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13716 Search Results for sword

Portrait of a thirty–eight–year–old Japanese man named Koizumi Yasuemon, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of the chief envoy, 1864 (albumen print)
Portrait of a thirty–eight–year–old Japanese man named Koizumi Yasuemon, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of the chief envoy, 1864 (albumen print)

PRM479237: Portrait of a thirty–eight–year–old Japanese man named Koizumi Yasuemon, a samurai and member of the 1864 Ikeda mission to France, employed as a personal attendant of the chief envoy, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

Bedouin traditional dance
Bedouin traditional dance

LRP698940: Bedouin traditional dance / Bridgeman Images

Portrait of Emperor Ferdinand the 1st of Austria, by Giuseppe Molteni, 1838, 19th Century, oil on canvas
Portrait of Emperor Ferdinand the 1st of Austria, by Giuseppe Molteni, 1838, 19th Century, oil on canvas

MEB944551: Portrait of Emperor Ferdinand the 1st of Austria, by Giuseppe Molteni, 1838, 19th Century, oil on canvas, Molteni, Giuseppe (1800-67) / Bridgeman Images

Georges Descrieres in the play
Georges Descrieres in the play

XRC1553118: Georges Descrieres in the play "Don Juan", at the Comedie Francaise, Paris, 4 February 1967 (photo), Coruzzi, Giovanni / Bridgeman Images

Portrait of Giovanni Battista Birago, by Francesco Hayez, 1822, 19th Century, oil on canvas, 193 x 115 cm
Portrait of Giovanni Battista Birago, by Francesco Hayez, 1822, 19th Century, oil on canvas, 193 x 115 cm

MEP848327: Portrait of Giovanni Battista Birago, by Francesco Hayez, 1822, 19th Century, oil on canvas, 193 x 115 cm, Hayez, Francesco (1791-1882) / Bridgeman Images

Pirate illustrating the “Five Tales” of the French writer Pierre Mac Orlan (1882 - 1970) edited in 1932 (engraving)
Pirate illustrating the “Five Tales” of the French writer Pierre Mac Orlan (1882 - 1970) edited in 1932 (engraving)

LSE4087820: Pirate illustrating the “Five Tales” of the French writer Pierre Mac Orlan (1882 - 1970) edited in 1932 (engraving), Devambez, Andre (1867-1943) / Bridgeman Images

Hercules Room (fresco)
Hercules Room (fresco)

MEP2959731: Hercules Room (fresco), Master of the Sacred Palace (16th century) / Bridgeman Images

Ms 39/1601 The Kiss of Judas, from 'Passio Domini Nostri Jesu Christi Secundum Joannem' (vellum)
Ms 39/1601 The Kiss of Judas, from 'Passio Domini Nostri Jesu Christi Secundum Joannem' (vellum)

CND239904: Ms 39/1601 The Kiss of Judas, from 'Passio Domini Nostri Jesu Christi Secundum Joannem' (vellum), Durer or Duerer, Albrecht (1471-1528) (after) / Bridgeman Images

Yvain, the Knight of the Lion fighting the dragon Illustration by Alessandro Lonati
Yvain, the Knight of the Lion fighting the dragon Illustration by Alessandro Lonati

LTI4123028: Yvain, the Knight of the Lion fighting the dragon Illustration by Alessandro Lonati, Lonati, Alessandro (b.1980) / Bridgeman Images

The Civil War, Bull Run, Virginia (vicinity), Col. Alfred Duffie, 1st Rhode Island Cavalry, from glass negative, 1862 (photo)
The Civil War, Bull Run, Virginia (vicinity), Col. Alfred Duffie, 1st Rhode Island Cavalry, from glass negative, 1862 (photo)

EVB2928367: The Civil War, Bull Run, Virginia (vicinity), Col. Alfred Duffie, 1st Rhode Island Cavalry, from glass negative, 1862 (photo), O'Sullivan, Timothy (1840-82) / Bridgeman Images

King George VI, Admiral of the Fleet
King George VI, Admiral of the Fleet

HRP5246109: King George VI, Admiral of the Fleet / Bridgeman Images

Roman soldiers with shields, swords, helmets. The one on the right wears a scale armour shirt (lorica squamata) and carries a javelin (verutum). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).
Roman soldiers with shields, swords, helmets. The one on the right wears a scale armour shirt (lorica squamata) and carries a javelin (verutum). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

FLO4704643: Roman soldiers with shields, swords, helmets. The one on the right wears a scale armour shirt (lorica squamata) and carries a javelin (verutum). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798). / Bridgeman Images

Portrait of Hernan Cortez (?) (after Titian), 1608-12 (oil on canvas)
Portrait of Hernan Cortez (?) (after Titian), 1608-12 (oil on canvas)

