1. Home
  2. Search "sword"

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

13739 Search Results for sword

The Siege of Ptolemais, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
The Siege of Ptolemais, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219457: The Siege of Ptolemais, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

ID: KWE219457

The Siege of Ptolemais, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

Dore, Gustave (1832-83)

Character from a Play (oil on canvas) (detail of 155536)
Character from a Play (oil on canvas) (detail of 155536)

XIR155537: Character from a Play (oil on canvas) (detail of 155536), French School, (16th century) / Bridgeman Images

ID: XIR155537

Character from a Play (oil on canvas) (detail of 155536)

French School, (16th century)

The Elevation of Edward the Elder at His Coronation at Kingston-on-Thames, Whitsunday, from 'The Illustrated London News', 1902 (litho)
The Elevation of Edward the Elder at His Coronation at Kingston-on-Thames, Whitsunday, from 'The Illustrated London News', 1902 (litho)

STC360900: The Elevation of Edward the Elder at His Coronation at Kingston-on-Thames, Whitsunday, from 'The Illustrated London News', 1902 (litho), Woodville, Richard Caton (1825-55) / Bridgeman Images

ID: STC360900

The Elevation of Edward the Elder at His Coronation at Kingston-on-Thames, Whitsunday, from 'The Illustrated London News', 1902 (litho)

Woodville, Richard Caton (1825-55)

The delegates in council or beggars on horseback, 1797 (colour etching)
The delegates in council or beggars on horseback, 1797 (colour etching)

XCF290950: The delegates in council or beggars on horseback, 1797 (colour etching), Cruikshank, Isaac (1756-1811) / Bridgeman Images

ID: XCF290950

The delegates in council or beggars on horseback, 1797 (colour etching)

Cruikshank, Isaac (1756-1811)

Portrait of a Man, c.1576-78 (oil on canvas)
Portrait of a Man, c.1576-78 (oil on canvas)

XOS3545801: Portrait of a Man, c.1576-78 (oil on canvas), Veronese, (Caliari, Paolo) (1528-88) / Bridgeman Images

ID: XOS3545801

Portrait of a Man, c.1576-78 (oil on canvas)

Veronese, (Caliari, Paolo) (1528-88)

Costume for Furia, 1654 (watercolour)
Costume for Furia, 1654 (watercolour)

JLJ4684175: Costume for Furia, 1654 (watercolour), Gissey, Henri de (1621-1673) / Bridgeman Images

ID: JLJ4684175

Costume for Furia, 1654 (watercolour)

Gissey, Henri de (1621-1673)

Portrait of a Man, possibly Girolamo Rosati, 1533-34 (oil on canvas)
Portrait of a Man, possibly Girolamo Rosati, 1533-34 (oil on canvas)

XCL4473164: Portrait of a Man, possibly Girolamo Rosati, 1533-34 (oil on canvas), Lotto, Lorenzo (c.1480-1556) / Bridgeman Images

ID: XCL4473164

Portrait of a Man, possibly Girolamo Rosati, 1533-34 (oil on canvas)

Lotto, Lorenzo (c.1480-1556)

John, 7th Earl Spencer (oil on canvas)
John, 7th Earl Spencer (oil on canvas)

BAL13470: John, 7th Earl Spencer (oil on canvas), John, Augustus Edwin (1878-1961) / Bridgeman Images

ID: BAL13470

John, 7th Earl Spencer (oil on canvas)

John, Augustus Edwin (1878-1961)

St. Joan of Arc, bronze sculpture by Sir Ninian Comper (1864-1960) 1925 (photo)
St. Joan of Arc, bronze sculpture by Sir Ninian Comper (1864-1960) 1925 (photo)

BAL4251: St. Joan of Arc, bronze sculpture by Sir Ninian Comper (1864-1960) 1925 (photo) / Bridgeman Images

ID: BAL4251

St. Joan of Arc, bronze sculpture by Sir Ninian Comper (1864-1960) 1925 (photo)

Portrait of Stefano Colonna, general of Charles V, 1546 (tempera on wood)
Portrait of Stefano Colonna, general of Charles V, 1546 (tempera on wood)

XIR899690: Portrait of Stefano Colonna, general of Charles V, 1546 (tempera on wood), Bronzino, Agnolo di Cosimo (1503-72) / Bridgeman Images

