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13773 Search Results for sword

Mystic marriage of St Catherine (oil on panel)
Mystic marriage of St Catherine (oil on panel)

CPH366022: Mystic marriage of St Catherine (oil on panel), Memling, Hans (c.1433-94) / Bridgeman Images

ID: CPH366022

Mystic marriage of St Catherine (oil on panel)

Memling, Hans (c.1433-94)

Marcellus' duel with Virdumarus, illustration from 'Hutchinson's History of the Nations', early 1900s (colour litho)
Marcellus' duel with Virdumarus, illustration from 'Hutchinson's History of the Nations', early 1900s (colour litho)

IL274578: Marcellus' duel with Virdumarus, illustration from 'Hutchinson's History of the Nations', early 1900s (colour litho), Valda, John Harris (1874-1942) / Bridgeman Images

ID: IL274578

Marcellus' duel with Virdumarus, illustration from 'Hutchinson's History of the Nations', early 1900s (colour litho)

Valda, John Harris (1874-1942)

Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)

ELC852546: Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache), Martini, Alberto (1876-1954) / Bridgeman Images

ID: ELC852546

Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)

Martini, Alberto (1876-1954)

The King Actor, by unknown artist, 30-40, 1st Century A.D., ripped fresco, 39 x 39 cm
The King Actor, by unknown artist, 30-40, 1st Century A.D., ripped fresco, 39 x 39 cm

MEB1191373: The King Actor, by unknown artist, 30-40, 1st Century A.D., ripped fresco, 39 x 39 cm / Bridgeman Images

ID: MEB1191373

The King Actor, by unknown artist, 30-40, 1st Century A.D., ripped fresco, 39 x 39 cm

Bianca Pellegrini receives a sword by Pier Maria Rossi, by Benedetto Bembo, 1460, 15th Century, fresco
Bianca Pellegrini receives a sword by Pier Maria Rossi, by Benedetto Bembo, 1460, 15th Century, fresco

MEB943698: Bianca Pellegrini receives a sword by Pier Maria Rossi, by Benedetto Bembo, 1460, 15th Century, fresco / Bridgeman Images

ID: MEB943698

Bianca Pellegrini receives a sword by Pier Maria Rossi, by Benedetto Bembo, 1460, 15th Century, fresco

King Robert II (970-1031) son of Hugh Capet (c.944-996) composing Sequences and Responses, from the 'Chroniques de France', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)
King Robert II (970-1031) son of Hugh Capet (c.944-996) composing Sequences and Responses, from the 'Chroniques de France', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

XJF193897: King Robert II (970-1031) son of Hugh Capet (c.944-996) composing Sequences and Responses, from the 'Chroniques de France', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo), French School, (14th century) (after) / Bridgeman Images

ID: XJF193897

King Robert II (970-1031) son of Hugh Capet (c.944-996) composing Sequences and Responses, from the 'Chroniques de France', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

French School, (14th century) (after)

Letters K and L:
Letters K and L:

DUV4205786: Letters K and L: "Kabyles; Blade", in Alphabet francais, 1887 (engraving), Beuzon, Joseph Charles (fl.1892) (after) / Bridgeman Images

ID: DUV4205786

Letters K and L: "Kabyles; Blade", in Alphabet francais, 1887 (engraving)

Beuzon, Joseph Charles (fl.1892) (after)

Tudor noble costume 1600
Tudor noble costume 1600

XLF3790197: Tudor noble costume 1600 / Bridgeman Images

ID: XLF3790197

Tudor noble costume 1600

Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643762: Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643762

Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707624: Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707624

Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678324: De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678324

De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Public expulsion of a knight from an Order of Chivalry. His armour and sword are removed, his spurs hacked off, and he is rebaptized and named a traitor. From Marc Vulson de la Colombiere's Le Vere Theatre d'Honneur et de Chevalerie, 1648. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Public expulsion of a knight from an Order of Chivalry. His armour and sword are removed, his spurs hacked off, and he is rebaptized and named a traitor. From Marc Vulson de la Colombiere's Le Vere Theatre d'Honneur et de Chevalerie, 1648. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703184: Public expulsion of a knight from an Order of Chivalry. His armour and sword are removed, his spurs hacked off, and he is rebaptized and named a traitor. From Marc Vulson de la Colombiere's Le Vere Theatre d'Honneur et de Chevalerie, 1648. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703184