COU5892285: Portrait of Hernan Cortez (?) (after Titian), 1608-12 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Prince Charles Edward Stuart (oil on canvas)
Prince Charles Edward Stuart (oil on canvas)

BAL8960: Prince Charles Edward Stuart (oil on canvas), Anonymous / Bridgeman Images

First crusade: Godefroi de Bouillon (1060-1100) and the crossings sailing towards the Holy Land, 1337 (miniature)
First crusade: Godefroi de Bouillon (1060-1100) and the crossings sailing towards the Holy Land, 1337 (miniature)

JLJ4657866: First crusade: Godefroi de Bouillon (1060-1100) and the crossings sailing towards the Holy Land, 1337 (miniature), Unknown Artist, (14th century) / Bridgeman Images

Saint Euphemia, 1454 (oil on panel)
Saint Euphemia, 1454 (oil on panel)

XIR897125: Saint Euphemia, 1454 (oil on panel), Mantegna, Andrea (1431-1506) / Bridgeman Images

Charles Le Bargy as Cyrano, 1913 (photo)
Charles Le Bargy as Cyrano, 1913 (photo)

PVD1685496: Charles Le Bargy as Cyrano, 1913 (photo) / Bridgeman Images

Kubera the god of Wealth, engraved by C. de Motte (1785-1836) (colour litho)
Kubera the god of Wealth, engraved by C. de Motte (1785-1836) (colour litho)

STC147709: Kubera the god of Wealth, engraved by C. de Motte (1785-1836) (colour litho), French School, (19th century) / Bridgeman Images

Equestrian portrait of Oliver Cromwell (1599-1658) (engraving)
Equestrian portrait of Oliver Cromwell (1599-1658) (engraving)

XJF268072: Equestrian portrait of Oliver Cromwell (1599-1658) (engraving), English School, (17th century) / Bridgeman Images

The Triple Alliance, illustration from 'Le Petit Journal' 1893 (colour litho)
The Triple Alliance, illustration from 'Le Petit Journal' 1893 (colour litho)

CHT212428: The Triple Alliance, illustration from 'Le Petit Journal' 1893 (colour litho), Meyer, Henri (1841-99) / Bridgeman Images

Donatello's David (b/w photo)
Donatello's David (b/w photo)

LLM3093176: Donatello's David (b/w photo), Italian Photographer, (20th century) / Bridgeman Images

The row-boat clapped alongside, and from her sprang Guldred the Wolf, with Ulgar and another to support him: scene from The Storming of Rovan Hold (colour litho)
The row-boat clapped alongside, and from her sprang Guldred the Wolf, with Ulgar and another to support him: scene from The Storming of Rovan Hold (colour litho)

LLM5997546: The row-boat clapped alongside, and from her sprang Guldred the Wolf, with Ulgar and another to support him: scene from The Storming of Rovan Hold (colour litho), Robinson, Thomas Heath (1869-1954) / Bridgeman Images

Lutzow's Wild Chase. (chromolitho)
Lutzow's Wild Chase. (chromolitho)

LLM1094113: Lutzow's Wild Chase. (chromolitho), German School, (19th century) (after) / Bridgeman Images

Kett, costume design for the courtly masque 'Britannia Triumphans', 1637 (pen & ink on paper)
Kett, costume design for the courtly masque 'Britannia Triumphans', 1637 (pen & ink on paper)

CTS5934064: Kett, costume design for the courtly masque 'Britannia Triumphans', 1637 (pen & ink on paper), Jones, Inigo (1573-1652) / Bridgeman Images

Portrait of a Couple, c. 1580-88 (oil on canvas)
Portrait of a Couple, c. 1580-88 (oil on canvas)

XCL5672958: Portrait of a Couple, c. 1580-88 (oil on canvas), Italian School, (16th century) / Bridgeman Images

Caesar ordered his boats in close and laid down a bombardment of arrows (colour litho)
Caesar ordered his boats in close and laid down a bombardment of arrows (colour litho)

LAL957339: Caesar ordered his boats in close and laid down a bombardment of arrows (colour litho), Doughty, C.L. (1913-85) / Bridgeman Images

