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13714 Search Results for sword

Mughal Officer, c.1650 (gouache on paper)
Mughal Officer, c.1650 (gouache on paper)

FIA5396366: Mughal Officer, c.1650 (gouache on paper), Indian School, (17th century) / Bridgeman Images

ID: FIA5396366

Mughal Officer, c.1650 (gouache on paper)

Indian School, (17th century)

St. Julian the Hospitaler (oil on canvas)
St. Julian the Hospitaler (oil on canvas)

FIT282842: St. Julian the Hospitaler (oil on canvas), Donzelli, Pietro (1452-1509) / Bridgeman Images

ID: FIT282842

St. Julian the Hospitaler (oil on canvas)

Donzelli, Pietro (1452-1509)

High Sheriff of Buckinghamshire (oil on canvas)
High Sheriff of Buckinghamshire (oil on canvas)

RFC216051: High Sheriff of Buckinghamshire (oil on canvas), Foster, Richard (b.1945) / Bridgeman Images

ID: RFC216051

High Sheriff of Buckinghamshire (oil on canvas)

Foster, Richard (b.1945)

St. Paul, St. Mary and St. Peter, 1879 (stained glass)
St. Paul, St. Mary and St. Peter, 1879 (stained glass)

HGP3115210: St. Paul, St. Mary and St. Peter, 1879 (stained glass), Kempe, Charles E. (1837-1907) / Bridgeman Images

ID: HGP3115210

St. Paul, St. Mary and St. Peter, 1879 (stained glass)

Kempe, Charles E. (1837-1907)

Ancient Indian costumes (chromolitho)
Ancient Indian costumes (chromolitho)

LLM1092121: Ancient Indian costumes (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM1092121

Ancient Indian costumes (chromolitho)

French School, (19th century)

Louis-Gabriel Suchet (1770-1826) Duke of Albufera and Marshal of France (engraving)
Louis-Gabriel Suchet (1770-1826) Duke of Albufera and Marshal of France (engraving)

XJF375700: Louis-Gabriel Suchet (1770-1826) Duke of Albufera and Marshal of France (engraving), French School, (19th century) / Bridgeman Images

ID: XJF375700

Louis-Gabriel Suchet (1770-1826) Duke of Albufera and Marshal of France (engraving)

French School, (19th century)

Just as the Twig Is Bent, 1861 (oil on canvas)
Just as the Twig Is Bent, 1861 (oil on canvas)

PHL441600: Just as the Twig Is Bent, 1861 (oil on canvas), Egley, William Maw (1826-1916) / Bridgeman Images

ID: PHL441600

Just as the Twig Is Bent, 1861 (oil on canvas)

Egley, William Maw (1826-1916)

Joan of Arc (chromolitho)
Joan of Arc (chromolitho)

LLM976329: Joan of Arc (chromolitho), European School, (19th century) / Bridgeman Images

ID: LLM976329

Joan of Arc (chromolitho)

European School, (19th century)

Portrait of John Russell, illustration from 'Heads of Illustrious Persons of Great Britain', pub. by Knapton, London 1742 (engraving)
Portrait of John Russell, illustration from 'Heads of Illustrious Persons of Great Britain', pub. by Knapton, London 1742 (engraving)

STC745926: Portrait of John Russell, illustration from 'Heads of Illustrious Persons of Great Britain', pub. by Knapton, London 1742 (engraving), Houbraken, Jacobus (1698-1780) / Bridgeman Images

ID: STC745926

Portrait of John Russell, illustration from 'Heads of Illustrious Persons of Great Britain', pub. by Knapton, London 1742 (engraving)

Houbraken, Jacobus (1698-1780)

King Haakon VII of Norway c.1906 (b/w photo)
King Haakon VII of Norway c.1906 (b/w photo)

DGC1142037: King Haakon VII of Norway c.1906 (b/w photo), Norwegian Photographer, (20th century) / Bridgeman Images

ID: DGC1142037

King Haakon VII of Norway c.1906 (b/w photo)

Norwegian Photographer, (20th century)

Relics found in the Viking's Tomb at Taplow (engraving)
Relics found in the Viking's Tomb at Taplow (engraving)

LIP1107329: Relics found in the Viking's Tomb at Taplow (engraving), Bothams, Walter (fl.1882-1914) / Bridgeman Images

ID: LIP1107329

Relics found in the Viking's Tomb at Taplow (engraving)

Bothams, Walter (fl.1882-1914)

His Highness Prince Nawab Sahib Sidi Muhammad Khan (b/w photo)
His Highness Prince Nawab Sahib Sidi Muhammad Khan (b/w photo)

DND1147628: His Highness Prince Nawab Sahib Sidi Muhammad Khan (b/w photo) / Bridgeman Images

ID: DND1147628

His Highness Prince Nawab Sahib Sidi Muhammad Khan (b/w photo)

St. James's Volunteers Firing at a Target at Kilburn Wells, Engraving 1803, British Soldiers Shooting at a Target with Napoleon's Picture on It; He Wears an Oversized Hat and Carries a Large Sword.
St. James's Volunteers Firing at a Target at Kilburn Wells, Engraving 1803, British Soldiers Shooting at a Target with Napoleon's Picture on It; He Wears an Oversized Hat and Carries a Large Sword.