Public expulsion of a knight from an Order of Chivalry. His armour and sword are removed, his spurs hacked off, and he is rebaptized and named a traitor. From Marc Vulson de la Colombiere's Le Vere Theatre d'Honneur et de Chevalerie, 1648. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

John the Good, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de liys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
John the Good, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de liys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673568: John the Good, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de liys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673568

John the Good, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de liys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

L'Assiette au Beurre, number 324, Satirique en couleurs, 1907_6_15: Les trophees... - Antimilitarism, War, Pacifism, Canons, shells, Maritime Marine Seaside, Battleship - Reaper/Camara (lithograph)
L'Assiette au Beurre, number 324, Satirique en couleurs, 1907_6_15: Les trophees... - Antimilitarism, War, Pacifism, Canons, shells, Maritime Marine Seaside, Battleship - Reaper/Camara (lithograph)

ICA4911229: L'Assiette au Beurre, number 324, Satirique en couleurs, 1907_6_15: Les trophees... - Antimilitarism, War, Pacifism, Canons, shells, Maritime Marine Seaside, Battleship - Reaper/Camara (lithograph), Camara, Leal de (1877-1948) / Bridgeman Images

ID: ICA4911229

L'Assiette au Beurre, number 324, Satirique en couleurs, 1907_6_15: Les trophees... - Antimilitarism, War, Pacifism, Canons, shells, Maritime Marine Seaside, Battleship - Reaper/Camara (lithograph)

Camara, Leal de (1877-1948)

The two stood silent looking at each other (colour litho)
The two stood silent looking at each other (colour litho)

LLM979609: The two stood silent looking at each other (colour litho), Lecke, Ferdinand (1859-1923) / Bridgeman Images

ID: LLM979609

The two stood silent looking at each other (colour litho)

Lecke, Ferdinand (1859-1923)

Hannibal makes defeated Romans fight each other, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving)
Hannibal makes defeated Romans fight each other, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving)

STC746957: Hannibal makes defeated Romans fight each other, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving) , Straet, Jan van der (Joannes Stradanus) (1523-1605) / Bridgeman Images

ID: STC746957

Hannibal makes defeated Romans fight each other, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving)

Straet, Jan van der (Joannes Stradanus) (1523-1605)

Otto von Bismarck, Prussian statesman (chromolitho)
Otto von Bismarck, Prussian statesman (chromolitho)

LLM1093563: Otto von Bismarck, Prussian statesman (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM1093563

Otto von Bismarck, Prussian statesman (chromolitho)

French School, (19th century)

Farewell to Life (chromolitho)
Farewell to Life (chromolitho)

LLM1094114: Farewell to Life (chromolitho), German School, (19th century) (after) / Bridgeman Images

ID: LLM1094114

Farewell to Life (chromolitho)

German School, (19th century) (after)

The old King Nicholas of Montenegro witnesses the first victory of his soldiers who made … (colour litho)
The old King Nicholas of Montenegro witnesses the first victory of his soldiers who made … (colour litho)

LLM2808524: The old King Nicholas of Montenegro witnesses the first victory of his soldiers who made … (colour litho), Beltrame, Achille (1871-1945) / Bridgeman Images

ID: LLM2808524

The old King Nicholas of Montenegro witnesses the first victory of his soldiers who made … (colour litho)

Beltrame, Achille (1871-1945)

Cavalier, King Charles I (chromolitho)
Cavalier, King Charles I (chromolitho)

LLM3099995: Cavalier, King Charles I (chromolitho), English School, (20th century) / Bridgeman Images

