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13714 Search Results for sword

'To the Russian rebels', Maxim Gorky, illustration from 'L'Assiette au Beurre', 1902 (colour litho)
'To the Russian rebels', Maxim Gorky, illustration from 'L'Assiette au Beurre', 1902 (colour litho)

CHT383133: 'To the Russian rebels', Maxim Gorky, illustration from 'L'Assiette au Beurre', 1902 (colour litho), Grandjouan, Jules (1875-1968) / Bridgeman Images

ID: CHT383133

'To the Russian rebels', Maxim Gorky, illustration from 'L'Assiette au Beurre', 1902 (colour litho)

Grandjouan, Jules (1875-1968)

Portrait of Rao Chattar Sal of Bundi, c.1675 (opaque w/c & gold on paper)
Portrait of Rao Chattar Sal of Bundi, c.1675 (opaque w/c & gold on paper)

TBM423226: Portrait of Rao Chattar Sal of Bundi, c.1675 (opaque w/c & gold on paper), Indian School, (17th century) / Bridgeman Images

ID: TBM423226

Portrait of Rao Chattar Sal of Bundi, c.1675 (opaque w/c & gold on paper)

Indian School, (17th century)

Akagaki Masakata, from 'The Lives of the Loyal Ronin', 1885 (colour litho)
Akagaki Masakata, from 'The Lives of the Loyal Ronin', 1885 (colour litho)

RUS494986: Akagaki Masakata, from 'The Lives of the Loyal Ronin', 1885 (colour litho), Japanese School, (19th century) / Bridgeman Images

ID: RUS494986

Akagaki Masakata, from 'The Lives of the Loyal Ronin', 1885 (colour litho)

Japanese School, (19th century)

The Monument of Vittorio Emanuele II in Piazza del Duomo in Milan
The Monument of Vittorio Emanuele II in Piazza del Duomo in Milan

FAF3563007: The Monument of Vittorio Emanuele II in Piazza del Duomo in Milan, Unknown photographer, (20th century) / Bridgeman Images

ID: FAF3563007

The Monument of Vittorio Emanuele II in Piazza del Duomo in Milan

Unknown photographer, (20th century)

Royal Armory, Interior of National Museum of Capodimonte, Naples, Italy
Royal Armory, Interior of National Museum of Capodimonte, Naples, Italy

TRK3551498: Royal Armory, Interior of National Museum of Capodimonte, Naples, Italy / Bridgeman Images

ID: TRK3551498

Royal Armory, Interior of National Museum of Capodimonte, Naples, Italy

Costumes of Count Ernst IV von Gleichen and his wives, 1889 (chromolithograph)
Costumes of Count Ernst IV von Gleichen and his wives, 1889 (chromolithograph)

FLO5912592: Costumes of Count Ernst IV von Gleichen and his wives, 1889 (chromolithograph) / Bridgeman Images

ID: FLO5912592

Costumes of Count Ernst IV von Gleichen and his wives, 1889 (chromolithograph)

Roman mythology: Mars, god of war, with his helmet and his symbolic epee - Eau forte by Jacques Louis Constant Lacerf, from an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Mars, Roman god of war, with helmet and sword - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: Mars, god of war, with his helmet and his symbolic epee - Eau forte by Jacques Louis Constant Lacerf, from an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Mars, Roman god of war, with helmet and sword - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4974655: Roman mythology: Mars, god of war, with his helmet and his symbolic epee - Eau forte by Jacques Louis Constant Lacerf, from an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Mars, Roman god of war, with helmet and sword - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

ID: FLO4974655

Roman mythology: Mars, god of war, with his helmet and his symbolic epee - Eau forte by Jacques Louis Constant Lacerf, from an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Mars, Roman god of war, with helmet and sword - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

