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13737 Search Results for sword

Major General John Sullivan, 1776 (hand-coloured mezzotint)
Major General John Sullivan, 1776 (hand-coloured mezzotint)

GLC479174: Major General John Sullivan, 1776 (hand-coloured mezzotint), English School, (18th century) / Bridgeman Images

ID: GLC479174

Major General John Sullivan, 1776 (hand-coloured mezzotint)

English School, (18th century)

Akasini, King of Assinie, 1780 (coloured engraving)
Akasini, King of Assinie, 1780 (coloured engraving)

STC468730: Akasini, King of Assinie, 1780 (coloured engraving), Duflos, Pierre (1742-1816) / Bridgeman Images

ID: STC468730

Akasini, King of Assinie, 1780 (coloured engraving)

Duflos, Pierre (1742-1816)

Portrait of Philippus aureolus paracelsus (in fr. Paracelse, c.1493-1541), c.1550 (watercolour and ink on paper)
Portrait of Philippus aureolus paracelsus (in fr. Paracelse, c.1493-1541), c.1550 (watercolour and ink on paper)

FIA5402771: Portrait of Philippus aureolus paracelsus (in fr. Paracelse, c.1493-1541), c.1550 (watercolour and ink on paper), Anonymous / Bridgeman Images

ID: FIA5402771

Portrait of Philippus aureolus paracelsus (in fr. Paracelse, c.1493-1541), c.1550 (watercolour and ink on paper)

Anonymous

Statue of Emmanueli Filiberto III, Turin, Italy
Statue of Emmanueli Filiberto III, Turin, Italy

GNG5283534: Statue of Emmanueli Filiberto III, Turin, Italy / Bridgeman Images

ID: GNG5283534

Statue of Emmanueli Filiberto III, Turin, Italy

L'archange saint Michel (engraving)
L'archange saint Michel (engraving)

LLM3625720: L'archange saint Michel (engraving), French School, (19th century) / Bridgeman Images

ID: LLM3625720

L'archange saint Michel (engraving)

French School, (19th century)

Parade for a tournament, c.1640 (pen and ink, watercolour and washes)
Parade for a tournament, c.1640 (pen and ink, watercolour and washes)

XOS3493031: Parade for a tournament, c.1640 (pen and ink, watercolour and washes), German School, (17th century) / Bridgeman Images

ID: XOS3493031

Parade for a tournament, c.1640 (pen and ink, watercolour and washes)

German School, (17th century)

Roman ring stone in modern setting (carnelian set in gold)
Roman ring stone in modern setting (carnelian set in gold)

CH3510184: Roman ring stone in modern setting (carnelian set in gold), Roman, (1st century AD) / Bridgeman Images

ID: CH3510184

Roman ring stone in modern setting (carnelian set in gold)

Roman, (1st century AD)

Shani, Planet, Miniature Painting on Paper
Shani, Planet, Miniature Painting on Paper

DND3609782: Shani, Planet, Miniature Painting on Paper, Indian School / Bridgeman Images

ID: DND3609782

Shani, Planet, Miniature Painting on Paper

Indian School

Statue of King John by Alan Beattie Herriot, Kings Lynn, Norfolk, 2016 (photo)
Statue of King John by Alan Beattie Herriot, Kings Lynn, Norfolk, 2016 (photo)

HGP3106472: Statue of King John by Alan Beattie Herriot, Kings Lynn, Norfolk, 2016 (photo) / Bridgeman Images

ID: HGP3106472

Statue of King John by Alan Beattie Herriot, Kings Lynn, Norfolk, 2016 (photo)

Letters W and X:
Letters W and X:

DUV4205876: Letters W and X: "Valkyries; Sherry", in Alphabet francais, 1887 (engraving), Beuzon, Joseph Charles (fl.1892) (after) / Bridgeman Images

ID: DUV4205876

Letters W and X: "Valkyries; Sherry", in Alphabet francais, 1887 (engraving)

Beuzon, Joseph Charles (fl.1892) (after)

The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore -
The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore -

PCT4297748: The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore - / Bridgeman Images

ID: PCT4297748

The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he

Philip IV in Parade Armor, c.1628 (oil on canvas)
Philip IV in Parade Armor, c.1628 (oil on canvas)

XOS5667137: Philip IV in Parade Armor, c.1628 (oil on canvas), Crayer, Gaspar de (1584-1669) / Bridgeman Images

ID: XOS5667137

Philip IV in Parade Armor, c.1628 (oil on canvas)

Crayer, Gaspar de (1584-1669)

