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13714 Search Results for sword

Fashion parody: woman wearing an obstructed dress. Photograhie circa 1915
Fashion parody: woman wearing an obstructed dress. Photograhie circa 1915

IMB4937027: Fashion parody: woman wearing an obstructed dress. Photograhie circa 1915 / Bridgeman Images

ID: IMB4937027

Fashion parody: woman wearing an obstructed dress. Photograhie circa 1915

The Coast Guard (litho)
The Coast Guard (litho)

LLH6030938: The Coast Guard (litho), Onwhyn, Thomas (c.1820-86) / Bridgeman Images

ID: LLH6030938

The Coast Guard (litho)

Onwhyn, Thomas (c.1820-86)

Captain Holland, c.1860 (b/w photo)
Captain Holland, c.1860 (b/w photo)

JHL701508: Captain Holland, c.1860 (b/w photo), European Photographer, (19th century) / Bridgeman Images

ID: JHL701508

Captain Holland, c.1860 (b/w photo)

European Photographer, (19th century)

Warsaw Mermaid, 1855, by Konstanty Hegel (1799-1876). Poland.
Warsaw Mermaid, 1855, by Konstanty Hegel (1799-1876). Poland.

TRK1018100: Warsaw Mermaid, 1855, by Konstanty Hegel (1799-1876). Poland. / Bridgeman Images

ID: TRK1018100

Warsaw Mermaid, 1855, by Konstanty Hegel (1799-1876). Poland.

Detail of The Fortune Teller, c.1595 (oil on canvas)
Detail of The Fortune Teller, c.1595 (oil on canvas)

SBL1108915: Detail of The Fortune Teller, c.1595 (oil on canvas), Caravaggio, Michelangelo Merisi da (1571-1610) / Bridgeman Images

ID: SBL1108915

Detail of The Fortune Teller, c.1595 (oil on canvas)

Caravaggio, Michelangelo Merisi da (1571-1610)

Iraq / Italy: Shop selling torches and candles. Illustration from Ibn Butlan's Taqwim al-sihhah or 'Maintenance of Health' (Baghdad, 11th century) published in Italy as the Tacuinum Sanitatis in the 14th century
Iraq / Italy: Shop selling torches and candles. Illustration from Ibn Butlan's Taqwim al-sihhah or 'Maintenance of Health' (Baghdad, 11th century) published in Italy as the Tacuinum Sanitatis in the 14th century

PFH1174574: Iraq / Italy: Shop selling torches and candles. Illustration from Ibn Butlan's Taqwim al-sihhah or 'Maintenance of Health' (Baghdad, 11th century) published in Italy as the Tacuinum Sanitatis in the 14th century, Italian School, (14th century) / Bridgeman Images

ID: PFH1174574

Iraq / Italy: Shop selling torches and candles. Illustration from Ibn Butlan's Taqwim al-sihhah or 'Maintenance of Health' (Baghdad, 11th century) published in Italy as the Tacuinum Sanitatis in the 14th century

Italian School, (14th century)

Germany / Vietnam: left to right, Women of Tonkin, Riflemen from Tonkin,
Germany / Vietnam: left to right, Women of Tonkin, Riflemen from Tonkin,

PFH2641717: Germany / Vietnam: left to right, Women of Tonkin, Riflemen from Tonkin, "Munchner Bilderbogen", Braun & Schneider, 1861-1890 / Bridgeman Images

ID: PFH2641717

Germany / Vietnam: left to right, Women of Tonkin, Riflemen from Tonkin, "Munchner Bilderbogen", Braun & Schneider, 1861-1890

Reconstruction described as the reform of equal rights, 1868. Coloured engraving, based on an illustration by Thomas Nast, 19th century.
Reconstruction described as the reform of equal rights, 1868. Coloured engraving, based on an illustration by Thomas Nast, 19th century.

NWI4958410: Reconstruction described as the reform of equal rights, 1868. Coloured engraving, based on an illustration by Thomas Nast, 19th century. / Bridgeman Images

ID: NWI4958410

Reconstruction described as the reform of equal rights, 1868. Coloured engraving, based on an illustration by Thomas Nast, 19th century.

King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century.
King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century.

NWI4959439: King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century. / Bridgeman Images

ID: NWI4959439

King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century.

