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13737 Search Results for sword

Baldwin I, Latin Emperor (engraving)
Baldwin I, Latin Emperor (engraving)

LLM3647799: Baldwin I, Latin Emperor (engraving), European School, (19th century) / Bridgeman Images

Duenas Castel, Spain, 1851 (engraving)
Duenas Castel, Spain, 1851 (engraving)

TRK3514636: Duenas Castel, Spain, 1851 (engraving) / Bridgeman Images

Cavalier, King Charles I (chromolitho)
Cavalier, King Charles I (chromolitho)

LLM3099995: Cavalier, King Charles I (chromolitho), English School, (20th century) / Bridgeman Images

Mounted officer of the Hussars of the Royal Guard, from 'Troupes Francaises', pub. chez Basset, Paris, c.1790 (colour litho)
Mounted officer of the Hussars of the Royal Guard, from 'Troupes Francaises', pub. chez Basset, Paris, c.1790 (colour litho)

STC312816: Mounted officer of the Hussars of the Royal Guard, from 'Troupes Francaises', pub. chez Basset, Paris, c.1790 (colour litho), French School, (18th century) / Bridgeman Images

Germany / Syria / Iraq: left to right, An Arab of Belka, southern Syria, a woman of Damascus, an Arab of Baghdad,
Germany / Syria / Iraq: left to right, An Arab of Belka, southern Syria, a woman of Damascus, an Arab of Baghdad,

PFH2641571: Germany / Syria / Iraq: left to right, An Arab of Belka, southern Syria, a woman of Damascus, an Arab of Baghdad, "Munchner Bilderbogen", Braun & Schneider, 1861-1890 / Bridgeman Images

King Robert II (970-1031) son of Hugh Capet (c.944-996) composing Sequences and Responses, from the 'Chroniques de France', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)
King Robert II (970-1031) son of Hugh Capet (c.944-996) composing Sequences and Responses, from the 'Chroniques de France', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving)

XJF193897: King Robert II (970-1031) son of Hugh Capet (c.944-996) composing Sequences and Responses, from the 'Chroniques de France', illustration from 'Science and Literature in the Middle Ages and Renaissance', written and engraved by Paul Lacroix, 1878 (engraving), French School, (14th century) (after) / Bridgeman Images

Hannibal makes defeated Romans fight each other, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving)
Hannibal makes defeated Romans fight each other, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving)

STC746957: Hannibal makes defeated Romans fight each other, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving) , Straet, Jan van der (Joannes Stradanus) (1523-1605) / Bridgeman Images

France. Army of the 18th century. Musketeer of the Infantry of Louis XIV filling the musket's bowl with black powder. Colored engraving.
France. Army of the 18th century. Musketeer of the Infantry of Louis XIV filling the musket's bowl with black powder. Colored engraving.

TRK697460: France. Army of the 18th century. Musketeer of the Infantry of Louis XIV filling the musket's bowl with black powder. Colored engraving. / Bridgeman Images

Knight,  15th century (miniature)
Knight,  15th century (miniature)

LRI4597670: Knight, 15th century (miniature), d'Eyck, Barthelemy (fl.1444-1476) / Bridgeman Images

Merovingian art: swings and Franciscan of iron from Normandy, 475- 25 AD (metal)
Merovingian art: swings and Franciscan of iron from Normandy, 475- 25 AD (metal)

JLJ4590537: Merovingian art: swings and Franciscan of iron from Normandy, 475- 25 AD (metal), Merovingian (6th century) / Bridgeman Images

Gargantua as a child received gifts, 1885 (illustration)
Gargantua as a child received gifts, 1885 (illustration)

PCT4281550: Gargantua as a child received gifts, 1885 (illustration), Robida, Albert (1848-1926) / Bridgeman Images

Letters K and L:
Letters K and L:

DUV4205786: Letters K and L: "Kabyles; Blade", in Alphabet francais, 1887 (engraving), Beuzon, Joseph Charles (fl.1892) (after) / Bridgeman Images

