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13773 Search Results for sword

Roman statue of Peace (engraving)
Roman statue of Peace (engraving)

LLM5997498: Roman statue of Peace (engraving), French School, (19th century) / Bridgeman Images

Roman mythology: Mars, god of war, with his helmet and his symbolic epee - Eau forte by Jacques Louis Constant Lacerf, from an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Mars, Roman god of war, with helmet and sword - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: Mars, god of war, with his helmet and his symbolic epee - Eau forte by Jacques Louis Constant Lacerf, from an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Mars, Roman god of war, with helmet and sword - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4974655: Roman mythology: Mars, god of war, with his helmet and his symbolic epee - Eau forte by Jacques Louis Constant Lacerf, from an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Mars, Roman god of war, with helmet and sword - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

Mademoiselle Clairon (Claire -
Mademoiselle Clairon (Claire -

XLA3774540: Mademoiselle Clairon (Claire - / Bridgeman Images

Bavarian suit of jousting armour 1600. With mentoniere helmet with perforated door for ventilation, shoulder shield for tilting, pauldron, elbow plates, wide cuisses to accommodate the stuffed breeches of the period. In the possession of Llewelyn Meyrick. Helmet with beaver and trapdoor at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Bavarian suit of jousting armour 1600. With mentoniere helmet with perforated door for ventilation, shoulder shield for tilting, pauldron, elbow plates, wide cuisses to accommodate the stuffed breeches of the period. In the possession of Llewelyn Meyrick. Helmet with beaver and trapdoor at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678263: Bavarian suit of jousting armour 1600. With mentoniere helmet with perforated door for ventilation, shoulder shield for tilting, pauldron, elbow plates, wide cuisses to accommodate the stuffed breeches of the period. In the possession of Llewelyn Meyrick. Helmet with beaver and trapdoor at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Caledonians wear sleeveless clothing, which falls in the middle of the thighs, leaving their chest bare and tied by a belt, holding swelling and shield (14). The woman wears sleeveless clothing, slightly shorter than men's, leaving their breasts completely exposed. They were equipped as men (15). Images from Speed Clothing Collection. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Caledonians wear sleeveless clothing, which falls in the middle of the thighs, leaving their chest bare and tied by a belt, holding swelling and shield (14). The woman wears sleeveless clothing, slightly shorter than men's, leaving their breasts completely exposed. They were equipped as men (15). Images from Speed Clothing Collection. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708177: Caledonians wear sleeveless clothing, which falls in the middle of the thighs, leaving their chest bare and tied by a belt, holding swelling and shield (14). The woman wears sleeveless clothing, slightly shorter than men's, leaving their breasts completely exposed. They were equipped as men (15). Images from Speed Clothing Collection. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Japanese commandant and Korean sentry, Chungkai, 1942 (pen & ink and wash on paper)
Japanese commandant and Korean sentry, Chungkai, 1942 (pen & ink and wash on paper)

NAM5905511: Japanese commandant and Korean sentry, Chungkai, 1942 (pen & ink and wash on paper), Chalker, Jack Bridger (1918-2014) / Bridgeman Images

French Colonial Naval cutlass
French Colonial Naval cutlass

DTO3031068: French Colonial Naval cutlass, French School, (18th century) / Bridgeman Images

Portrait of Rao Chattar Sal of Bundi, c.1675 (opaque w/c & gold on paper)
Portrait of Rao Chattar Sal of Bundi, c.1675 (opaque w/c & gold on paper)

TBM423226: Portrait of Rao Chattar Sal of Bundi, c.1675 (opaque w/c & gold on paper), Indian School, (17th century) / Bridgeman Images

The Myth of Ferrara (Il Mito di Ferrara), by Achille Funi, 1934, 20th Century, fresco
The Myth of Ferrara (Il Mito di Ferrara), by Achille Funi, 1934, 20th Century, fresco

MEP943992: The Myth of Ferrara (Il Mito di Ferrara), by Achille Funi, 1934, 20th Century, fresco, Funi, Achille (1890-1972) / Bridgeman Images

The Young King. Illustration by Walter Crane (1845-1915). Colored.
The Young King. Illustration by Walter Crane (1845-1915). Colored.

