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13737 Search Results for sword

Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820
Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820

LSE4099257: Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820, Ferrario, Giulio (1767-1847) / Bridgeman Images

The army of the Geants (Rephaim or Nephilim) who were beaten by the army of King David Miniature taken from “Codex de l'Octateuque du Serail” (ms.8 or Seraglio Octateuch) 12th century Topkapi Sarayi Museum Library Istanbul
The army of the Geants (Rephaim or Nephilim) who were beaten by the army of King David Miniature taken from “Codex de l'Octateuque du Serail” (ms.8 or Seraglio Octateuch) 12th century Topkapi Sarayi Museum Library Istanbul

LRI4661197: The army of the Geants (Rephaim or Nephilim) who were beaten by the army of King David Miniature taken from “Codex de l'Octateuque du Serail” (ms.8 or Seraglio Octateuch) 12th century Topkapi Sarayi Museum Library Istanbul, Unknown Artist, (12th century) / Bridgeman Images

Scene of “” Cola Rienzi, the last of the Tribuns”” (Rienzi, der Letzte der Tribunen), opera by Richard Wagner representing the Heros Rienzi with Irene in the Capitol Palace. 1842. Engraving.
Scene of “” Cola Rienzi, the last of the Tribuns”” (Rienzi, der Letzte der Tribunen), opera by Richard Wagner representing the Heros Rienzi with Irene in the Capitol Palace. 1842. Engraving.

GIA4775472: Scene of “” Cola Rienzi, the last of the Tribuns”” (Rienzi, der Letzte der Tribunen), opera by Richard Wagner representing the Heros Rienzi with Irene in the Capitol Palace. 1842. Engraving., Unknown Artist, (19th century) / Bridgeman Images

Robert Devereux, 2nd Earl of Essex, c.1596 (oil on canvas)
Robert Devereux, 2nd Earl of Essex, c.1596 (oil on canvas)

BAL72696: Robert Devereux, 2nd Earl of Essex, c.1596 (oil on canvas), Gheeraerts, Marcus, the Younger (c.1561-1635) / Bridgeman Images

Pacific-Overtures, or A Flight from St. Clouds 'over the water to Charley' - a new Dramatic Peace now Rehearsing, published by Hannah Humphrey in 1806 (hand-coloured etching)
Pacific-Overtures, or A Flight from St. Clouds 'over the water to Charley' - a new Dramatic Peace now Rehearsing, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO190177: Pacific-Overtures, or A Flight from St. Clouds 'over the water to Charley' - a new Dramatic Peace now Rehearsing, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The expulsion of the Khan Batou (around 1205-1255) (The Expulsion of Batu Khan), 1940 (watercolour on paper)
The expulsion of the Khan Batou (around 1205-1255) (The Expulsion of Batu Khan), 1940 (watercolour on paper)

FIA5374250: The expulsion of the Khan Batou (around 1205-1255) (The Expulsion of Batu Khan), 1940 (watercolour on paper), Bilibin, Ivan (1876-1942) / Bridgeman Images

The Battle between the Israelites and the Amorites, 1625-26 (oil on canvas)
The Battle between the Israelites and the Amorites, 1625-26 (oil on canvas)

BAL47602: The Battle between the Israelites and the Amorites, 1625-26 (oil on canvas), Poussin, Nicolas (1594-1665) / Bridgeman Images

Rinaldo and Armida, 1704 (oil on canvas)
Rinaldo and Armida, 1704 (oil on canvas)

CH3066535: Rinaldo and Armida, 1704 (oil on canvas), Boullogne, Louis de (1654-1733) / Bridgeman Images

St. Catherine of Alexandria at Prayer, c.1567 (oil on canvas)
St. Catherine of Alexandria at Prayer, c.1567 (oil on canvas)

BST216032: St. Catherine of Alexandria at Prayer, c.1567 (oil on canvas), Titian (Tiziano Vecellio) (c.1488-1576) / Bridgeman Images

Sir James Kempt, 1836 (oil on canvas)
Sir James Kempt, 1836 (oil on canvas)

ROC930027: Sir James Kempt, 1836 (oil on canvas), McInnes, Robert (1801-86) / Bridgeman Images

A pitched Battle, woodcut by Urs Graf, 1521
A pitched Battle, woodcut by Urs Graf, 1521

