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13716 Search Results for sword

For thence a paradox, illustration from 'Rabbi Ben Ezra' by Robert Browning (colour litho)
For thence a paradox, illustration from 'Rabbi Ben Ezra' by Robert Browning (colour litho)

IL370464: For thence a paradox, illustration from 'Rabbi Ben Ezra' by Robert Browning (colour litho), Partridge, Bernard John (1861-1945) / Bridgeman Images

ID: IL370464

For thence a paradox, illustration from 'Rabbi Ben Ezra' by Robert Browning (colour litho)

Partridge, Bernard John (1861-1945)

The Arderne Tomb, St. Peter's Church, Elford, Staffordshire, England, 1848-9 (hand coloured engraving) (see also 779743 & 779744)
The Arderne Tomb, St. Peter's Church, Elford, Staffordshire, England, 1848-9 (hand coloured engraving) (see also 779743 & 779744)

KDC741543: The Arderne Tomb, St. Peter's Church, Elford, Staffordshire, England, 1848-9 (hand coloured engraving) (see also 779743 & 779744) , Richardson, Edward M. (1812-69) / Bridgeman Images

ID: KDC741543

The Arderne Tomb, St. Peter's Church, Elford, Staffordshire, England, 1848-9 (hand coloured engraving) (see also 779743 & 779744)

Richardson, Edward M. (1812-69)

Hyder Ali and the missionary, illustration from 'Cassell's Illustrated History of India' by James Grant, pub. 1879 (litho)
Hyder Ali and the missionary, illustration from 'Cassell's Illustrated History of India' by James Grant, pub. 1879 (litho)

STC876358: Hyder Ali and the missionary, illustration from 'Cassell's Illustrated History of India' by James Grant, pub. 1879 (litho), English School, (19th century) / Bridgeman Images

ID: STC876358

Hyder Ali and the missionary, illustration from 'Cassell's Illustrated History of India' by James Grant, pub. 1879 (litho)

English School, (19th century)

Diego Garci?a de Paredes (1468-1533). Engraving. COLOURed. Spain
Diego Garci?a de Paredes (1468-1533). Engraving. COLOURed. Spain

TRK1149813: Diego Garci?a de Paredes (1468-1533). Engraving. COLOURed. Spain / Bridgeman Images

ID: TRK1149813

Diego Garci?a de Paredes (1468-1533). Engraving. COLOURed. Spain

Captain from the Commedia dell'Arte series by Wenzel Neu (d.1774), for the Kloster-Veilsdorf Factory, 1764-5 (porcelain)
Captain from the Commedia dell'Arte series by Wenzel Neu (d.1774), for the Kloster-Veilsdorf Factory, 1764-5 (porcelain)

BOO74300: Captain from the Commedia dell'Arte series by Wenzel Neu (d.1774), for the Kloster-Veilsdorf Factory, 1764-5 (porcelain), German School, (18th century) / Bridgeman Images

ID: BOO74300

Captain from the Commedia dell'Arte series by Wenzel Neu (d.1774), for the Kloster-Veilsdorf Factory, 1764-5 (porcelain)

German School, (18th century)

Archangel Saint Michael, c. 1810 (water-based paint on wood panel)
Archangel Saint Michael, c. 1810 (water-based paint on wood panel)

BRN195811: Archangel Saint Michael, c. 1810 (water-based paint on wood panel), Fresquis, Pedro Antonio (1749-1831) / Bridgeman Images

ID: BRN195811

Archangel Saint Michael, c. 1810 (water-based paint on wood panel)

Fresquis, Pedro Antonio (1749-1831)

Gallo-Roman artefacts found by archaeologists (engraving)
Gallo-Roman artefacts found by archaeologists (engraving)

LLM5997480: Gallo-Roman artefacts found by archaeologists (engraving), French School, (19th century) / Bridgeman Images

ID: LLM5997480

Gallo-Roman artefacts found by archaeologists (engraving)

French School, (19th century)

Bronze coins of Charles Martel, 730 (chromolitho)
Bronze coins of Charles Martel, 730 (chromolitho)

LLM1091477: Bronze coins of Charles Martel, 730 (chromolitho), French School, (20th century) / Bridgeman Images

ID: LLM1091477

Bronze coins of Charles Martel, 730 (chromolitho)

