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13716 Search Results for sword

David cuts off head of Goliath by J James Tissot - Bible
David cuts off head of Goliath by J James Tissot - Bible

XLF3783450: David cuts off head of Goliath by J James Tissot - Bible, Tissot, James Jacques Joseph (1836-1902) (after) / Bridgeman Images

ID: XLF3783450

David cuts off head of Goliath by J James Tissot - Bible

Tissot, James Jacques Joseph (1836-1902) (after)

Knights of the Knights of the Knights of the Knights of the Crusades. Middle Ages. Old engraving, colour setting.
Knights of the Knights of the Knights of the Knights of the Crusades. Middle Ages. Old engraving, colour setting.

NWI4957616: Knights of the Knights of the Knights of the Knights of the Crusades. Middle Ages. Old engraving, colour setting. / Bridgeman Images

ID: NWI4957616

Knights of the Knights of the Knights of the Knights of the Crusades. Middle Ages. Old engraving, colour setting.

Sam Houston (1793-1863) (gouache on paper)
Sam Houston (1793-1863) (gouache on paper)

LAL264568: Sam Houston (1793-1863) (gouache on paper), McBride, Angus (1931-2007) / Bridgeman Images

ID: LAL264568

Sam Houston (1793-1863) (gouache on paper)

McBride, Angus (1931-2007)

Samurai (Harada Kiichi), Nagasaki, Japan, c.1870 (albumen print)
Samurai (Harada Kiichi), Nagasaki, Japan, c.1870 (albumen print)

HST862265: Samurai (Harada Kiichi), Nagasaki, Japan, c.1870 (albumen print), Hikoma, Ueno (1838–1904) / Bridgeman Images

ID: HST862265

Samurai (Harada Kiichi), Nagasaki, Japan, c.1870 (albumen print)

Hikoma, Ueno (1838–1904)

Equestrian portrait of Henry IV (1553-1610), 17th century (oil on canvas)
Equestrian portrait of Henry IV (1553-1610), 17th century (oil on canvas)

JLJ4621778: Equestrian portrait of Henry IV (1553-1610), 17th century (oil on canvas), French School, (17th century) / Bridgeman Images

ID: JLJ4621778

Equestrian portrait of Henry IV (1553-1610), 17th century (oil on canvas)

French School, (17th century)

St. Louis (1214-70) leaving Aigues-Mortes, illustration from 'Histoire des Croisades' by Joseph Michaud (1767-1839) engraved by Paul Jonnard-Pacel (d.1902) 1877 (engraving) (b/w photo)
St. Louis (1214-70) leaving Aigues-Mortes, illustration from 'Histoire des Croisades' by Joseph Michaud (1767-1839) engraved by Paul Jonnard-Pacel (d.1902) 1877 (engraving) (b/w photo)

XIR224408: St. Louis (1214-70) leaving Aigues-Mortes, illustration from 'Histoire des Croisades' by Joseph Michaud (1767-1839) engraved by Paul Jonnard-Pacel (d.1902) 1877 (engraving) (b/w photo), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: XIR224408

St. Louis (1214-70) leaving Aigues-Mortes, illustration from 'Histoire des Croisades' by Joseph Michaud (1767-1839) engraved by Paul Jonnard-Pacel (d.1902) 1877 (engraving) (b/w photo)

Dore, Gustave (1832-83) (after)

Jason, or Jason and Medea, 1865
Jason, or Jason and Medea, 1865

PWI83712: Jason, or Jason and Medea, 1865, Moreau, Gustave (1826-98) / Bridgeman Images

ID: PWI83712

Jason, or Jason and Medea, 1865

Moreau, Gustave (1826-98)

Advancement of the Marchand Mission into the Virgin Rain Forest, 1898 (colour litho)
Advancement of the Marchand Mission into the Virgin Rain Forest, 1898 (colour litho)

CHT192942: Advancement of the Marchand Mission into the Virgin Rain Forest, 1898 (colour litho), French School, (19th century) / Bridgeman Images

ID: CHT192942

Advancement of the Marchand Mission into the Virgin Rain Forest, 1898 (colour litho)

French School, (19th century)

Scapin's Furries. Moliere's theatre piece, act 2, scene 9. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” Illustration of Staal engraved by Delannoy for a Garnier edition (late 19th century) of Moliere's complete works.
Scapin's Furries. Moliere's theatre piece, act 2, scene 9. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” Illustration of Staal engraved by Delannoy for a Garnier edition (late 19th century) of Moliere's complete works.

