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13737 Search Results for sword

Joan of Arc, surrounded by the striking scenes of her life and death (illustration)
Joan of Arc, surrounded by the striking scenes of her life and death (illustration)

PCT4269445: Joan of Arc, surrounded by the striking scenes of her life and death (illustration), French School, (20th century) / Bridgeman Images

ID: PCT4269445

Joan of Arc, surrounded by the striking scenes of her life and death (illustration)

French School, (20th century)

Self-Portrait as Ravenswood (Autoportrait en Ravenswood), by Eugà¨ne Delacroix, 1821, 19th Century
Self-Portrait as Ravenswood (Autoportrait en Ravenswood), by Eugà¨ne Delacroix, 1821, 19th Century

MEP3612602: Self-Portrait as Ravenswood (Autoportrait en Ravenswood), by Eugà¨ne Delacroix, 1821, 19th Century, Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: MEP3612602

Self-Portrait as Ravenswood (Autoportrait en Ravenswood), by Eugà¨ne Delacroix, 1821, 19th Century

Delacroix, Ferdinand Victor Eugene (1798-1863)

Rider performing carousel exercises with lance, sword and pistol, jousting at a ring and a dummy head. Copied from Francois Robichon de La Gueriniere's Ecole de Cavalerie, 1730. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Rider performing carousel exercises with lance, sword and pistol, jousting at a ring and a dummy head. Copied from Francois Robichon de La Gueriniere's Ecole de Cavalerie, 1730. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703258: Rider performing carousel exercises with lance, sword and pistol, jousting at a ring and a dummy head. Copied from Francois Robichon de La Gueriniere's Ecole de Cavalerie, 1730. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703258

Rider performing carousel exercises with lance, sword and pistol, jousting at a ring and a dummy head. Copied from Francois Robichon de La Gueriniere's Ecole de Cavalerie, 1730. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Japanese infantry, musicians - Japanese infantry musicians, one beating a drum (taiko) carried by another, both in helmets, kimono over leggings and sandals, wearing swords. Handcoloured woodcut by Decamps after an illustration by C.L. from “” Mores, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845
Japanese infantry, musicians - Japanese infantry musicians, one beating a drum (taiko) carried by another, both in helmets, kimono over leggings and sandals, wearing swords. Handcoloured woodcut by Decamps after an illustration by C.L. from “” Mores, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

FLO4724386: Japanese infantry, musicians - Japanese infantry musicians, one beating a drum (taiko) carried by another, both in helmets, kimono over leggings and sandals, wearing swords. Handcoloured woodcut by Decamps after an illustration by C.L. from “” Mores, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845 / Bridgeman Images

ID: FLO4724386

Japanese infantry, musicians - Japanese infantry musicians, one beating a drum (taiko) carried by another, both in helmets, kimono over leggings and sandals, wearing swords. Handcoloured woodcut by Decamps after an illustration by C.L. from “” Mores, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845

Saint Pius V, Saint Thomas Aquinas and Saint Peter the Martyr
Saint Pius V, Saint Thomas Aquinas and Saint Peter the Martyr

MEV5048018: Saint Pius V, Saint Thomas Aquinas and Saint Peter the Martyr, Ricci, Sebastiano (1658-1734) / Bridgeman Images

ID: MEV5048018

Saint Pius V, Saint Thomas Aquinas and Saint Peter the Martyr

Ricci, Sebastiano (1658-1734)

Oban-A Daimyo in Command, 18th-19th century (woodblock print)
Oban-A Daimyo in Command, 18th-19th century (woodblock print)

MAM713553: Oban-A Daimyo in Command, 18th-19th century (woodblock print), Shuntei, Katsukawa (1770-1820) / Bridgeman Images

ID: MAM713553

Oban-A Daimyo in Command, 18th-19th century (woodblock print)

Shuntei, Katsukawa (1770-1820)

Galata's suicide, 228 A.D. (marble)
Galata's suicide, 228 A.D. (marble)

MEB855081: Galata's suicide, 228 A.D. (marble), Greek School, (3rd century) / Bridgeman Images

ID: MEB855081

Galata's suicide, 228 A.D. (marble)

Greek School, (3rd century)

Senegalese soldiers resting
Senegalese soldiers resting

MEP2363856: Senegalese soldiers resting / Bridgeman Images

ID: MEP2363856

Senegalese soldiers resting

Detail of portrait of Henry Bentinck, later 1st Duke of Portland, 1699 (oil on canvas)
Detail of portrait of Henry Bentinck, later 1st Duke of Portland, 1699 (oil on canvas)

PTC3090015: Detail of portrait of Henry Bentinck, later 1st Duke of Portland, 1699 (oil on canvas), Rigaud, Hyacinthe Francois (1659-1743) / Bridgeman Images

