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13715 Search Results for sword

Weapons, Swords. 9th-10th century, Viking Age, Scandinavia
Weapons, Swords. 9th-10th century, Viking Age, Scandinavia

TRK3482607: Weapons, Swords. 9th-10th century, Viking Age, Scandinavia / Bridgeman Images

ID: TRK3482607

Weapons, Swords. 9th-10th century, Viking Age, Scandinavia

Roman gladiators fighting (engraving)
Roman gladiators fighting (engraving)

LLM5207522: Roman gladiators fighting (engraving), French School, (19th century) / Bridgeman Images

ID: LLM5207522

Roman gladiators fighting (engraving)

French School, (19th century)

Lieutenant Krastev, Bulgarian army officer, Burgas, Bulgaria, 1935 (b/w photo)
Lieutenant Krastev, Bulgarian army officer, Burgas, Bulgaria, 1935 (b/w photo)

LLE5232156: Lieutenant Krastev, Bulgarian army officer, Burgas, Bulgaria, 1935 (b/w photo), European Photographer, (20th century) / Bridgeman Images

ID: LLE5232156

Lieutenant Krastev, Bulgarian army officer, Burgas, Bulgaria, 1935 (b/w photo)

European Photographer, (20th century)

Winning of Gibraltar (gouache on paper)
Winning of Gibraltar (gouache on paper)

LAL264567: Winning of Gibraltar (gouache on paper), Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images

ID: LAL264567

Winning of Gibraltar (gouache on paper)

Nicolle, Pat (Patrick) (1907-95)

Turkish Infantryman and Officer (left) and Bulgarian Infantry Officer and Foot Soldier of 1917 (right) of 1917 (colour litho)
Turkish Infantryman and Officer (left) and Bulgarian Infantry Officer and Foot Soldier of 1917 (right) of 1917 (colour litho)

PNP358785: Turkish Infantryman and Officer (left) and Bulgarian Infantry Officer and Foot Soldier of 1917 (right) of 1917 (colour litho), Dobrich, E. (fl.1917) (after) / Bridgeman Images

ID: PNP358785

Turkish Infantryman and Officer (left) and Bulgarian Infantry Officer and Foot Soldier of 1917 (right) of 1917 (colour litho)

Dobrich, E. (fl.1917) (after)

Uniforms of the British Empire, 1997 (colour litho)
Uniforms of the British Empire, 1997 (colour litho)

PNP310589: Uniforms of the British Empire, 1997 (colour litho), Fosten, Bryan (b.1928) / Bridgeman Images

ID: PNP310589

Uniforms of the British Empire, 1997 (colour litho)

Fosten, Bryan (b.1928)

Gulliver's combat with the wasps, 1909 (pen & ink and w/c on paper)
Gulliver's combat with the wasps, 1909 (pen & ink and w/c on paper)

CBE392777: Gulliver's combat with the wasps, 1909 (pen & ink and w/c on paper), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: CBE392777

Gulliver's combat with the wasps, 1909 (pen & ink and w/c on paper)

Rackham, Arthur (1867-1939)

Curtain of Revelation (1373-1383), 14th century (tapestry)
Curtain of Revelation (1373-1383), 14th century (tapestry)

JLJ4686964: Curtain of Revelation (1373-1383), 14th century (tapestry), Bataille, Nicolas (fl. 1363-1400) / Bridgeman Images

ID: JLJ4686964

Curtain of Revelation (1373-1383), 14th century (tapestry)

Bataille, Nicolas (fl. 1363-1400)

Sir Kay interrupts ye meditations of Sir Percival (litho) (b/w photo)
Sir Kay interrupts ye meditations of Sir Percival (litho) (b/w photo)

DAM184842: Sir Kay interrupts ye meditations of Sir Percival (litho) (b/w photo), Pyle, Howard (1853-1911) / Bridgeman Images

ID: DAM184842

Sir Kay interrupts ye meditations of Sir Percival (litho) (b/w photo)

Pyle, Howard (1853-1911)

The 'Sala di Apollo' (Hall of Apollo) detail of ceiling decoration depicting Alexander reading Homer (fresco) (b/w photo)
The 'Sala di Apollo' (Hall of Apollo) detail of ceiling decoration depicting Alexander reading Homer (fresco) (b/w photo)

