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13773 Search Results for sword

Bronze coins of Charles Martel, 730 (chromolitho)
Bronze coins of Charles Martel, 730 (chromolitho)

LLM1091477: Bronze coins of Charles Martel, 730 (chromolitho), French School, (20th century) / Bridgeman Images

Small sword (steel, copper alloy inlays, wood & steel wire)
Small sword (steel, copper alloy inlays, wood & steel wire)

XCL490791: Small sword (steel, copper alloy inlays, wood & steel wire), French School, (18th century) / Bridgeman Images

The Sword of State, from the Crown Jewels of the United Kingdom, 1937 (colour litho)
The Sword of State, from the Crown Jewels of the United Kingdom, 1937 (colour litho)

KDC469410: The Sword of State, from the Crown Jewels of the United Kingdom, 1937 (colour litho) / Bridgeman Images

For thence a paradox, illustration from 'Rabbi Ben Ezra' by Robert Browning (colour litho)
For thence a paradox, illustration from 'Rabbi Ben Ezra' by Robert Browning (colour litho)

IL370464: For thence a paradox, illustration from 'Rabbi Ben Ezra' by Robert Browning (colour litho), Partridge, Bernard John (1861-1945) / Bridgeman Images

Lt Roberts winning his V.C., January 2nd 1858 (litho)
Lt Roberts winning his V.C., January 2nd 1858 (litho)

STC373319: Lt Roberts winning his V.C., January 2nd 1858 (litho), Payne, Henry (Harry) (1868-1940) (after) / Bridgeman Images

Rulers of Brandenburg (colour litho)
Rulers of Brandenburg (colour litho)

LLM725435: Rulers of Brandenburg (colour litho), German School, (19th century) / Bridgeman Images

Man scaring away the birds (stained glass)
Man scaring away the birds (stained glass)

XPC22316: Man scaring away the birds (stained glass), English School, (14th century) / Bridgeman Images

The Siege of Colchester, 1648 (engraving) (b/w photo)
The Siege of Colchester, 1648 (engraving) (b/w photo)

XJF273146: The Siege of Colchester, 1648 (engraving) (b/w photo), English School, (17th century) / Bridgeman Images

US Cavalry and Infantry, full dress, 1888 (colour litho)
US Cavalry and Infantry, full dress, 1888 (colour litho)

PNP245875: US Cavalry and Infantry, full dress, 1888 (colour litho), Ogden, Henry Alexander (1856-1936) (after) / Bridgeman Images

The Judgement of Solomon, by unknown artist, 55-79, 1st Century A.D., ripped fresco, 55 x 164 cm
The Judgement of Solomon, by unknown artist, 55-79, 1st Century A.D., ripped fresco, 55 x 164 cm

MEB1191369: The Judgement of Solomon, by unknown artist, 55-79, 1st Century A.D., ripped fresco, 55 x 164 cm / Bridgeman Images

100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.
100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.

NWI4893500: 100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages. / Bridgeman Images

Philip VI of France taking the oriflamme of St Denis (engraving)
Philip VI of France taking the oriflamme of St Denis (engraving)

TRK3714406: Philip VI of France taking the oriflamme of St Denis (engraving), Ecosse (fl.19th century) / Bridgeman Images

Diego Garci?a de Paredes (1468-1533). Engraving. COLOURed. Spain
Diego Garci?a de Paredes (1468-1533). Engraving. COLOURed. Spain

TRK1149813: Diego Garci?a de Paredes (1468-1533). Engraving. COLOURed. Spain / Bridgeman Images

Gallo-Roman artefacts found by archaeologists (engraving)
Gallo-Roman artefacts found by archaeologists (engraving)

LLM5997480: Gallo-Roman artefacts found by archaeologists (engraving), French School, (19th century) / Bridgeman Images

Cock o' the North - man in traditional Scottish dress (colour litho)
Cock o' the North - man in traditional Scottish dress (colour litho)

