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13782 Search Results for sword

Prince african - in “The different peoples of the earth”” by Father Paul Jonhanneaud, Librairie des Bons livres, 1860 in Limoges at Martial Ardant Frères.
Prince african - in “The different peoples of the earth”” by Father Paul Jonhanneaud, Librairie des Bons livres, 1860 in Limoges at Martial Ardant Frères.

LSE4080040: Prince african - in “The different peoples of the earth”” by Father Paul Jonhanneaud, Librairie des Bons livres, 1860 in Limoges at Martial Ardant Frères., Unknown Artist, (19th century) / Bridgeman Images

Horseman of the guard of honour of Lyon (1804-1814) - in “” Outfit of the troops of France: Armee de terre et de mer à toutes les epoques””, ill. by Job, 1903
Horseman of the guard of honour of Lyon (1804-1814) - in “” Outfit of the troops of France: Armee de terre et de mer à toutes les epoques””, ill. by Job, 1903

LSE4107226: Horseman of the guard of honour of Lyon (1804-1814) - in “” Outfit of the troops of France: Armee de terre et de mer à toutes les epoques””, ill. by Job, 1903, Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

Illustration for Westward Ho! by Charles Kingsley (colour litho)
Illustration for Westward Ho! by Charles Kingsley (colour litho)

LLM6013210: Illustration for Westward Ho! by Charles Kingsley (colour litho), Wyeth, Newell Convers (1882-1945) (after) / Bridgeman Images

Portrait of John Russell, illustration from 'Heads of Illustrious Persons of Great Britain', pub. by Knapton, London 1742 (engraving)
Portrait of John Russell, illustration from 'Heads of Illustrious Persons of Great Britain', pub. by Knapton, London 1742 (engraving)

STC745926: Portrait of John Russell, illustration from 'Heads of Illustrious Persons of Great Britain', pub. by Knapton, London 1742 (engraving), Houbraken, Jacobus (1698-1780) / Bridgeman Images

His Highness Prince Nawab Sahib Sidi Muhammad Khan (b/w photo)
His Highness Prince Nawab Sahib Sidi Muhammad Khan (b/w photo)

DND1147628: His Highness Prince Nawab Sahib Sidi Muhammad Khan (b/w photo) / Bridgeman Images

Portrait of Ramon (Raymond) Borell I (972-1017), Earl of Barcelona, Gerona and Ausona, 16th century (painting)
Portrait of Ramon (Raymond) Borell I (972-1017), Earl of Barcelona, Gerona and Ausona, 16th century (painting)

IBE5365258: Portrait of Ramon (Raymond) Borell I (972-1017), Earl of Barcelona, Gerona and Ausona, 16th century (painting), Ariosto, Filippo (16th century) / Bridgeman Images

Louis-Gabriel Suchet (1770-1826) Duke of Albufera and Marshal of France (engraving)
Louis-Gabriel Suchet (1770-1826) Duke of Albufera and Marshal of France (engraving)

XJF375700: Louis-Gabriel Suchet (1770-1826) Duke of Albufera and Marshal of France (engraving), French School, (19th century) / Bridgeman Images

Relics found in the Viking's Tomb at Taplow (engraving)
Relics found in the Viking's Tomb at Taplow (engraving)

LIP1107329: Relics found in the Viking's Tomb at Taplow (engraving), Bothams, Walter (fl.1882-1914) / Bridgeman Images

Mughal Officer, c.1650 (gouache on paper)
Mughal Officer, c.1650 (gouache on paper)

FIA5396366: Mughal Officer, c.1650 (gouache on paper), Indian School, (17th century) / Bridgeman Images

Costumes francais around 1600 - English clothing of the 1600s Antique hand-colored print
Costumes francais around 1600 - English clothing of the 1600s Antique hand-colored print

NWI4957094: Costumes francais around 1600 - English clothing of the 1600s Antique hand-colored print / Bridgeman Images

The fanatical Muslim scars during the dramatic performance that takes place after Hossein's martyrdom feast, each of them is covered with a white sheet, to collect the blood flowing from the wounds they inflicted upon themselves by beating themselves with a sword, during their journey through the streets of the city. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The fanatical Muslim scars during the dramatic performance that takes place after Hossein's martyrdom feast, each of them is covered with a white sheet, to collect the blood flowing from the wounds they inflicted upon themselves by beating themselves with a sword, during their journey through the streets of the city. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328598: The fanatical Muslim scars during the dramatic performance that takes place after Hossein's martyrdom feast, each of them is covered with a white sheet, to collect the blood flowing from the wounds they inflicted upon themselves by beating themselves with a sword, during their journey through the streets of the city. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Wooden Altar (wood)
Wooden Altar (wood)

