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13772 Search Results for sword

Officer of the Udaipur (Mewar) State forces, Indian Princely States, 1938 (colour litho)
Officer of the Udaipur (Mewar) State forces, Indian Princely States, 1938 (colour litho)

KDC469461: Officer of the Udaipur (Mewar) State forces, Indian Princely States, 1938 (colour litho) / Bridgeman Images

ID: KDC469461

Officer of the Udaipur (Mewar) State forces, Indian Princely States, 1938 (colour litho)

Oliver Cromwell (1599-1658) from 'The Gallery of Portraits', published 1833 (engraving)
Oliver Cromwell (1599-1658) from 'The Gallery of Portraits', published 1833 (engraving)

KWE200766: Oliver Cromwell (1599-1658) from 'The Gallery of Portraits', published 1833 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE200766

Oliver Cromwell (1599-1658) from 'The Gallery of Portraits', published 1833 (engraving)

English School, (19th century)

These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875
These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875

MOR2963121: These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875 / Bridgeman Images

ID: MOR2963121

These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875

The cat boots . Illustrated alphabet. Imageries reunited in Jarville-Nancy, beginning of the 20th century. Dim: 40 x 29 cm. Lithography on a bistre background
The cat boots . Illustrated alphabet. Imageries reunited in Jarville-Nancy, beginning of the 20th century. Dim: 40 x 29 cm. Lithography on a bistre background

DUV4200539: The cat boots . Illustrated alphabet. Imageries reunited in Jarville-Nancy, beginning of the 20th century. Dim: 40 x 29 cm. Lithography on a bistre background / Bridgeman Images

ID: DUV4200539

The cat boots . Illustrated alphabet. Imageries reunited in Jarville-Nancy, beginning of the 20th century. Dim: 40 x 29 cm. Lithography on a bistre background

David with the Head of Goliath
David with the Head of Goliath

AII80650: David with the Head of Goliath, Strozzi, Bernardo (1581-1644) / Bridgeman Images

ID: AII80650

David with the Head of Goliath

Strozzi, Bernardo (1581-1644)

Guests of France, H. M. Alfonso XIII, King of Spain, front cover illustration from 'Le Petit Journal', supplement illustre, 11th May 1913 (lithograph)
Guests of France, H. M. Alfonso XIII, King of Spain, front cover illustration from 'Le Petit Journal', supplement illustre, 11th May 1913 (lithograph)

XIR414778: Guests of France, H. M. Alfonso XIII, King of Spain, front cover illustration from 'Le Petit Journal', supplement illustre, 11th May 1913 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR414778

Guests of France, H. M. Alfonso XIII, King of Spain, front cover illustration from 'Le Petit Journal', supplement illustre, 11th May 1913 (lithograph)

French School, (20th century)

A Cavalry Battle (chalk, pen and ink on paper)
A Cavalry Battle (chalk, pen and ink on paper)

XJF308745: A Cavalry Battle (chalk, pen and ink on paper), Courtois, Jacques (Le Bourguignon) (1621-76) / Bridgeman Images

ID: XJF308745

A Cavalry Battle (chalk, pen and ink on paper)

Courtois, Jacques (Le Bourguignon) (1621-76)

Rapier, c.1630-50 (blued & gilded steel)
Rapier, c.1630-50 (blued & gilded steel)

XCL490806: Rapier, c.1630-50 (blued & gilded steel), German School, (17th century) / Bridgeman Images

ID: XCL490806

Rapier, c.1630-50 (blued & gilded steel)

German School, (17th century)

The Loan Collection (engraving)
The Loan Collection (engraving)

LIP1588103: The Loan Collection (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1588103

The Loan Collection (engraving)

English School, (19th century)

Portrait of the King Eric XIV of Sweden (1533-1577), 1561 (oil on wood)
Portrait of the King Eric XIV of Sweden (1533-1577), 1561 (oil on wood)

FIA5401752: Portrait of the King Eric XIV of Sweden (1533-1577), 1561 (oil on wood), Meulen, or Muelen, Steven van der (fl.1543-68) / Bridgeman Images

ID: FIA5401752

Portrait of the King Eric XIV of Sweden (1533-1577), 1561 (oil on wood)

Meulen, or Muelen, Steven van der (fl.1543-68)