Portrait Of Alexandre Nevski, Prince Of Novgorod, Grand Duke Of Vladimir (1220-1263), 1724 (oil on canvas)
Portrait Of Alexandre Nevski, Prince Of Novgorod, Grand Duke Of Vladimir (1220-1263), 1724 (oil on canvas)

FIA5344600: Portrait Of Alexandre Nevski, Prince Of Novgorod, Grand Duke Of Vladimir (1220-1263), 1724 (oil on canvas), Russian School, (18th century) / Bridgeman Images

ID: FIA5344600

Portrait Of Alexandre Nevski, Prince Of Novgorod, Grand Duke Of Vladimir (1220-1263), 1724 (oil on canvas)

Russian School, (18th century)

The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328591: The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328591

The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

Merovingian art: swings and Franciscan of iron from Normandy, 475- 25 AD (metal)
Merovingian art: swings and Franciscan of iron from Normandy, 475- 25 AD (metal)

JLJ4590537: Merovingian art: swings and Franciscan of iron from Normandy, 475- 25 AD (metal), Merovingian (6th century) / Bridgeman Images

ID: JLJ4590537

Merovingian art: swings and Franciscan of iron from Normandy, 475- 25 AD (metal)

Merovingian (6th century)

Pauline Garcia-Viardot (1821-1910) in the role of Tancredi in the opera by Gioacchino Rossini (1792-1868) at the Theatre Italien, Paris (coloured engraving)
Pauline Garcia-Viardot (1821-1910) in the role of Tancredi in the opera by Gioacchino Rossini (1792-1868) at the Theatre Italien, Paris (coloured engraving)

CHT203319: Pauline Garcia-Viardot (1821-1910) in the role of Tancredi in the opera by Gioacchino Rossini (1792-1868) at the Theatre Italien, Paris (coloured engraving), French School, (19th century) / Bridgeman Images

ID: CHT203319

Pauline Garcia-Viardot (1821-1910) in the role of Tancredi in the opera by Gioacchino Rossini (1792-1868) at the Theatre Italien, Paris (coloured engraving)

French School, (19th century)

Battle of Antietam in 1862, 1865 (litho) (b/w photo)
Battle of Antietam in 1862, 1865 (litho) (b/w photo)

AKM210045: Battle of Antietam in 1862, 1865 (litho) (b/w photo), Rosenthal, Max (1833-1918) / Bridgeman Images

ID: AKM210045

Battle of Antietam in 1862, 1865 (litho) (b/w photo)

Rosenthal, Max (1833-1918)

Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving)
Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving)

STC255276: Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving), Jones, George (1786-1869) (after) / Bridgeman Images

ID: STC255276

Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving)

Jones, George (1786-1869) (after)

Two Benin Plaques, Nigeria (brass)
Two Benin Plaques, Nigeria (brass)

XCF306876: Two Benin Plaques, Nigeria (brass), Beninois School / Bridgeman Images

ID: XCF306876

Two Benin Plaques, Nigeria (brass)

Beninois School

Rt. Hon. Francis Rawdon Hastings (1754-1826) (oil on canvas)
Rt. Hon. Francis Rawdon Hastings (1754-1826) (oil on canvas)

CH19386: Rt. Hon. Francis Rawdon Hastings (1754-1826) (oil on canvas), Raeburn, Henry (1756-1823) / Bridgeman Images

ID: CH19386

Rt. Hon. Francis Rawdon Hastings (1754-1826) (oil on canvas)

Raeburn, Henry (1756-1823)

King Cophetua and the Beggar Maid
King Cophetua and the Beggar Maid

FAS45456: King Cophetua and the Beggar Maid, Maclise, Daniel (Croquis, Alfred) (1806-70) / Bridgeman Images

ID: FAS45456

King Cophetua and the Beggar Maid

Maclise, Daniel (Croquis, Alfred) (1806-70)

Madonna and Child with St. Vitalis, St. Jerome and St. Francis
Madonna and Child with St. Vitalis, St. Jerome and St. Francis

AII78320: Madonna and Child with St. Vitalis, St. Jerome and St. Francis, Procaccini, Camillo (c.1560-1629) / Bridgeman Images

