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13737 Search Results for sword

Roman gladiator. Portrait.
Roman gladiator. Portrait.

KWE7132094: Roman gladiator. Portrait. / Bridgeman Images

ID: KWE7132094

Roman gladiator. Portrait.

Deva, Quang Nam provinc, 9th century AD (sandstone)
Deva, Quang Nam provinc, 9th century AD (sandstone)

SBL3930217: Deva, Quang Nam provinc, 9th century AD (sandstone), Champa Civilisation, (2nd-17th century) / Bridgeman Images

ID: SBL3930217

Deva, Quang Nam provinc, 9th century AD (sandstone)

Champa Civilisation, (2nd-17th century)

Man armed with a rapier (woodcut)
Man armed with a rapier (woodcut)

AMR3929543: Man armed with a rapier (woodcut), Italian School, (16th century) / Bridgeman Images

ID: AMR3929543

Man armed with a rapier (woodcut)

Italian School, (16th century)

Helen of Troy, poster design from the Pageant of Beauty series for Pears' soap (litho)
Helen of Troy, poster design from the Pageant of Beauty series for Pears' soap (litho)

LLM5997571: Helen of Troy, poster design from the Pageant of Beauty series for Pears' soap (litho), Reynolds, Warwick (1880-1926) (after) / Bridgeman Images

ID: LLM5997571

Helen of Troy, poster design from the Pageant of Beauty series for Pears' soap (litho)

Reynolds, Warwick (1880-1926) (after)

The full velvet court dress that will be worn by persons not entitled to wear any description of uniform at the coronation of King George VI, made of black velvet and steel buttons, England, 1937
The full velvet court dress that will be worn by persons not entitled to wear any description of uniform at the coronation of King George VI, made of black velvet and steel buttons, England, 1937

EVB2926549: The full velvet court dress that will be worn by persons not entitled to wear any description of uniform at the coronation of King George VI, made of black velvet and steel buttons, England, 1937 / Bridgeman Images

ID: EVB2926549

The full velvet court dress that will be worn by persons not entitled to wear any description of uniform at the coronation of King George VI, made of black velvet and steel buttons, England, 1937

Justice, c.1562-64 (oil on canvas)
Justice, c.1562-64 (oil on canvas)

CPH3742200: Justice, c.1562-64 (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: CPH3742200

Justice, c.1562-64 (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Esuret, Count of Toulouse, 770-797, son of Torson. He wears the costume of the 13th century: remarkable skullcap, iron corselet (bodice), long hanging sleeves lined with ermine, stockings. From a manuscript in Toulouse library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Esuret, Count of Toulouse, 770-797, son of Torson. He wears the costume of the 13th century: remarkable skullcap, iron corselet (bodice), long hanging sleeves lined with ermine, stockings. From a manuscript in Toulouse library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674181: Esuret, Count of Toulouse, 770-797, son of Torson. He wears the costume of the 13th century: remarkable skullcap, iron corselet (bodice), long hanging sleeves lined with ermine, stockings. From a manuscript in Toulouse library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4674181

Esuret, Count of Toulouse, 770-797, son of Torson. He wears the costume of the 13th century: remarkable skullcap, iron corselet (bodice), long hanging sleeves lined with ermine, stockings. From a manuscript in Toulouse library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

A spearman, man at arms and slinger, 1250. English infantry, 13th century. Spearman and soldier wear bowl helmets and chainmail armour and carry lance, shield and sword, and the slinger carries a rock and slingshot. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A spearman, man at arms and slinger, 1250. English infantry, 13th century. Spearman and soldier wear bowl helmets and chainmail armour and carry lance, shield and sword, and the slinger carries a rock and slingshot. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678292: A spearman, man at arms and slinger, 1250. English infantry, 13th century. Spearman and soldier wear bowl helmets and chainmail armour and carry lance, shield and sword, and the slinger carries a rock and slingshot. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678292

A spearman, man at arms and slinger, 1250. English infantry, 13th century. Spearman and soldier wear bowl helmets and chainmail armour and carry lance, shield and sword, and the slinger carries a rock and slingshot. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Daimonguchi entrance gate and Nakanocho in Yoshiwara pleasure quarters with samurai and courtesans and maid (kamuro). Water barrel and buckets labeled Daimonguchi. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Daimonguchi entrance gate and Nakanocho in Yoshiwara pleasure quarters with samurai and courtesans and maid (kamuro). Water barrel and buckets labeled Daimonguchi. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630798: Daimonguchi entrance gate and Nakanocho in Yoshiwara pleasure quarters with samurai and courtesans and maid (kamuro). Water barrel and buckets labeled Daimonguchi. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630798