Armation sergeant costume project for the room of theater the Lendit a Saint Denis Fair of N, 1907 (ink on paper)
Armation sergeant costume project for the room of theater the Lendit a Saint Denis Fair of N, 1907 (ink on paper)

FIA5353679: Armation sergeant costume project for the room of theater the Lendit a Saint Denis Fair of N, 1907 (ink on paper), Lansere, Yevgeny Evgen'evic (1875-1946) / Bridgeman Images

ID: FIA5353679

Armation sergeant costume project for the room of theater the Lendit a Saint Denis Fair of N, 1907 (ink on paper)

Lansere, Yevgeny Evgen'evic (1875-1946)

Big tattoo in front of the Haus der Flieger in Berlin, 1935 (b/w photo)
Big tattoo in front of the Haus der Flieger in Berlin, 1935 (b/w photo)

SZT3667569: Big tattoo in front of the Haus der Flieger in Berlin, 1935 (b/w photo) / Bridgeman Images

ID: SZT3667569

Big tattoo in front of the Haus der Flieger in Berlin, 1935 (b/w photo)

Farinata degli Uberti at the Battle of Montaperti
Farinata degli Uberti at the Battle of Montaperti

FAF3567459: Farinata degli Uberti at the Battle of Montaperti, Sabatelli, Giuseppe (1813-43) / Bridgeman Images

ID: FAF3567459

Farinata degli Uberti at the Battle of Montaperti

Sabatelli, Giuseppe (1813-43)

Aida by Giuseppe Verdi, Royal Opera House (photo)
Aida by Giuseppe Verdi, Royal Opera House (photo)

KNT3807132: Aida by Giuseppe Verdi, Royal Opera House (photo), Kenton, Tristram / Bridgeman Images

ID: KNT3807132

Aida by Giuseppe Verdi, Royal Opera House (photo)

Kenton, Tristram

Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623233: Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623233

Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678620: William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678620

William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Richard Beauchamp, 13th Earl of Warwick, English nobleman and military commander, 1382-1439. In golden suit of armour with placates on breastplates and screwholes for lance rests, chainmail apron, large tiles, with sword and helm. From the brassy effigy in St. Mary's Church, Warwick. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Richard Beauchamp, 13th Earl of Warwick, English nobleman and military commander, 1382-1439. In golden suit of armour with placates on breastplates and screwholes for lance rests, chainmail apron, large tiles, with sword and helm. From the brassy effigy in St. Mary's Church, Warwick. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678433: Richard Beauchamp, 13th Earl of Warwick, English nobleman and military commander, 1382-1439. In golden suit of armour with placates on breastplates and screwholes for lance rests, chainmail apron, large tiles, with sword and helm. From the brassy effigy in St. Mary's Church, Warwick. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678433

Richard Beauchamp, 13th Earl of Warwick, English nobleman and military commander, 1382-1439. In golden suit of armour with placates on breastplates and screwholes for lance rests, chainmail apron, large tiles, with sword and helm. From the brassy effigy in St. Mary's Church, Warwick. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Norman weaponry: lance 212, Gisarma or halberd 213, Bipennis or double battle axe 214, battle axe 215,226, 227, spear 216, jousting spear 217, cross-bearing orb or Reichsapfel 218-220, sceptres 221-223, dagger 224, sword 225, arrow with flask 228, arrow with ornate head 229 and crossbow 230. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Norman weaponry: lance 212, Gisarma or halberd 213, Bipennis or double battle axe 214, battle axe 215,226, 227, spear 216, jousting spear 217, cross-bearing orb or Reichsapfel 218-220, sceptres 221-223, dagger 224, sword 225, arrow with flask 228, arrow with ornate head 229 and crossbow 230. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702741: Norman weaponry: lance 212, Gisarma or halberd 213, Bipennis or double battle axe 214, battle axe 215,226, 227, spear 216, jousting spear 217, cross-bearing orb or Reichsapfel 218-220, sceptres 221-223, dagger 224, sword 225, arrow with flask 228, arrow with ornate head 229 and crossbow 230. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702741

