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13739 Search Results for sword

Senegalese soldiers having a rest
Senegalese soldiers having a rest

MEP2363575: Senegalese soldiers having a rest / Bridgeman Images

ID: MEP2363575

Senegalese soldiers having a rest

Officer of Berdan's Sharp Shooters 1862, 2005 (w/c & gouache on paper)
Officer of Berdan's Sharp Shooters 1862, 2005 (w/c & gouache on paper)

DTA3026392: Officer of Berdan's Sharp Shooters 1862, 2005 (w/c & gouache on paper), Troiani, Don (b.1949) / Bridgeman Images

ID: DTA3026392

Officer of Berdan's Sharp Shooters 1862, 2005 (w/c & gouache on paper)

Troiani, Don (b.1949)

Prince George of Cumberland (1819-1878), GCH, Colonel of the Hanoverian Guard Hussars, 1832 (oil on card)
Prince George of Cumberland (1819-1878), GCH, Colonel of the Hanoverian Guard Hussars, 1832 (oil on card)

ROC3060050: Prince George of Cumberland (1819-1878), GCH, Colonel of the Hanoverian Guard Hussars, 1832 (oil on card), Dubois Drahonet, Alexandre-Jean (1791-1834) / Bridgeman Images

ID: ROC3060050

Prince George of Cumberland (1819-1878), GCH, Colonel of the Hanoverian Guard Hussars, 1832 (oil on card)

Dubois Drahonet, Alexandre-Jean (1791-1834)

13th century figures from stained-glass windows, Freiburg Minste , 1889 (chromolithograph)
13th century figures from stained-glass windows, Freiburg Minste , 1889 (chromolithograph)

FLO5912595: 13th century figures from stained-glass windows, Freiburg Minste , 1889 (chromolithograph) / Bridgeman Images

ID: FLO5912595

13th century figures from stained-glass windows, Freiburg Minste , 1889 (chromolithograph)

Swordsman, Le Bravo, 16th century. In black helmet and eye mask, short cape over doublet with lace collar, hose with garter ribbons, slashed shoes. Sword and dagger hanging from belt. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.
Swordsman, Le Bravo, 16th century. In black helmet and eye mask, short cape over doublet with lace collar, hose with garter ribbons, slashed shoes. Sword and dagger hanging from belt. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

FLO5912940: Swordsman, Le Bravo, 16th century. In black helmet and eye mask, short cape over doublet with lace collar, hose with garter ribbons, slashed shoes. Sword and dagger hanging from belt. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841. / Bridgeman Images

ID: FLO5912940

Swordsman, Le Bravo, 16th century. In black helmet and eye mask, short cape over doublet with lace collar, hose with garter ribbons, slashed shoes. Sword and dagger hanging from belt. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

Prince Alexander of Yugoslavia and Princess Maria Pia di Savoia cutting their wedding cake, Cascais, Portugal, 1955 (b/w photo)
Prince Alexander of Yugoslavia and Princess Maria Pia di Savoia cutting their wedding cake, Cascais, Portugal, 1955 (b/w photo)

OLA5363373: Prince Alexander of Yugoslavia and Princess Maria Pia di Savoia cutting their wedding cake, Cascais, Portugal, 1955 (b/w photo) / Bridgeman Images

ID: OLA5363373

Prince Alexander of Yugoslavia and Princess Maria Pia di Savoia cutting their wedding cake, Cascais, Portugal, 1955 (b/w photo)

Public expulsion of a knight from an Order of Chivalry. His armour and sword are removed, his spurs hacked off, and he is rebaptized and named a traitor. From Marc Vulson de la Colombiere's Le Vere Theatre d'Honneur et de Chevalerie, 1648. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Public expulsion of a knight from an Order of Chivalry. His armour and sword are removed, his spurs hacked off, and he is rebaptized and named a traitor. From Marc Vulson de la Colombiere's Le Vere Theatre d'Honneur et de Chevalerie, 1648. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703184: Public expulsion of a knight from an Order of Chivalry. His armour and sword are removed, his spurs hacked off, and he is rebaptized and named a traitor. From Marc Vulson de la Colombiere's Le Vere Theatre d'Honneur et de Chevalerie, 1648. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703184