Tudor noble costume 1600
Tudor noble costume 1600

XLF3790197: Tudor noble costume 1600 / Bridgeman Images

L'Assiette au Beurre, number 324, Satirique en couleurs, 1907_6_15: Les trophees... - Antimilitarism, War, Pacifism, Canons, shells, Maritime Marine Seaside, Battleship - Reaper/Camara (lithograph)
L'Assiette au Beurre, number 324, Satirique en couleurs, 1907_6_15: Les trophees... - Antimilitarism, War, Pacifism, Canons, shells, Maritime Marine Seaside, Battleship - Reaper/Camara (lithograph)

ICA4911229: L'Assiette au Beurre, number 324, Satirique en couleurs, 1907_6_15: Les trophees... - Antimilitarism, War, Pacifism, Canons, shells, Maritime Marine Seaside, Battleship - Reaper/Camara (lithograph), Camara, Leal de (1877-1948) / Bridgeman Images

Count Patiano
Count Patiano

FAS45847: Count Patiano, Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

Mystic marriage of St Catherine (oil on panel)
Mystic marriage of St Catherine (oil on panel)

CPH366022: Mystic marriage of St Catherine (oil on panel), Memling, Hans (c.1433-94) / Bridgeman Images

The King Actor, by unknown artist, 30-40, 1st Century A.D., ripped fresco, 39 x 39 cm
The King Actor, by unknown artist, 30-40, 1st Century A.D., ripped fresco, 39 x 39 cm

MEB1191373: The King Actor, by unknown artist, 30-40, 1st Century A.D., ripped fresco, 39 x 39 cm / Bridgeman Images

Private, Regiment of Hussars 'Karoly', c.1748 (oil on canvas)
Private, Regiment of Hussars 'Karoly', c.1748 (oil on canvas)

ROC930085: Private, Regiment of Hussars 'Karoly', c.1748 (oil on canvas), Morier, David (c.1705-70) / Bridgeman Images

Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.
Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.

TRK879340: Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome. / Bridgeman Images

Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.
Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.

TRK879341: Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome. / Bridgeman Images

Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)

ELC852546: Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache), Martini, Alberto (1876-1954) / Bridgeman Images

13th century figures from stained-glass windows, Freiburg Minste , 1889 (chromolithograph)
13th century figures from stained-glass windows, Freiburg Minste , 1889 (chromolithograph)

FLO5912595: 13th century figures from stained-glass windows, Freiburg Minste , 1889 (chromolithograph) / Bridgeman Images

Swordsman, Le Bravo, 16th century. In black helmet and eye mask, short cape over doublet with lace collar, hose with garter ribbons, slashed shoes. Sword and dagger hanging from belt. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.
Swordsman, Le Bravo, 16th century. In black helmet and eye mask, short cape over doublet with lace collar, hose with garter ribbons, slashed shoes. Sword and dagger hanging from belt. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

FLO5912940: Swordsman, Le Bravo, 16th century. In black helmet and eye mask, short cape over doublet with lace collar, hose with garter ribbons, slashed shoes. Sword and dagger hanging from belt. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841. / Bridgeman Images

Portrait of Saint Martin, patron saint of beggars and vagabonds, with two disabled beggars at his feet. By an unknown German artist circa 1460. Copied from a rare print in the possession of Thomas Lloyd by Sawyer Jr. facsimile copperplate engraver from John Thomas Smith's Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.
Portrait of Saint Martin, patron saint of beggars and vagabonds, with two disabled beggars at his feet. By an unknown German artist circa 1460. Copied from a rare print in the possession of Thomas Lloyd by Sawyer Jr. facsimile copperplate engraver from John Thomas Smith's Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.