LZT1012521: St. James's Volunteers Firing at a Target at Kilburn Wells, Engraving 1803, British Soldiers Shooting at a Target with Napoleon's Picture on It; He Wears an Oversized Hat and Carries a Large Sword. / Bridgeman Images

ID: LZT1012521

St. James's Volunteers Firing at a Target at Kilburn Wells, Engraving 1803, British Soldiers Shooting at a Target with Napoleon's Picture on It; He Wears an Oversized Hat and Carries a Large Sword.

Caricature depicting the new French army of Saint-Simonian women, c.1832 (litho) (b/w photo)
Caricature depicting the new French army of Saint-Simonian women, c.1832 (litho) (b/w photo)

CHT239584: Caricature depicting the new French army of Saint-Simonian women, c.1832 (litho) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT239584

Caricature depicting the new French army of Saint-Simonian women, c.1832 (litho) (b/w photo)

French School, (19th century)

Robert Douglas, 1st Viscount of Belhaven, 1573 – 1639. Scottish courtier. After a monument in the Savoy chapel. From Iconographia Scotica or Portraits of Illustrious Persons of Scotland, published 1797.
Robert Douglas, 1st Viscount of Belhaven, 1573 – 1639. Scottish courtier. After a monument in the Savoy chapel. From Iconographia Scotica or Portraits of Illustrious Persons of Scotland, published 1797.

KWE1219698: Robert Douglas, 1st Viscount of Belhaven, 1573 – 1639. Scottish courtier. After a monument in the Savoy chapel. From Iconographia Scotica or Portraits of Illustrious Persons of Scotland, published 1797., English School, (18th century) / Bridgeman Images

ID: KWE1219698

Robert Douglas, 1st Viscount of Belhaven, 1573 – 1639. Scottish courtier. After a monument in the Savoy chapel. From Iconographia Scotica or Portraits of Illustrious Persons of Scotland, published 1797.

English School, (18th century)

Costumes francais around 1600 - English clothing of the 1600s Antique hand-colored print
Costumes francais around 1600 - English clothing of the 1600s Antique hand-colored print

NWI4957094: Costumes francais around 1600 - English clothing of the 1600s Antique hand-colored print / Bridgeman Images

ID: NWI4957094

Costumes francais around 1600 - English clothing of the 1600s Antique hand-colored print

Tales from the Floating World on Eastern Brocade, Hanji in the Rain, 9th month 1867 (ink & colours on paper)
Tales from the Floating World on Eastern Brocade, Hanji in the Rain, 9th month 1867 (ink & colours on paper)

IMA484484: Tales from the Floating World on Eastern Brocade, Hanji in the Rain, 9th month 1867 (ink & colours on paper), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

ID: IMA484484

Tales from the Floating World on Eastern Brocade, Hanji in the Rain, 9th month 1867 (ink & colours on paper)

Yoshitoshi, Tsukioka (1839-92)

A Mounted Pandour (oil on canvas)
A Mounted Pandour (oil on canvas)

USB1163100: A Mounted Pandour (oil on canvas), German School, (18th century) / Bridgeman Images

ID: USB1163100

A Mounted Pandour (oil on canvas)

German School, (18th century)

Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.
Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.

TRK879339: Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome. / Bridgeman Images

ID: TRK879339

Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.

Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.
Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.

TRK879342: Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome. / Bridgeman Images

ID: TRK879342

Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.

Mystic Marriage of Saint Catherine and Saints, by Master of the paliotto of Seven Saints, 14th Century, tempera on board with golden background
Mystic Marriage of Saint Catherine and Saints, by Master of the paliotto of Seven Saints, 14th Century, tempera on board with golden background

MEP944196: Mystic Marriage of Saint Catherine and Saints, by Master of the paliotto of Seven Saints, 14th Century, tempera on board with golden background / Bridgeman Images

ID: MEP944196

Mystic Marriage of Saint Catherine and Saints, by Master of the paliotto of Seven Saints, 14th Century, tempera on board with golden background

Sasaki Takatsuma at the Battle of the Uji river, c.1810-1820 (woodblock print)
Sasaki Takatsuma at the Battle of the Uji river, c.1810-1820 (woodblock print)

