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Mr. B promoted to Lieutenant, and first putting on his uniform, from The Progress of a Midshipman, pub. 1835 (hand coloured engraving)
Mr. B promoted to Lieutenant, and first putting on his uniform, from The Progress of a Midshipman, pub. 1835 (hand coloured engraving)

STC2636971: Mr. B promoted to Lieutenant, and first putting on his uniform, from The Progress of a Midshipman, pub. 1835 (hand coloured engraving) , Cruikshank, George (1792-1878) / Bridgeman Images

ID: STC2636971

Mr. B promoted to Lieutenant, and first putting on his uniform, from The Progress of a Midshipman, pub. 1835 (hand coloured engraving)

Cruikshank, George (1792-1878)

Japanese Trooper Charging (colour litho)
Japanese Trooper Charging (colour litho)

LLM3643095: Japanese Trooper Charging (colour litho), English School, (20th century) / Bridgeman Images

ID: LLM3643095

Japanese Trooper Charging (colour litho)

English School, (20th century)

Juryore King and his wife (w/c on paper)
Juryore King and his wife (w/c on paper)

RUS495029: Juryore King and his wife (w/c on paper), Indian School / Bridgeman Images

ID: RUS495029

Juryore King and his wife (w/c on paper)

Indian School

Pattance Cast and his wife (w/c on paper)
Pattance Cast and his wife (w/c on paper)

RUS495036: Pattance Cast and his wife (w/c on paper), Indian School / Bridgeman Images

ID: RUS495036

Pattance Cast and his wife (w/c on paper)

Indian School

Cuirassier (oil on canvas, 1910)
Cuirassier (oil on canvas, 1910)

LRI4607301: Cuirassier (oil on canvas, 1910), La Fresnaye, Roger de (1885-1925) / Bridgeman Images

ID: LRI4607301

Cuirassier (oil on canvas, 1910)

La Fresnaye, Roger de (1885-1925)

One of Feng Yuxiang's soldiers in Peking, 1925 (b/w photo)
One of Feng Yuxiang's soldiers in Peking, 1925 (b/w photo)

SZT3667931: One of Feng Yuxiang's soldiers in Peking, 1925 (b/w photo) / Bridgeman Images

ID: SZT3667931

One of Feng Yuxiang's soldiers in Peking, 1925 (b/w photo)

Destruction of Chaldean settlers on the Elamite coast, illustration from 'Hutchinson's History of the Nations' (litho)
Destruction of Chaldean settlers on the Elamite coast, illustration from 'Hutchinson's History of the Nations' (litho)

STC357960: Destruction of Chaldean settlers on the Elamite coast, illustration from 'Hutchinson's History of the Nations' (litho), Leake, Gerald (1885-1975) / Bridgeman Images

ID: STC357960

Destruction of Chaldean settlers on the Elamite coast, illustration from 'Hutchinson's History of the Nations' (litho)

Leake, Gerald (1885-1975)

First Class - The Meeting
First Class - The Meeting

XYC282790: First Class - The Meeting "And at first meeting loved.", 1855 (oil on panel), Solomon, Abraham (1824-62) / Bridgeman Images

ID: XYC282790

First Class - The Meeting "And at first meeting loved.", 1855 (oil on panel)

Solomon, Abraham (1824-62)

Subadar-Major of the Indian Mountain Artillery,, Indian Army, 1938 (colour litho)
Subadar-Major of the Indian Mountain Artillery,, Indian Army, 1938 (colour litho)

KDC469446: Subadar-Major of the Indian Mountain Artillery,, Indian Army, 1938 (colour litho) / Bridgeman Images

ID: KDC469446

Subadar-Major of the Indian Mountain Artillery,, Indian Army, 1938 (colour litho)

Bostandji, Khasseki and other examples of Ottoman costume, plate 5 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)
Bostandji, Khasseki and other examples of Ottoman costume, plate 5 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)

STC122318: Bostandji, Khasseki and other examples of Ottoman costume, plate 5 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint), Italian School, (19th century) / Bridgeman Images

ID: STC122318

Bostandji, Khasseki and other examples of Ottoman costume, plate 5 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)

Italian School, (19th century)

The Porter's Chair with armour screens in the Great Hall, Blenheim Palace (photo)
The Porter's Chair with armour screens in the Great Hall, Blenheim Palace (photo)