MEP2959136: Wooden Altar (wood), Campsa, Paolo (16th century) / Bridgeman Images

Captain Alatriste, illustration from 'The King's Gold' by Arturo Perez-Reverte, 2006 (colour litho)
Captain Alatriste, illustration from 'The King's Gold' by Arturo Perez-Reverte, 2006 (colour litho)

GNO404867: Captain Alatriste, illustration from 'The King's Gold' by Arturo Perez-Reverte, 2006 (colour litho), D'Achille, Gino (1935-2017) / Bridgeman Images

Dressed like one of his subjects, King Henry III crept out of Cracow
Dressed like one of his subjects, King Henry III crept out of Cracow

LAL295621: Dressed like one of his subjects, King Henry III crept out of Cracow, Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images

Portrait of an officer, published by Hannah Humphrey in 1800 (hand-coloured etching)
Portrait of an officer, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO193156: Portrait of an officer, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Sasaki Takatsuma at the Battle of the Uji river, c.1810-1820 (woodblock print)
Sasaki Takatsuma at the Battle of the Uji river, c.1810-1820 (woodblock print)

MAM713621: Sasaki Takatsuma at the Battle of the Uji river, c.1810-1820 (woodblock print) , Shuntei, Katsukawa (1770-1820) / Bridgeman Images

Tales from the Floating World on Eastern Brocade, Hanji in the Rain, 9th month 1867 (ink & colours on paper)
Tales from the Floating World on Eastern Brocade, Hanji in the Rain, 9th month 1867 (ink & colours on paper)

IMA484484: Tales from the Floating World on Eastern Brocade, Hanji in the Rain, 9th month 1867 (ink & colours on paper), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

A Mounted Pandour (oil on canvas)
A Mounted Pandour (oil on canvas)

USB1163100: A Mounted Pandour (oil on canvas), German School, (18th century) / Bridgeman Images

Mystic Marriage of Saint Catherine and Saints, by Master of the paliotto of Seven Saints, 14th Century, tempera on board with golden background
Mystic Marriage of Saint Catherine and Saints, by Master of the paliotto of Seven Saints, 14th Century, tempera on board with golden background

MEP944196: Mystic Marriage of Saint Catherine and Saints, by Master of the paliotto of Seven Saints, 14th Century, tempera on board with golden background / Bridgeman Images

Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.
Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.

TRK879339: Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome. / Bridgeman Images

Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.
Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome.

TRK879342: Archangel Michael, 1753. Statue by Peter Anton von Verschaffelt (1710-1793). Rome. / Bridgeman Images

Crucifixion, 1534 - 1534 (fresco)
Crucifixion, 1534 - 1534 (fresco)

ELC858126: Crucifixion, 1534 - 1534 (fresco), Romanino, Girolamo (c.1485-c.1566) / Bridgeman Images

French king Francois 1st  with Guillaume Cretin
French king Francois 1st  with Guillaume Cretin

PVD1689765: French king Francois 1st with Guillaume Cretin, Unknown Artist / Bridgeman Images

Japanese standard door - Japanese ensign carrying a standard, and umbrella bearer, both in helmets, kimono, leggings and sandals, carrying swords - Handcoloured woodcut by Decreef from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistic, Brussels, 1845
Japanese standard door - Japanese ensign carrying a standard, and umbrella bearer, both in helmets, kimono, leggings and sandals, carrying swords - Handcoloured woodcut by Decreef from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistic, Brussels, 1845

FLO4724308: Japanese standard door - Japanese ensign carrying a standard, and umbrella bearer, both in helmets, kimono, leggings and sandals, carrying swords - Handcoloured woodcut by Decreef from “” Moeurs, Uses et Costumes de tous les Peuples du Monde, Asie,”” by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistic, Brussels, 1845 / Bridgeman Images