PCT4273559: Scapin's Furries. Moliere's theatre piece, act 2, scene 9. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” Illustration of Staal engraved by Delannoy for a Garnier edition (late 19th century) of Moliere's complete works. / Bridgeman Images

ID: PCT4273559

Scapin's Furries. Moliere's theatre piece, act 2, scene 9. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” Illustration of Staal engraved by Delannoy for a Garnier edition (late 19th century) of Moliere's complete works.

Ms 62 f.132v Winged figure in a treetop with book pierced by a sword, from the 'Hours of the Holy Spirit' by Guillaume de Deguilleville’s 1350, 1417 (ink & gold leaf on parchment)
Ms 62 f.132v Winged figure in a treetop with book pierced by a sword, from the 'Hours of the Holy Spirit' by Guillaume de Deguilleville’s 1350, 1417 (ink & gold leaf on parchment)

FIT997113: Ms 62 f.132v Winged figure in a treetop with book pierced by a sword, from the 'Hours of the Holy Spirit' by Guillaume de Deguilleville’s 1350, 1417 (ink & gold leaf on parchment), Master of the Rohan Hours, (fl.1420-30) / Bridgeman Images

ID: FIT997113

Ms 62 f.132v Winged figure in a treetop with book pierced by a sword, from the 'Hours of the Holy Spirit' by Guillaume de Deguilleville’s 1350, 1417 (ink & gold leaf on parchment)

Master of the Rohan Hours, (fl.1420-30)

Carved rock: stylized representations of warriors, detail depicting the Great Warrior with a swords and a shield.
Carved rock: stylized representations of warriors, detail depicting the Great Warrior with a swords and a shield.

LRI4633035: Carved rock: stylized representations of warriors, detail depicting the Great Warrior with a swords and a shield., Prehistoric / Bridgeman Images

ID: LRI4633035

Carved rock: stylized representations of warriors, detail depicting the Great Warrior with a swords and a shield.

Prehistoric

Colin Campbell leading the forlorn hope at San Sebastian, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (colour litho)
Colin Campbell leading the forlorn hope at San Sebastian, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (colour litho)

STC400573: Colin Campbell leading the forlorn hope at San Sebastian, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (colour litho), Wollen, William Barnes (1857-1936) (after) / Bridgeman Images

ID: STC400573

Colin Campbell leading the forlorn hope at San Sebastian, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (colour litho)

Wollen, William Barnes (1857-1936) (after)

Cuchulain comes at last to his death, illustration from 'Cuchulain, The Hound of Ulster', by Eleanor Hull (1860-1935), 1904 (colour litho)
Cuchulain comes at last to his death, illustration from 'Cuchulain, The Hound of Ulster', by Eleanor Hull (1860-1935), 1904 (colour litho)

STC323924: Cuchulain comes at last to his death, illustration from 'Cuchulain, The Hound of Ulster', by Eleanor Hull (1860-1935), 1904 (colour litho), Reid, Stephen (1873-1948) / Bridgeman Images

ID: STC323924

Cuchulain comes at last to his death, illustration from 'Cuchulain, The Hound of Ulster', by Eleanor Hull (1860-1935), 1904 (colour litho)

Reid, Stephen (1873-1948)

Danjuro VII as Taira Kagekiyo, 1825 (woodblock print)
Danjuro VII as Taira Kagekiyo, 1825 (woodblock print)