Caledonians wear sleeveless clothing, which falls in the middle of the thighs, leaving their chest bare and tied by a belt, holding swelling and shield (14). The woman wears sleeveless clothing, slightly shorter than men's, leaving their breasts completely exposed. They were equipped as men (15). Images from Speed Clothing Collection. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Caledonians wear sleeveless clothing, which falls in the middle of the thighs, leaving their chest bare and tied by a belt, holding swelling and shield (14). The woman wears sleeveless clothing, slightly shorter than men's, leaving their breasts completely exposed. They were equipped as men (15). Images from Speed Clothing Collection. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708177: Caledonians wear sleeveless clothing, which falls in the middle of the thighs, leaving their chest bare and tied by a belt, holding swelling and shield (14). The woman wears sleeveless clothing, slightly shorter than men's, leaving their breasts completely exposed. They were equipped as men (15). Images from Speed Clothing Collection. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708177

Caledonians wear sleeveless clothing, which falls in the middle of the thighs, leaving their chest bare and tied by a belt, holding swelling and shield (14). The woman wears sleeveless clothing, slightly shorter than men's, leaving their breasts completely exposed. They were equipped as men (15). Images from Speed Clothing Collection. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Bavarian suit of jousting armour 1600. With mentoniere helmet with perforated door for ventilation, shoulder shield for tilting, pauldron, elbow plates, wide cuisses to accommodate the stuffed breeches of the period. In the possession of Llewelyn Meyrick. Helmet with beaver and trapdoor at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Bavarian suit of jousting armour 1600. With mentoniere helmet with perforated door for ventilation, shoulder shield for tilting, pauldron, elbow plates, wide cuisses to accommodate the stuffed breeches of the period. In the possession of Llewelyn Meyrick. Helmet with beaver and trapdoor at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678263: Bavarian suit of jousting armour 1600. With mentoniere helmet with perforated door for ventilation, shoulder shield for tilting, pauldron, elbow plates, wide cuisses to accommodate the stuffed breeches of the period. In the possession of Llewelyn Meyrick. Helmet with beaver and trapdoor at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678263

Bavarian suit of jousting armour 1600. With mentoniere helmet with perforated door for ventilation, shoulder shield for tilting, pauldron, elbow plates, wide cuisses to accommodate the stuffed breeches of the period. In the possession of Llewelyn Meyrick. Helmet with beaver and trapdoor at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Small Sword, c.1780 (forged steel blade; partially gilt & russet steel hilt; steel wire, leather bands, wood core)
Small Sword, c.1780 (forged steel blade; partially gilt & russet steel hilt; steel wire, leather bands, wood core)

XCL499852: Small Sword, c.1780 (forged steel blade; partially gilt & russet steel hilt; steel wire, leather bands, wood core) , French School, (18th century) / Bridgeman Images

ID: XCL499852

Small Sword, c.1780 (forged steel blade; partially gilt & russet steel hilt; steel wire, leather bands, wood core)

French School, (18th century)

The sword owned by Francis I of France, Charles V, Holy Roman Emperor, and Napoleon Bonaparte with motif representing Napoleon's campaign in Egypt (litho)
The sword owned by Francis I of France, Charles V, Holy Roman Emperor, and Napoleon Bonaparte with motif representing Napoleon's campaign in Egypt (litho)

CHT996619: The sword owned by Francis I of France, Charles V, Holy Roman Emperor, and Napoleon Bonaparte with motif representing Napoleon's campaign in Egypt (litho), French School, (19th century) / Bridgeman Images

ID: CHT996619

The sword owned by Francis I of France, Charles V, Holy Roman Emperor, and Napoleon Bonaparte with motif representing Napoleon's campaign in Egypt (litho)

French School, (19th century)

India: Mughal Royal Lineage - House of Timur, A prince holding a fly-whisk in one hand and a sword over his shoulder, c. 1640
India: Mughal Royal Lineage - House of Timur, A prince holding a fly-whisk in one hand and a sword over his shoulder, c. 1640

PFH1172974: India: Mughal Royal Lineage - House of Timur, A prince holding a fly-whisk in one hand and a sword over his shoulder, c. 1640 / Bridgeman Images