ID: AII78320

Madonna and Child with St. Vitalis, St. Jerome and St. Francis

Procaccini, Camillo (c.1560-1629)

Equestrian statue of General Andrew Jackson, 1853 (photo)
Equestrian statue of General Andrew Jackson, 1853 (photo)

PNP256366: Equestrian statue of General Andrew Jackson, 1853 (photo), Mills, Clark (1810-83) / Bridgeman Images

ID: PNP256366

Equestrian statue of General Andrew Jackson, 1853 (photo)

Mills, Clark (1810-83)

Graduate of The Ecole Polytechnique Wearing Uniform of The School on December 3, 1960 (b/w photo)
Graduate of The Ecole Polytechnique Wearing Uniform of The School on December 3, 1960 (b/w photo)

XRA1661592: Graduate of The Ecole Polytechnique Wearing Uniform of The School on December 3, 1960 (b/w photo) / Bridgeman Images

ID: XRA1661592

Graduate of The Ecole Polytechnique Wearing Uniform of The School on December 3, 1960 (b/w photo)

Portrait of General Giovanni Durando (Ritratto del generale Giovanni Durando), by Giulio Carlini, 1880, 19th Century (oil on canvas)
Portrait of General Giovanni Durando (Ritratto del generale Giovanni Durando), by Giulio Carlini, 1880, 19th Century (oil on canvas)

MEP3613032: Portrait of General Giovanni Durando (Ritratto del generale Giovanni Durando), by Giulio Carlini, 1880, 19th Century (oil on canvas), Carlini, Giulio (1830-87) / Bridgeman Images

ID: MEP3613032

Portrait of General Giovanni Durando (Ritratto del generale Giovanni Durando), by Giulio Carlini, 1880, 19th Century (oil on canvas)

Carlini, Giulio (1830-87)

Portrait of General Filiberto Mollard (Ritratto del generale Filiberto Mollard), by Giulio Carlini, 1880, 19th Century (oil on canvas)
Portrait of General Filiberto Mollard (Ritratto del generale Filiberto Mollard), by Giulio Carlini, 1880, 19th Century (oil on canvas)

MEP3613030: Portrait of General Filiberto Mollard (Ritratto del generale Filiberto Mollard), by Giulio Carlini, 1880, 19th Century (oil on canvas), Carlini, Giulio (1830-87) / Bridgeman Images

ID: MEP3613030

Portrait of General Filiberto Mollard (Ritratto del generale Filiberto Mollard), by Giulio Carlini, 1880, 19th Century (oil on canvas)

Carlini, Giulio (1830-87)

Prince Hunting Wild Boar (Miniature Painting), 1765 (opaque w/c & gold on paper)
Prince Hunting Wild Boar (Miniature Painting), 1765 (opaque w/c & gold on paper)

TBM423191: Prince Hunting Wild Boar (Miniature Painting), 1765 (opaque w/c & gold on paper), Indian School, (18th century) / Bridgeman Images

ID: TBM423191

Prince Hunting Wild Boar (Miniature Painting), 1765 (opaque w/c & gold on paper)

Indian School, (18th century)

Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print)
Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print)

PRM479242: Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479242

Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Kayano Tsunenari, from 'The Lives of the Loyal Ronin', 1885 (colour litho)
Kayano Tsunenari, from 'The Lives of the Loyal Ronin', 1885 (colour litho)

RUS495005: Kayano Tsunenari, from 'The Lives of the Loyal Ronin', 1885 (colour litho), Japanese School, (19th century) / Bridgeman Images

ID: RUS495005

Kayano Tsunenari, from 'The Lives of the Loyal Ronin', 1885 (colour litho)

Japanese School, (19th century)

Warrior on Horse (woodblock print)
Warrior on Horse (woodblock print)

MAM713599: Warrior on Horse (woodblock print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: MAM713599

Warrior on Horse (woodblock print)

Kuniyasu, Utagawa (1794-1832)

Gypsy Carmencita and Brigadier Don Jose in a square in Seville. Postcard depicting a scene of the comic opera Carmen by Georges Bizet (1838-1875).
Gypsy Carmencita and Brigadier Don Jose in a square in Seville. Postcard depicting a scene of the comic opera Carmen by Georges Bizet (1838-1875).