ID: XIR899690

Portrait of Stefano Colonna, general of Charles V, 1546 (tempera on wood)

Bronzino, Agnolo di Cosimo (1503-72)

MS. 316, fol.16 James V (1512-42) of Scotland and Mary of Guise (1515-60) (w/c on paper)
MS. 316, fol.16 James V (1512-42) of Scotland and Mary of Guise (1515-60) (w/c on paper)

LAM234083: MS. 316, fol.16 James V (1512-42) of Scotland and Mary of Guise (1515-60) (w/c on paper), Scottish school, (16th century) / Bridgeman Images

ID: LAM234083

MS. 316, fol.16 James V (1512-42) of Scotland and Mary of Guise (1515-60) (w/c on paper)

Scottish school, (16th century)

Werner von Siemens (b/w photo)
Werner von Siemens (b/w photo)

SZT451419: Werner von Siemens (b/w photo) / Bridgeman Images

ID: SZT451419

Werner von Siemens (b/w photo)

Allegory on the separation of Church and State, 1905. France is fragile and destroyed, loses hope without the help of the Church.
Allegory on the separation of Church and State, 1905. France is fragile and destroyed, loses hope without the help of the Church.

JAB5034279: Allegory on the separation of Church and State, 1905. France is fragile and destroyed, loses hope without the help of the Church. / Bridgeman Images

ID: JAB5034279

Allegory on the separation of Church and State, 1905. France is fragile and destroyed, loses hope without the help of the Church.

Louis XIV in Royal Costume, 1701 (oil on canvas)
Louis XIV in Royal Costume, 1701 (oil on canvas)

XIR59867: Louis XIV in Royal Costume, 1701 (oil on canvas), Rigaud, Hyacinthe Francois (1659-1743) / Bridgeman Images

ID: XIR59867

Louis XIV in Royal Costume, 1701 (oil on canvas)

Rigaud, Hyacinthe Francois (1659-1743)

The Accolade, 1901 (oil on canvas)
The Accolade, 1901 (oil on canvas)

CH19682: The Accolade, 1901 (oil on canvas), Leighton, Edmund Blair (1853-1922) / Bridgeman Images

ID: CH19682

The Accolade, 1901 (oil on canvas)

Leighton, Edmund Blair (1853-1922)

John Bull Bother'd, or The Geese alarming the Capitol, published by Hannah Humphrey in 1792 (hand-coloured etching & aquatint)
John Bull Bother'd, or The Geese alarming the Capitol, published by Hannah Humphrey in 1792 (hand-coloured etching & aquatint)

NCO190470: John Bull Bother'd, or The Geese alarming the Capitol, published by Hannah Humphrey in 1792 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190470

John Bull Bother'd, or The Geese alarming the Capitol, published by Hannah Humphrey in 1792 (hand-coloured etching & aquatint)

Gillray, James (1757-1815)

A Giant Porter, 1580 (oil on canvas)
A Giant Porter, 1580 (oil on canvas)

ROC930084: A Giant Porter, 1580 (oil on canvas), Ketel, Cornelis (1548-1616) (attr. to) / Bridgeman Images

ID: ROC930084

A Giant Porter, 1580 (oil on canvas)

Ketel, Cornelis (1548-1616) (attr. to)

Lucretia
Lucretia

FTB61103: Lucretia, Bassano, Leandro da Ponte (1557-1622) / Bridgeman Images

ID: FTB61103

Lucretia

Bassano, Leandro da Ponte (1557-1622)

Sarah Bernhardt in
Sarah Bernhardt in

PVD1685507: Sarah Bernhardt in "L'Aiglon" , 1900 (b/w photo), Boyer, Paul (fl.19th-20th century) / Bridgeman Images

ID: PVD1685507

Sarah Bernhardt in "L'Aiglon" , 1900 (b/w photo)

Boyer, Paul (fl.19th-20th century)

Battle scene from 'Lives of the Two Offas by Mathew of Paris', illustration from ' Illustrations of Mediaeval Costume in England', 1853 (engraving)
Battle scene from 'Lives of the Two Offas by Mathew of Paris', illustration from ' Illustrations of Mediaeval Costume in England', 1853 (engraving)