ID: PTC3090015

Detail of portrait of Henry Bentinck, later 1st Duke of Portland, 1699 (oil on canvas)

Rigaud, Hyacinthe Francois (1659-1743)

St. George Struggling with the Dragon, c.1503-05 (oil on panel) (see also 95727)
St. George Struggling with the Dragon, c.1503-05 (oil on panel) (see also 95727)

XIR15971: St. George Struggling with the Dragon, c.1503-05 (oil on panel) (see also 95727), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images

ID: XIR15971

St. George Struggling with the Dragon, c.1503-05 (oil on panel) (see also 95727)

Raphael (Raffaello Sanzio of Urbino) (1483-1520)

French cartoon alluding to the loss of Ghent by the Spaniards (1679): the Spanish who put on his glasses looks for his glove with a lantern, while the French wears it at the end of his sword.
French cartoon alluding to the loss of Ghent by the Spaniards (1679): the Spanish who put on his glasses looks for his glove with a lantern, while the French wears it at the end of his sword.

LSE4112589: French cartoon alluding to the loss of Ghent by the Spaniards (1679): the Spanish who put on his glasses looks for his glove with a lantern, while the French wears it at the end of his sword., French School, (18th century) / Bridgeman Images

ID: LSE4112589

French cartoon alluding to the loss of Ghent by the Spaniards (1679): the Spanish who put on his glasses looks for his glove with a lantern, while the French wears it at the end of his sword.

French School, (18th century)

Rodrigo Diaz de Vivar (c.1043-1099), known as El Cid. Conquest of Valencia (June 15, 1094). Spain.
Rodrigo Diaz de Vivar (c.1043-1099), known as El Cid. Conquest of Valencia (June 15, 1094). Spain.

TRK562228: Rodrigo Diaz de Vivar (c.1043-1099), known as El Cid. Conquest of Valencia (June 15, 1094). Spain. / Bridgeman Images

ID: TRK562228

Rodrigo Diaz de Vivar (c.1043-1099), known as El Cid. Conquest of Valencia (June 15, 1094). Spain.

Jean-Paul Belmondo with his brother playing, c. 1940 (b/w photo)
Jean-Paul Belmondo with his brother playing, c. 1940 (b/w photo)

PVD1680791: Jean-Paul Belmondo with his brother playing, c. 1940 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: PVD1680791

Jean-Paul Belmondo with his brother playing, c. 1940 (b/w photo)

Unknown photographer, (20th century)

Habit of an English Gentleman about 1700 (engraving)
Habit of an English Gentleman about 1700 (engraving)

LLR3640617: Habit of an English Gentleman about 1700 (engraving), English School, (18th century) / Bridgeman Images

ID: LLR3640617

Habit of an English Gentleman about 1700 (engraving)

English School, (18th century)

Sir James Hope Grant, 1857 (b/w photo)
Sir James Hope Grant, 1857 (b/w photo)

JHL495516: Sir James Hope Grant, 1857 (b/w photo), Beato, Felice (Felix) (1825-c.1908) / Bridgeman Images

ID: JHL495516

Sir James Hope Grant, 1857 (b/w photo)

Beato, Felice (Felix) (1825-c.1908)

Brigadier-General Sir Percy Molesworth Sykes (b/w photo)
Brigadier-General Sir Percy Molesworth Sykes (b/w photo)

XJF347965: Brigadier-General Sir Percy Molesworth Sykes (b/w photo), Maull & Fox (fl.1877-1928) / Bridgeman Images

ID: XJF347965

Brigadier-General Sir Percy Molesworth Sykes (b/w photo)

Maull & Fox (fl.1877-1928)

The old King Nicholas of Montenegro witnesses the first victory of his soldiers who made … (colour litho)
The old King Nicholas of Montenegro witnesses the first victory of his soldiers who made … (colour litho)

LLM2808524: The old King Nicholas of Montenegro witnesses the first victory of his soldiers who made … (colour litho), Beltrame, Achille (1871-1945) / Bridgeman Images

ID: LLM2808524

The old King Nicholas of Montenegro witnesses the first victory of his soldiers who made … (colour litho)

Beltrame, Achille (1871-1945)

Perseus and Andromeda, from Liber de Stellis Fixarum, illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)
Perseus and Andromeda, from Liber de Stellis Fixarum, illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)

XJF208340: Perseus and Andromeda, from Liber de Stellis Fixarum, illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving), Spanish School (14th century) (after) / Bridgeman Images

ID: XJF208340

Perseus and Andromeda, from Liber de Stellis Fixarum, illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)

Spanish School (14th century) (after)

The Madonna of Relief with Saints (tempera on panel)
The Madonna of Relief with Saints (tempera on panel)