ID: LLM3099995

Cavalier, King Charles I (chromolitho)

English School, (20th century)

Baldwin I, Latin Emperor (engraving)
Baldwin I, Latin Emperor (engraving)

LLM3647799: Baldwin I, Latin Emperor (engraving), European School, (19th century) / Bridgeman Images

ID: LLM3647799

Baldwin I, Latin Emperor (engraving)

European School, (19th century)

Portrait of Saint Martin, patron saint of beggars and vagabonds, with two disabled beggars at his feet. By an unknown German artist circa 1460. Copied from a rare print in the possession of Thomas Lloyd by Sawyer Jr. facsimile copperplate engraver from John Thomas Smith's Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.
Portrait of Saint Martin, patron saint of beggars and vagabonds, with two disabled beggars at his feet. By an unknown German artist circa 1460. Copied from a rare print in the possession of Thomas Lloyd by Sawyer Jr. facsimile copperplate engraver from John Thomas Smith's Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.

FLO5000741: Portrait of Saint Martin, patron saint of beggars and vagabonds, with two disabled beggars at his feet. By an unknown German artist circa 1460. Copied from a rare print in the possession of Thomas Lloyd by Sawyer Jr. facsimile copperplate engraver from John Thomas Smith's Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817. / Bridgeman Images

ID: FLO5000741

Portrait of Saint Martin, patron saint of beggars and vagabonds, with two disabled beggars at his feet. By an unknown German artist circa 1460. Copied from a rare print in the possession of Thomas Lloyd by Sawyer Jr. facsimile copperplate engraver from John Thomas Smith's Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.

Mrs
Mrs

FLO6337342: Mrs, Williams, Charles (Ansell) (c.1797-1850) (after) / Bridgeman Images

ID: FLO6337342

Mrs

Williams, Charles (Ansell) (c.1797-1850) (after)

Asia, Tibet, Tibetan Guard, 1920-30 (b/w photo)
Asia, Tibet, Tibetan Guard, 1920-30 (b/w photo)

UIT6191404: Asia, Tibet, Tibetan Guard, 1920-30 (b/w photo) / Bridgeman Images

ID: UIT6191404

Asia, Tibet, Tibetan Guard, 1920-30 (b/w photo)

Perseus and Andromeda, from Liber de Stellis Fixarum, illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)
Perseus and Andromeda, from Liber de Stellis Fixarum, illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

XJF208340: Perseus and Andromeda, from Liber de Stellis Fixarum, illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo), Spanish School (14th century) (after) / Bridgeman Images

ID: XJF208340

Perseus and Andromeda, from Liber de Stellis Fixarum, illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

Spanish School (14th century) (after)

Senegalese soldiers having a rest
Senegalese soldiers having a rest

MEP2363575: Senegalese soldiers having a rest / Bridgeman Images

ID: MEP2363575

Senegalese soldiers having a rest

FIA5363837: "Representation of Saint Bavon de Ghent", 15th century, Geertgen tot Sint Jans (c.1460-90) / Bridgeman Images

ID: FIA5363837

"Representation of Saint Bavon de Ghent", 15th century

Geertgen tot Sint Jans (c.1460-90)

Tom Jones
Tom Jones

XLA3750300: Tom Jones, Kelly, Thomas (fl.1820s) / Bridgeman Images

ID: XLA3750300

Tom Jones

Kelly, Thomas (fl.1820s)

13th century figures from stained-glass windows, Freiburg Minste , 1889 (chromolithograph)
13th century figures from stained-glass windows, Freiburg Minste , 1889 (chromolithograph)

FLO5912595: 13th century figures from stained-glass windows, Freiburg Minste , 1889 (chromolithograph) / Bridgeman Images

ID: FLO5912595

13th century figures from stained-glass windows, Freiburg Minste , 1889 (chromolithograph)