XLA3763982: A pitched Battle, woodcut by Urs Graf, 1521, Graf, Urs (The Elder) (1485-1528) / Bridgeman Images

Crown Prince Frederick by the corpse of General Douay at the Battle of Wissembourg, 1870 (oil on canvas)
Crown Prince Frederick by the corpse of General Douay at the Battle of Wissembourg, 1870 (oil on canvas)

BAL4848: Crown Prince Frederick by the corpse of General Douay at the Battle of Wissembourg, 1870 (oil on canvas), Werner, Anton Alexander von (1843-1915) / Bridgeman Images

The Four Sons of Aymon are chased away by Charlemagne (742-814), king of France, from 'Renaud' or 'Les Quatre Fils Aymon', c.1483 (xylograph)
The Four Sons of Aymon are chased away by Charlemagne (742-814), king of France, from 'Renaud' or 'Les Quatre Fils Aymon', c.1483 (xylograph)

XIR164813: The Four Sons of Aymon are chased away by Charlemagne (742-814), king of France, from 'Renaud' or 'Les Quatre Fils Aymon', c.1483 (xylograph), French School, (15th century) / Bridgeman Images

Edward I's wars with the Welsh - how the King shared the hardships of his men, illustration from 'A History of England' by C.R.L. Fletcher and Rudyard Kipling, 1911 (litho)
Edward I's wars with the Welsh - how the King shared the hardships of his men, illustration from 'A History of England' by C.R.L. Fletcher and Rudyard Kipling, 1911 (litho)

STC373472: Edward I's wars with the Welsh - how the King shared the hardships of his men, illustration from 'A History of England' by C.R.L. Fletcher and Rudyard Kipling, 1911 (litho), Ford, Henry Justice (1860-1941) / Bridgeman Images

Iraq / Italy: Shop selling torches and candles. Illustration from Ibn Butlan's Taqwim al-sihhah or 'Maintenance of Health' (Baghdad, 11th century) published in Italy as the Tacuinum Sanitatis in the 14th century
Iraq / Italy: Shop selling torches and candles. Illustration from Ibn Butlan's Taqwim al-sihhah or 'Maintenance of Health' (Baghdad, 11th century) published in Italy as the Tacuinum Sanitatis in the 14th century

PFH1174574: Iraq / Italy: Shop selling torches and candles. Illustration from Ibn Butlan's Taqwim al-sihhah or 'Maintenance of Health' (Baghdad, 11th century) published in Italy as the Tacuinum Sanitatis in the 14th century, Italian School, (14th century) / Bridgeman Images

'The Magic Shop'
'The Magic Shop'

XLF3781125: 'The Magic Shop', Mercer, Joyce (d. 1965) / Bridgeman Images

Banner of the Inquisition in Goa, 1692 (coloured engraving)
Banner of the Inquisition in Goa, 1692 (coloured engraving)

TRK2973370: Banner of the Inquisition in Goa, 1692 (coloured engraving) / Bridgeman Images

Two Benin Plaques, Nigeria (brass)
Two Benin Plaques, Nigeria (brass)

XCF306876: Two Benin Plaques, Nigeria (brass), Beninois School / Bridgeman Images

Two floor tiles from the Fransican monastery in Ulm, c.1300 (fired clay)
Two floor tiles from the Fransican monastery in Ulm, c.1300 (fired clay)

GNM283978: Two floor tiles from the Fransican monastery in Ulm, c.1300 (fired clay), German School, (14th century) / Bridgeman Images

Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving)
Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving)

STC255276: Horatio Nelson boarding the San Josef at the Battle of Cape St Vincent, 14th February 1797, engraved by John Crew after the original in Greenwich Hospital Collection (engraving), Jones, George (1786-1869) (after) / Bridgeman Images

Germany / Vietnam: left to right, Women of Tonkin, Riflemen from Tonkin,
Germany / Vietnam: left to right, Women of Tonkin, Riflemen from Tonkin,

PFH2641717: Germany / Vietnam: left to right, Women of Tonkin, Riflemen from Tonkin, "Munchner Bilderbogen", Braun & Schneider, 1861-1890 / Bridgeman Images

Battle of Antietam in 1862, 1865 (litho) (b/w photo)
Battle of Antietam in 1862, 1865 (litho) (b/w photo)

AKM210045: Battle of Antietam in 1862, 1865 (litho) (b/w photo), Rosenthal, Max (1833-1918) / Bridgeman Images

Rt. Hon. Francis Rawdon Hastings (1754-1826) (oil on canvas)
Rt. Hon. Francis Rawdon Hastings (1754-1826) (oil on canvas)

CH19386: Rt. Hon. Francis Rawdon Hastings (1754-1826) (oil on canvas), Raeburn, Henry (1756-1823) / Bridgeman Images

Warsaw Mermaid, 1855, by Konstanty Hegel (1799-1876). Poland.
Warsaw Mermaid, 1855, by Konstanty Hegel (1799-1876). Poland.