KAB138647: The Madonna of Relief with Saints (tempera on panel), Italian School, (15th century) / Bridgeman Images

ID: KAB138647

The Madonna of Relief with Saints (tempera on panel)

Italian School, (15th century)

Equestrian Portrait of Charles Howard (engraving)
Equestrian Portrait of Charles Howard (engraving)

XJF956997: Equestrian Portrait of Charles Howard (engraving), English School, (17th century) / Bridgeman Images

ID: XJF956997

Equestrian Portrait of Charles Howard (engraving)

English School, (17th century)

Vintage poster of man kneeling at woman's feet, Shakespeare drawing (colour litho)
Vintage poster of man kneeling at woman's feet, Shakespeare drawing (colour litho)

SNG1065781: Vintage poster of man kneeling at woman's feet, Shakespeare drawing (colour litho), Singer, Barbara / Bridgeman Images

ID: SNG1065781

Vintage poster of man kneeling at woman's feet, Shakespeare drawing (colour litho)

Singer, Barbara

Farewell to Life (chromolitho)
Farewell to Life (chromolitho)

LLM1094114: Farewell to Life (chromolitho), German School, (19th century) (after) / Bridgeman Images

ID: LLM1094114

Farewell to Life (chromolitho)

German School, (19th century) (after)

The death of Gelert, Llewellyn's dog, scene from William Robert Spencer's poem Beth Gelert; or, the Grave of the Greyhound (litho)
The death of Gelert, Llewellyn's dog, scene from William Robert Spencer's poem Beth Gelert; or, the Grave of the Greyhound (litho)

LLM5999071: The death of Gelert, Llewellyn's dog, scene from William Robert Spencer's poem Beth Gelert; or, the Grave of the Greyhound (litho), English School, (20th century) / Bridgeman Images

ID: LLM5999071

The death of Gelert, Llewellyn's dog, scene from William Robert Spencer's poem Beth Gelert; or, the Grave of the Greyhound (litho)

English School, (20th century)

Portrait in foot of Charles V in thirty second count of Flanders, 16th century (engraving)
Portrait in foot of Charles V in thirty second count of Flanders, 16th century (engraving)

JLJ4590292: Portrait in foot of Charles V in thirty second count of Flanders, 16th century (engraving), Unknown Artist, (16th century) / Bridgeman Images

ID: JLJ4590292

Portrait in foot of Charles V in thirty second count of Flanders, 16th century (engraving)

Unknown Artist, (16th century)

Portrait of a young soldier. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of a young soldier. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316214: Portrait of a young soldier. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316214

Portrait of a young soldier. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

The Laughter, Satirical in Colours, 1898_7_16: Pierre Loti or the recalcitrant retreat - Literature, French Academy, Armchair (symbol of power) - Loti Pierre (1850-1923) Illustration by Sem (1863-1934)
The Laughter, Satirical in Colours, 1898_7_16: Pierre Loti or the recalcitrant retreat - Literature, French Academy, Armchair (symbol of power) - Loti Pierre (1850-1923) Illustration by Sem (1863-1934)

ICA4838984: The Laughter, Satirical in Colours, 1898_7_16: Pierre Loti or the recalcitrant retreat - Literature, French Academy, Armchair (symbol of power) - Loti Pierre (1850-1923) Illustration by Sem (1863-1934) / Bridgeman Images

ID: ICA4838984

The Laughter, Satirical in Colours, 1898_7_16: Pierre Loti or the recalcitrant retreat - Literature, French Academy, Armchair (symbol of power) - Loti Pierre (1850-1923) Illustration by Sem (1863-1934)

FIA5363837: "Representation of Saint Bavon de Ghent", 15th century, Geertgen tot Sint Jans (c.1460-90) / Bridgeman Images

ID: FIA5363837

"Representation of Saint Bavon de Ghent", 15th century

Geertgen tot Sint Jans (c.1460-90)

Highland dancers (woodcut)
Highland dancers (woodcut)

LLR5237197: Highland dancers (woodcut), English School, (19th century) / Bridgeman Images

ID: LLR5237197

Highland dancers (woodcut)

English School, (19th century)

The Cossack. Engraving in
The Cossack. Engraving in

DUV4211706: The Cossack. Engraving in "Caricatures-Singeries". Imp. lith. Pellerin and Cie a Epinal, patented suppliers of S. M. L'Impeatrice. Second half of the 19th century. Plate n.158. Dim: 41,5x27,5 cm, French School, (19th century) / Bridgeman Images

ID: DUV4211706

The Cossack. Engraving in "Caricatures-Singeries". Imp. lith. Pellerin and Cie a Epinal, patented suppliers of S. M. L'Impeatrice. Second half of the 19th century. Plate n.158. Dim: 41,5x27,5 cm