FLO5323841: Battle scene from 'Lives of the Two Offas by Mathew of Paris', illustration from ' Illustrations of Mediaeval Costume in England', 1853 (engraving), English School, (19th century) / Bridgeman Images

ID: FLO5323841

Battle scene from 'Lives of the Two Offas by Mathew of Paris', illustration from ' Illustrations of Mediaeval Costume in England', 1853 (engraving)

English School, (19th century)

A Doughboy's Equipment, 1921 (oil on canvas)
A Doughboy's Equipment, 1921 (oil on canvas)

BIA213709: A Doughboy's Equipment, 1921 (oil on canvas), Meurer, Charles A. (1865-1955) / Bridgeman Images

ID: BIA213709

A Doughboy's Equipment, 1921 (oil on canvas)

Meurer, Charles A. (1865-1955)

Kazan's conquest (Russia), 1914 (tempera on paper)
Kazan's conquest (Russia), 1914 (tempera on paper)

FIA5350790: Kazan's conquest (Russia), 1914 (tempera on paper), Roerich, Nicholas (1874-1947) / Bridgeman Images

ID: FIA5350790

Kazan's conquest (Russia), 1914 (tempera on paper)

Roerich, Nicholas (1874-1947)

Ajax Preparing for His Death, illustration after a 6th century BC Greek krater vase (photo)
Ajax Preparing for His Death, illustration after a 6th century BC Greek krater vase (photo)

IBE5365135: Ajax Preparing for His Death, illustration after a 6th century BC Greek krater vase (photo) / Bridgeman Images

ID: IBE5365135

Ajax Preparing for His Death, illustration after a 6th century BC Greek krater vase (photo)

Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820
Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820

LSE4099257: Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820, Ferrario, Giulio (1767-1847) / Bridgeman Images

ID: LSE4099257

Buccaneers and women flibustier: the pirate Jack Rackham says the Red or John Rackham, better known as Calico Jack (? -1720) represented with Anne Bonny (Bonney) and Mary (Marc) Read in the West Indies. Plate taken from “” The old and modern costume”” by Ferrario, ed. Milan, 1819-1820

Ferrario, Giulio (1767-1847)

Scene of “” Cola Rienzi, the last of the Tribuns”” (Rienzi, der Letzte der Tribunen), opera by Richard Wagner representing the Heros Rienzi with Irene in the Capitol Palace. 1842. Engraving.
Scene of “” Cola Rienzi, the last of the Tribuns”” (Rienzi, der Letzte der Tribunen), opera by Richard Wagner representing the Heros Rienzi with Irene in the Capitol Palace. 1842. Engraving.

GIA4775472: Scene of “” Cola Rienzi, the last of the Tribuns”” (Rienzi, der Letzte der Tribunen), opera by Richard Wagner representing the Heros Rienzi with Irene in the Capitol Palace. 1842. Engraving., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4775472

Scene of “” Cola Rienzi, the last of the Tribuns”” (Rienzi, der Letzte der Tribunen), opera by Richard Wagner representing the Heros Rienzi with Irene in the Capitol Palace. 1842. Engraving.

Unknown Artist, (19th century)

Portrait of a gentleman, traditionally identified as Henry, Prince of Wales, c.1620 (oil on canvas)
Portrait of a gentleman, traditionally identified as Henry, Prince of Wales, c.1620 (oil on canvas)

CH2967736: Portrait of a gentleman, traditionally identified as Henry, Prince of Wales, c.1620 (oil on canvas), Anglo-Flemish School, (17th century) / Bridgeman Images

ID: CH2967736

Portrait of a gentleman, traditionally identified as Henry, Prince of Wales, c.1620 (oil on canvas)

Anglo-Flemish School, (17th century)

The army of the Geants (Rephaim or Nephilim) who were beaten by the army of King David Miniature taken from “Codex de l'Octateuque du Serail” (ms.8 or Seraglio Octateuch) 12th century Topkapi Sarayi Museum Library Istanbul
The army of the Geants (Rephaim or Nephilim) who were beaten by the army of King David Miniature taken from “Codex de l'Octateuque du Serail” (ms.8 or Seraglio Octateuch) 12th century Topkapi Sarayi Museum Library Istanbul

LRI4661197: The army of the Geants (Rephaim or Nephilim) who were beaten by the army of King David Miniature taken from “Codex de l'Octateuque du Serail” (ms.8 or Seraglio Octateuch) 12th century Topkapi Sarayi Museum Library Istanbul, Unknown Artist, (12th century) / Bridgeman Images