TRK832739: The Young King. Illustration by Walter Crane (1845-1915). Colored., Crane, Walter (1845-1915) / Bridgeman Images

Samson and Delilah (oil on canvas, c.1650)
Samson and Delilah (oil on canvas, c.1650)

LRI4605759: Samson and Delilah (oil on canvas, c.1650), Miradori, Luigi (Il Genovesino) (c.1605-c.1654) / Bridgeman Images

The Journey of a Modern Hero, to the Island of Elba, London, 1814, Napoleon I Seated Backwards on a Donkey on the Road to Elba from Fontainebleau; He Holds a Broken Sword in One Hand and the Donkey's Tail in the Other While Two Drummers Follow Him Playing a Farewell(?) March. Includes Twelve Lines of Verse.
The Journey of a Modern Hero, to the Island of Elba, London, 1814, Napoleon I Seated Backwards on a Donkey on the Road to Elba from Fontainebleau; He Holds a Broken Sword in One Hand and the Donkey's Tail in the Other While Two Drummers Follow Him Playing a Farewell(?) March. Includes Twelve Lines of Verse.

LZT1012510: The Journey of a Modern Hero, to the Island of Elba, London, 1814, Napoleon I Seated Backwards on a Donkey on the Road to Elba from Fontainebleau; He Holds a Broken Sword in One Hand and the Donkey's Tail in the Other While Two Drummers Follow Him Playing a Farewell(?) March. Includes Twelve Lines of Verse. / Bridgeman Images

Royal Armory, Interior of National Museum of Capodimonte, Naples, Italy
Royal Armory, Interior of National Museum of Capodimonte, Naples, Italy

TRK3551498: Royal Armory, Interior of National Museum of Capodimonte, Naples, Italy / Bridgeman Images

King Charles II's supporters attack Sir John Coventry, 1670, illustration from Hutchinson's 'Story of the British Nation', c.1920 (litho)
King Charles II's supporters attack Sir John Coventry, 1670, illustration from Hutchinson's 'Story of the British Nation', c.1920 (litho)

STC358148: King Charles II's supporters attack Sir John Coventry, 1670, illustration from Hutchinson's 'Story of the British Nation', c.1920 (litho), McCormick, Arthur David (1860-1943) (after) / Bridgeman Images

The Death of Henry II, 1189, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)
The Death of Henry II, 1189, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho)

STC363655: The Death of Henry II, 1189, illustration from 'Hutchinson's Story of the British Nation', c.1920 (litho), Prater, Ernest (fl.1885-1937) / Bridgeman Images

Chasseur of the National Guard, from 'Troupes Francaises', pub. chez Basset, Paris, c.1790 (colour litho)
Chasseur of the National Guard, from 'Troupes Francaises', pub. chez Basset, Paris, c.1790 (colour litho)

STC312820: Chasseur of the National Guard, from 'Troupes Francaises', pub. chez Basset, Paris, c.1790 (colour litho), French School, (18th century) / Bridgeman Images

Death of General Desaix at the battle of Marengo on 14th June 1800, after a painting by Jean Broc, Salon of 1806, engraved by Charles Normand (1765-1840) (engraving) (b/w photo)
Death of General Desaix at the battle of Marengo on 14th June 1800, after a painting by Jean Broc, Salon of 1806, engraved by Charles Normand (1765-1840) (engraving) (b/w photo)

CHT326612: Death of General Desaix at the battle of Marengo on 14th June 1800, after a painting by Jean Broc, Salon of 1806, engraved by Charles Normand (1765-1840) (engraving) (b/w photo), Tardieu, Ambroise (1788-1841) (after) / Bridgeman Images

Cover of school exercise book depicting the legend of Brennus (fl. c.389 BC) (colour litho)
Cover of school exercise book depicting the legend of Brennus (fl. c.389 BC) (colour litho)

CHT219367: Cover of school exercise book depicting the legend of Brennus (fl. c.389 BC) (colour litho), French School, (19th century) / Bridgeman Images

Herminia and Vaprinus Happen upon the Wounded Tancredi after his Duel with Argante, c.1750-55 (oil on canvas)
Herminia and Vaprinus Happen upon the Wounded Tancredi after his Duel with Argante, c.1750-55 (oil on canvas)

CPH257868: Herminia and Vaprinus Happen upon the Wounded Tancredi after his Duel with Argante, c.1750-55 (oil on canvas), Guardi, Giovanni Antonio (1699-1760) / Bridgeman Images

Detail from the Basilica di San Marco, Venice (photo)
Detail from the Basilica di San Marco, Venice (photo)

MES429184: Detail from the Basilica di San Marco, Venice (photo) / Bridgeman Images

Portrait of Louis du Vergier, 1819 (oil on canvas)
Portrait of Louis du Vergier, 1819 (oil on canvas)

XIR391457: Portrait of Louis du Vergier, 1819 (oil on canvas), Guerin, Baron Pierre-Narcisse (1774-1833) / Bridgeman Images