Swordsman, Le Bravo, 16th century. In black helmet and eye mask, short cape over doublet with lace collar, hose with garter ribbons, slashed shoes. Sword and dagger hanging from belt. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.
Swordsman, Le Bravo, 16th century. In black helmet and eye mask, short cape over doublet with lace collar, hose with garter ribbons, slashed shoes. Sword and dagger hanging from belt. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

FLO5912940: Swordsman, Le Bravo, 16th century. In black helmet and eye mask, short cape over doublet with lace collar, hose with garter ribbons, slashed shoes. Sword and dagger hanging from belt. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841. / Bridgeman Images

ID: FLO5912940

Swordsman, Le Bravo, 16th century. In black helmet and eye mask, short cape over doublet with lace collar, hose with garter ribbons, slashed shoes. Sword and dagger hanging from belt. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

Private, Regiment of Hussars 'Karoly', c.1748 (oil on canvas)
Private, Regiment of Hussars 'Karoly', c.1748 (oil on canvas)

ROC930085: Private, Regiment of Hussars 'Karoly', c.1748 (oil on canvas), Morier, David (c.1705-70) / Bridgeman Images

ID: ROC930085

Private, Regiment of Hussars 'Karoly', c.1748 (oil on canvas)

Morier, David (c.1705-70)

Officer of Berdan's Sharp Shooters 1862, 2005 (w/c & gouache on paper)
Officer of Berdan's Sharp Shooters 1862, 2005 (w/c & gouache on paper)

DTA3026392: Officer of Berdan's Sharp Shooters 1862, 2005 (w/c & gouache on paper), Troiani, Don (b.1949) / Bridgeman Images

ID: DTA3026392

Officer of Berdan's Sharp Shooters 1862, 2005 (w/c & gouache on paper)

Troiani, Don (b.1949)

Prince George of Cumberland (1819-1878), GCH, Colonel of the Hanoverian Guard Hussars, 1832 (oil on card)
Prince George of Cumberland (1819-1878), GCH, Colonel of the Hanoverian Guard Hussars, 1832 (oil on card)

ROC3060050: Prince George of Cumberland (1819-1878), GCH, Colonel of the Hanoverian Guard Hussars, 1832 (oil on card), Dubois Drahonet, Alexandre-Jean (1791-1834) / Bridgeman Images

ID: ROC3060050

Prince George of Cumberland (1819-1878), GCH, Colonel of the Hanoverian Guard Hussars, 1832 (oil on card)

Dubois Drahonet, Alexandre-Jean (1791-1834)

The Magnanimous Minister Chastising Prussian Perfidy, published by Hannah Humphrey in 1806 (hand-coloured etching)
The Magnanimous Minister Chastising Prussian Perfidy, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO190188: The Magnanimous Minister Chastising Prussian Perfidy, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190188

The Magnanimous Minister Chastising Prussian Perfidy, published by Hannah Humphrey in 1806 (hand-coloured etching)

Gillray, James (1757-1815)

Prince Alexander of Yugoslavia and Princess Maria Pia di Savoia cutting their wedding cake, Cascais, Portugal, 1955 (b/w photo)
Prince Alexander of Yugoslavia and Princess Maria Pia di Savoia cutting their wedding cake, Cascais, Portugal, 1955 (b/w photo)

OLA5363373: Prince Alexander of Yugoslavia and Princess Maria Pia di Savoia cutting their wedding cake, Cascais, Portugal, 1955 (b/w photo) / Bridgeman Images

ID: OLA5363373

Prince Alexander of Yugoslavia and Princess Maria Pia di Savoia cutting their wedding cake, Cascais, Portugal, 1955 (b/w photo)

Perseus Freeing Andromeda, 1640-50 (oil on panel)
Perseus Freeing Andromeda, 1640-50 (oil on panel)

MEV5044713: Perseus Freeing Andromeda, 1640-50 (oil on panel), Gherardini, Melchiorre (1607-75) (attr.to) / Bridgeman Images

ID: MEV5044713

Perseus Freeing Andromeda, 1640-50 (oil on panel)

Gherardini, Melchiorre (1607-75) (attr.to)


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