MAM713621: Sasaki Takatsuma at the Battle of the Uji river, c.1810-1820 (woodblock print) , Shuntei, Katsukawa (1770-1820) / Bridgeman Images

ID: MAM713621

Sasaki Takatsuma at the Battle of the Uji river, c.1810-1820 (woodblock print)

Shuntei, Katsukawa (1770-1820)

Crucifixion, 1534 - 1534 (fresco)
Crucifixion, 1534 - 1534 (fresco)

ELC858126: Crucifixion, 1534 - 1534 (fresco), Romanino, Girolamo (c.1485-c.1566) / Bridgeman Images

ID: ELC858126

Crucifixion, 1534 - 1534 (fresco)

Romanino, Girolamo (c.1485-c.1566)

French king Francois 1st with Guillaume Cretin
French king Francois 1st with Guillaume Cretin

PVD1689765: French king Francois 1st with Guillaume Cretin, Unknown Artist / Bridgeman Images

ID: PVD1689765

French king Francois 1st with Guillaume Cretin

Unknown Artist

Captain Alatriste, illustration from 'The King's Gold' by Arturo Perez-Reverte, 2006 (colour litho)
Captain Alatriste, illustration from 'The King's Gold' by Arturo Perez-Reverte, 2006 (colour litho)

GNO404867: Captain Alatriste, illustration from 'The King's Gold' by Arturo Perez-Reverte, 2006 (colour litho), D'Achille, Gino (1935-2017) / Bridgeman Images

ID: GNO404867

Captain Alatriste, illustration from 'The King's Gold' by Arturo Perez-Reverte, 2006 (colour litho)

D'Achille, Gino (1935-2017)

Japanese standard door - Japanese ensign carrying a standard, and umbrella bearer, both in helmets, kimono, leggings and sandals, carrying swords - Handcoloured woodcut by Decreef from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistic, Brussels, 1845
Japanese standard door - Japanese ensign carrying a standard, and umbrella bearer, both in helmets, kimono, leggings and sandals, carrying swords - Handcoloured woodcut by Decreef from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistic, Brussels, 1845

FLO4724308: Japanese standard door - Japanese ensign carrying a standard, and umbrella bearer, both in helmets, kimono, leggings and sandals, carrying swords - Handcoloured woodcut by Decreef from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistic, Brussels, 1845 / Bridgeman Images

ID: FLO4724308

Japanese standard door - Japanese ensign carrying a standard, and umbrella bearer, both in helmets, kimono, leggings and sandals, carrying swords - Handcoloured woodcut by Decreef from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistic, Brussels, 1845

Armor and mesh size of the 15th century, tombstone by Ludwig von Hutten (d. 1414) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Armor and mesh size of the 15th century, tombstone by Ludwig von Hutten (d. 1414) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643652: Armor and mesh size of the 15th century, tombstone by Ludwig von Hutten (d. 1414) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643652

Armor and mesh size of the 15th century, tombstone by Ludwig von Hutten (d. 1414) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

A Norman king on horseback (155), wearing a gold crown, and above all red. The predominantly military, certainly of Norman origin, was not commonly used until the mid-12th century. This clothing was probably a marker of the rank of the one who was wearing it in the 11th and 12th century drawings. The knitted hood was part of the armor. The Norman Monk (156) wears a dress of a religious order different from that of the Capuchins. Copper engraving hand-coloured, in “Images historiques des costumes des principaux peoples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A Norman king on horseback (155), wearing a gold crown, and above all red. The predominantly military, certainly of Norman origin, was not commonly used until the mid-12th century. This clothing was probably a marker of the rank of the one who was wearing it in the 11th and 12th century drawings. The knitted hood was part of the armor. The Norman Monk (156) wears a dress of a religious order different from that of the Capuchins. Copper engraving hand-coloured, in “Images historiques des costumes des principaux peoples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708196: A Norman king on horseback (155), wearing a gold crown, and above all red. The predominantly military, certainly of Norman origin, was not commonly used until the mid-12th century. This clothing was probably a marker of the rank of the one who was wearing it in the 11th and 12th century drawings. The knitted hood was part of the armor. The Norman Monk (156) wears a dress of a religious order different from that of the Capuchins. Copper engraving hand-coloured, in “Images historiques des costumes des principaux peoples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708196