Daimonguchi entrance gate and Nakanocho in Yoshiwara pleasure quarters with samurai and courtesans and maid (kamuro). Water barrel and buckets labeled Daimonguchi. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Portrait of a twenty–year–old Japanese man named Saganami Hisashi, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)
Portrait of a twenty–year–old Japanese man named Saganami Hisashi, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)

PRM479250: Portrait of a twenty–year–old Japanese man named Saganami Hisashi, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479250

Portrait of a twenty–year–old Japanese man named Saganami Hisashi, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Scimitar set into an Indian style decorative hilt, c.1837-83 (steel, silver & velvet) (see also 447427 to 447433)
Scimitar set into an Indian style decorative hilt, c.1837-83 (steel, silver & velvet) (see also 447427 to 447433)

RUS447429: Scimitar set into an Indian style decorative hilt, c.1837-83 (steel, silver & velvet) (see also 447427 to 447433), Wilkinson, Henry (19th Century) / Bridgeman Images

ID: RUS447429

Scimitar set into an Indian style decorative hilt, c.1837-83 (steel, silver & velvet) (see also 447427 to 447433)

Wilkinson, Henry (19th Century)

Portrait of a twenty–five–year–old Japanese man named Bessho Sajirō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)
Portrait of a twenty–five–year–old Japanese man named Bessho Sajirō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)

PRM479245: Portrait of a twenty–five–year–old Japanese man named Bessho Sajirō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479245

Portrait of a twenty–five–year–old Japanese man named Bessho Sajirō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Man in a Red Cloak, c.1630-45 (oil on canvas)
Man in a Red Cloak, c.1630-45 (oil on canvas)

ROC929936: Man in a Red Cloak, c.1630-45 (oil on canvas), Gentile, Luigi Primo (c.1606-67) / Bridgeman Images

ID: ROC929936

Man in a Red Cloak, c.1630-45 (oil on canvas)

Gentile, Luigi Primo (c.1606-67)

The Enthroned Virgin with Child and Saints, by Girolamo Siciolante also known as Sermoneta, 1540 - 1580 ca., 16th Century, oil on canvas
The Enthroned Virgin with Child and Saints, by Girolamo Siciolante also known as Sermoneta, 1540 - 1580 ca., 16th Century, oil on canvas

MEB943095: The Enthroned Virgin with Child and Saints, by Girolamo Siciolante also known as Sermoneta, 1540 - 1580 ca., 16th Century, oil on canvas, Siciolante, Girolamo (Il Sermoneta) (1521-c.1580) / Bridgeman Images

ID: MEB943095

The Enthroned Virgin with Child and Saints, by Girolamo Siciolante also known as Sermoneta, 1540 - 1580 ca., 16th Century, oil on canvas

Siciolante, Girolamo (Il Sermoneta) (1521-c.1580)

Portrait of a twenty–five–year–old Japanese man named Bessho Sajirō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)
Portrait of a twenty–five–year–old Japanese man named Bessho Sajirō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)

PRM479246: Portrait of a twenty–five–year–old Japanese man named Bessho Sajirō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479246

Portrait of a twenty–five–year–old Japanese man named Bessho Sajirō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Captain Alatriste, illustration from 'The Adventures of Captain Alatriste' by Arturo Perez-Reverte, 2006 (colour litho)
Captain Alatriste, illustration from 'The Adventures of Captain Alatriste' by Arturo Perez-Reverte, 2006 (colour litho)

GNO404868: Captain Alatriste, illustration from 'The Adventures of Captain Alatriste' by Arturo Perez-Reverte, 2006 (colour litho), D'Achille, Gino (1935-2017) / Bridgeman Images

ID: GNO404868

Captain Alatriste, illustration from 'The Adventures of Captain Alatriste' by Arturo Perez-Reverte, 2006 (colour litho)

D'Achille, Gino (1935-2017)

Pavel Nakhimov. Statue. Sevastopol.
Pavel Nakhimov. Statue. Sevastopol.