JAB5035100: Gypsy Carmencita and Brigadier Don Jose in a square in Seville. Postcard depicting a scene of the comic opera Carmen by Georges Bizet (1838-1875). / Bridgeman Images

ID: JAB5035100

Gypsy Carmencita and Brigadier Don Jose in a square in Seville. Postcard depicting a scene of the comic opera Carmen by Georges Bizet (1838-1875).

Numerus Batavorum (or cohors Germanorum)
Numerus Batavorum (or cohors Germanorum)

GIU5894646: Numerus Batavorum (or cohors Germanorum), Rava, Giuseppe (b.1963) / Bridgeman Images

ID: GIU5894646

Numerus Batavorum (or cohors Germanorum)

Rava, Giuseppe (b.1963)

Queen Elizabeth inspecting soldiers, c.1940 (b/w photo)
Queen Elizabeth inspecting soldiers, c.1940 (b/w photo)

SZT6309805: Queen Elizabeth inspecting soldiers, c.1940 (b/w photo) / Bridgeman Images

ID: SZT6309805

Queen Elizabeth inspecting soldiers, c.1940 (b/w photo)

Spanish bullfighter or Toreador, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Spanish bullfighter or Toreador, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686539: Spanish bullfighter or Toreador, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4686539

Spanish bullfighter or Toreador, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Knight of the Order of Alcantara. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Alcantara. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708459: Knight of the Order of Alcantara. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708459

Knight of the Order of Alcantara. Spanish military order established in 1176, originally called the Knights of Saint Julian of the Poirier, after the name of a hermit of the Salamanca region, the order was recognized by Pope Celestin III (ne Giacinto di Pietro di Bobone, 1106-1198, elected pope in 1191) in 1197. they obey the rules and the Cistercian dress, wearing a white coat, with a cross Scarlate. The Knights of Alcantara acquire many castles and possessions, mostly at the expense of Muslims. They amassed a great fortune in war and in pious donations. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Minerva Preventing Achilles from Killing Agamemnon, from 'The Iliad' by Homer, 1757 (fresco)
Minerva Preventing Achilles from Killing Agamemnon, from 'The Iliad' by Homer, 1757 (fresco)

XIR175915: Minerva Preventing Achilles from Killing Agamemnon, from 'The Iliad' by Homer, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: XIR175915

Minerva Preventing Achilles from Killing Agamemnon, from 'The Iliad' by Homer, 1757 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas)
Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas)

XPH324143: Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas), Spanish School / Bridgeman Images

ID: XPH324143

Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas)

Spanish School

The formal surrender by Japanese General Itagahi Seishiro of his sword, Kuala Lumpur, 1946, from an official collection of photos from the Middle and Far East during World War Two compiled by Major General Messervy (b/w photo)
The formal surrender by Japanese General Itagahi Seishiro of his sword, Kuala Lumpur, 1946, from an official collection of photos from the Middle and Far East during World War Two compiled by Major General Messervy (b/w photo)

NAM244221: The formal surrender by Japanese General Itagahi Seishiro of his sword, Kuala Lumpur, 1946, from an official collection of photos from the Middle and Far East during World War Two compiled by Major General Messervy (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: NAM244221

The formal surrender by Japanese General Itagahi Seishiro of his sword, Kuala Lumpur, 1946, from an official collection of photos from the Middle and Far East during World War Two compiled by Major General Messervy (b/w photo)

English Photographer, (20th century)

Rodrigue offers his own life to Chimene, he hands her the sword with which he killed her father, illustration of 4th scene of 3rd act of French play “Pierre Le cid” by Crow. Late 19th century (chromolithograph)
Rodrigue offers his own life to Chimene, he hands her the sword with which he killed her father, illustration of 4th scene of 3rd act of French play “Pierre Le cid” by Crow. Late 19th century (chromolithograph)

ELD4848528: Rodrigue offers his own life to Chimene, he hands her the sword with which he killed her father, illustration of 4th scene of 3rd act of French play “Pierre Le cid” by Crow. Late 19th century (chromolithograph) / Bridgeman Images

ID: ELD4848528

Rodrigue offers his own life to Chimene, he hands her the sword with which he killed her father, illustration of 4th scene of 3rd act of French play “Pierre Le cid” by Crow. Late 19th century (chromolithograph)


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