FAF187299: The 'Sala di Apollo' (Hall of Apollo) detail of ceiling decoration depicting Alexander reading Homer (fresco) (b/w photo), Cortona, Pietro da (Berrettini) (1596-1669) / Bridgeman Images

ID: FAF187299

The 'Sala di Apollo' (Hall of Apollo) detail of ceiling decoration depicting Alexander reading Homer (fresco) (b/w photo)

Cortona, Pietro da (Berrettini) (1596-1669)

St Bovo, the Archangel Michael, St Cosmas and St Damian, 1510 - 1515
St Bovo, the Archangel Michael, St Cosmas and St Damian, 1510 - 1515

ELC855420: St Bovo, the Archangel Michael, St Cosmas and St Damian, 1510 - 1515 / Bridgeman Images

ID: ELC855420

St Bovo, the Archangel Michael, St Cosmas and St Damian, 1510 - 1515

Kabuki Actor, 18th century (woodblock print)
Kabuki Actor, 18th century (woodblock print)

MAM713626: Kabuki Actor, 18th century (woodblock print), Kiyomitsu, Torii (1735-85) / Bridgeman Images

ID: MAM713626

Kabuki Actor, 18th century (woodblock print)

Kiyomitsu, Torii (1735-85)

The Battle
The Battle

PRZ3433532: The Battle, Rosa, Salvator (1615-73) / Bridgeman Images

ID: PRZ3433532

The Battle

Rosa, Salvator (1615-73)

Admiral Lord Exmouth, c.1815 (ink, w/c & gouache on paper)
Admiral Lord Exmouth, c.1815 (ink, w/c & gouache on paper)

CVN872188: Admiral Lord Exmouth, c.1815 (ink, w/c & gouache on paper), English School, (19th century) / Bridgeman Images

ID: CVN872188

Admiral Lord Exmouth, c.1815 (ink, w/c & gouache on paper)

English School, (19th century)

General Jean Moreau, 19th century (engraving)
General Jean Moreau, 19th century (engraving)

PVD1681116: General Jean Moreau, 19th century (engraving), Pauquet, Hippolyte Louis (1797-p.1862) (after) / Bridgeman Images

ID: PVD1681116

General Jean Moreau, 19th century (engraving)

Pauquet, Hippolyte Louis (1797-p.1862) (after)

Vittorio Gassman and Catherine Spaak hugging in For love and gold, Italy, 1965 (b/w photo)
Vittorio Gassman and Catherine Spaak hugging in For love and gold, Italy, 1965 (b/w photo)

MEP2657555: Vittorio Gassman and Catherine Spaak hugging in For love and gold, Italy, 1965 (b/w photo) / Bridgeman Images

ID: MEP2657555

Vittorio Gassman and Catherine Spaak hugging in For love and gold, Italy, 1965 (b/w photo)

The Glorious First of June, 1794 (coloured engraving)
The Glorious First of June, 1794 (coloured engraving)

HRP2624911: The Glorious First of June, 1794 (coloured engraving), English School, (18th century) / Bridgeman Images

ID: HRP2624911

The Glorious First of June, 1794 (coloured engraving)

English School, (18th century)

Robin Hood and his merry men -
Robin Hood and his merry men -

XLA3748097: Robin Hood and his merry men -, Theaker, Harry George (1873-1954) / Bridgeman Images

ID: XLA3748097

Robin Hood and his merry men -

Theaker, Harry George (1873-1954)

The God of Love besieged in his castel, ivory work from a french school
The God of Love besieged in his castel, ivory work from a french school

FAF3567306: The God of Love besieged in his castel, ivory work from a french school, French School, (13th century) / Bridgeman Images

ID: FAF3567306

The God of Love besieged in his castel, ivory work from a french school

French School, (13th century)

Detail from a medieval 'Doom Painting', Church of St James the Great, South Leigh, Oxfordshire, England (photo)
Detail from a medieval 'Doom Painting', Church of St James the Great, South Leigh, Oxfordshire, England (photo)

TMA3263232: Detail from a medieval 'Doom Painting', Church of St James the Great, South Leigh, Oxfordshire, England (photo), Marsden, Simon (1948-2012) / Bridgeman Images