Public expulsion of a knight from an Order of Chivalry. His armour and sword are removed, his spurs hacked off, and he is rebaptized and named a traitor. From Marc Vulson de la Colombiere's Le Vere Theatre d'Honneur et de Chevalerie, 1648. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707624: Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707624

Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

A vandal (Figure 3) with its helmet decors of spikes, its cape in the Roman style and its wooden shield. Originally from the northern Danube, Moravia and Hungary, they invaded Gaul and founded an empire in North Africa, which was destroyed in 533.
A vandal (Figure 3) with its helmet decors of spikes, its cape in the Roman style and its wooden shield. Originally from the northern Danube, Moravia and Hungary, they invaded Gaul and founded an empire in North Africa, which was destroyed in 533.

FLO4707350: A vandal (Figure 3) with its helmet decors of spikes, its cape in the Roman style and its wooden shield. Originally from the northern Danube, Moravia and Hungary, they invaded Gaul and founded an empire in North Africa, which was destroyed in 533. / Bridgeman Images

ID: FLO4707350

A vandal (Figure 3) with its helmet decors of spikes, its cape in the Roman style and its wooden shield. Originally from the northern Danube, Moravia and Hungary, they invaded Gaul and founded an empire in North Africa, which was destroyed in 533.

Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643762: Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643762

Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

Portrait of Saint Martin, patron saint of beggars and vagabonds, with two disabled beggars at his feet. By an unknown German artist circa 1460. Copied from a rare print in the possession of Thomas Lloyd by Sawyer Jr. facsimile copperplate engraver from John Thomas Smith's Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.
Portrait of Saint Martin, patron saint of beggars and vagabonds, with two disabled beggars at his feet. By an unknown German artist circa 1460. Copied from a rare print in the possession of Thomas Lloyd by Sawyer Jr. facsimile copperplate engraver from John Thomas Smith's Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.

FLO5000741: Portrait of Saint Martin, patron saint of beggars and vagabonds, with two disabled beggars at his feet. By an unknown German artist circa 1460. Copied from a rare print in the possession of Thomas Lloyd by Sawyer Jr. facsimile copperplate engraver from John Thomas Smith's Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817. / Bridgeman Images

ID: FLO5000741

Portrait of Saint Martin, patron saint of beggars and vagabonds, with two disabled beggars at his feet. By an unknown German artist circa 1460. Copied from a rare print in the possession of Thomas Lloyd by Sawyer Jr. facsimile copperplate engraver from John Thomas Smith's Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.

De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678324: De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678324

De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

John the Good, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de liys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
John the Good, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de liys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673568: John the Good, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de liys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673568

John the Good, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de liys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

George IV (1762-1830) in Highland Dress, 1830 (oil on canvas)
George IV (1762-1830) in Highland Dress, 1830 (oil on canvas)

NUM5538: George IV (1762-1830) in Highland Dress, 1830 (oil on canvas), Wilkie, David (1785-1841) / Bridgeman Images

ID: NUM5538

George IV (1762-1830) in Highland Dress, 1830 (oil on canvas)

Wilkie, David (1785-1841)

Jaguar attacking a rider. Painting by Eugene Delacroix (1798-1863), Oil On Canvas, 1855. 19th century French Art. Veletrzni Palace (Fairs Palace), Prague (Czech Republic).
Jaguar attacking a rider. Painting by Eugene Delacroix (1798-1863), Oil On Canvas, 1855. 19th century French Art. Veletrzni Palace (Fairs Palace), Prague (Czech Republic).

LSE4315987: Jaguar attacking a rider. Painting by Eugene Delacroix (1798-1863), Oil On Canvas, 1855. 19th century French Art. Veletrzni Palace (Fairs Palace), Prague (Czech Republic)., Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: LSE4315987

Jaguar attacking a rider. Painting by Eugene Delacroix (1798-1863), Oil On Canvas, 1855. 19th century French Art. Veletrzni Palace (Fairs Palace), Prague (Czech Republic).