French School, (20th century)

Habit of a Nobleman of the United Provinces in 1588 (engraving)
Habit of a Nobleman of the United Provinces in 1588 (engraving)

LLR3640558: Habit of a Nobleman of the United Provinces in 1588 (engraving), English School, (18th century) / Bridgeman Images

ID: LLR3640558

Habit of a Nobleman of the United Provinces in 1588 (engraving)

English School, (18th century)

Philip VI of France taking the oriflamme of St Denis (engraving)
Philip VI of France taking the oriflamme of St Denis (engraving)

TRK3714406: Philip VI of France taking the oriflamme of St Denis (engraving), Ecosse (fl.19th century) / Bridgeman Images

ID: TRK3714406

Philip VI of France taking the oriflamme of St Denis (engraving)

Ecosse (fl.19th century)

A Victorian Christmas card of a boy dressed as a Tudor pikeman, c.1880 (colour litho)
A Victorian Christmas card of a boy dressed as a Tudor pikeman, c.1880 (colour litho)

CFA3603622: A Victorian Christmas card of a boy dressed as a Tudor pikeman, c.1880 (colour litho), English School, (19th century) / Bridgeman Images

ID: CFA3603622

A Victorian Christmas card of a boy dressed as a Tudor pikeman, c.1880 (colour litho)

English School, (19th century)

Saint Catherine of Alexandrie (d.307), 1514 (oil on wood)
Saint Catherine of Alexandrie (d.307), 1514 (oil on wood)

FIA5383338: Saint Catherine of Alexandrie (d.307), 1514 (oil on wood), Solario, Antonio da (fl.1502-14) / Bridgeman Images

ID: FIA5383338

Saint Catherine of Alexandrie (d.307), 1514 (oil on wood)

Solario, Antonio da (fl.1502-14)

Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour)
Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour)

FIA5405695: Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour), Bilibin, Ivan (1876-1942) / Bridgeman Images

ID: FIA5405695

Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour)

Bilibin, Ivan (1876-1942)

Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour)
Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour)

FIA5405699: Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour), Bilibin, Ivan (1876-1942) / Bridgeman Images

ID: FIA5405699

Costume design for the opera ruslan and lyudmila By m. Glink, 1913 (watercolour)

Bilibin, Ivan (1876-1942)

Portrait of Duke Adolf of Holstein-Gottorp (1526-1586), 1586 (oil on canvas)
Portrait of Duke Adolf of Holstein-Gottorp (1526-1586), 1586 (oil on canvas)

FIA5409890: Portrait of Duke Adolf of Holstein-Gottorp (1526-1586), 1586 (oil on canvas), Unknown Artist, (16th century) / Bridgeman Images

ID: FIA5409890

Portrait of Duke Adolf of Holstein-Gottorp (1526-1586), 1586 (oil on canvas)

Unknown Artist, (16th century)

100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.
100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.

NWI4893500: 100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages. / Bridgeman Images

ID: NWI4893500

100-year war (1337-1453): the surrender of a city. A garrison surrender arms and demands the clemence of the victors. 14th century. Colouring engraving reproducing a miniature from the Middle Ages.

God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention
God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention

JEB4857211: God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention, Chinese School, (20th century) / Bridgeman Images

ID: JEB4857211

God on a lion - Chinese scroll, ink and painting (112x57 cm), between 1900 and 1950 - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention

Chinese School, (20th century)

Ardashir captures Ardavan, 1330-40 (ink, opaque watercolor and gold on paper)
Ardashir captures Ardavan, 1330-40 (ink, opaque watercolor and gold on paper)

FSG5932701: Ardashir captures Ardavan, 1330-40 (ink, opaque watercolor and gold on paper), Persian School, (14th century) / Bridgeman Images

ID: FSG5932701

Ardashir captures Ardavan, 1330-40 (ink, opaque watercolor and gold on paper)

Persian School, (14th century)

Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print)
Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print)

PRM479241: Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479241

Portrait of a twenty–six–year–old Japanese man named Uragami Sasuke, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the chief envoy, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Warrior on Horseback, 1839-64 (woodblock print)
Warrior on Horseback, 1839-64 (woodblock print)

MAM713724: Warrior on Horseback, 1839-64 (woodblock print), Hiroshige, Utagawa II (1829-1869) / Bridgeman Images