Humorous shop sign of a photographer announcing the new invention of photography, early 20th century (litho)
Humorous shop sign of a photographer announcing the new invention of photography, early 20th century (litho)

CHT430413: Humorous shop sign of a photographer announcing the new invention of photography, early 20th century (litho), Chinese School / Bridgeman Images

ID: CHT430413

Humorous shop sign of a photographer announcing the new invention of photography, early 20th century (litho)

Chinese School

General of the Division, Commander of the Legion of Honour (coloured engraving)
General of the Division, Commander of the Legion of Honour (coloured engraving)

CHT163176: General of the Division, Commander of the Legion of Honour (coloured engraving), French School, (18th century) / Bridgeman Images

ID: CHT163176

General of the Division, Commander of the Legion of Honour (coloured engraving)

French School, (18th century)

Uniform of Officer & Private of the 52nd Regt. Of Light Infantry, engraved by Joseph Constantine Stadler (fl.1780-1812), 1812-15 (hand-coloured aquatint)
Uniform of Officer & Private of the 52nd Regt. Of Light Infantry, engraved by Joseph Constantine Stadler (fl.1780-1812), 1812-15 (hand-coloured aquatint)

STC810308: Uniform of Officer & Private of the 52nd Regt. Of Light Infantry, engraved by Joseph Constantine Stadler (fl.1780-1812), 1812-15 (hand-coloured aquatint), Smith, Charles Hamilton (1776-1859) (after) / Bridgeman Images

ID: STC810308

Uniform of Officer & Private of the 52nd Regt. Of Light Infantry, engraved by Joseph Constantine Stadler (fl.1780-1812), 1812-15 (hand-coloured aquatint)

Smith, Charles Hamilton (1776-1859) (after)

Soldat de l'infanterie apuye sur un arbre - Barthel Beham (German, 1502 - 1540), Foot-Soldier in Front of a Tree, 1520, engraving
Soldat de l'infanterie apuye sur un arbre - Barthel Beham (German, 1502 - 1540), Foot-Soldier in Front of a Tree, 1520, engraving

LZT5495099: Soldat de l'infanterie apuye sur un arbre - Barthel Beham (German, 1502 - 1540), Foot-Soldier in Front of a Tree, 1520, engraving / Bridgeman Images

ID: LZT5495099

Soldat de l'infanterie apuye sur un arbre - Barthel Beham (German, 1502 - 1540), Foot-Soldier in Front of a Tree, 1520, engraving

Kanadehon Chushingura. 12th Act (Junidanme), 19th century (woodblock print on paper)
Kanadehon Chushingura. 12th Act (Junidanme), 19th century (woodblock print on paper)

MAI6404849: Kanadehon Chushingura. 12th Act (Junidanme), 19th century (woodblock print on paper), Shigenobu, Yanagawa (1787-1832) / Bridgeman Images

ID: MAI6404849

Kanadehon Chushingura. 12th Act (Junidanme), 19th century (woodblock print on paper)

Shigenobu, Yanagawa (1787-1832)

Tristan sets forth for Ireland, from 'Tristan and Isolde', 1973 (gouache on paper)
Tristan sets forth for Ireland, from 'Tristan and Isolde', 1973 (gouache on paper)

LAL288581: Tristan sets forth for Ireland, from 'Tristan and Isolde', 1973 (gouache on paper), Embleton, Ron (1930-88) / Bridgeman Images

ID: LAL288581

Tristan sets forth for Ireland, from 'Tristan and Isolde', 1973 (gouache on paper)

Embleton, Ron (1930-88)

General Lafayette Baker (litho)
General Lafayette Baker (litho)

PNP270102: General Lafayette Baker (litho), American Photographer, (19th century) / Bridgeman Images

ID: PNP270102

General Lafayette Baker (litho)

American Photographer, (19th century)

Tomimori Masakata, from 'The Lives of the Loyal Ronin', 1885 (colour litho)
Tomimori Masakata, from 'The Lives of the Loyal Ronin', 1885 (colour litho)

RUS495013: Tomimori Masakata, from 'The Lives of the Loyal Ronin', 1885 (colour litho), Japanese School, (19th century) / Bridgeman Images

ID: RUS495013

Tomimori Masakata, from 'The Lives of the Loyal Ronin', 1885 (colour litho)

Japanese School, (19th century)

Portrait of a twenty–two–year–old Japanese man named Sudo Tokiichirō, a samurai and officer (performing the function of secretary) on the 1864 Ikeda mission to France, 1864 (albumen print)
Portrait of a twenty–two–year–old Japanese man named Sudo Tokiichirō, a samurai and officer (performing the function of secretary) on the 1864 Ikeda mission to France, 1864 (albumen print)