MAM713261: Danjuro VII as Taira Kagekiyo, 1825 (woodblock print), Kunimasa II, Utagawa (fl.1823) / Bridgeman Images

ID: MAM713261

Danjuro VII as Taira Kagekiyo, 1825 (woodblock print)

Kunimasa II, Utagawa (fl.1823)

Andromeda Chained to the Rock, 1874 (oil on canvas)
Andromeda Chained to the Rock, 1874 (oil on canvas)

DAH237587: Andromeda Chained to the Rock, 1874 (oil on canvas), Picou, Henri Pierre (1824-95) / Bridgeman Images

ID: DAH237587

Andromeda Chained to the Rock, 1874 (oil on canvas)

Picou, Henri Pierre (1824-95)

Bill Millin, best remembered for playing the pipes while under fire during the D-Day landing, Sword Beach, Normandy, France, June, 1944 (b/w photo)
Bill Millin, best remembered for playing the pipes while under fire during the D-Day landing, Sword Beach, Normandy, France, June, 1944 (b/w photo)

GBW931254: Bill Millin, best remembered for playing the pipes while under fire during the D-Day landing, Sword Beach, Normandy, France, June, 1944 (b/w photo), American Photographer, (20th century) / Bridgeman Images

ID: GBW931254

Bill Millin, best remembered for playing the pipes while under fire during the D-Day landing, Sword Beach, Normandy, France, June, 1944 (b/w photo)

American Photographer, (20th century)

184 Fr.110 f.405 Galahad comes to Arthur and Galahad draws the sword from the floating stone in the river at Camelot, c.1250-80 (vellum) (see also 150479)
184 Fr.110 f.405 Galahad comes to Arthur and Galahad draws the sword from the floating stone in the river at Camelot, c.1250-80 (vellum) (see also 150479)

XZL151821: 184 Fr.110 f.405 Galahad comes to Arthur and Galahad draws the sword from the floating stone in the river at Camelot, c.1250-80 (vellum) (see also 150479), French School, (13th century) / Bridgeman Images

ID: XZL151821

184 Fr.110 f.405 Galahad comes to Arthur and Galahad draws the sword from the floating stone in the river at Camelot, c.1250-80 (vellum) (see also 150479)

French School, (13th century)

Allegory of Death: In Ictu Oculi (oil on canvas)
Allegory of Death: In Ictu Oculi (oil on canvas)

XIR61741: Allegory of Death: In Ictu Oculi (oil on canvas), Valdes Leal, Juan de (1622-90) / Bridgeman Images

ID: XIR61741

Allegory of Death: In Ictu Oculi (oil on canvas)

Valdes Leal, Juan de (1622-90)

The Annunciation, with Saints Bartholomew and Peter, two wings from an altarpiece (oil on panel)
The Annunciation, with Saints Bartholomew and Peter, two wings from an altarpiece (oil on panel)

CH2655337: The Annunciation, with Saints Bartholomew and Peter, two wings from an altarpiece (oil on panel), Master of the Holy Kinship (fl.c.1450-1515) / Bridgeman Images

ID: CH2655337

The Annunciation, with Saints Bartholomew and Peter, two wings from an altarpiece (oil on panel)

Master of the Holy Kinship (fl.c.1450-1515)

Portrait of a forty–four–year–old Japanese man named Kawazu Sukekuni, also known as Kawazu Izu no kami, a samurai and assistant envoy of the 1864 Ikeda mission to France, 1864 (albumen print)
Portrait of a forty–four–year–old Japanese man named Kawazu Sukekuni, also known as Kawazu Izu no kami, a samurai and assistant envoy of the 1864 Ikeda mission to France, 1864 (albumen print)

PRM479205: Portrait of a forty–four–year–old Japanese man named Kawazu Sukekuni, also known as Kawazu Izu no kami, a samurai and assistant envoy of the 1864 Ikeda mission to France, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479205