Norman weaponry: lance 212, Gisarma or halberd 213, Bipennis or double battle axe 214, battle axe 215,226, 227, spear 216, jousting spear 217, cross-bearing orb or Reichsapfel 218-220, sceptres 221-223, dagger 224, sword 225, arrow with flask 228, arrow with ornate head 229 and crossbow 230. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

English bullfight scenes: mounted picadors lance the bull 1, bandilleros stab the bull 2, and the matador delivers the death blow. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.
English bullfight scenes: mounted picadors lance the bull 1, bandilleros stab the bull 2, and the matador delivers the death blow. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

FLO4575660: English bullfight scenes: mounted picadors lance the bull 1, bandilleros stab the bull 2, and the matador delivers the death blow. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830. / Bridgeman Images

ID: FLO4575660

English bullfight scenes: mounted picadors lance the bull 1, bandilleros stab the bull 2, and the matador delivers the death blow. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Portrait of Marquis Emmanuel de Grouchy (1766-1847) Marshal of France, c.1835 (oil on canvas)
Portrait of Marquis Emmanuel de Grouchy (1766-1847) Marshal of France, c.1835 (oil on canvas)

XIR167321: Portrait of Marquis Emmanuel de Grouchy (1766-1847) Marshal of France, c.1835 (oil on canvas), Rouillard, Jean Sebastien (1789-1852) / Bridgeman Images

ID: XIR167321

Portrait of Marquis Emmanuel de Grouchy (1766-1847) Marshal of France, c.1835 (oil on canvas)

Rouillard, Jean Sebastien (1789-1852)

Prince Charles Edward Stuart, Son of the Old Pretender, 1745 (oil on canvas)
Prince Charles Edward Stuart, Son of the Old Pretender, 1745 (oil on canvas)

HMP3709867: Prince Charles Edward Stuart, Son of the Old Pretender, 1745 (oil on canvas), Verelst, Willem (d.1756) (attr. to) / Bridgeman Images

ID: HMP3709867

Prince Charles Edward Stuart, Son of the Old Pretender, 1745 (oil on canvas)

Verelst, Willem (d.1756) (attr. to)

STC3804308: "Macgillivray", from The Clans of the Scottish Highlands, pub.1845 (colour litho), McIan, Robert Ronald (1803-56) / Bridgeman Images

ID: STC3804308

"Macgillivray", from The Clans of the Scottish Highlands, pub.1845 (colour litho)

McIan, Robert Ronald (1803-56)

The Surrender of Santiago, hoisting the United States Flag on the Governor's Palace (litho)
The Surrender of Santiago, hoisting the United States Flag on the Governor's Palace (litho)

LIP1063669: The Surrender of Santiago, hoisting the United States Flag on the Governor's Palace (litho), Charlton, John (1849-1917) (after) / Bridgeman Images

ID: LIP1063669

The Surrender of Santiago, hoisting the United States Flag on the Governor's Palace (litho)

Charlton, John (1849-1917) (after)

Portrait of a thirty–four–year–old Japanese man named Saitō Jirōtarō, a samurai and officer (performing the function of censor) on the 1864 Ikeda mission to France, 1864 (albumen print)
Portrait of a thirty–four–year–old Japanese man named Saitō Jirōtarō, a samurai and officer (performing the function of censor) on the 1864 Ikeda mission to France, 1864 (albumen print)

PRM479216: Portrait of a thirty–four–year–old Japanese man named Saitō Jirōtarō, a samurai and officer (performing the function of censor) on the 1864 Ikeda mission to France, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479216

Portrait of a thirty–four–year–old Japanese man named Saitō Jirōtarō, a samurai and officer (performing the function of censor) on the 1864 Ikeda mission to France, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

The Battle of Winwaed (gouache on paper)
The Battle of Winwaed (gouache on paper)

LAL724202: The Battle of Winwaed (gouache on paper), Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images

ID: LAL724202

The Battle of Winwaed (gouache on paper)

Nicolle, Pat (Patrick) (1907-95)

Henry VIII, c.1538-47 (oil on panel)
Henry VIII, c.1538-47 (oil on panel)

ROC399110: Henry VIII, c.1538-47 (oil on panel), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: ROC399110

Henry VIII, c.1538-47 (oil on panel)

Holbein the Younger, Hans (1497/8-1543) (after)