ID: MAM713724

Warrior on Horseback, 1839-64 (woodblock print)

Hiroshige, Utagawa II (1829-1869)

Buffalo Bill's (1846-1917) Wild West Show at Windsor Castle, 1892 (coloured engraving)
Buffalo Bill's (1846-1917) Wild West Show at Windsor Castle, 1892 (coloured engraving)

PNP247812: Buffalo Bill's (1846-1917) Wild West Show at Windsor Castle, 1892 (coloured engraving), American School, (19th century) / Bridgeman Images

ID: PNP247812

Buffalo Bill's (1846-1917) Wild West Show at Windsor Castle, 1892 (coloured engraving)

American School, (19th century)

US Cavalry and Infantry, full dress, 1888 (colour litho)
US Cavalry and Infantry, full dress, 1888 (colour litho)

PNP245875: US Cavalry and Infantry, full dress, 1888 (colour litho), Ogden, Henry Alexander (1856-1936) (after) / Bridgeman Images

ID: PNP245875

US Cavalry and Infantry, full dress, 1888 (colour litho)

Ogden, Henry Alexander (1856-1936) (after)

Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707366: Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707366

Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707660: Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707660

Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673324: Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673324

Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673575: French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673575

French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673793: Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673793

Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675580: The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675580

The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)
Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)

FLO5912605: Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph) / Bridgeman Images

ID: FLO5912605

Costume of Albrecht von Hohenlohe, died 1319, 1889 (chromolithograph)

Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right
Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right

FLO5323838: Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right / Bridgeman Images

ID: FLO5323838

Norman cavalry in chainmail armour with swords, shields and lances in combat, with a military tent at right

Adolphe Niel (1802-69) 1860 (oil on canvas)
Adolphe Niel (1802-69) 1860 (oil on canvas)

XIR192144: Adolphe Niel (1802-69) 1860 (oil on canvas), Lariviere, Charles-Philippe (1798-1876) / Bridgeman Images

ID: XIR192144

Adolphe Niel (1802-69) 1860 (oil on canvas)

Lariviere, Charles-Philippe (1798-1876)

Battle of Waterloo (coloured engraving)
Battle of Waterloo (coloured engraving)

BMT1077656: Battle of Waterloo (coloured engraving), French School, (19th century) / Bridgeman Images

ID: BMT1077656

Battle of Waterloo (coloured engraving)

French School, (19th century)

Madonna and Child with Saints Cyricus and Pancratius, c.1380 (tempera and gold leaf on panel)
Madonna and Child with Saints Cyricus and Pancratius, c.1380 (tempera and gold leaf on panel)

XKH150813: Madonna and Child with Saints Cyricus and Pancratius, c.1380 (tempera and gold leaf on panel), Aachen Master (c.1380) / Bridgeman Images

ID: XKH150813

Madonna and Child with Saints Cyricus and Pancratius, c.1380 (tempera and gold leaf on panel)

Aachen Master (c.1380)

The Frankish King Charles the great and the French knight Roland de Roncevaux, 1920 (print)
The Frankish King Charles the great and the French knight Roland de Roncevaux, 1920 (print)

XEE4159412: The Frankish King Charles the great and the French knight Roland de Roncevaux, 1920 (print), Zier, Edouard Francois (1856-1924) / Bridgeman Images

ID: XEE4159412

The Frankish King Charles the great and the French knight Roland de Roncevaux, 1920 (print)

Zier, Edouard Francois (1856-1924)

French Actor and Singer Bourvil (1917-1970) in the play
French Actor and Singer Bourvil (1917-1970) in the play

XRH1721818: French Actor and Singer Bourvil (1917-1970) in the play "La bonne planque", at the Theatre des Nouveautes. Paris, 1962. / Bridgeman Images

ID: XRH1721818

French Actor and Singer Bourvil (1917-1970) in the play "La bonne planque", at the Theatre des Nouveautes. Paris, 1962.

The Triumph of Will: The Challenge, c.1877
The Triumph of Will: The Challenge, c.1877

CH38533: The Triumph of Will: The Challenge, c.1877, Tissot, James Jacques Joseph (1836-1902) / Bridgeman Images

ID: CH38533

The Triumph of Will: The Challenge, c.1877

Tissot, James Jacques Joseph (1836-1902)


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