ID: TMA3263232

Detail from a medieval 'Doom Painting', Church of St James the Great, South Leigh, Oxfordshire, England (photo)

Marsden, Simon (1948-2012)

Saint Catherine of Alexandria in the Clouds, 1620-21 (etching with burin on laid paper)
Saint Catherine of Alexandria in the Clouds, 1620-21 (etching with burin on laid paper)

HST1074862: Saint Catherine of Alexandria in the Clouds, 1620-21 (etching with burin on laid paper), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: HST1074862

Saint Catherine of Alexandria in the Clouds, 1620-21 (etching with burin on laid paper)

Rubens, Peter Paul (1577-1640)

Madonna and Child with St John the Baptist and a Horseman, (detached fresco)
Madonna and Child with St John the Baptist and a Horseman, (detached fresco)

ELC857197: Madonna and Child with St John the Baptist and a Horseman, (detached fresco), Lorenzetti, Pietro (c.1284-after 1345) / Bridgeman Images

ID: ELC857197

Madonna and Child with St John the Baptist and a Horseman, (detached fresco)

Lorenzetti, Pietro (c.1284-after 1345)

St Catherine of Alexandria, 1570 - 1611 (canvas)
St Catherine of Alexandria, 1570 - 1611 (canvas)

ELC857426: St Catherine of Alexandria, 1570 - 1611 (canvas), Sozzo, Il (Giuseppe Alvino) (c.1550-1611) / Bridgeman Images

ID: ELC857426

St Catherine of Alexandria, 1570 - 1611 (canvas)

Sozzo, Il (Giuseppe Alvino) (c.1550-1611)

King George V, Silver Jubilee Portrait, 1935
King George V, Silver Jubilee Portrait, 1935

HRP5245885: King George V, Silver Jubilee Portrait, 1935 / Bridgeman Images

ID: HRP5245885

King George V, Silver Jubilee Portrait, 1935

Costumes mid-15th century: a knight kneels in prayer with two women, wearing long dresses and coats (from an embroidery of the Sacristy of Domes in Aachen, Germany) and three women with their headdresses, based on a drawing by a Dutch master of the Berlin library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Costumes mid-15th century: a knight kneels in prayer with two women, wearing long dresses and coats (from an embroidery of the Sacristy of Domes in Aachen, Germany) and three women with their headdresses, based on a drawing by a Dutch master of the Berlin library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643930: Costumes mid-15th century: a knight kneels in prayer with two women, wearing long dresses and coats (from an embroidery of the Sacristy of Domes in Aachen, Germany) and three women with their headdresses, based on a drawing by a Dutch master of the Berlin library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643930

Costumes mid-15th century: a knight kneels in prayer with two women, wearing long dresses and coats (from an embroidery of the Sacristy of Domes in Aachen, Germany) and three women with their headdresses, based on a drawing by a Dutch master of the Berlin library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

Knight and nobleman of Burgundy, 1581.
Knight and nobleman of Burgundy, 1581.

FLO4705634: Knight and nobleman of Burgundy, 1581. / Bridgeman Images

ID: FLO4705634

Knight and nobleman of Burgundy, 1581.

A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703285: A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703285

A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Henri II Clement, Lord of Metz (Henri II Clement, seigneur of Mez et d'Argentan) marshal of France, died 1265. Holding the oriflame, battle standard of the King of France. He wears a suit of chainmail, a tunic with white cross, spurs, and sword. Taken from a stained glass window in Notre-Dame de Chartres, showing a knight receiving the oriflame from Saint Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Henri II Clement, Lord of Metz (Henri II Clement, seigneur of Mez et d'Argentan) marshal of France, died 1265. Holding the oriflame, battle standard of the King of France. He wears a suit of chainmail, a tunic with white cross, spurs, and sword. Taken from a stained glass window in Notre-Dame de Chartres, showing a knight receiving the oriflame from Saint Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674116: Henri II Clement, Lord of Metz (Henri II Clement, seigneur of Mez et d'Argentan) marshal of France, died 1265. Holding the oriflame, battle standard of the King of France. He wears a suit of chainmail, a tunic with white cross, spurs, and sword. Taken from a stained glass window in Notre-Dame de Chartres, showing a knight receiving the oriflame from Saint Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4674116