FLO5000741: Portrait of Saint Martin, patron saint of beggars and vagabonds, with two disabled beggars at his feet. By an unknown German artist circa 1460. Copied from a rare print in the possession of Thomas Lloyd by Sawyer Jr. facsimile copperplate engraver from John Thomas Smith's Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817. / Bridgeman Images

Prince George of Cumberland (1819-1878), GCH, Colonel of the Hanoverian Guard Hussars, 1832 (oil on card)
Prince George of Cumberland (1819-1878), GCH, Colonel of the Hanoverian Guard Hussars, 1832 (oil on card)

ROC3060050: Prince George of Cumberland (1819-1878), GCH, Colonel of the Hanoverian Guard Hussars, 1832 (oil on card), Dubois Drahonet, Alexandre-Jean (1791-1834) / Bridgeman Images

Officer of Berdan's Sharp Shooters 1862, 2005 (w/c & gouache on paper)
Officer of Berdan's Sharp Shooters 1862, 2005 (w/c & gouache on paper)

DTA3026392: Officer of Berdan's Sharp Shooters 1862, 2005 (w/c & gouache on paper), Troiani, Don (b.1949) / Bridgeman Images

Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707624: Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Public expulsion of a knight from an Order of Chivalry. His armour and sword are removed, his spurs hacked off, and he is rebaptized and named a traitor. From Marc Vulson de la Colombiere's Le Vere Theatre d'Honneur et de Chevalerie, 1648. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Public expulsion of a knight from an Order of Chivalry. His armour and sword are removed, his spurs hacked off, and he is rebaptized and named a traitor. From Marc Vulson de la Colombiere's Le Vere Theatre d'Honneur et de Chevalerie, 1648. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703184: Public expulsion of a knight from an Order of Chivalry. His armour and sword are removed, his spurs hacked off, and he is rebaptized and named a traitor. From Marc Vulson de la Colombiere's Le Vere Theatre d'Honneur et de Chevalerie, 1648. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

A vandal (Figure 3) with its helmet decors of spikes, its cape in the Roman style and its wooden shield. Originally from the northern Danube, Moravia and Hungary, they invaded Gaul and founded an empire in North Africa, which was destroyed in 533.
A vandal (Figure 3) with its helmet decors of spikes, its cape in the Roman style and its wooden shield. Originally from the northern Danube, Moravia and Hungary, they invaded Gaul and founded an empire in North Africa, which was destroyed in 533.

FLO4707350: A vandal (Figure 3) with its helmet decors of spikes, its cape in the Roman style and its wooden shield. Originally from the northern Danube, Moravia and Hungary, they invaded Gaul and founded an empire in North Africa, which was destroyed in 533. / Bridgeman Images

John the Good, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de liys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
John the Good, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de liys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673568: John the Good, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de liys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678324: De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643762: Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Asia, Tibet, Tibetan Guard, 1920-30 (b/w photo)
Asia, Tibet, Tibetan Guard, 1920-30 (b/w photo)

UIT6191404: Asia, Tibet, Tibetan Guard, 1920-30 (b/w photo) / Bridgeman Images

British Major of the 1st Battalion (Coke's) 13th Frontier Force Rifles, Indian Army, 1938 (colour litho)
British Major of the 1st Battalion (Coke's) 13th Frontier Force Rifles, Indian Army, 1938 (colour litho)

KDC469443: British Major of the 1st Battalion (Coke's) 13th Frontier Force Rifles, Indian Army, 1938 (colour litho) / Bridgeman Images

Senegalese soldiers having a rest
Senegalese soldiers having a rest

MEP2363575: Senegalese soldiers having a rest / Bridgeman Images

Prince Alexander of Yugoslavia and Princess Maria Pia di Savoia cutting their wedding cake, Cascais, Portugal, 1955 (b/w photo)
Prince Alexander of Yugoslavia and Princess Maria Pia di Savoia cutting their wedding cake, Cascais, Portugal, 1955 (b/w photo)

OLA5363373: Prince Alexander of Yugoslavia and Princess Maria Pia di Savoia cutting their wedding cake, Cascais, Portugal, 1955 (b/w photo) / Bridgeman Images


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