ID: LRI4661197

The army of the Geants (Rephaim or Nephilim) who were beaten by the army of King David Miniature taken from “Codex de l'Octateuque du Serail” (ms.8 or Seraglio Octateuch) 12th century Topkapi Sarayi Museum Library Istanbul

Unknown Artist, (12th century)

Crown Prince Frederick by the corpse of General Douay at the Battle of Wissembourg, 1870 (oil on canvas)
Crown Prince Frederick by the corpse of General Douay at the Battle of Wissembourg, 1870 (oil on canvas)

BAL4848: Crown Prince Frederick by the corpse of General Douay at the Battle of Wissembourg, 1870 (oil on canvas), Werner, Anton Alexander von (1843-1915) / Bridgeman Images

ID: BAL4848

Crown Prince Frederick by the corpse of General Douay at the Battle of Wissembourg, 1870 (oil on canvas)

Werner, Anton Alexander von (1843-1915)

Frederic II the Great (1712-1786) King of Prussia (watercolour and gold leaf)
Frederic II the Great (1712-1786) King of Prussia (watercolour and gold leaf)

CHT212751: Frederic II the Great (1712-1786) King of Prussia (watercolour and gold leaf), German School, (18th century) / Bridgeman Images

ID: CHT212751

Frederic II the Great (1712-1786) King of Prussia (watercolour and gold leaf)

German School, (18th century)

Bellerophon fighting the Chimaera, 1895 (w/c on paper)
Bellerophon fighting the Chimaera, 1895 (w/c on paper)

CHT163370: Bellerophon fighting the Chimaera, 1895 (w/c on paper), Crane, Walter (1845-1915) / Bridgeman Images

ID: CHT163370

Bellerophon fighting the Chimaera, 1895 (w/c on paper)

Crane, Walter (1845-1915)

Affair of Honour - Duel with swords to repair personal offense, engraved by Dupre (engraving)
Affair of Honour - Duel with swords to repair personal offense, engraved by Dupre (engraving)

TRK697071: Affair of Honour - Duel with swords to repair personal offense, engraved by Dupre (engraving), French School, (18th century) / Bridgeman Images

ID: TRK697071

Affair of Honour - Duel with swords to repair personal offense, engraved by Dupre (engraving)

French School, (18th century)

Richard the Lionheart (colour litho)
Richard the Lionheart (colour litho)

LLH2775125: Richard the Lionheart (colour litho), European School, (19th century) / Bridgeman Images

ID: LLH2775125

Richard the Lionheart (colour litho)

European School, (19th century)

Portrait of Francis Lolonois also calls Jean-David Nau. From “Bucaniers of America
Portrait of Francis Lolonois also calls Jean-David Nau. From “Bucaniers of America

XEE4403999: Portrait of Francis Lolonois also calls Jean-David Nau. From “Bucaniers of America"., American School, (18th century) / Bridgeman Images

ID: XEE4403999

Portrait of Francis Lolonois also calls Jean-David Nau. From “Bucaniers of America".

American School, (18th century)

A Gauloise family during Antiquite (engraving)
A Gauloise family during Antiquite (engraving)

JLJ4635147: A Gauloise family during Antiquite (engraving), Anonymous / Bridgeman Images

ID: JLJ4635147

A Gauloise family during Antiquite (engraving)

Anonymous

The Arms Market in Cairo (oil on canvas)
The Arms Market in Cairo (oil on canvas)

CH402335: The Arms Market in Cairo (oil on canvas), Gerome, Jean Leon (1824-1904) / Bridgeman Images

ID: CH402335

The Arms Market in Cairo (oil on canvas)

Gerome, Jean Leon (1824-1904)

North Carolina Loyalist Highlander 1776, 2004 (w/c & gouache on paper)
North Carolina Loyalist Highlander 1776, 2004 (w/c & gouache on paper)

DTA3026818: North Carolina Loyalist Highlander 1776, 2004 (w/c & gouache on paper), Troiani, Don (b.1949) / Bridgeman Images

ID: DTA3026818

North Carolina Loyalist Highlander 1776, 2004 (w/c & gouache on paper)

Troiani, Don (b.1949)


Back to top