Portrait of a forty–four–year–old Japanese man named Kawazu Sukekuni, also known as Kawazu Izu no kami, a samurai and assistant envoy of the 1864 Ikeda mission to France, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Dirk (Spadino), 1800 - 1850, 19th Century, iron and brass
Dirk (Spadino), 1800 - 1850, 19th Century, iron and brass

MEP852199: Dirk (Spadino), 1800 - 1850, 19th Century, iron and brass / Bridgeman Images

ID: MEP852199

Dirk (Spadino), 1800 - 1850, 19th Century, iron and brass

Costume design: The Knight from Coppélia, 1956 (gouache, charcoal & ink on machine made laid paper)
Costume design: The Knight from Coppélia, 1956 (gouache, charcoal & ink on machine made laid paper)

MAM713933: Costume design: The Knight from Coppélia, 1956 (gouache, charcoal & ink on machine made laid paper), Dobuzinsky, Mstislav Valerianovic (1875-1957) / Bridgeman Images

ID: MAM713933

Costume design: The Knight from Coppélia, 1956 (gouache, charcoal & ink on machine made laid paper)

Dobuzinsky, Mstislav Valerianovic (1875-1957)

The Ghost of Admiral Nelson, 1940 (oil on Renaissance panel)
The Ghost of Admiral Nelson, 1940 (oil on Renaissance panel)

FLP2563316: The Ghost of Admiral Nelson, 1940 (oil on Renaissance panel), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

ID: FLP2563316

The Ghost of Admiral Nelson, 1940 (oil on Renaissance panel)

Wyeth, Newell Convers (1882-1945)

Tomb of James I the Conquistador (1207-76) (marble)
Tomb of James I the Conquistador (1207-76) (marble)

XJL186913: Tomb of James I the Conquistador (1207-76) (marble), Spanish School, (13th century) / Bridgeman Images

ID: XJL186913

Tomb of James I the Conquistador (1207-76) (marble)

Spanish School, (13th century)

Mr. H. Marston as Hotspur and Mr. F. Robinson as Prince Henry, Act V Scene 4 from Henry IV (Part I) from a daguerrotype by Paine of Islington, pub. by John Tallis & Co. (litho)
Mr. H. Marston as Hotspur and Mr. F. Robinson as Prince Henry, Act V Scene 4 from Henry IV (Part I) from a daguerrotype by Paine of Islington, pub. by John Tallis & Co. (litho)

STC102996: Mr. H. Marston as Hotspur and Mr. F. Robinson as Prince Henry, Act V Scene 4 from Henry IV (Part I) from a daguerrotype by Paine of Islington, pub. by John Tallis & Co. (litho), English School, (19th century) / Bridgeman Images

ID: STC102996

Mr. H. Marston as Hotspur and Mr. F. Robinson as Prince Henry, Act V Scene 4 from Henry IV (Part I) from a daguerrotype by Paine of Islington, pub. by John Tallis & Co. (litho)

English School, (19th century)

Portrait of Nuremberger Field Marshal Sebald Schirmer, 1545 (oil on panel)
Portrait of Nuremberger Field Marshal Sebald Schirmer, 1545 (oil on panel)

GNM292293: Portrait of Nuremberger Field Marshal Sebald Schirmer, 1545 (oil on panel), Pencz, Georg (1500-50) / Bridgeman Images

ID: GNM292293

Portrait of Nuremberger Field Marshal Sebald Schirmer, 1545 (oil on panel)

Pencz, Georg (1500-50)

Subadar of the 1st Battalion (Queen Victoria's Own Light Infantry) 7th Rajput Regiment, 1938 (colour litho)
Subadar of the 1st Battalion (Queen Victoria's Own Light Infantry) 7th Rajput Regiment, 1938 (colour litho)

KDC469441: Subadar of the 1st Battalion (Queen Victoria's Own Light Infantry) 7th Rajput Regiment, 1938 (colour litho) / Bridgeman Images

ID: KDC469441

Subadar of the 1st Battalion (Queen Victoria's Own Light Infantry) 7th Rajput Regiment, 1938 (colour litho)

