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13716 Search Results for sword

Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)
Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)

FLO5912605: Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph) / Bridgeman Images

ID: FLO5912605

Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)

French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673575: French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673575

French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673793: Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673793

Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673324: Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673324

Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675580: The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675580

The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707366: Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707366

Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707660: Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707660

Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right
Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right

FLO5323838: Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right / Bridgeman Images

ID: FLO5323838

Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right

Madonna and Child with Mary Magdalene and St. Catherine (oil on panel)
Madonna and Child with Mary Magdalene and St. Catherine (oil on panel)

XKH145545: Madonna and Child with Mary Magdalene and St. Catherine (oil on panel), Gossaert, Jan (Mabuse) (c.1472-c.1533) / Bridgeman Images

ID: XKH145545

Madonna and Child with Mary Magdalene and St. Catherine (oil on panel)

Gossaert, Jan (Mabuse) (c.1472-c.1533)

Sabre (iron & bone)
Sabre (iron & bone)

XCZ228936: Sabre (iron & bone), Turkish School / Bridgeman Images

ID: XCZ228936

Sabre (iron & bone)

Turkish School

Coronation of the Virgin with SS. Paul, Peter, Jerome and Francis of Assisi with scenes from the lives of the saints in the predella panel, known as the 'Pala di Pesaro' altarpiece, c.1474 (oil on panel) (see also 85578)
Coronation of the Virgin with SS. Paul, Peter, Jerome and Francis of Assisi with scenes from the lives of the saints in the predella panel, known as the 'Pala di Pesaro' altarpiece, c.1474 (oil on panel) (see also 85578)

FAF199187: Coronation of the Virgin with SS. Paul, Peter, Jerome and Francis of Assisi with scenes from the lives of the saints in the predella panel, known as the 'Pala di Pesaro' altarpiece, c.1474 (oil on panel) (see also 85578), Bellini, Giovanni (c.1430-1516) / Bridgeman Images

ID: FAF199187

Coronation of the Virgin with SS. Paul, Peter, Jerome and Francis of Assisi with scenes from the lives of the saints in the predella panel, known as the 'Pala di Pesaro' altarpiece, c.1474 (oil on panel) (see also 85578)

Bellini, Giovanni (c.1430-1516)

The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper)
The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper)

XOS1765693: The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper), Blake, William (1757-1827) / Bridgeman Images

ID: XOS1765693

The Great Red Dragon and the Beast from the Sea, c.1805 (pen and ink with w/c over paper)

Blake, William (1757-1827)

Saint Paul in prison. Painting by Rembrandt Harmensz van Rijn (1606-1669), oil on wood, 1627. Flemish art 17th century, baroque art. Stattsgalerie, Stuttgart (Germany).
Saint Paul in prison. Painting by Rembrandt Harmensz van Rijn (1606-1669), oil on wood, 1627. Flemish art 17th century, baroque art. Stattsgalerie, Stuttgart (Germany).

LSE4315808: Saint Paul in prison. Painting by Rembrandt Harmensz van Rijn (1606-1669), oil on wood, 1627. Flemish art 17th century, baroque art. Stattsgalerie, Stuttgart (Germany)., Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: LSE4315808

Saint Paul in prison. Painting by Rembrandt Harmensz van Rijn (1606-1669), oil on wood, 1627. Flemish art 17th century, baroque art. Stattsgalerie, Stuttgart (Germany).

Rembrandt Harmensz. van Rijn (1606-69)

'Subscribe to Hasten Peace by Victory', poster for the Third Loan of the National Defence, 1917 (coloured engraving)
'Subscribe to Hasten Peace by Victory', poster for the Third Loan of the National Defence, 1917 (coloured engraving)

XIR182167: 'Subscribe to Hasten Peace by Victory', poster for the Third Loan of the National Defence, 1917 (coloured engraving), Besnard, Paul Albert (1849-1934) / Bridgeman Images

ID: XIR182167

'Subscribe to Hasten Peace by Victory', poster for the Third Loan of the National Defence, 1917 (coloured engraving)

Besnard, Paul Albert (1849-1934)

The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

FOG909444: The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper), Blake, William (1757-1827) / Bridgeman Images

ID: FOG909444

The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)

Blake, William (1757-1827)

'Captain Bartholomew Roberts' (engraving)
'Captain Bartholomew Roberts' (engraving)

XLF3780232: 'Captain Bartholomew Roberts' (engraving) / Bridgeman Images

ID: XLF3780232

'Captain Bartholomew Roberts' (engraving)

Madonna and Child with St. Anthony Abbot, St. John the Baptist, St. Lawrence and St. Julian, 1404 (tempera on panel)
Madonna and Child with St. Anthony Abbot, St. John the Baptist, St. Lawrence and St. Julian, 1404 (tempera on panel)