ID: PFH1172974

India: Mughal Royal Lineage - House of Timur, A prince holding a fly-whisk in one hand and a sword over his shoulder, c. 1640

Light Cavalry sword of Major-General Sir Henry Havelock, presented to Field Marshal Sir George White, VC, 1901 circa (metal)
Light Cavalry sword of Major-General Sir Henry Havelock, presented to Field Marshal Sir George White, VC, 1901 circa (metal)

NAM5925687: Light Cavalry sword of Major-General Sir Henry Havelock, presented to Field Marshal Sir George White, VC, 1901 circa (metal), Indian School, (20th century) / Bridgeman Images

ID: NAM5925687

Light Cavalry sword of Major-General Sir Henry Havelock, presented to Field Marshal Sir George White, VC, 1901 circa (metal)

Indian School, (20th century)

Knight’s badge, Order of the Tower and Sword, Portugal, Lieutenant-Colonel Sir John Scott Lillie, Grenadier Guards, 1814 circa (metal)
Knight’s badge, Order of the Tower and Sword, Portugal, Lieutenant-Colonel Sir John Scott Lillie, Grenadier Guards, 1814 circa (metal)

NAM5926430: Knight’s badge, Order of the Tower and Sword, Portugal, Lieutenant-Colonel Sir John Scott Lillie, Grenadier Guards, 1814 circa (metal), British School, (19th century) / Bridgeman Images

ID: NAM5926430

Knight’s badge, Order of the Tower and Sword, Portugal, Lieutenant-Colonel Sir John Scott Lillie, Grenadier Guards, 1814 circa (metal)

British School, (19th century)

Cover of “” The Men of the Day””, circa 1906 - Illustration by Aristide Delannoy (1874-1911): Sword, swords, Foreign Affairs - Delcasse Theophile (1852-1923)
Cover of “” The Men of the Day””, circa 1906 - Illustration by Aristide Delannoy (1874-1911): Sword, swords, Foreign Affairs - Delcasse Theophile (1852-1923)

ICA4933285: Cover of “” The Men of the Day””, circa 1906 - Illustration by Aristide Delannoy (1874-1911): Sword, swords, Foreign Affairs - Delcasse Theophile (1852-1923), Delannoy, Aristide (1874-1911) / Bridgeman Images

ID: ICA4933285

Cover of “” The Men of the Day””, circa 1906 - Illustration by Aristide Delannoy (1874-1911): Sword, swords, Foreign Affairs - Delcasse Theophile (1852-1923)

Delannoy, Aristide (1874-1911)

Miss Wendy performs her balancing act with a pigeon perched on the end of a sword during rehearsals for the Belle Vue Manchester circus. December 1969
Miss Wendy performs her balancing act with a pigeon perched on the end of a sword during rehearsals for the Belle Vue Manchester circus. December 1969

MPX5091437: Miss Wendy performs her balancing act with a pigeon perched on the end of a sword during rehearsals for the Belle Vue Manchester circus. December 1969 / Bridgeman Images

ID: MPX5091437

Miss Wendy performs her balancing act with a pigeon perched on the end of a sword during rehearsals for the Belle Vue Manchester circus. December 1969

Civil War Regalia of Major Levi Gheen McCauley, 1887 (oil on canvas)
Civil War Regalia of Major Levi Gheen McCauley, 1887 (oil on canvas)

XCC2969131: Civil War Regalia of Major Levi Gheen McCauley, 1887 (oil on canvas), Cope, George (1855-1929) / Bridgeman Images

ID: XCC2969131

Civil War Regalia of Major Levi Gheen McCauley, 1887 (oil on canvas)

Cope, George (1855-1929)

Imperial Regalia of the Holy Roman Emperors: Crown (late 10th century), Orb (late 12th century), Sceptre (early 14th century), Sword (1198-1218) and Coronation Robe (1133), (gold and metal)
Imperial Regalia of the Holy Roman Emperors: Crown (late 10th century), Orb (late 12th century), Sceptre (early 14th century), Sword (1198-1218) and Coronation Robe (1133), (gold and metal)