TRK562349: Pavel Nakhimov. Statue. Sevastopol. / Bridgeman Images

ID: TRK562349

Pavel Nakhimov. Statue. Sevastopol.

The King of Bamum in a Hussar's uniform presented to him by the German Emperor, German Cameroon, c.1900 (b/w photo)
The King of Bamum in a Hussar's uniform presented to him by the German Emperor, German Cameroon, c.1900 (b/w photo)

SZT3038887: The King of Bamum in a Hussar's uniform presented to him by the German Emperor, German Cameroon, c.1900 (b/w photo) / Bridgeman Images

ID: SZT3038887

The King of Bamum in a Hussar's uniform presented to him by the German Emperor, German Cameroon, c.1900 (b/w photo)

Battle of Waterloo (coloured engraving)
Battle of Waterloo (coloured engraving)

BMT1077656: Battle of Waterloo (coloured engraving), French School, (19th century) / Bridgeman Images

ID: BMT1077656

Battle of Waterloo (coloured engraving)

French School, (19th century)

Madonna and Child with Saints Cyricus and Pancratius, c.1380 (tempera and gold leaf on panel)
Madonna and Child with Saints Cyricus and Pancratius, c.1380 (tempera and gold leaf on panel)

XKH150813: Madonna and Child with Saints Cyricus and Pancratius, c.1380 (tempera and gold leaf on panel), Aachen Master (c.1380) / Bridgeman Images

ID: XKH150813

Madonna and Child with Saints Cyricus and Pancratius, c.1380 (tempera and gold leaf on panel)

Aachen Master (c.1380)

The Triumph of Will: The Challenge, c.1877
The Triumph of Will: The Challenge, c.1877

CH38533: The Triumph of Will: The Challenge, c.1877, Tissot, James Jacques Joseph (1836-1902) / Bridgeman Images

ID: CH38533

The Triumph of Will: The Challenge, c.1877

Tissot, James Jacques Joseph (1836-1902)

French Actor and Singer Bourvil (1917-1970) in the play
French Actor and Singer Bourvil (1917-1970) in the play

XRH1721818: French Actor and Singer Bourvil (1917-1970) in the play "La bonne planque", at the Theatre des Nouveautes. Paris, 1962., Unknown photographer, (20th century) / Bridgeman Images

ID: XRH1721818

French Actor and Singer Bourvil (1917-1970) in the play "La bonne planque", at the Theatre des Nouveautes. Paris, 1962.

Unknown photographer, (20th century)

King Louis-Philippe (oil on canvas)
King Louis-Philippe (oil on canvas)

XRH1715536: King Louis-Philippe (oil on canvas), Winterhalter, Franz Xaver (1805-73) / Bridgeman Images

ID: XRH1715536

King Louis-Philippe (oil on canvas)

Winterhalter, Franz Xaver (1805-73)

Lancelot du Lac combatant des chevaliers Miniature taken from “” Roman du Chevalier Tristan”” by Master Charles de Maine (Beroul version). 1440-1460. Chantilly, Conde Museum
Lancelot du Lac combatant des chevaliers Miniature taken from “” Roman du Chevalier Tristan”” by Master Charles de Maine (Beroul version). 1440-1460. Chantilly, Conde Museum

LRI4665495: Lancelot du Lac combatant des chevaliers Miniature taken from “” Roman du Chevalier Tristan”” by Master Charles de Maine (Beroul version). 1440-1460. Chantilly, Conde Museum, Charles du Maine Master (active 1450-1460) / Bridgeman Images

ID: LRI4665495

Lancelot du Lac combatant des chevaliers Miniature taken from “” Roman du Chevalier Tristan”” by Master Charles de Maine (Beroul version). 1440-1460. Chantilly, Conde Museum

Charles du Maine Master (active 1450-1460)

The Battle of Meanee, 17 February 1843, 1847 (oil on canvas)
The Battle of Meanee, 17 February 1843, 1847 (oil on canvas)

ROC424161: The Battle of Meanee, 17 February 1843, 1847 (oil on canvas), Armitage, Edward (1817-96) / Bridgeman Images

ID: ROC424161

The Battle of Meanee, 17 February 1843, 1847 (oil on canvas)

Armitage, Edward (1817-96)