AII80543: Madonna and Child with St. Anthony Abbot, St. John the Baptist, St. Lawrence and St. Julian, 1404 (tempera on panel), Gerini, Lorenzo di Niccolo (fl.1392-1415) / Bridgeman Images

ID: AII80543

Madonna and Child with St. Anthony Abbot, St. John the Baptist, St. Lawrence and St. Julian, 1404 (tempera on panel)

Gerini, Lorenzo di Niccolo (fl.1392-1415)

Siegfried's battle with the dragon
Siegfried's battle with the dragon

LAL337348: Siegfried's battle with the dragon, Payne, Roger (b.1934) / Bridgeman Images

ID: LAL337348

Siegfried's battle with the dragon

Payne, Roger (b.1934)

Cato Uticensis, c.1795 (oil on canvas)
Cato Uticensis, c.1795 (oil on canvas)

FIA5363168: Cato Uticensis, c.1795 (oil on canvas), Lethiere, Guillaume (1760-1832) / Bridgeman Images

ID: FIA5363168

Cato Uticensis, c.1795 (oil on canvas)

Lethiere, Guillaume (1760-1832)

Ms 1126 The Suicide of Dido by the sword and the suicide of Phyllis by hanging, from 'Le Roman de la Rose' by Guillaume de Loris and Jean de Meung, c.1360-70 (vellum)
Ms 1126 The Suicide of Dido by the sword and the suicide of Phyllis by hanging, from 'Le Roman de la Rose' by Guillaume de Loris and Jean de Meung, c.1360-70 (vellum)

CHT220388: Ms 1126 The Suicide of Dido by the sword and the suicide of Phyllis by hanging, from 'Le Roman de la Rose' by Guillaume de Loris and Jean de Meung, c.1360-70 (vellum), French School, (14th century) / Bridgeman Images

ID: CHT220388

Ms 1126 The Suicide of Dido by the sword and the suicide of Phyllis by hanging, from 'Le Roman de la Rose' by Guillaume de Loris and Jean de Meung, c.1360-70 (vellum)

French School, (14th century)

Cromwell leading the charge after being wounded in his right arm at the Battle of Marston Moor, July 2nd 1644, engraved by John Crew (engraving)
Cromwell leading the charge after being wounded in his right arm at the Battle of Marston Moor, July 2nd 1644, engraved by John Crew (engraving)

STC255281: Cromwell leading the charge after being wounded in his right arm at the Battle of Marston Moor, July 2nd 1644, engraved by John Crew (engraving), Cooper, Abraham (1787-1868) (after) / Bridgeman Images

ID: STC255281

Cromwell leading the charge after being wounded in his right arm at the Battle of Marston Moor, July 2nd 1644, engraved by John Crew (engraving)

Cooper, Abraham (1787-1868) (after)

Gallo roman art: Two gladiators in combat (bronze)
Gallo roman art: Two gladiators in combat (bronze)

XIR211774: Gallo roman art: Two gladiators in combat (bronze), Gallo-Roman, (1st century AD) / Bridgeman Images

ID: XIR211774

Gallo roman art: Two gladiators in combat (bronze)

Gallo-Roman, (1st century AD)

Claude Victor Perrin (1764--1841) known as Victor, Duc de Bellune (oil on canvas)
Claude Victor Perrin (1764--1841) known as Victor, Duc de Bellune (oil on canvas)

XIR201525: Claude Victor Perrin (1764--1841) known as Victor, Duc de Bellune (oil on canvas), Gros, Baron Antoine Jean (1771-1835) / Bridgeman Images

ID: XIR201525

Claude Victor Perrin (1764--1841) known as Victor, Duc de Bellune (oil on canvas)

Gros, Baron Antoine Jean (1771-1835)

French Writer Francois Mauriac (R) Handing To Jean Guitton A Sword With Crystal Hilt Engraved With The Device
French Writer Francois Mauriac (R) Handing To Jean Guitton A Sword With Crystal Hilt Engraved With The Device

XRA1647872: French Writer Francois Mauriac (R) Handing To Jean Guitton A Sword With Crystal Hilt Engraved With The Device "Solvitur in Excelsis" May 15, 1962 (b/w photo) / Bridgeman Images

ID: XRA1647872

French Writer Francois Mauriac (R) Handing To Jean Guitton A Sword With Crystal Hilt Engraved With The Device "Solvitur in Excelsis" May 15, 1962 (b/w photo)

Marshal Voroshilov takes the sword over to show it to President Roosevelt, while Churchill and Marshal Stalin look on., Sir Winston Churchill - December 1943 (b/w photo)
Marshal Voroshilov takes the sword over to show it to President Roosevelt, while Churchill and Marshal Stalin look on., Sir Winston Churchill - December 1943 (b/w photo)

