13714 Search Results for sword
ROC499182: Equestrian statuette of Gustavus II Adolphus of Sweden, c.1630 (silver-gilt), Lang, Daniel (d.1635) / Bridgeman Images
EVB2925705: Josef Stalin kisses sword given by British in honor of the citizens of Stalingrad. Dec. 7, 1943. Winston Churchill (back to camera), made the presentation. Molotov, is on Stalin's left / Bridgeman Images
XCF306874: Benin Plaque, Nigeria (brass), Benin (16th century) / Bridgeman Images
CH469843: Bisharin Warrior, 1872 (oil on canvas), Gerome, Jean Leon (1824-1904) / Bridgeman Images
LIP1618458: Funeral of Lord Nelson (engraving), English School, (19th century) / Bridgeman Images
LSE4315336: Saint Martin and the beggar. He cut his coat to give it to a beggar. anonymous painting, around 1490. Magyar Nemzeti Galleria, Budapest, Hungary., Unknown Artist, (15th century) / Bridgeman Images
GRL5962667: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XCF285197: Vision of a Knight, c.1504 (oil on poplar), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images
GNG5281774: Gurdwara Sisganj, Old DelhiThe Khanda (Punjabi: kha ) is one of most important symbols of SikhismIt is a collection of four weapons commonly used by Sikhs at the time of Guru Gobind SinghIn the centre of the insignia is the two-edged sword which symbolises the creative power of GodOne edge of the Sword symbolises divine justice, the other symbolises freedom, and authority governed by moral and spiritual valuesOn the left is the Sword of Spiritual Sovereignty (Piri); On the right is the Sword of Political Sovereignty (Miri) There must always be a balance between the two, and this balance is emphasised by the chakra circle insideIt is the symbol of oneness, unicity of Justice, humanity and immortalityAlmost all Sikh warriors used to wear it in the eighteenth century, and nihangs still do today, Delhi, India / Bridgeman Images
STC360952: King Edward VIII's Investiture as Prince of Wales, 1911 (b/w photo), English Photographer, (20th century) / Bridgeman Images
STC468916: Albanians, 1865 (colour litho), Preziosi, Amadeo (1816-82) / Bridgeman Images
KDC469462: Officer of the Burma Rifles, Burma Defence Force, 1938 (colour litho) / Bridgeman Images
STC468674: Chief of the Saphis, 1780 (coloured engraving), Duflos, Pierre (1742-1816) / Bridgeman Images
SUN429384: The hungry messenger, 1890 (oil on canvas), Storey, George Adolphus (1834-1919) / Bridgeman Images
IL212335: 'God Save the King', illustration from 'Through the Bible' published 1928 (colour litho), Brock, Charles Edmund (1870-1938) / Bridgeman Images
XJF308747: Weapons and shields, c.1487-88 (metalpoint with pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
STC308572: They would take him to the Armoury before he left them, illustration from 'The Pilgrim's Progress' by John Bunyan, told by Mary Macgregor, published by T.C. and E.C. Jack, 1907 (colour litho), Shaw, John Byam Liston (1872-1919) / Bridgeman Images
CH141988: Portrait of a Gentleman, thought to be thought to be Thomas Cavendish (1560-92) (oil on panel), Bettes, John the Younger (c.1530-1615/6) (attr.to) / Bridgeman Images
KWE181430: Portrait of Henry Stewart (1545-67) Lord Darnley, from 'Lodge's British Portraits', 1823 (litho), Eworth or Ewoutsz, Hans (fl.1520-74) (after) / Bridgeman Images
TAD1752572: Edward III (1312-1377) king of England founder of the order of the Garter, engraving / Bridgeman Images
TRK558687: Struggle between two warriors. Mosaic. Italy. / Bridgeman Images
TRK562350: Pavel Nakhimov. Statue. Sevastopol. / Bridgeman Images
AGC1267714: Illustration from 'The Little Horse' by Leib Kvitko, 1933 (gouache on paper), Uspenskaya, Marina (1925-2007) / Bridgeman Images
XJF909270: Charles IX (1550-74), King of France, 1573 (engraving), French School, (16th century) / Bridgeman Images
STC810309: Uniform of Private of the 1st or King's Dragoon Guards, engraved by Joseph Constantine Stadler (fl.1780-1812), 1812-15 (hand-coloured aquatint), Smith, Charles Hamilton (1776-1859) / Bridgeman Images
XIR899941: Portrait of a King (potentially Constantine IV) (oil on canvas), Mytens, Daniel (1590-c.1648) / Bridgeman Images
XIR898895: Four studies of a fencer, 1766-69 (pen & ink on paper) , Callot, Jacques (1592-1635) / Bridgeman Images
STC876401: Confrontation between the gendarmerie with a woman and a snail (litho), French School / Bridgeman Images
LLM964621: Don Joey's Dream (colour litho), English School, (20th century) / Bridgeman Images
TRK697421: Mesopotamian art. Assyrian. Orthostates with reliefs in the side walls of a ramp from the Palace of Nineveh. Alabaster. 704-689 B.C. It shows Assyrian officers and courtiers carrying a mobile throne. Pergamon Museum. Berlin. Germany. / Bridgeman Images
XIR698856: French Hosts, His Majesty Manuel II, King of Portugal, front cover illustration from 'Le Petit Journal', supplement illustre, 5th December 1909 (colour litho), French School, (20th century) / Bridgeman Images
LIP1049665: Nubian Sports at the Alexandra Palace (engraving), Corbould, Alfred Chantrey (1852-1920) / Bridgeman Images
PFH2641670: Germany / Japan: left to right, Various samurai warriors, "Munchner Bilderbogen", Braun & Schneider, 1861-1890 / Bridgeman Images
XJF2639713: Admiral Blake (stipple engraving), Briggs, Henry Perronet (1792-1844) (after) / Bridgeman Images
GCH1970995: Harold II / Bridgeman Images
XLF3780251: Günther von Schwarzburg / Bridgeman Images