Gurdwara Sisganj, Old DelhiThe Khanda (Punjabi: kha ) is one of most important symbols of SikhismIt is a collection of four weapons commonly used by Sikhs at the time of Guru Gobind SinghIn the centre of the insignia is the two-edged sword which symbolises the creative power of GodOne edge of the Sword symbolises divine justice, the other symbolises freedom, and authority governed by moral and spiritual valuesOn the left is the Sword of Spiritual Sovereignty (Piri); On the right is the Sword of Political Sovereignty (Miri) There must always be a balance between the two, and this balance is emphasised by the chakra circle insideIt is the symbol of oneness, unicity of Justice, humanity and immortalityAlmost all Sikh warriors used to wear it in the eighteenth century, and nihangs still do today, Delhi, India
Gurdwara Sisganj, Old DelhiThe Khanda (Punjabi: kha ) is one of most important symbols of SikhismIt is a collection of four weapons commonly used by Sikhs at the time of Guru Gobind SinghIn the centre of the insignia is the two-edged sword which symbolises the creative power of GodOne edge of the Sword symbolises divine justice, the other symbolises freedom, and authority governed by moral and spiritual valuesOn the left is the Sword of Spiritual Sovereignty (Piri); On the right is the Sword of Political Sovereignty (Miri) There must always be a balance between the two, and this balance is emphasised by the chakra circle insideIt is the symbol of oneness, unicity of Justice, humanity and immortalityAlmost all Sikh warriors used to wear it in the eighteenth century, and nihangs still do today, Delhi, India

GNG5281774: Gurdwara Sisganj, Old DelhiThe Khanda (Punjabi: kha ) is one of most important symbols of SikhismIt is a collection of four weapons commonly used by Sikhs at the time of Guru Gobind SinghIn the centre of the insignia is the two-edged sword which symbolises the creative power of GodOne edge of the Sword symbolises divine justice, the other symbolises freedom, and authority governed by moral and spiritual valuesOn the left is the Sword of Spiritual Sovereignty (Piri); On the right is the Sword of Political Sovereignty (Miri) There must always be a balance between the two, and this balance is emphasised by the chakra circle insideIt is the symbol of oneness, unicity of Justice, humanity and immortalityAlmost all Sikh warriors used to wear it in the eighteenth century, and nihangs still do today, Delhi, India / Bridgeman Images

Frederick II as King (oil on panel)
Frederick II as King (oil on panel)

XPH312412: Frederick II as King (oil on panel), Pesne, Antoine (1683-1747) (attr. to) / Bridgeman Images

John Philip de Haas, 1772 (oil on canvas)
John Philip de Haas, 1772 (oil on canvas)

XOS1765340: John Philip de Haas, 1772 (oil on canvas), Peale, Charles Willson (1741-1827) / Bridgeman Images

Charles Duke of Orleans, portrait published in 'Le Plutarque Francais' by E.Mennechet, Paris, 1835 (colour litho)
Charles Duke of Orleans, portrait published in 'Le Plutarque Francais' by E.Mennechet, Paris, 1835 (colour litho)

CHT307814: Charles Duke of Orleans, portrait published in 'Le Plutarque Francais' by E.Mennechet, Paris, 1835 (colour litho), Chasselat, Charles Abraham (1782-1843) (after) / Bridgeman Images

St Anthony facing the tyrant Ezzelino in Verona, School of the Saint, 1510-1511 (fresco)
St Anthony facing the tyrant Ezzelino in Verona, School of the Saint, 1510-1511 (fresco)

GRL2196790: St Anthony facing the tyrant Ezzelino in Verona, School of the Saint, 1510-1511 (fresco), Corona, Giovanni Antonio (c.1481-1530) / Bridgeman Images

Two Russian fencers arm in arm,  1907 (photo)
Two Russian fencers arm in arm,  1907 (photo)

DGC2957652: Two Russian fencers arm in arm, 1907 (photo) / Bridgeman Images

Walter Stewart, 1781 (oil on canvas)
Walter Stewart, 1781 (oil on canvas)

XOS3329986: Walter Stewart, 1781 (oil on canvas), Peale, Charles Willson (1741-1827) / Bridgeman Images

A detachment of the 1st Suffolk Regiment parading to the south of the White Tower during their turn of duty at the Tower of London (b/w photo)
A detachment of the 1st Suffolk Regiment parading to the south of the White Tower during their turn of duty at the Tower of London (b/w photo)

AMR3929545: A detachment of the 1st Suffolk Regiment parading to the south of the White Tower during their turn of duty at the Tower of London (b/w photo), English Photographer, (19th century) / Bridgeman Images

Prince Albert's Visit to Birmingham (engraving)
Prince Albert's Visit to Birmingham (engraving)

LIP1100905: Prince Albert's Visit to Birmingham (engraving), English School, (19th century) / Bridgeman Images

Kaiser Wilhelm II imagined removing the obelisk from Paris by Zeppelin (litho)
Kaiser Wilhelm II imagined removing the obelisk from Paris by Zeppelin (litho)

LLM3093226: Kaiser Wilhelm II imagined removing the obelisk from Paris by Zeppelin (litho), French School, (20th century) / Bridgeman Images


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