Shrew' by William Shakespeare (1564-1616) 1895  (colour litho)

PER248013: Poster advertising 'La Megere Apprivoisee', a comedy based on 'The Taming of the Shrew' by William Shakespeare (1564-1616) 1895 (colour litho), Deshays, Emile (fl.1890s) / Bridgeman Images

Robin Hood and his merry men -
Robin Hood and his merry men -

XLA3748050: Robin Hood and his merry men -, Theaker, Harry George (1873-1954) / Bridgeman Images

Knight in armor, 1401, portrait of Thomas Knebel von Katzenelnbogen - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Knight in armor, 1401, portrait of Thomas Knebel von Katzenelnbogen - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643558: Knight in armor, 1401, portrait of Thomas Knebel von Katzenelnbogen - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Sword hilt in iron decorated with silver A, and gilt hunting pipes decorated with sapphires B and a crocodile C. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Sword hilt in iron decorated with silver A, and gilt hunting pipes decorated with sapphires B and a crocodile C. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644200: Sword hilt in iron decorated with silver A, and gilt hunting pipes decorated with sapphires B and a crocodile C. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

Knight Templar, elite rank, 13th century. He wears a white hooded cape, tunic and leather shoes. He carries a lance and sword. Originally the order did not wear the red cross. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Knight Templar, elite rank, 13th century. He wears a white hooded cape, tunic and leather shoes. He carries a lance and sword. Originally the order did not wear the red cross. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674251: Knight Templar, elite rank, 13th century. He wears a white hooded cape, tunic and leather shoes. He carries a lance and sword. Originally the order did not wear the red cross. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Eleuthe (western mongol) - Aleutian man in helmet, long coat and boots, wearing a straight sword from his belt - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845
Eleuthe (western mongol) - Aleutian man in helmet, long coat and boots, wearing a straight sword from his belt - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

FLO4724138: Eleuthe (western mongol) - Aleutian man in helmet, long coat and boots, wearing a straight sword from his belt - Handcoloured woodcut by Doms from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845 / Bridgeman Images

Man of the Karen tribe (Karene or Karyang) (Burma, Myanmar) - Man of the Karen (Karian) tribe of southern Burma - Handcoloured woodcut from “” Mores, Uses et Costumes de tous les Peoples du Monde, Asia,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845
Man of the Karen tribe (Karene or Karyang) (Burma, Myanmar) - Man of the Karen (Karian) tribe of southern Burma - Handcoloured woodcut from “” Mores, Uses et Costumes de tous les Peoples du Monde, Asia,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

FLO4723511: Man of the Karen tribe (Karene or Karyang) (Burma, Myanmar) - Man of the Karen (Karian) tribe of southern Burma - Handcoloured woodcut from “” Mores, Uses et Costumes de tous les Peoples du Monde, Asia,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845 / Bridgeman Images

Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)

ELC852544: Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache), Martini, Alberto (1876-1954) / Bridgeman Images

Justice (oil on panel)
Justice (oil on panel)

XAL156891: Justice (oil on panel), Pacchiarotti, Giacomo (1474-c.1540) (attrib.) / Bridgeman Images

Kabuki Actor Bando Mitsugoro, 18th-19th century (woodblock print)
Kabuki Actor Bando Mitsugoro, 18th-19th century (woodblock print)

MAM713532: Kabuki Actor Bando Mitsugoro, 18th-19th century (woodblock print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

Portrait of a Man Holding a Book, c.1540 (oil on canvas)
Portrait of a Man Holding a Book, c.1540 (oil on canvas)

BST263806: Portrait of a Man Holding a Book, c.1540 (oil on canvas), Titian (Tiziano Vecellio) (c.1488-1576) / Bridgeman Images

Joan of Arc in reims at CharlesVII coronation (postcard)
Joan of Arc in reims at CharlesVII coronation (postcard)

PVD1687630: Joan of Arc in reims at CharlesVII coronation (postcard), unknown photographer / Bridgeman Images

Stained glass window, St James's Church, Birlingham, Worcestershire, England (photo)
Stained glass window, St James's Church, Birlingham, Worcestershire, England (photo)

TMA3263459: Stained glass window, St James's Church, Birlingham, Worcestershire, England (photo), Marsden, Simon (1948-2012) / Bridgeman Images

The Funeral of Buondelmonte, 1860 (oil on canvas)
The Funeral of Buondelmonte, 1860 (oil on canvas)

MEP2646512: The Funeral of Buondelmonte, 1860 (oil on canvas), Altamura, Saverio (1826-97) / Bridgeman Images

The Beastmaster by Don Coscarelli, 1982.
The Beastmaster by Don Coscarelli, 1982.

XRD1737570: The Beastmaster by Don Coscarelli, 1982. / Bridgeman Images

Sir Oliver de Ingham, 1287-1343, English knight and soldier under King Edward II of England. Chainmail with black plate armour, brassarts, knee pads, sollerets, etc. Bassinet helmet, armorial pourpoint with scarlet cross on a gold and green field. From a sepulchral effigy in Ingham Church, Norfolk. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir Oliver de Ingham, 1287-1343, English knight and soldier under King Edward II of England. Chainmail with black plate armour, brassarts, knee pads, sollerets, etc. Bassinet helmet, armorial pourpoint with scarlet cross on a gold and green field. From a sepulchral effigy in Ingham Church, Norfolk. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678196: Sir Oliver de Ingham, 1287-1343, English knight and soldier under King Edward II of England. Chainmail with black plate armour, brassarts, knee pads, sollerets, etc. Bassinet helmet, armorial pourpoint with scarlet cross on a gold and green field. From a sepulchral effigy in Ingham Church, Norfolk. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Dacian warrior with axe and a German captive. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Dacian warrior with axe and a German captive. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4703969: Dacian warrior with axe and a German captive. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

Cromwell Statue, Westminster (colour litho)
Cromwell Statue, Westminster (colour litho)

LLM3093839: Cromwell Statue, Westminster (colour litho), English School, (20th century) / Bridgeman Images

Portrait of Hugues I Capet (v. 941 - 996), Duke of France and then King of France. Chromolithography of the late 19th century.
Portrait of Hugues I Capet (v. 941 - 996), Duke of France and then King of France. Chromolithography of the late 19th century.

XEE4408837: Portrait of Hugues I Capet (v. 941 - 996), Duke of France and then King of France. Chromolithography of the late 19th century., French School, (19th century) / Bridgeman Images


Back to top