French School, (19th century)

X and Y letters Xistics. Engraving in
X and Y letters Xistics. Engraving in

DUV4210143: X and Y letters Xistics. Engraving in "Alphabet des jeux"”. Mr. Vagne, editor, Pont-a-Mousson, late 19th century. Pink series. 12 pages. Album containing a simplified reading method and an illustrated abecedary. Dim: 16,5x11cm, French School, (19th century) / Bridgeman Images

ID: DUV4210143

X and Y letters Xistics. Engraving in "Alphabet des jeux"”. Mr. Vagne, editor, Pont-a-Mousson, late 19th century. Pink series. 12 pages. Album containing a simplified reading method and an illustrated abecedary. Dim: 16,5x11cm

French School, (19th century)

Mrs
Mrs

FLO6337342: Mrs, Williams, Charles (Ansell) (c.1797-1850) (after) / Bridgeman Images

ID: FLO6337342

Mrs

Williams, Charles (Ansell) (c.1797-1850) (after)

Viscount Garlies in court dress, 1902
Viscount Garlies in court dress, 1902

HRP5246247: Viscount Garlies in court dress, 1902, Spence, Percy F.S. (1868-1933) / Bridgeman Images

ID: HRP5246247

Viscount Garlies in court dress, 1902

Spence, Percy F.S. (1868-1933)

Prince Francis, Duke of Teck, c.1866
Prince Francis, Duke of Teck, c.1866

HRP5245696: Prince Francis, Duke of Teck, c.1866, Jils, F. A. (fl.c.1866) / Bridgeman Images

ID: HRP5245696

Prince Francis, Duke of Teck, c.1866

Jils, F. A. (fl.c.1866)

The peddler (the travelling seller). Accompanied by his dog and heavily loaded, the travelling merchant advances on his way, when he is intercepted by Death, who forcibly pulls him back in his footsteps. Another Death plays the marine trumpet. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The peddler (the travelling seller). Accompanied by his dog and heavily loaded, the travelling merchant advances on his way, when he is intercepted by Death, who forcibly pulls him back in his footsteps. Another Death plays the marine trumpet. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675726: The peddler (the travelling seller). Accompanied by his dog and heavily loaded, the travelling merchant advances on his way, when he is intercepted by Death, who forcibly pulls him back in his footsteps. Another Death plays the marine trumpet. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675726

The peddler (the travelling seller). Accompanied by his dog and heavily loaded, the travelling merchant advances on his way, when he is intercepted by Death, who forcibly pulls him back in his footsteps. Another Death plays the marine trumpet. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Military costume: un infantryman italian (infantry), 15th century - Costume of an Italian infantryman, 15th century - He wears a small brown cap embroidered in gold, long hair loose, tight doublet open at the shoulder and elbow revealing his shirt, two-tone stockings in red and orange, green belt with sword and dagger - He holds a pike - From a painting by Pinturicchio in the Basilica of the Holy Cross in Jerusalem, Rome - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume: un infantryman italian (infantry), 15th century - Costume of an Italian infantryman, 15th century - He wears a small brown cap embroidered in gold, long hair loose, tight doublet open at the shoulder and elbow revealing his shirt, two-tone stockings in red and orange, green belt with sword and dagger - He holds a pike - From a painting by Pinturicchio in the Basilica of the Holy Cross in Jerusalem, Rome - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676549: Military costume: un infantryman italian (infantry), 15th century - Costume of an Italian infantryman, 15th century - He wears a small brown cap embroidered in gold, long hair loose, tight doublet open at the shoulder and elbow revealing his shirt, two-tone stockings in red and orange, green belt with sword and dagger - He holds a pike - From a painting by Pinturicchio in the Basilica of the Holy Cross in Jerusalem, Rome - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861 / Bridgeman Images

ID: FLO4676549

Military costume: un infantryman italian (infantry), 15th century - Costume of an Italian infantryman, 15th century - He wears a small brown cap embroidered in gold, long hair loose, tight doublet open at the shoulder and elbow revealing his shirt, two-tone stockings in red and orange, green belt with sword and dagger - He holds a pike - From a painting by Pinturicchio in the Basilica of the Holy Cross in Jerusalem, Rome - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Roman cavalry with javelin (verutum) and a Roman soldier on the march with his pack, sword (gladius) and shield (scutum). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).
Roman cavalry with javelin (verutum) and a Roman soldier on the march with his pack, sword (gladius) and shield (scutum). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

FLO4704672: Roman cavalry with javelin (verutum) and a Roman soldier on the march with his pack, sword (gladius) and shield (scutum). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798). / Bridgeman Images

ID: FLO4704672

Roman cavalry with javelin (verutum) and a Roman soldier on the march with his pack, sword (gladius) and shield (scutum). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).


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