Delacroix, Ferdinand Victor Eugene (1798-1863)

King Arthur and Guinevere
King Arthur and Guinevere

LAL299423: King Arthur and Guinevere, McConnell, James Edwin (1903-95) / Bridgeman Images

ID: LAL299423

King Arthur and Guinevere

McConnell, James Edwin (1903-95)

St. Martin sharing his cloak with the beggar (oil on panel)
St. Martin sharing his cloak with the beggar (oil on panel)

XIR370260: St. Martin sharing his cloak with the beggar (oil on panel), Lallemand, Georges (1575-1635) / Bridgeman Images

ID: XIR370260

St. Martin sharing his cloak with the beggar (oil on panel)

Lallemand, Georges (1575-1635)

Argyroxiphium sandwicense subsp. sandwicense/Silver Sabre/Silver Sword/Mauna Kea Silversword/Subspecies located on Mauna kea,/Rare and threatened endemic plant/Big Island// Hawaii/USA
Argyroxiphium sandwicense subsp. sandwicense/Silver Sabre/Silver Sword/Mauna Kea Silversword/Subspecies located on Mauna kea,/Rare and threatened endemic plant/Big Island// Hawaii/USA

HFE4468371: Argyroxiphium sandwicense subsp. sandwicense/Silver Sabre/Silver Sword/Mauna Kea Silversword/Subspecies located on Mauna kea,/Rare and threatened endemic plant/Big Island// Hawaii/USA / Bridgeman Images

ID: HFE4468371

Argyroxiphium sandwicense subsp. sandwicense/Silver Sabre/Silver Sword/Mauna Kea Silversword/Subspecies located on Mauna kea,/Rare and threatened endemic plant/Big Island// Hawaii/USA

Scene from the ancient ceremony of Gorsedd held at Roche Rock near St. Austell in Cornwall. Cornish bards taking the oath on the sword of allegiance held by the Grand Bard. August 1933
Scene from the ancient ceremony of Gorsedd held at Roche Rock near St. Austell in Cornwall. Cornish bards taking the oath on the sword of allegiance held by the Grand Bard. August 1933

MPX5075491: Scene from the ancient ceremony of Gorsedd held at Roche Rock near St. Austell in Cornwall. Cornish bards taking the oath on the sword of allegiance held by the Grand Bard. August 1933 / Bridgeman Images

ID: MPX5075491

Scene from the ancient ceremony of Gorsedd held at Roche Rock near St. Austell in Cornwall. Cornish bards taking the oath on the sword of allegiance held by the Grand Bard. August 1933

Window depicting St. Catherine (stained glass)
Window depicting St. Catherine (stained glass)

XPC345094: Window depicting St. Catherine (stained glass), English School, (14th century) / Bridgeman Images

ID: XPC345094

Window depicting St. Catherine (stained glass)

English School, (14th century)

Justice, c.1559 (oil on canvas)
Justice, c.1559 (oil on canvas)

FIA5398537: Justice, c.1559 (oil on canvas), Porta Salviati, Giuseppe della (1520-75) / Bridgeman Images

ID: FIA5398537

Justice, c.1559 (oil on canvas)

Porta Salviati, Giuseppe della (1520-75)

Pirate Duel on Teviot Bay Beach Illustration by Howard Pyle (1853-1911) from “” Harper's Monthly” 1909
Pirate Duel on Teviot Bay Beach Illustration by Howard Pyle (1853-1911) from “” Harper's Monthly” 1909

GIA4723373: Pirate Duel on Teviot Bay Beach Illustration by Howard Pyle (1853-1911) from “” Harper's Monthly” 1909, Pyle, Howard (1853-1911) / Bridgeman Images

ID: GIA4723373

Pirate Duel on Teviot Bay Beach Illustration by Howard Pyle (1853-1911) from “” Harper's Monthly” 1909

Pyle, Howard (1853-1911)

Joan of Arc Praying (bronze)
Joan of Arc Praying (bronze)

DAH877957: Joan of Arc Praying (bronze), Orleans, Marie d' (1813-39) / Bridgeman Images

ID: DAH877957

Joan of Arc Praying (bronze)

Orleans, Marie d' (1813-39)

Black Prince at Crecy
Black Prince at Crecy

LAL313599: Black Prince at Crecy, English School, (20th century) / Bridgeman Images

ID: LAL313599

Black Prince at Crecy

English School, (20th century)

The Arrest of Santa Engracia, 1474-77 (oil on panel)
The Arrest of Santa Engracia, 1474-77 (oil on panel)