The Three Archangels and Tobit (Painting, 15th century)
The Three Archangels and Tobit (Painting, 15th century)

LRI4576240: The Three Archangels and Tobit (Painting, 15th century), Botticini, Francesco (c.1446-97) / Bridgeman Images

ID: LRI4576240

The Three Archangels and Tobit (Painting, 15th century)

Botticini, Francesco (c.1446-97)

Siege of Waterford, 1170
Siege of Waterford, 1170

XLF3783851: Siege of Waterford, 1170 / Bridgeman Images

ID: XLF3783851

Siege of Waterford, 1170

Joan of Arc leading the French army
Joan of Arc leading the French army

XLF3785765: Joan of Arc leading the French army, Boutet de Monvel, Louis Maurice (1851-1913) / Bridgeman Images

ID: XLF3785765

Joan of Arc leading the French army

Boutet de Monvel, Louis Maurice (1851-1913)

Horatio, Viscount Nelson (oil on canvas)
Horatio, Viscount Nelson (oil on canvas)

NTS28412: Horatio, Viscount Nelson (oil on canvas), Hoppner, John (1758-1810) / Bridgeman Images

ID: NTS28412

Horatio, Viscount Nelson (oil on canvas)

Hoppner, John (1758-1810)

Minerva Restraining Achilles from Killing Agamemnon, from the Room of the Iliad in the Palazzina, 1757 (fresco)
Minerva Restraining Achilles from Killing Agamemnon, from the Room of the Iliad in the Palazzina, 1757 (fresco)

LSA363819: Minerva Restraining Achilles from Killing Agamemnon, from the Room of the Iliad in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: LSA363819

Minerva Restraining Achilles from Killing Agamemnon, from the Room of the Iliad in the Palazzina, 1757 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

The Front Prove Distance Position (engraving)
The Front Prove Distance Position (engraving)

AMR3929520: The Front Prove Distance Position (engraving), English School, (19th century) / Bridgeman Images

ID: AMR3929520

The Front Prove Distance Position (engraving)

English School, (19th century)

German nobleman of 15th century
German nobleman of 15th century

XLF3780264: German nobleman of 15th century / Bridgeman Images

ID: XLF3780264

German nobleman of 15th century

French tenor Adolphe Nourrit (1802-1839) in the role of Melechtal in the opera
French tenor Adolphe Nourrit (1802-1839) in the role of Melechtal in the opera

JLJ4678570: French tenor Adolphe Nourrit (1802-1839) in the role of Melechtal in the opera "Guillaume Tell", 19th century (litho), Lacauchie, Alexandre (19th century) (after) / Bridgeman Images

ID: JLJ4678570

French tenor Adolphe Nourrit (1802-1839) in the role of Melechtal in the opera "Guillaume Tell", 19th century (litho)

Lacauchie, Alexandre (19th century) (after)

Portrait of the marechal Niel (1802-1869) Photograph by Mayer and Pierson, 19th century
Portrait of the marechal Niel (1802-1869) Photograph by Mayer and Pierson, 19th century

JEB4831423: Portrait of the marechal Niel (1802-1869) Photograph by Mayer and Pierson, 19th century, Meyer & Pierson (fl.1855-78) / Bridgeman Images

ID: JEB4831423

Portrait of the marechal Niel (1802-1869) Photograph by Mayer and Pierson, 19th century

Meyer & Pierson (fl.1855-78)

View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the base representing the allegory of Peace and Good Government - Placentia, Italy
View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the base representing the allegory of Peace and Good Government - Placentia, Italy

MRZ5033181: View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the base representing the allegory of Peace and Good Government - Placentia, Italy / Bridgeman Images

ID: MRZ5033181

View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the base representing the allegory of Peace and Good Government - Placentia, Italy

Scene taken from the opera “La forza del destino”” by composer Giuseppe Verdi (1813-1901) 20th century postcard
Scene taken from the opera “La forza del destino”” by composer Giuseppe Verdi (1813-1901) 20th century postcard

GIA4797549: Scene taken from the opera “La forza del destino”” by composer Giuseppe Verdi (1813-1901) 20th century postcard, Unknown Artist, (20th century) / Bridgeman Images

ID: GIA4797549

Scene taken from the opera “La forza del destino”” by composer Giuseppe Verdi (1813-1901) 20th century postcard

Unknown Artist, (20th century)


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