BLN448683: The Porter's Chair with armour screens in the Great Hall, Blenheim Palace (photo) / Bridgeman Images

ID: BLN448683

The Porter's Chair with armour screens in the Great Hall, Blenheim Palace (photo)

M. Loria of the 24th Mounted Chasseur Regiment, Chevalier of the Legion of Honour, 1860 (b/w photo)
M. Loria of the 24th Mounted Chasseur Regiment, Chevalier of the Legion of Honour, 1860 (b/w photo)

BMC474523: M. Loria of the 24th Mounted Chasseur Regiment, Chevalier of the Legion of Honour, 1860 (b/w photo), French Photographer, (19th century) / Bridgeman Images

ID: BMC474523

M. Loria of the 24th Mounted Chasseur Regiment, Chevalier of the Legion of Honour, 1860 (b/w photo)

French Photographer, (19th century)

Garde Impériale - Chasseurs à cheval 1804-1815, 1945 (w/c on paper)
Garde Impériale - Chasseurs à cheval 1804-1815, 1945 (w/c on paper)

BMC474550: Garde Impériale - Chasseurs à cheval 1804-1815, 1945 (w/c on paper), Rousselot, Lucien (1900-1992) / Bridgeman Images

ID: BMC474550

Garde Impériale - Chasseurs à cheval 1804-1815, 1945 (w/c on paper)

Rousselot, Lucien (1900-1992)

Vercingetorix surrendering his sword to Julius Caesar after the Siege of Alesia, 52 BC (chromolitho)
Vercingetorix surrendering his sword to Julius Caesar after the Siege of Alesia, 52 BC (chromolitho)

LLM2782985: Vercingetorix surrendering his sword to Julius Caesar after the Siege of Alesia, 52 BC (chromolitho), European School, (19th century) / Bridgeman Images

ID: LLM2782985

Vercingetorix surrendering his sword to Julius Caesar after the Siege of Alesia, 52 BC (chromolitho)

European School, (19th century)

Mosaic with a scene of fighting gladiators, detail of a gladiator clad in armor
Mosaic with a scene of fighting gladiators, detail of a gladiator clad in armor

FAF3564919: Mosaic with a scene of fighting gladiators, detail of a gladiator clad in armor, Roman / Bridgeman Images

ID: FAF3564919

Mosaic with a scene of fighting gladiators, detail of a gladiator clad in armor

Roman

Japan: Samurai with horse standing over the body of a defeated opponent'. Kobayashi Kiyochika (1847-1915), 1902
Japan: Samurai with horse standing over the body of a defeated opponent'. Kobayashi Kiyochika (1847-1915), 1902

PFH1188809: Japan: Samurai with horse standing over the body of a defeated opponent'. Kobayashi Kiyochika (1847-1915), 1902 / Bridgeman Images

ID: PFH1188809

Japan: Samurai with horse standing over the body of a defeated opponent'. Kobayashi Kiyochika (1847-1915), 1902

The Capture of General Vega, in the act of discharging a cannon, by the gallant Capt. May of the US Army, during the engagement of the 9th of May, pub.1846 (hand coloured litho)
The Capture of General Vega, in the act of discharging a cannon, by the gallant Capt. May of the US Army, during the engagement of the 9th of May, pub.1846 (hand coloured litho)

STC3737169: The Capture of General Vega, in the act of discharging a cannon, by the gallant Capt. May of the US Army, during the engagement of the 9th of May, pub.1846 (hand coloured litho), American School, (19th century) / Bridgeman Images

ID: STC3737169

The Capture of General Vega, in the act of discharging a cannon, by the gallant Capt. May of the US Army, during the engagement of the 9th of May, pub.1846 (hand coloured litho)

American School, (19th century)

Archers and cross-bow-man, 1312. Mounted archer shooting, longbowman stringing his bow and crossbowman firing, all in uniform of hauberk and chausses of gamboised chainmail, surcoats, conical helmet with visor. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Archers and cross-bow-man, 1312. Mounted archer shooting, longbowman stringing his bow and crossbowman firing, all in uniform of hauberk and chausses of gamboised chainmail, surcoats, conical helmet with visor. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678360: Archers and cross-bow-man, 1312. Mounted archer shooting, longbowman stringing his bow and crossbowman firing, all in uniform of hauberk and chausses of gamboised chainmail, surcoats, conical helmet with visor. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678360