PRM479218: Portrait of a twenty–two–year–old Japanese man named Sudo Tokiichirō, a samurai and officer (performing the function of secretary) on the 1864 Ikeda mission to France, 1864 (albumen print) , Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479218

Portrait of a twenty–two–year–old Japanese man named Sudo Tokiichirō, a samurai and officer (performing the function of secretary) on the 1864 Ikeda mission to France, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Kataoka Takafusa, from 'The Lives of the Loyal Ronin', 1885 (colour litho)
Kataoka Takafusa, from 'The Lives of the Loyal Ronin', 1885 (colour litho)

RUS494996: Kataoka Takafusa, from 'The Lives of the Loyal Ronin', 1885 (colour litho), Japanese School, (19th century) / Bridgeman Images

ID: RUS494996

Kataoka Takafusa, from 'The Lives of the Loyal Ronin', 1885 (colour litho)

Japanese School, (19th century)

Portrait of a twenty–three–year–old Japanese man named Seki Shinpachi, a samurai and officer on the 1864 Ikeda mission to France, employed as an interpreter of English, 1864 (albumen print)
Portrait of a twenty–three–year–old Japanese man named Seki Shinpachi, a samurai and officer on the 1864 Ikeda mission to France, employed as an interpreter of English, 1864 (albumen print)

PRM479232: Portrait of a twenty–three–year–old Japanese man named Seki Shinpachi, a samurai and officer on the 1864 Ikeda mission to France, employed as an interpreter of English, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479232

Portrait of a twenty–three–year–old Japanese man named Seki Shinpachi, a samurai and officer on the 1864 Ikeda mission to France, employed as an interpreter of English, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Portrait of a seventeen–year–old Japanese youth named Okkotsu Wataru, a samurai and member of the 1864 Ikeda mission to France, employed as the officers' hairdresser, 1864 (albumen print)
Portrait of a seventeen–year–old Japanese youth named Okkotsu Wataru, a samurai and member of the 1864 Ikeda mission to France, employed as the officers' hairdresser, 1864 (albumen print)

PRM479256: Portrait of a seventeen–year–old Japanese youth named Okkotsu Wataru, a samurai and member of the 1864 Ikeda mission to France, employed as the officers' hairdresser, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479256

Portrait of a seventeen–year–old Japanese youth named Okkotsu Wataru, a samurai and member of the 1864 Ikeda mission to France, employed as the officers' hairdresser, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Polyptych with Saints (St John the Evangelist, St Romuald, St Paul and Mary), 1298 - 1331 (painting on wooden board)
Polyptych with Saints (St John the Evangelist, St Romuald, St Paul and Mary), 1298 - 1331 (painting on wooden board)

MEB856379: Polyptych with Saints (St John the Evangelist, St Romuald, St Paul and Mary), 1298 - 1331 (painting on wooden board), Segna di Bonaventura (c.1298-c.1331) / Bridgeman Images

ID: MEB856379

Polyptych with Saints (St John the Evangelist, St Romuald, St Paul and Mary), 1298 - 1331 (painting on wooden board)

Segna di Bonaventura (c.1298-c.1331)

Mounted warrior in Ottoman dress, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
Mounted warrior in Ottoman dress, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948371: Mounted warrior in Ottoman dress, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948371

Mounted warrior in Ottoman dress, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Polidor Pauquet after Jacques Callot from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Polidor Pauquet after Jacques Callot from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686009: Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Polidor Pauquet after Jacques Callot from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history., Callot, Jacques (1592-1635) / Bridgeman Images

ID: FLO4686009

Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Polidor Pauquet after Jacques Callot from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Callot, Jacques (1592-1635)

Military degradation on Place Vendome, the criminals of the armed forces, the spoils of their regiment badges and forced to vetir themselves like forcats in brown hooded coats - Eau forte after an illustration by Victor Auver, extracted from Un tour through Paris, published by William Sams, 1925 -
Military degradation on Place Vendome, the criminals of the armed forces, the spoils of their regiment badges and forced to vetir themselves like forcats in brown hooded coats - Eau forte after an illustration by Victor Auver, extracted from Un tour through Paris, published by William Sams, 1925 -

FLO4718499: Military degradation on Place Vendome, the criminals of the armed forces, the spoils of their regiment badges and forced to vetir themselves like forcats in brown hooded coats - Eau forte after an illustration by Victor Auver, extracted from Un tour through Paris, published by William Sams, 1925 - / Bridgeman Images