TRK1018100: Warsaw Mermaid, 1855, by Konstanty Hegel (1799-1876). Poland. / Bridgeman Images

Captain Holland, c.1860 (b/w photo)
Captain Holland, c.1860 (b/w photo)

JHL701508: Captain Holland, c.1860 (b/w photo), European Photographer, (19th century) / Bridgeman Images

The three allied rulers at the Battle of Leipzig in 1813. (colour litho)
The three allied rulers at the Battle of Leipzig in 1813. (colour litho)

LLM725470: The three allied rulers at the Battle of Leipzig in 1813. (colour litho), Rohling, Carl (1849-1922) / Bridgeman Images

Detail of The Fortune Teller, c.1595 (oil on canvas)
Detail of The Fortune Teller, c.1595 (oil on canvas)

SBL1108915: Detail of The Fortune Teller, c.1595 (oil on canvas), Caravaggio, Michelangelo Merisi da (1571-1610) / Bridgeman Images

Illustration from
Illustration from

AGC5958626: Illustration from "The Iron King (Le Roi de fer)" by Maurice Druon, 1957 (colour litho), Endrikson, Evgenia (1907-94) / Bridgeman Images

Reconstruction described as the reform of equal rights, 1868. Coloured engraving, based on an illustration by Thomas Nast, 19th century.
Reconstruction described as the reform of equal rights, 1868. Coloured engraving, based on an illustration by Thomas Nast, 19th century.

NWI4958410: Reconstruction described as the reform of equal rights, 1868. Coloured engraving, based on an illustration by Thomas Nast, 19th century. / Bridgeman Images

King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century.
King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century.

NWI4959439: King John Sans Terre (John of England or John Lackland, 1167-1216) received the Magna Carta Libertatum (or Magna Carta) in order to subscribe to it, 1215. Engraving on wood, colour, 19th century. / Bridgeman Images

The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328591: The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait Of Alexandre Nevski, Prince Of Novgorod, Grand Duke Of Vladimir (1220-1263), 1724 (oil on canvas)
Portrait Of Alexandre Nevski, Prince Of Novgorod, Grand Duke Of Vladimir (1220-1263), 1724 (oil on canvas)

FIA5344600: Portrait Of Alexandre Nevski, Prince Of Novgorod, Grand Duke Of Vladimir (1220-1263), 1724 (oil on canvas), Russian School, (18th century) / Bridgeman Images

The Coast Guard (litho)
The Coast Guard (litho)

LLH6030938: The Coast Guard (litho), Onwhyn, Thomas (c.1820-86) / Bridgeman Images

Pauline Garcia-Viardot (1821-1910) in the role of Tancredi in the opera by Gioacchino Rossini (1792-1868) at the Theatre Italien, Paris (coloured engraving)
Pauline Garcia-Viardot (1821-1910) in the role of Tancredi in the opera by Gioacchino Rossini (1792-1868) at the Theatre Italien, Paris (coloured engraving)

CHT203319: Pauline Garcia-Viardot (1821-1910) in the role of Tancredi in the opera by Gioacchino Rossini (1792-1868) at the Theatre Italien, Paris (coloured engraving), French School, (19th century) / Bridgeman Images

Warrior on Horse (woodblock print)
Warrior on Horse (woodblock print)

MAM713599: Warrior on Horse (woodblock print), Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

Prince Hunting Wild Boar (Miniature Painting), 1765 (opaque w/c & gold on paper)
Prince Hunting Wild Boar (Miniature Painting), 1765 (opaque w/c & gold on paper)

TBM423191: Prince Hunting Wild Boar (Miniature Painting), 1765 (opaque w/c & gold on paper), Indian School, (18th century) / Bridgeman Images


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