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13739 Search Results for sword

Letter W: Saint Wenceslas (c.907-935), in Alphabet des saints, 1932 (engraving)
Letter W: Saint Wenceslas (c.907-935), in Alphabet des saints, 1932 (engraving)

DUV4202412: Letter W: Saint Wenceslas (c.907-935), in Alphabet des saints, 1932 (engraving), Neziere, Raymond de la (1865-1953) / Bridgeman Images

God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention
God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention

JEB4857211: God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention, Chinese School, (20th century) / Bridgeman Images

100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.
100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.

NWI4893500: 100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages. / Bridgeman Images

Ardashir captures Ardavan, 1330-40 (ink, opaque watercolor and gold on paper)
Ardashir captures Ardavan, 1330-40 (ink, opaque watercolor and gold on paper)

FSG5932701: Ardashir captures Ardavan, 1330-40 (ink, opaque watercolor and gold on paper), Persian School, (14th century) / Bridgeman Images

Gallo-Roman artefacts found by archaeologists (engraving)
Gallo-Roman artefacts found by archaeologists (engraving)

LLM5997480: Gallo-Roman artefacts found by archaeologists (engraving), French School, (19th century) / Bridgeman Images

Cock o' the North - man in traditional Scottish dress (colour litho)
Cock o' the North - man in traditional Scottish dress (colour litho)

LLM6000001: Cock o' the North - man in traditional Scottish dress (colour litho), Scottish School, (20th century) / Bridgeman Images

Rulers of Brandenburg (colour litho)
Rulers of Brandenburg (colour litho)

LLM725435: Rulers of Brandenburg (colour litho), German School, (19th century) / Bridgeman Images

Portrait of a sixteen–year–old Japanese youth named Miyake Shūzō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of the first secretary, 1864 (albumen print)
Portrait of a sixteen–year–old Japanese youth named Miyake Shūzō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of the first secretary, 1864 (albumen print)

PRM479253: Portrait of a sixteen–year–old Japanese youth named Miyake Shūzō, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of the first secretary, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

Portrait of a twenty–year–old Japanese man named Saganami Hisashi, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)
Portrait of a twenty–year–old Japanese man named Saganami Hisashi, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print)

PRM479249: Portrait of a twenty–year–old Japanese man named Saganami Hisashi, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of one of the assistant envoys, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

US Cavalry and Infantry, full dress, 1888 (colour litho)
US Cavalry and Infantry, full dress, 1888 (colour litho)

PNP245875: US Cavalry and Infantry, full dress, 1888 (colour litho), Ogden, Henry Alexander (1856-1936) (after) / Bridgeman Images

Buffalo Bill's (1846-1917) Wild West Show at Windsor Castle, 1892 (coloured engraving)
Buffalo Bill's (1846-1917) Wild West Show at Windsor Castle, 1892 (coloured engraving)

PNP247812: Buffalo Bill's (1846-1917) Wild West Show at Windsor Castle, 1892 (coloured engraving), American School, (19th century) / Bridgeman Images

Warrior on Horseback, 1839-64 (woodblock print)
Warrior on Horseback, 1839-64 (woodblock print)

MAM713724: Warrior on Horseback, 1839-64 (woodblock print), Hiroshige, Utagawa II (1829-1869) / Bridgeman Images

Edward of England (1894-1972) King  Edward VIII in 1936 then Duke of Windsor here young c. 1910
Edward of England (1894-1972) King  Edward VIII in 1936 then Duke of Windsor here young c. 1910

XRH1699833: Edward of England (1894-1972) King Edward VIII in 1936 then Duke of Windsor here young c. 1910, Unknown photographer, (20th century) / Bridgeman Images

Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right
Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right

FLO5323838: Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right / Bridgeman Images

Gentleman-Trooper, Hyde's Troop, Backus's Regiment of Connecticut Light Horse in 1776, 2017 (w/c & gouache on paper)
Gentleman-Trooper, Hyde's Troop, Backus's Regiment of Connecticut Light Horse in 1776, 2017 (w/c & gouache on paper)

DTA3600158: Gentleman-Trooper, Hyde's Troop, Backus's Regiment of Connecticut Light Horse in 1776, 2017 (w/c & gouache on paper) , Troiani, Don (b.1949) / Bridgeman Images

Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707366: Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707660: Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Indre & Loire N* 260 - Chateau d'Use - 16th century stall - in the chapel of the chateau
Indre & Loire N* 260 - Chateau d'Use - 16th century stall - in the chapel of the chateau