General George Washington (w/c on paper)
General George Washington (w/c on paper)

CH400951: General George Washington (w/c on paper), Stothard, Thomas (1755-1834) (attr. to) / Bridgeman Images

Ivan III Vasilevich, from 'Sveriges Historia', by Otto Sjogren, published Malmo 1938 (litho)
Ivan III Vasilevich, from 'Sveriges Historia', by Otto Sjogren, published Malmo 1938 (litho)

KWE378987: Ivan III Vasilevich, from 'Sveriges Historia', by Otto Sjogren, published Malmo 1938 (litho), Swedish School, (20th century) / Bridgeman Images

'To the Russian rebels', Maxim Gorky, illustration from 'L'Assiette au Beurre', 1902 (colour litho)
'To the Russian rebels', Maxim Gorky, illustration from 'L'Assiette au Beurre', 1902 (colour litho)

CHT383133: 'To the Russian rebels', Maxim Gorky, illustration from 'L'Assiette au Beurre', 1902 (colour litho), Grandjouan, Jules (1875-1968) / Bridgeman Images

Scene from a production of Ruy Blas, by Victor Hugo (colour photo)
Scene from a production of Ruy Blas, by Victor Hugo (colour photo)

LLM3098826: Scene from a production of Ruy Blas, by Victor Hugo (colour photo), French Photographer, (19th century) / Bridgeman Images

The evolution of the motor car (colour litho)
The evolution of the motor car (colour litho)

LLM3094436: The evolution of the motor car (colour litho), English School, (20th century) / Bridgeman Images

The Monument of Vittorio Emanuele II in Piazza del Duomo in Milan
The Monument of Vittorio Emanuele II in Piazza del Duomo in Milan

FAF3563007: The Monument of Vittorio Emanuele II in Piazza del Duomo in Milan, Unknown photographer, (20th century) / Bridgeman Images

France: 'Tirailleur 1867: 'Officier Indigene' (Native Rifleman, 1867). Anonymous watercolour, 1867
France: 'Tirailleur 1867: 'Officier Indigene' (Native Rifleman, 1867). Anonymous watercolour, 1867

PFH2562245: France: 'Tirailleur 1867: 'Officier Indigene' (Native Rifleman, 1867). Anonymous watercolour, 1867 / Bridgeman Images

Military Sports at Hurlingham (engraving)
Military Sports at Hurlingham (engraving)

LIP1053625: Military Sports at Hurlingham (engraving), Corbould, Alfred Chantrey (1852-1920) / Bridgeman Images

Mr Great-Heart  (colour litho)
Mr Great-Heart  (colour litho)

IL956044: Mr Great-Heart (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

Pillage of the Invalides Armoury, 14 July 1789 (engraving)
Pillage of the Invalides Armoury, 14 July 1789 (engraving)

KWE114913: Pillage of the Invalides Armoury, 14 July 1789 (engraving), French School, (19th century) / Bridgeman Images

Sir Launcelot doeth battle with Sir Turquine, illustration from 'The Story of the Champions of the Round Table' (litho)
Sir Launcelot doeth battle with Sir Turquine, illustration from 'The Story of the Champions of the Round Table' (litho)

STC335727: Sir Launcelot doeth battle with Sir Turquine, illustration from 'The Story of the Champions of the Round Table' (litho), Pyle, Howard (1853-1911) / Bridgeman Images

Edward of England (1894-1972) King  Edward VIII in 1936 then Duke of Windsor here young c. 1910
Edward of England (1894-1972) King  Edward VIII in 1936 then Duke of Windsor here young c. 1910

XRH1699833: Edward of England (1894-1972) King Edward VIII in 1936 then Duke of Windsor here young c. 1910 / Bridgeman Images

St. Peter & St. Paul, c.1845 (stained glass)
St. Peter & St. Paul, c.1845 (stained glass)

CCX3475319: St. Peter & St. Paul, c.1845 (stained glass), Pugin, Augustus Welby Northmore (1812-52) / Bridgeman Images

Type of Gallic warrior, with spear and epee nydam. Colour engraving after L.Hennin's drawing, in “France et les francais à travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Type of Gallic warrior, with spear and epee nydam. Colour engraving after L.Hennin's drawing, in “France et les francais à travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330554: Type of Gallic warrior, with spear and epee nydam. Colour engraving after L.Hennin's drawing, in “France et les francais à travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Patent against tip, Strasbourg 1884, 19th century (Epinal print)
Patent against tip, Strasbourg 1884, 19th century (Epinal print)

THT4305398: Patent against tip, Strasbourg 1884, 19th century (Epinal print) / Bridgeman Images


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