Henri II Clement, Lord of Metz (Henri II Clement, seigneur of Mez et d'Argentan) marshal of France, died 1265. Holding the oriflame, battle standard of the King of France. He wears a suit of chainmail, a tunic with white cross, spurs, and sword. Taken from a stained glass window in Notre-Dame de Chartres, showing a knight receiving the oriflame from Saint Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Knight of the Order of the Star, founded in 1352 by King Jean II of France. He wears a helmet decorated with gold, cape and gonelle (tunic) of white damask lined with scarlet, a gold star embroidered on the left shoulder. He carries a sword and lance. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Knight of the Order of the Star, founded in 1352 by King Jean II of France. He wears a helmet decorated with gold, cape and gonelle (tunic) of white damask lined with scarlet, a gold star embroidered on the left shoulder. He carries a sword and lance. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674101: Knight of the Order of the Star, founded in 1352 by King Jean II of France. He wears a helmet decorated with gold, cape and gonelle (tunic) of white damask lined with scarlet, a gold star embroidered on the left shoulder. He carries a sword and lance. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4674101

Knight of the Order of the Star, founded in 1352 by King Jean II of France. He wears a helmet decorated with gold, cape and gonelle (tunic) of white damask lined with scarlet, a gold star embroidered on the left shoulder. He carries a sword and lance. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678487: Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678487

Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Sir Eudo de Arsic III, Knight Templar, 1260. He wears a jacket over a chainmail hauberk with hood, chausses, knee poleyns and carries a sword and shield. From an effigy in St. George Church, Southacre. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir Eudo de Arsic III, Knight Templar, 1260. He wears a jacket over a chainmail hauberk with hood, chausses, knee poleyns and carries a sword and shield. From an effigy in St. George Church, Southacre. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678300: Sir Eudo de Arsic III, Knight Templar, 1260. He wears a jacket over a chainmail hauberk with hood, chausses, knee poleyns and carries a sword and shield. From an effigy in St. George Church, Southacre. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678300

Sir Eudo de Arsic III, Knight Templar, 1260. He wears a jacket over a chainmail hauberk with hood, chausses, knee poleyns and carries a sword and shield. From an effigy in St. George Church, Southacre. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Japanese soldier - Japanese soldier carrying a large musket, wearing a helmet, kimono, leggings, sandals, and sword - Handcoloured woodcut by Mop from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845
Japanese soldier - Japanese soldier carrying a large musket, wearing a helmet, kimono, leggings, sandals, and sword - Handcoloured woodcut by Mop from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

FLO4724384: Japanese soldier - Japanese soldier carrying a large musket, wearing a helmet, kimono, leggings, sandals, and sword - Handcoloured woodcut by Mop from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845 / Bridgeman Images

ID: FLO4724384

Japanese soldier - Japanese soldier carrying a large musket, wearing a helmet, kimono, leggings, sandals, and sword - Handcoloured woodcut by Mop from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

United States, 1940s: Montage of views of Japanese soldiers
United States, 1940s: Montage of views of Japanese soldiers

AVE6327199: United States, 1940s: Montage of views of Japanese soldiers / Bridgeman Images

ID: AVE6327199

United States, 1940s: Montage of views of Japanese soldiers

United States, 1940s: Close up of Japanese soldier superimposed over soldiers marching
United States, 1940s: Close up of Japanese soldier superimposed over soldiers marching

AVE6327201: United States, 1940s: Close up of Japanese soldier superimposed over soldiers marching / Bridgeman Images

ID: AVE6327201

United States, 1940s: Close up of Japanese soldier superimposed over soldiers marching

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962669: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", detail of King Agamemnon, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962669

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", detail of King Agamemnon, 1756-57 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Sir Galahad at the Ruined Chapel, 1859 (w/c and gouache on paper)
Sir Galahad at the Ruined Chapel, 1859 (w/c and gouache on paper)

XBM107265: Sir Galahad at the Ruined Chapel, 1859 (w/c and gouache on paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

ID: XBM107265

Sir Galahad at the Ruined Chapel, 1859 (w/c and gouache on paper)

Rossetti, Dante Gabriel Charles (1828-82)


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