XAM69402: Imperial Regalia of the Holy Roman Emperors: Crown (late 10th century), Orb (late 12th century), Sceptre (early 14th century), Sword (1198-1218) and Coronation Robe (1133), (gold and metal) / Bridgeman Images

ID: XAM69402

Imperial Regalia of the Holy Roman Emperors: Crown (late 10th century), Orb (late 12th century), Sceptre (early 14th century), Sword (1198-1218) and Coronation Robe (1133), (gold and metal)

Marquis of La Fayette (1757-1834). Colored engraving.
Marquis of La Fayette (1757-1834). Colored engraving.

TRK1031321: Marquis of La Fayette (1757-1834). Colored engraving. / Bridgeman Images

ID: TRK1031321

Marquis of La Fayette (1757-1834). Colored engraving.

George Washington, by Francesco Cecchi, c.1847 (plaster)
George Washington, by Francesco Cecchi, c.1847 (plaster)

ATH3060722: George Washington, by Francesco Cecchi, c.1847 (plaster), Houdon, Jean-Antoine (1741-1828) (after) / Bridgeman Images

ID: ATH3060722

George Washington, by Francesco Cecchi, c.1847 (plaster)

Houdon, Jean-Antoine (1741-1828) (after)

Philip II Augustus (chromolitho)
Philip II Augustus (chromolitho)

LLM667085: Philip II Augustus (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM667085

Philip II Augustus (chromolitho)

French School, (19th century)

Portrait of Sir Joseph Wilson Swan (b/w photo)
Portrait of Sir Joseph Wilson Swan (b/w photo)

TW3661064: Portrait of Sir Joseph Wilson Swan (b/w photo) / Bridgeman Images

ID: TW3661064

Portrait of Sir Joseph Wilson Swan (b/w photo)

Don Quixote, 1956 (gouache & ink on paper)
Don Quixote, 1956 (gouache & ink on paper)

IMJ256775: Don Quixote, 1956 (gouache & ink on paper), Tumarkin, Igael (b.1933) / Bridgeman Images

ID: IMJ256775

Don Quixote, 1956 (gouache & ink on paper)

Tumarkin, Igael (b.1933)

Portrait of John Clementson, c.1792 (oil on canvas)
Portrait of John Clementson, c.1792 (oil on canvas)

GNS941809: Portrait of John Clementson, c.1792 (oil on canvas), Dupont, Gainsborough (1754-97) / Bridgeman Images

ID: GNS941809

Portrait of John Clementson, c.1792 (oil on canvas)

Dupont, Gainsborough (1754-97)

Renaud in the arms of Armide, 1730-39 (oil on canvas)
Renaud in the arms of Armide, 1730-39 (oil on canvas)

XIR390310: Renaud in the arms of Armide, 1730-39 (oil on canvas), Loo, Jean-Baptiste van (1684-1745) / Bridgeman Images

ID: XIR390310

Renaud in the arms of Armide, 1730-39 (oil on canvas)

Loo, Jean-Baptiste van (1684-1745)

Louis throws himself overboard (colour litho)
Louis throws himself overboard (colour litho)

STC386245: Louis throws himself overboard (colour litho), Luard, Lowes Dalbiac (1872 -1940) / Bridgeman Images

ID: STC386245

Louis throws himself overboard (colour litho)

Luard, Lowes Dalbiac (1872 -1940)

Sirdar Lehna Singh (Majithia), from 'The Kingdom of the Punjab, its Rulers and Chiefs, volume II', a volume of 30 watercolour studies by an unidentified Indian artist, c.1840 (w/c on paper)
Sirdar Lehna Singh (Majithia), from 'The Kingdom of the Punjab, its Rulers and Chiefs, volume II', a volume of 30 watercolour studies by an unidentified Indian artist, c.1840 (w/c on paper)

NAM310635: Sirdar Lehna Singh (Majithia), from 'The Kingdom of the Punjab, its Rulers and Chiefs, volume II', a volume of 30 watercolour studies by an unidentified Indian artist, c.1840 (w/c on paper), Indian School, (19th century) / Bridgeman Images