A Norman king on horseback (155), wearing a gold crown, and above all red. The predominantly military, certainly of Norman origin, was not commonly used until the mid-12th century. This clothing was probably a marker of the rank of the one who was wearing it in the 11th and 12th century drawings. The knitted hood was part of the armor. The Norman Monk (156) wears a dress of a religious order different from that of the Capuchins. Copper engraving hand-coloured, in “Images historiques des costumes des principaux peoples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A Norman king on horseback (155), wearing a gold crown, and above all red. The predominantly military, certainly of Norman origin, was not commonly used until the mid-12th century. This clothing was probably a marker of the rank of the one who was wearing it in the 11th and 12th century drawings. The knitted hood was part of the armor. The Norman Monk (156) wears a dress of a religious order different from that of the Capuchins. Copper engraving hand-coloured, in “Images historiques des costumes des principaux peoples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708196: A Norman king on horseback (155), wearing a gold crown, and above all red. The predominantly military, certainly of Norman origin, was not commonly used until the mid-12th century. This clothing was probably a marker of the rank of the one who was wearing it in the 11th and 12th century drawings. The knitted hood was part of the armor. The Norman Monk (156) wears a dress of a religious order different from that of the Capuchins. Copper engraving hand-coloured, in “Images historiques des costumes des principaux peoples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Arms and armour of the ancient Egyptians including armour, chariots, sword, quiver, arrows, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Arms and armour of the ancient Egyptians including armour, chariots, sword, quiver, arrows, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620158: Arms and armour of the ancient Egyptians including armour, chariots, sword, quiver, arrows, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Pierre or Peter I, Count of Alencon (Pierre I d'Alencon or Pierre de France, 1251-1283). He wears a scarlet chapel (hat) with black brim, a short jacket lined with ermine, red stockings and black cracows or poulaines. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Pierre or Peter I, Count of Alencon (Pierre I d'Alencon or Pierre de France, 1251-1283). He wears a scarlet chapel (hat) with black brim, a short jacket lined with ermine, red stockings and black cracows or poulaines. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674389: Pierre or Peter I, Count of Alencon (Pierre I d'Alencon or Pierre de France, 1251-1283). He wears a scarlet chapel (hat) with black brim, a short jacket lined with ermine, red stockings and black cracows or poulaines. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Dependency has war (The bone of all the dead). In Bale's original death dance, death appears wearing armor to mock the soldier and take him away. In Holbein's version, Death attacks with a female and the soldier defends himself in an intense duel. In the background, a grotesque dead man plays the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Dependency has war (The bone of all the dead). In Bale's original death dance, death appears wearing armor to mock the soldier and take him away. In Holbein's version, Death attacks with a female and the soldier defends himself in an intense duel. In the background, a grotesque dead man plays the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675674: Dependency has war (The bone of all the dead). In Bale's original death dance, death appears wearing armor to mock the soldier and take him away. In Holbein's version, Death attacks with a female and the soldier defends himself in an intense duel. In the background, a grotesque dead man plays the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

Wounded warrior, 3rd century AD (head), 1st or 5th century BC (torso), (marble)
Wounded warrior, 3rd century AD (head), 1st or 5th century BC (torso), (marble)

SBL7146727: Wounded warrior, 3rd century AD (head), 1st or 5th century BC (torso), (marble), Roman, (3rd century AD) / Bridgeman Images

Chushingura. Act 4 (Yodanme), 19th century (woodblock print on paper)
Chushingura. Act 4 (Yodanme), 19th century (woodblock print on paper)

MAI6404853: Chushingura. Act 4 (Yodanme), 19th century (woodblock print on paper), Toyokuni, Utagawa (1769-1825) / Bridgeman Images

Chushingura. Act 1 (Daijo), 19th century (woodblock print on paper)
Chushingura. Act 1 (Daijo), 19th century (woodblock print on paper)

MAI6404903: Chushingura. Act 1 (Daijo), 19th century (woodblock print on paper), Toyokuni, Utagawa (1769-1825) / Bridgeman Images

Military Sports at Hurlingham (engraving)
Military Sports at Hurlingham (engraving)

LIP1053625: Military Sports at Hurlingham (engraving), Corbould, Alfred Chantrey (1852-1920) / Bridgeman Images

Mr Great-Heart  (colour litho)
Mr Great-Heart  (colour litho)

IL956044: Mr Great-Heart (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

St. Julian the Hospitaler (oil on canvas)
St. Julian the Hospitaler (oil on canvas)

FIT282842: St. Julian the Hospitaler (oil on canvas), Donzelli, Pietro (1452-1509) / Bridgeman Images

Joan of Arc (chromolitho)
Joan of Arc (chromolitho)

LLM976329: Joan of Arc (chromolitho), European School, (19th century) / Bridgeman Images

Armor and mesh size of the 15th century, tombstone by Ludwig von Hutten (d. 1414) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Armor and mesh size of the 15th century, tombstone by Ludwig von Hutten (d. 1414) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643652: Armor and mesh size of the 15th century, tombstone by Ludwig von Hutten (d. 1414) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images


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