GYS4989420: Indre & Loire N* 260 - Chateau d'Use - 16th century stall - in the chapel of the chateau / Bridgeman Images

Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)
Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)

FLO5912605: Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph) / Bridgeman Images

The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675580: The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673575: French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673793: Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673324: Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Death of Ferdinand Magellan (c.1480-1521) in the Philippines, 1521 (engraving)
Death of Ferdinand Magellan (c.1480-1521) in the Philippines, 1521 (engraving)

TRK3071434: Death of Ferdinand Magellan (c.1480-1521) in the Philippines, 1521 (engraving) / Bridgeman Images

Hernando de Soto (c.1496/1497–1542). Spanish explorer and conquistador.
Hernando de Soto (c.1496/1497–1542). Spanish explorer and conquistador.

TRK562445: Hernando de Soto (c.1496/1497–1542). Spanish explorer and conquistador. / Bridgeman Images

Portrait of George Washington taking the Salute at Trenton,  (oil on canvas)
Portrait of George Washington taking the Salute at Trenton,  (oil on canvas)

CH990423: Portrait of George Washington taking the Salute at Trenton, (oil on canvas), Faed, John (1820-1902) / Bridgeman Images

Joshua, Old Testament, Bible, character, figure, sword, shield, warrior, stained glass window, All Saints Church,Warham, Norfolk, UK, English School, early 20th century
Joshua, Old Testament, Bible, character, figure, sword, shield, warrior, stained glass window, All Saints Church,Warham, Norfolk, UK, English School, early 20th century

HGP3611850: Joshua, Old Testament, Bible, character, figure, sword, shield, warrior, stained glass window, All Saints Church,Warham, Norfolk, UK, English School, early 20th century / Bridgeman Images

Edward II and Richard I (w/c on paper)
Edward II and Richard I (w/c on paper)

STC810317: Edward II and Richard I (w/c on paper), English School / Bridgeman Images

Fencer, 1975 (linocut)
Fencer, 1975 (linocut)

AGC867663: Fencer, 1975 (linocut), Rojter, Mikhail (1916-93) / Bridgeman Images

In Danbury Church, Essex (coloured engraving)
In Danbury Church, Essex (coloured engraving)

LLM972874: In Danbury Church, Essex (coloured engraving), English School, (19th century) / Bridgeman Images

Illustration to the play Intrigue and Love (Kabale und Liebe) (1784) by Friedrich Schiller, 1949 (Indian ink on paper)
Illustration to the play Intrigue and Love (Kabale und Liebe) (1784) by Friedrich Schiller, 1949 (Indian ink on paper)

AGC996907: Illustration to the play Intrigue and Love (Kabale und Liebe) (1784) by Friedrich Schiller, 1949 (Indian ink on paper), Rojter, Mikhail (1916-93) / Bridgeman Images

Philip III 'the Good' (1396-1467).
Philip III 'the Good' (1396-1467).

TRK561609: Philip III 'the Good' (1396-1467). / Bridgeman Images

LIP1629083: "A Royal Rival," at the Duke of York's Theatre (engraving), Stewart, Allan (1865-1951) / Bridgeman Images

A Montenegrin man, from a late 19th century photograph (litho)
A Montenegrin man, from a late 19th century photograph (litho)

KDC473311: A Montenegrin man, from a late 19th century photograph (litho), Turkish Photographer (19th century) (after) / Bridgeman Images

Guy having slain Armarant, illustration from 'Chap-books of the Eighteenth Century' by John Ashton, pub. 1882 (litho)
Guy having slain Armarant, illustration from 'Chap-books of the Eighteenth Century' by John Ashton, pub. 1882 (litho)

STC489621: Guy having slain Armarant, illustration from 'Chap-books of the Eighteenth Century' by John Ashton, pub. 1882 (litho), English School, (18th century) (after) / Bridgeman Images

The Duke of York and his retinue on Johnston's Pier, Singpore, illustration from 'The King', May 25th 1901 (b/w photo)
The Duke of York and his retinue on Johnston's Pier, Singpore, illustration from 'The King', May 25th 1901 (b/w photo)

KAT324428: The Duke of York and his retinue on Johnston's Pier, Singpore, illustration from 'The King', May 25th 1901 (b/w photo), English Photographer, (20th century) / Bridgeman Images


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