LLM6000001: Cock o' the North - man in traditional Scottish dress (colour litho), Scottish School, (20th century) / Bridgeman Images

Habit of a Nobleman of the United Provinces in 1588 (engraving)
Habit of a Nobleman of the United Provinces in 1588 (engraving)

LLR3640558: Habit of a Nobleman of the United Provinces in 1588 (engraving), English School, (18th century) / Bridgeman Images

A La Recherche De Crampel (engraving)
A La Recherche De Crampel (engraving)

LLM2783114: A La Recherche De Crampel (engraving), French School, (19th century) / Bridgeman Images

Hunting deer in the middle ages
Hunting deer in the middle ages

XLF3779072: Hunting deer in the middle ages / Bridgeman Images

German knight costume - 15th century
German knight costume - 15th century

XLF3780394: German knight costume - 15th century / Bridgeman Images

Theseus lifted it, and rolled it over (litho)
Theseus lifted it, and rolled it over (litho)

LLM3652429: Theseus lifted it, and rolled it over (litho), Robinson, Thomas Heath (1869-1954) / Bridgeman Images

Letter W: Saint Wenceslas (c.907-935), in Alphabet des saints, 1932 (engraving)
Letter W: Saint Wenceslas (c.907-935), in Alphabet des saints, 1932 (engraving)

DUV4202412: Letter W: Saint Wenceslas (c.907-935), in Alphabet des saints, 1932 (engraving), Neziere, Raymond de la (1865-1953) / Bridgeman Images

Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right
Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right

FLO5323838: Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right / Bridgeman Images

Dobrynia Nikitich Fighting Gorynych. (Dobrynya Nikitich FOUGHT ZMEY GORYNYCH), 1918 (oil on canvas)
Dobrynia Nikitich Fighting Gorynych. (Dobrynya Nikitich FOUGHT ZMEY GORYNYCH), 1918 (oil on canvas)

FIA5374795: Dobrynia Nikitich Fighting Gorynych. (Dobrynya Nikitich FOUGHT ZMEY GORYNYCH), 1918 (oil on canvas), Vasnetsov, Victor Mikhailovich (1848-1926) / Bridgeman Images

Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour)
Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour)

FIA5405695: Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour), Bilibin, Ivan (1876-1942) / Bridgeman Images

Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour)
Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour)

FIA5405699: Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour), Bilibin, Ivan (1876-1942) / Bridgeman Images

Portrait of Duke Adolf of Holstein-Gottorp (1526-1586), 1586 (oil on canvas)
Portrait of Duke Adolf of Holstein-Gottorp (1526-1586), 1586 (oil on canvas)

FIA5409890: Portrait of Duke Adolf of Holstein-Gottorp (1526-1586), 1586 (oil on canvas), Unknown Artist, (16th century) / Bridgeman Images

Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707660: Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707366: Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675580: The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673324: Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673575: French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673793: Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Virgin and Child with Saint Peter and Saint Paul Mosaic by Pietro Cavallini (1259-1330) 1291 Rome, basilica santa maria in Trastevere
Virgin and Child with Saint Peter and Saint Paul Mosaic by Pietro Cavallini (1259-1330) 1291 Rome, basilica santa maria in Trastevere

ANJ5005465: Virgin and Child with Saint Peter and Saint Paul Mosaic by Pietro Cavallini (1259-1330) 1291 Rome, basilica santa maria in Trastevere, Cavallini, Pietro (c.1250-c.1330) / Bridgeman Images

Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)
Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)

FLO5912605: Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph) / Bridgeman Images

Portrait of John Bradyll of Portfield and Whalley (1557-1616), oil on panel
Portrait of John Bradyll of Portfield and Whalley (1557-1616), oil on panel

MOU162540: Portrait of John Bradyll of Portfield and Whalley (1557-1616), oil on panel, Peake, Robert, the Elder (c.1551-1619) (attr. to) / Bridgeman Images

The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching)
The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching)

NCO191284: The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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