ID: NAM310635

Sirdar Lehna Singh (Majithia), from 'The Kingdom of the Punjab, its Rulers and Chiefs, volume II', a volume of 30 watercolour studies by an unidentified Indian artist, c.1840 (w/c on paper)

Indian School, (19th century)

Two peers in their robes and a Halberdier in the Elizabethan era (coloured engraving)
Two peers in their robes and a Halberdier in the Elizabethan era (coloured engraving)

LLJ606330: Two peers in their robes and a Halberdier in the Elizabethan era (coloured engraving), English School, (19th century) / Bridgeman Images

ID: LLJ606330

Two peers in their robes and a Halberdier in the Elizabethan era (coloured engraving)

English School, (19th century)

'The Auld Alliance', France and Scotland, 1915 (colour litho)
'The Auld Alliance', France and Scotland, 1915 (colour litho)

KDC473605: 'The Auld Alliance', France and Scotland, 1915 (colour litho), English School, (20th century) / Bridgeman Images

ID: KDC473605

'The Auld Alliance', France and Scotland, 1915 (colour litho)

English School, (20th century)

Venice as Justice with two lions, relief sculpture in a tondo on the west facade of the Ducal Palace, Venice (photo)
Venice as Justice with two lions, relief sculpture in a tondo on the west facade of the Ducal Palace, Venice (photo)

SQ870049: Venice as Justice with two lions, relief sculpture in a tondo on the west facade of the Ducal Palace, Venice (photo) / Bridgeman Images

ID: SQ870049

Venice as Justice with two lions, relief sculpture in a tondo on the west facade of the Ducal Palace, Venice (photo)

Afghan Soldier, c.1840-50 (coloured engraving)
Afghan Soldier, c.1840-50 (coloured engraving)

CHT165180: Afghan Soldier, c.1840-50 (coloured engraving), French School, (19th century) / Bridgeman Images

ID: CHT165180

Afghan Soldier, c.1840-50 (coloured engraving)

French School, (19th century)

George II at Dettingen, illustration from 'Hutchinson's Story of the British Nation' (litho)
George II at Dettingen, illustration from 'Hutchinson's Story of the British Nation' (litho)

IL370611: George II at Dettingen, illustration from 'Hutchinson's Story of the British Nation' (litho), Hillingford, Robert Alexander (1825-1904) (after) / Bridgeman Images

ID: IL370611

George II at Dettingen, illustration from 'Hutchinson's Story of the British Nation' (litho)

Hillingford, Robert Alexander (1825-1904) (after)

Embroidered Band, c.1550-1650 (cotton plain weave with silk embroidery in brick & chain stitches)
Embroidered Band, c.1550-1650 (cotton plain weave with silk embroidery in brick & chain stitches)

PHL434432: Embroidered Band, c.1550-1650 (cotton plain weave with silk embroidery in brick & chain stitches), Asian School / Bridgeman Images

ID: PHL434432

Embroidered Band, c.1550-1650 (cotton plain weave with silk embroidery in brick & chain stitches)

Asian School

Fil Au Pompier (chromolitho)
Fil Au Pompier (chromolitho)

LLL732735: Fil Au Pompier (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLL732735

Fil Au Pompier (chromolitho)

French School, (19th century)

Statue of a Assyrian King Shalmaneser III (858-824 BC).
Statue of a Assyrian King Shalmaneser III (858-824 BC).

TRK1152488: Statue of a Assyrian King Shalmaneser III (858-824 BC). / Bridgeman Images

ID: TRK1152488

Statue of a Assyrian King Shalmaneser III (858-824 BC).

Grand Assault at Arms at the Albert Hall (engraving)
Grand Assault at Arms at the Albert Hall (engraving)

LIP1616321: Grand Assault at Arms at the Albert Hall (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1616321

Grand Assault at Arms at the Albert Hall (engraving)

English School, (19th century)


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