Archers and cross-bow-man, 1312. Mounted archer shooting, longbowman stringing his bow and crossbowman firing, all in uniform of hauberk and chausses of gamboised chainmail, surcoats, conical helmet with visor. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

A king and his mac-bearer, 1310. The king in plate armour with ailettes, surcoat, crown, sword and shield. His mac-bearer in chainmail armour, with studded cloth gauntlet, buckler and mace. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A king and his mac-bearer, 1310. The king in plate armour with ailettes, surcoat, crown, sword and shield. His mac-bearer in chainmail armour, with studded cloth gauntlet, buckler and mace. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678371: A king and his mac-bearer, 1310. The king in plate armour with ailettes, surcoat, crown, sword and shield. His mac-bearer in chainmail armour, with studded cloth gauntlet, buckler and mace. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678371

A king and his mac-bearer, 1310. The king in plate armour with ailettes, surcoat, crown, sword and shield. His mac-bearer in chainmail armour, with studded cloth gauntlet, buckler and mace. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

An episode from the Revolution (colour litho)
An episode from the Revolution (colour litho)

LLM3620475: An episode from the Revolution (colour litho), French School, (20th century) / Bridgeman Images

ID: LLM3620475

An episode from the Revolution (colour litho)

French School, (20th century)

Miniature Painting of Maharaja Rana Zalim Singh Jhalawar, 1876
Miniature Painting of Maharaja Rana Zalim Singh Jhalawar, 1876

DND3610090: Miniature Painting of Maharaja Rana Zalim Singh Jhalawar, 1876, Indian School, (19th century) / Bridgeman Images

ID: DND3610090

Miniature Painting of Maharaja Rana Zalim Singh Jhalawar, 1876

Indian School, (19th century)

Eugene Beauharnais demanding his father's sword (engraving)
Eugene Beauharnais demanding his father's sword (engraving)

LLM5227428: Eugene Beauharnais demanding his father's sword (engraving), French School, (19th century) / Bridgeman Images

ID: LLM5227428

Eugene Beauharnais demanding his father's sword (engraving)

French School, (19th century)

Portrait of a Warrior, hanging scroll (ink and colour on silk)
Portrait of a Warrior, hanging scroll (ink and colour on silk)

XOS5667157: Portrait of a Warrior, hanging scroll (ink and colour on silk), Japanese School (16th century) / Bridgeman Images

ID: XOS5667157

Portrait of a Warrior, hanging scroll (ink and colour on silk)

Japanese School (16th century)

Sword dance by nomadic Bedouin Arabs near the valley of the kings in Thebes by Giovanni Battista Belzoni
Sword dance by nomadic Bedouin Arabs near the valley of the kings in Thebes by Giovanni Battista Belzoni

FLO5323904: Sword dance by nomadic Bedouin Arabs near the valley of the kings in Thebes by Giovanni Battista Belzoni / Bridgeman Images

ID: FLO5323904

Sword dance by nomadic Bedouin Arabs near the valley of the kings in Thebes by Giovanni Battista Belzoni

Adam and Eve driven out of Paradise, 19th century (engraving)
Adam and Eve driven out of Paradise, 19th century (engraving)

KWE2603356: Adam and Eve driven out of Paradise, 19th century (engraving), Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after) / Bridgeman Images

ID: KWE2603356

Adam and Eve driven out of Paradise, 19th century (engraving)

Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after)

A Providential Safe Conduct, from A Hundred Anecdotes of Animals, pub. 1924 (engraving)
A Providential Safe Conduct, from A Hundred Anecdotes of Animals, pub. 1924 (engraving)

STC3481237: A Providential Safe Conduct, from A Hundred Anecdotes of Animals, pub. 1924 (engraving), Billinghurst, Percy James (1871-1933) / Bridgeman Images

ID: STC3481237

A Providential Safe Conduct, from A Hundred Anecdotes of Animals, pub. 1924 (engraving)

Billinghurst, Percy James (1871-1933)

Latin Centurion, Ancient Italy, 5th century BC, 2015 (pencil drawing, digitalbrush, 3d cgi)
Latin Centurion, Ancient Italy, 5th century BC, 2015 (pencil drawing, digitalbrush, 3d cgi)