A Norman king on horseback (155), wearing a gold crown, and above all red. The predominantly military, certainly of Norman origin, was not commonly used until the mid-12th century. This clothing was probably a marker of the rank of the one who was wearing it in the 11th and 12th century drawings. The knitted hood was part of the armor. The Norman Monk (156) wears a dress of a religious order different from that of the Capuchins. Copper engraving hand-coloured, in “Images historiques des costumes des principaux peoples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Pierre or Peter I, Count of Alencon (Pierre I d'Alencon or Pierre de France, 1251-1283). He wears a scarlet chapel (hat) with black brim, a short jacket lined with ermine, red stockings and black cracows or poulaines. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Pierre or Peter I, Count of Alencon (Pierre I d'Alencon or Pierre de France, 1251-1283). He wears a scarlet chapel (hat) with black brim, a short jacket lined with ermine, red stockings and black cracows or poulaines. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674389: Pierre or Peter I, Count of Alencon (Pierre I d'Alencon or Pierre de France, 1251-1283). He wears a scarlet chapel (hat) with black brim, a short jacket lined with ermine, red stockings and black cracows or poulaines. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4674389

Pierre or Peter I, Count of Alencon (Pierre I d'Alencon or Pierre de France, 1251-1283). He wears a scarlet chapel (hat) with black brim, a short jacket lined with ermine, red stockings and black cracows or poulaines. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Dependency has war (The bone of all the dead). In Bale's original death dance, death appears wearing armor to mock the soldier and take him away. In Holbein's version, Death attacks with a female and the soldier defends himself in an intense duel. In the background, a grotesque dead man plays the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Dependency has war (The bone of all the dead). In Bale's original death dance, death appears wearing armor to mock the soldier and take him away. In Holbein's version, Death attacks with a female and the soldier defends himself in an intense duel. In the background, a grotesque dead man plays the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675674: Dependency has war (The bone of all the dead). In Bale's original death dance, death appears wearing armor to mock the soldier and take him away. In Holbein's version, Death attacks with a female and the soldier defends himself in an intense duel. In the background, a grotesque dead man plays the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675674

Dependency has war (The bone of all the dead). In Bale's original death dance, death appears wearing armor to mock the soldier and take him away. In Holbein's version, Death attacks with a female and the soldier defends himself in an intense duel. In the background, a grotesque dead man plays the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Arms and armour of the ancient Egyptians including armour, chariots, sword, quiver, arrows, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Arms and armour of the ancient Egyptians including armour, chariots, sword, quiver, arrows, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620158: Arms and armour of the ancient Egyptians including armour, chariots, sword, quiver, arrows, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620158

Arms and armour of the ancient Egyptians including armour, chariots, sword, quiver, arrows, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Wounded warrior, 3rd century AD (head), 1st or 5th century BC (torso), (marble)
Wounded warrior, 3rd century AD (head), 1st or 5th century BC (torso), (marble)

SBL7146727: Wounded warrior, 3rd century AD (head), 1st or 5th century BC (torso), (marble), Roman, (3rd century AD) / Bridgeman Images

ID: SBL7146727

Wounded warrior, 3rd century AD (head), 1st or 5th century BC (torso), (marble)

Roman, (3rd century AD)

The Eastern Armee of Eugene Sergeant, known as Grenest (engraving)
The Eastern Armee of Eugene Sergeant, known as Grenest (engraving)

JLJ4629234: The Eastern Armee of Eugene Sergeant, known as Grenest (engraving), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: JLJ4629234

The Eastern Armee of Eugene Sergeant, known as Grenest (engraving)

Bombled, Louis Charles (1862-1927)

Marquis Ambrogio Spinola, c.1630 (oil on canvas)
Marquis Ambrogio Spinola, c.1630 (oil on canvas)

STM620769: Marquis Ambrogio Spinola, c.1630 (oil on canvas), Rubens, Peter Paul (1577-1640) (studio of) / Bridgeman Images

ID: STM620769

Marquis Ambrogio Spinola, c.1630 (oil on canvas)

Rubens, Peter Paul (1577-1640) (studio of)

Old Clothes Merchant, Cairo, 1866 (oil on panel)
Old Clothes Merchant, Cairo, 1866 (oil on panel)

NUM712149: Old Clothes Merchant, Cairo, 1866 (oil on panel), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: NUM712149

Old Clothes Merchant, Cairo, 1866 (oil on panel)

Gerome, Jean Leon (1824-1904)

Portrait of Frederick III, Holy Roman Emperor called the Peaceful, from an original of 1468 (painting)
Portrait of Frederick III, Holy Roman Emperor called the Peaceful, from an original of 1468 (painting)

LRI4582563: Portrait of Frederick III, Holy Roman Emperor called the Peaceful, from an original of 1468 (painting), Burgkmair, Hans (c.1473-1531) (after) / Bridgeman Images

ID: LRI4582563

Portrait of Frederick III, Holy Roman Emperor called the Peaceful, from an original of 1468 (painting)

Burgkmair, Hans (c.1473-1531) (after)


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