MPX5157832: Marshal Voroshilov takes the sword over to show it to President Roosevelt, while Churchill and Marshal Stalin look on., Sir Winston Churchill - December 1943 (b/w photo) / Bridgeman Images

ID: MPX5157832

Marshal Voroshilov takes the sword over to show it to President Roosevelt, while Churchill and Marshal Stalin look on., Sir Winston Churchill - December 1943 (b/w photo)

The Hunt for James I of Scotland (1394-1437) (gouache on paper)
The Hunt for James I of Scotland (1394-1437) (gouache on paper)

LAL263145: The Hunt for James I of Scotland (1394-1437) (gouache on paper), Payne, Roger (b.1934) / Bridgeman Images

ID: LAL263145

The Hunt for James I of Scotland (1394-1437) (gouache on paper)

Payne, Roger (b.1934)

American Army, 3rd Continental Light Dragoon, 1780, 1987 (w/c & gouache on paper)
American Army, 3rd Continental Light Dragoon, 1780, 1987 (w/c & gouache on paper)

DTA3026935: American Army, 3rd Continental Light Dragoon, 1780, 1987 (w/c & gouache on paper), Troiani, Don (b.1949) / Bridgeman Images

ID: DTA3026935

American Army, 3rd Continental Light Dragoon, 1780, 1987 (w/c & gouache on paper)

Troiani, Don (b.1949)

Coin of Frederick Barbarossa, from Muehlhausen (silver)
Coin of Frederick Barbarossa, from Muehlhausen (silver)

GNM283934: Coin of Frederick Barbarossa, from Muehlhausen (silver), German School, (12th century) / Bridgeman Images

ID: GNM283934

Coin of Frederick Barbarossa, from Muehlhausen (silver)

German School, (12th century)

St. Bartholomew, 1862 (stained glass)
St. Bartholomew, 1862 (stained glass)

CCX3474768: St. Bartholomew, 1862 (stained glass), Bayne, Robert Turnill (1837-1915) / Bridgeman Images

ID: CCX3474768

St. Bartholomew, 1862 (stained glass)

Bayne, Robert Turnill (1837-1915)

The Pyrrhichios dance (Pyrrhic dance) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai pi¿remoti tempi fino ai giorni nostri” 1856
The Pyrrhichios dance (Pyrrhic dance) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai pi¿remoti tempi fino ai giorni nostri” 1856

XEE4155410: The Pyrrhichios dance (Pyrrhic dance) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai pi¿remoti tempi fino ai giorni nostri” 1856, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4155410

The Pyrrhichios dance (Pyrrhic dance) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai pi¿remoti tempi fino ai giorni nostri” 1856

Unknown Artist, (19th century)

Combat between English and French Knights in a Square at Limoges (engraving)
Combat between English and French Knights in a Square at Limoges (engraving)

XJF276013: Combat between English and French Knights in a Square at Limoges (engraving), English School, (19th century) / Bridgeman Images

ID: XJF276013

Combat between English and French Knights in a Square at Limoges (engraving)

English School, (19th century)

Joan of Arc leading the French army
Joan of Arc leading the French army

XLF3785765: Joan of Arc leading the French army, Boutet de Monvel, Louis Maurice (1851-1913) / Bridgeman Images

ID: XLF3785765

Joan of Arc leading the French army

Boutet de Monvel, Louis Maurice (1851-1913)

Siege of Waterford, 1170
Siege of Waterford, 1170

XLF3783851: Siege of Waterford, 1170 / Bridgeman Images

ID: XLF3783851

Siege of Waterford, 1170

Minerva Restraining Achilles from Killing Agamemnon, from the Room of the Iliad in the Palazzina, 1757 (fresco)
Minerva Restraining Achilles from Killing Agamemnon, from the Room of the Iliad in the Palazzina, 1757 (fresco)

LSA363819: Minerva Restraining Achilles from Killing Agamemnon, from the Room of the Iliad in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: LSA363819

Minerva Restraining Achilles from Killing Agamemnon, from the Room of the Iliad in the Palazzina, 1757 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Horatio, Viscount Nelson (oil on canvas)
Horatio, Viscount Nelson (oil on canvas)

NTS28412: Horatio, Viscount Nelson (oil on canvas), Hoppner, John (1758-1810) / Bridgeman Images

ID: NTS28412

Horatio, Viscount Nelson (oil on canvas)

Hoppner, John (1758-1810)

Venetian soldier - costume from 14th century
Venetian soldier - costume from 14th century

XLF3780436: Venetian soldier - costume from 14th century / Bridgeman Images

ID: XLF3780436

Venetian soldier - costume from 14th century


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