ID: FLO4718499

Military degradation on Place Vendome, the criminals of the armed forces, the spoils of their regiment badges and forced to vetir themselves like forcats in brown hooded coats - Eau forte after an illustration by Victor Auver, extracted from Un tour through Paris, published by William Sams, 1925 -

Traditional Rajasthani man sitting crosslegged on ground smoking hookah next to filters for preparing opium drink, sheathed curved sword/sabre across his lap, Mehrangarh Fort, Jodhpur, Rajasthan, India (photo)
Traditional Rajasthani man sitting crosslegged on ground smoking hookah next to filters for preparing opium drink, sheathed curved sword/sabre across his lap, Mehrangarh Fort, Jodhpur, Rajasthan, India (photo)

POV1077028: Traditional Rajasthani man sitting crosslegged on ground smoking hookah next to filters for preparing opium drink, sheathed curved sword/sabre across his lap, Mehrangarh Fort, Jodhpur, Rajasthan, India (photo), . / Bridgeman Images

ID: POV1077028

Traditional Rajasthani man sitting crosslegged on ground smoking hookah next to filters for preparing opium drink, sheathed curved sword/sabre across his lap, Mehrangarh Fort, Jodhpur, Rajasthan, India (photo)

Risaldar-Major in Full Dress of the Scinde Horse, Indian Army, 1938 (colour litho)
Risaldar-Major in Full Dress of the Scinde Horse, Indian Army, 1938 (colour litho)

KDC469435: Risaldar-Major in Full Dress of the Scinde Horse, Indian Army, 1938 (colour litho), . / Bridgeman Images

ID: KDC469435

Risaldar-Major in Full Dress of the Scinde Horse, Indian Army, 1938 (colour litho)

Carmen, 1945 (film still)
Carmen, 1945 (film still)

XRD1737262: Carmen, 1945 (film still), . / Bridgeman Images

ID: XRD1737262

Carmen, 1945 (film still)

….this is a Sorry Sight! Pub. 1786 (hand coloured engraving)
….this is a Sorry Sight! Pub. 1786 (hand coloured engraving)

STC3025945: ….this is a Sorry Sight! Pub. 1786 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: STC3025945

….this is a Sorry Sight! Pub. 1786 (hand coloured engraving)

Gillray, James (1757-1815)

On Guard
On Guard

VRM1958678: On Guard, . / Bridgeman Images

ID: VRM1958678

On Guard

Weapons and costumes of the barbarian era - in “” The historical costume”” by Racinet, 19th century
Weapons and costumes of the barbarian era - in “” The historical costume”” by Racinet, 19th century

LSE4105345: Weapons and costumes of the barbarian era - in “” The historical costume”” by Racinet, 19th century, French School, (19th century) / Bridgeman Images

ID: LSE4105345

Weapons and costumes of the barbarian era - in “” The historical costume”” by Racinet, 19th century

French School, (19th century)

Russian Hand-drawn Postcard depicting a Mythical Warrior Fighting Against a Dragon, 1910s (postcard)
Russian Hand-drawn Postcard depicting a Mythical Warrior Fighting Against a Dragon, 1910s (postcard)

RPP3611326: Russian Hand-drawn Postcard depicting a Mythical Warrior Fighting Against a Dragon, 1910s (postcard), Zlotknikov, Luka Timofeevich (1878-1918) / Bridgeman Images

ID: RPP3611326

Russian Hand-drawn Postcard depicting a Mythical Warrior Fighting Against a Dragon, 1910s (postcard)

Zlotknikov, Luka Timofeevich (1878-1918)

Allegory of Justice and Saint Mark - Characters of the carved wood stalls by Dominique Bertin of Toulouse (16th century) - Cathedrale Sainte Marie d'Auch (Gers) (15th-17th century)
Allegory of Justice and Saint Mark - Characters of the carved wood stalls by Dominique Bertin of Toulouse (16th century) - Cathedrale Sainte Marie d'Auch (Gers) (15th-17th century)

JEB4938813: Allegory of Justice and Saint Mark - Characters of the carved wood stalls by Dominique Bertin of Toulouse (16th century) - Cathedrale Sainte Marie d'Auch (Gers) (15th-17th century) / Bridgeman Images

ID: JEB4938813

Allegory of Justice and Saint Mark - Characters of the carved wood stalls by Dominique Bertin of Toulouse (16th century) - Cathedrale Sainte Marie d'Auch (Gers) (15th-17th century)


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