CGS6380393: Latin Centurion, Ancient Italy, 5th century BC, 2015 (pencil drawing, digitalbrush, 3d cgi), Giannopolous, Christos / Bridgeman Images

ID: CGS6380393

Latin Centurion, Ancient Italy, 5th century BC, 2015 (pencil drawing, digitalbrush, 3d cgi)

Giannopolous, Christos

Naive Socialist statue, Communist Army Barracks, Grimma, Sachsen, Germany (b/w photo)
Naive Socialist statue, Communist Army Barracks, Grimma, Sachsen, Germany (b/w photo)

TMA396360: Naive Socialist statue, Communist Army Barracks, Grimma, Sachsen, Germany (b/w photo) / Bridgeman Images

ID: TMA396360

Naive Socialist statue, Communist Army Barracks, Grimma, Sachsen, Germany (b/w photo)

Illustration for Chapter 9 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
Illustration for Chapter 9 of 'Candide' by Voltaire (1694-1778) (oil on canvas)

HBY868576: Illustration for Chapter 9 of 'Candide' by Voltaire (1694-1778) (oil on canvas), Bulley, Hugh (1924-2020) / Bridgeman Images

ID: HBY868576

Illustration for Chapter 9 of 'Candide' by Voltaire (1694-1778) (oil on canvas)

Bulley, Hugh (1924-2020)

The Planets and the Creation of Man, 14th capital from the south-west angle of the Ducal Palace (stone)
The Planets and the Creation of Man, 14th capital from the south-west angle of the Ducal Palace (stone)

SQ158304: The Planets and the Creation of Man, 14th capital from the south-west angle of the Ducal Palace (stone), Italian School, (14th century) / Bridgeman Images

ID: SQ158304

The Planets and the Creation of Man, 14th capital from the south-west angle of the Ducal Palace (stone)

Italian School, (14th century)

William Wallace, 1888 (bronze)
William Wallace, 1888 (bronze)

HGP362573: William Wallace, 1888 (bronze) / Bridgeman Images

ID: HGP362573

William Wallace, 1888 (bronze)

The Greek legislator Charondas plunging a sword in the chest and The Roman pretor Celius, 1529-1535 (fresco)
The Greek legislator Charondas plunging a sword in the chest and The Roman pretor Celius, 1529-1535 (fresco)

LRI4601514: The Greek legislator Charondas plunging a sword in the chest and The Roman pretor Celius, 1529-1535 (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

ID: LRI4601514

The Greek legislator Charondas plunging a sword in the chest and The Roman pretor Celius, 1529-1535 (fresco)

Beccafumi, Domenico (1484-1551)

General Thomas F. Meagher , 2018 (oil on panel)
General Thomas F. Meagher , 2018 (oil on panel)

MMO5307124: General Thomas F. Meagher , 2018 (oil on panel), Maritato, Mark / Bridgeman Images

ID: MMO5307124

General Thomas F. Meagher , 2018 (oil on panel)

Maritato, Mark

David holding the head of Goliath, 1621 (Painting)
David holding the head of Goliath, 1621 (Painting)

LRI4699121: David holding the head of Goliath, 1621 (Painting), Vouet, Simon (1590-1649) / Bridgeman Images

ID: LRI4699121

David holding the head of Goliath, 1621 (Painting)

Vouet, Simon (1590-1649)

Hunter on a Horse, c.1600 (ink and w/c on paper)
Hunter on a Horse, c.1600 (ink and w/c on paper)

XOS996649: Hunter on a Horse, c.1600 (ink and w/c on paper), Mughal School, (17th century) / Bridgeman Images

ID: XOS996649

Hunter on a Horse, c.1600 (ink and w/c on paper)

Mughal School, (17th century)

Africans hunt lions by covering their heads, then piercing them with a deadly wound, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving)
Africans hunt lions by covering their heads, then piercing them with a deadly wound, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving)

STC746961: Africans hunt lions by covering their heads, then piercing them with a deadly wound, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving) , Straet, Jan van der (Joannes Stradanus) (1523-1605) / Bridgeman Images

ID: STC746961

Africans hunt lions by covering their heads, then piercing them with a deadly wound, illustration from 'Venationes, Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub. by Phillipus Gallaeus, Amsterdam (engraving)

Straet, Jan van der (Joannes Stradanus) (1523-1605)


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