Duke of Roxburghe. 1913 (b/w photo)
Duke of Roxburghe. 1913 (b/w photo)

XOS3058071: Duke of Roxburghe. 1913 (b/w photo) / Bridgeman Images

ID: XOS3058071

Duke of Roxburghe. 1913 (b/w photo)

Japanese Trooper Charging (colour litho)
Japanese Trooper Charging (colour litho)

LLM3643095: Japanese Trooper Charging (colour litho), English School, (20th century) / Bridgeman Images

ID: LLM3643095

Japanese Trooper Charging (colour litho)

English School, (20th century)

Auf die Mensur, fertig, los (colour litho)
Auf die Mensur, fertig, los (colour litho)

LLM3643093: Auf die Mensur, fertig, los (colour litho), German School, (20th century) / Bridgeman Images

ID: LLM3643093

Auf die Mensur, fertig, los (colour litho)

German School, (20th century)

The Eton Loan Exhibition of Pictures and Relics (engraving)
The Eton Loan Exhibition of Pictures and Relics (engraving)

LIP1603260: The Eton Loan Exhibition of Pictures and Relics (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1603260

The Eton Loan Exhibition of Pictures and Relics (engraving)

English School, (19th century)

Illustration for Le Rire (colour litho)
Illustration for Le Rire (colour litho)

LLM2786025: Illustration for Le Rire (colour litho), Metivet, Lucien (1863-1930) / Bridgeman Images

ID: LLM2786025

Illustration for Le Rire (colour litho)

Metivet, Lucien (1863-1930)

Procession funebre a Schoucha, Un balafre (engraving)
Procession funebre a Schoucha, Un balafre (engraving)

LLM2790150: Procession funebre a Schoucha, Un balafre (engraving), French School, (19th century) / Bridgeman Images

ID: LLM2790150

Procession funebre a Schoucha, Un balafre (engraving)

French School, (19th century)

Sirdar Runjodh Singh (Majithia), from 'The Kingdom of the Punjab, its Rulers and Chiefs, volume II', a volume of 30 watercolour studies by an unidentified Indian artist, c.1840 (w/c on paper)
Sirdar Runjodh Singh (Majithia), from 'The Kingdom of the Punjab, its Rulers and Chiefs, volume II', a volume of 30 watercolour studies by an unidentified Indian artist, c.1840 (w/c on paper)

NAM310633: Sirdar Runjodh Singh (Majithia), from 'The Kingdom of the Punjab, its Rulers and Chiefs, volume II', a volume of 30 watercolour studies by an unidentified Indian artist, c.1840 (w/c on paper), Indian School, (19th century) / Bridgeman Images

ID: NAM310633

Sirdar Runjodh Singh (Majithia), from 'The Kingdom of the Punjab, its Rulers and Chiefs, volume II', a volume of 30 watercolour studies by an unidentified Indian artist, c.1840 (w/c on paper)

Indian School, (19th century)

Japan: 'Samurai and Red Maple'. Toyohara Kunichika (1835-1900), 1879
Japan: 'Samurai and Red Maple'. Toyohara Kunichika (1835-1900), 1879

PFH1188824: Japan: 'Samurai and Red Maple'. Toyohara Kunichika (1835-1900), 1879 / Bridgeman Images

ID: PFH1188824

Japan: 'Samurai and Red Maple'. Toyohara Kunichika (1835-1900), 1879

A Spahi, plate 34 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving)
A Spahi, plate 34 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving)

STC409015: A Spahi, plate 34 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving), Vanmour, Jean Baptiste (1671-1737) (after) / Bridgeman Images

ID: STC409015

A Spahi, plate 34 from 'Collection of One Hundred Prints Representing the Different Nations of the Levant' by Charles de Ferriol, engraved by Gerard Scotin (1671-1716), 1707-08 (coloured engraving)

Vanmour, Jean Baptiste (1671-1737) (after)


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