SD873288: The Arrest of Santa Engracia, 1474-77 (oil on panel), Bermejo, (Bartolome de Cardenas) (c.1435/40-1500) / Bridgeman Images

ID: SD873288

The Arrest of Santa Engracia, 1474-77 (oil on panel)

Bermejo, (Bartolome de Cardenas) (c.1435/40-1500)

Justice and Divine Vengeance pursuing Crime, 1808 (oil on canvas)
Justice and Divine Vengeance pursuing Crime, 1808 (oil on canvas)

XIR83754: Justice and Divine Vengeance pursuing Crime, 1808 (oil on canvas), Prud'hon, Pierre-Paul (1758-1823) / Bridgeman Images

ID: XIR83754

Justice and Divine Vengeance pursuing Crime, 1808 (oil on canvas)

Prud'hon, Pierre-Paul (1758-1823)

Tale of Genji by Toyokuni and Hiroshige, 1853 (colour woodblock print)
Tale of Genji by Toyokuni and Hiroshige, 1853 (colour woodblock print)

GRC2630229: Tale of Genji by Toyokuni and Hiroshige, 1853 (colour woodblock print), Hiroshige, Ando or Utagawa (1797-1858) and Toyokuni, Utagawa III (Kunisada) (1786-1864) / Bridgeman Images

ID: GRC2630229

Tale of Genji by Toyokuni and Hiroshige, 1853 (colour woodblock print)

Hiroshige, Ando or Utagawa (1797-1858) and Toyokuni, Utagawa III (Kunisada) (1786-1864)

Jason and the Golden Fleece
Jason and the Golden Fleece

LAL319817: Jason and the Golden Fleece, McConnell, James Edwin (1903-95) / Bridgeman Images

ID: LAL319817

Jason and the Golden Fleece

McConnell, James Edwin (1903-95)

Captain Edward Teach commonly known as Blackbeard, 18th century (engraving)
Captain Edward Teach commonly known as Blackbeard, 18th century (engraving)

STC217027: Captain Edward Teach commonly known as Blackbeard, 18th century (engraving), Cole, B. (fl.c.1701) / Bridgeman Images

ID: STC217027

Captain Edward Teach commonly known as Blackbeard, 18th century (engraving)

Cole, B. (fl.c.1701)

A Guard Room, c.1640s (oil on canvas)
A Guard Room, c.1640s (oil on canvas)

DPG440816: A Guard Room, c.1640s (oil on canvas), Teniers, David the Younger (1610-90) / Bridgeman Images

ID: DPG440816

A Guard Room, c.1640s (oil on canvas)

Teniers, David the Younger (1610-90)

Philip III of Spain, c.1617 (oil on canvas)
Philip III of Spain, c.1617 (oil on canvas)

XOS3087075: Philip III of Spain, c.1617 (oil on canvas), Polanco, Andres Lopez (d.1641) / Bridgeman Images

ID: XOS3087075

Philip III of Spain, c.1617 (oil on canvas)

Polanco, Andres Lopez (d.1641)

Josef Kainz
Josef Kainz

XLA3755215: Josef Kainz / Bridgeman Images

ID: XLA3755215

Josef Kainz

Herzog Ernst II. von Braunschweig-Lüneburg
Herzog Ernst II. von Braunschweig-Lüneburg

STF833685: Herzog Ernst II. von Braunschweig-Lüneburg / Bridgeman Images

ID: STF833685

Herzog Ernst II. von Braunschweig-Lüneburg

The Lombard Peace Treaty, 1183
The Lombard Peace Treaty, 1183

SZT5175519: The Lombard Peace Treaty, 1183 / Bridgeman Images

ID: SZT5175519

The Lombard Peace Treaty, 1183

Phoebe Cookson (b/w photo)
Phoebe Cookson (b/w photo)

TWG352654: Phoebe Cookson (b/w photo), English Photographer / Bridgeman Images

ID: TWG352654

Phoebe Cookson (b/w photo)

English Photographer

One of Washington's 3rd Continental Dragoons (w/c on paper)
One of Washington's 3rd Continental Dragoons (w/c on paper)

XTD75436: One of Washington's 3rd Continental Dragoons (w/c on paper), American School, (19th century) / Bridgeman Images

ID: XTD75436

One of Washington's 3rd Continental Dragoons (w/c on paper)

American School, (19th century)


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