Cavalry battle between Christians and Turks (oil on canvas)
Cavalry battle between Christians and Turks (oil on canvas)

SFA413750: Cavalry battle between Christians and Turks (oil on canvas), Simonini, Francesco (1686-1753) (circle of) / Bridgeman Images

ID: SFA413750

Cavalry battle between Christians and Turks (oil on canvas)

Simonini, Francesco (1686-1753) (circle of)

Kendo, or Japanese Fencing, c.1860-80 (b/w photo)
Kendo, or Japanese Fencing, c.1860-80 (b/w photo)

JHL701539: Kendo, or Japanese Fencing, c.1860-80 (b/w photo), European Photographer, (19th century) / Bridgeman Images

ID: JHL701539

Kendo, or Japanese Fencing, c.1860-80 (b/w photo)

European Photographer, (19th century)

Brunswick Grenadier Cap captured at the Battle of Bennington 1777
Brunswick Grenadier Cap captured at the Battle of Bennington 1777

DTO3031281: Brunswick Grenadier Cap captured at the Battle of Bennington 1777 / Bridgeman Images

ID: DTO3031281

Brunswick Grenadier Cap captured at the Battle of Bennington 1777

Habit of a Flemish Gentleman in 1620 (engraving)
Habit of a Flemish Gentleman in 1620 (engraving)

LLR3640565: Habit of a Flemish Gentleman in 1620 (engraving), English School, (18th century) / Bridgeman Images

ID: LLR3640565

Habit of a Flemish Gentleman in 1620 (engraving)

English School, (18th century)

Adam and Eve (oil on canvas, 17th century)
Adam and Eve (oil on canvas, 17th century)

LRI4698188: Adam and Eve (oil on canvas, 17th century), Procaccini, Giulio Cesare (1574-1625) / Bridgeman Images

ID: LRI4698188

Adam and Eve (oil on canvas, 17th century)

Procaccini, Giulio Cesare (1574-1625)

Lat 1156 f.133 The Kiss of Judas, from the Hours of Marguerite d'Orleans, 1426-38 (vellum)
Lat 1156 f.133 The Kiss of Judas, from the Hours of Marguerite d'Orleans, 1426-38 (vellum)

REV115943: Lat 1156 f.133 The Kiss of Judas, from the Hours of Marguerite d'Orleans, 1426-38 (vellum), French School, (15th century) / Bridgeman Images

ID: REV115943

Lat 1156 f.133 The Kiss of Judas, from the Hours of Marguerite d'Orleans, 1426-38 (vellum)

French School, (15th century)

Commander of the Cavalry Brigade of the Hyderabad State Forces, Indian Princely States, 1938 (colour litho)
Commander of the Cavalry Brigade of the Hyderabad State Forces, Indian Princely States, 1938 (colour litho)

KDC469453: Commander of the Cavalry Brigade of the Hyderabad State Forces, Indian Princely States, 1938 (colour litho) / Bridgeman Images

ID: KDC469453

Commander of the Cavalry Brigade of the Hyderabad State Forces, Indian Princely States, 1938 (colour litho)

Myth of the Ages of Humanity: representation of the Iron Age, as a young man wearing a helmet, holding a swords and a shield. (Iron Age depicted as a young man, wearing an helmet, a sword and a shield like a warrior). From “Mythology of Youth” by Pierre Blanchard 1803.
Myth of the Ages of Humanity: representation of the Iron Age, as a young man wearing a helmet, holding a swords and a shield. (Iron Age depicted as a young man, wearing an helmet, a sword and a shield like a warrior). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417216: Myth of the Ages of Humanity: representation of the Iron Age, as a young man wearing a helmet, holding a swords and a shield. (Iron Age depicted as a young man, wearing an helmet, a sword and a shield like a warrior). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

ID: XEE4417216

Myth of the Ages of Humanity: representation of the Iron Age, as a young man wearing a helmet, holding a swords and a shield. (Iron Age depicted as a young man, wearing an helmet, a sword and a shield like a warrior). From “Mythology of Youth” by Pierre Blanchard 1803.

French School, (19th century)

Captain Charles John Stanley Gough (1832-1912) during the Indian Mutiny at Khurkowhah on 15th August 1857, c.1860 (oil on canvas)
Captain Charles John Stanley Gough (1832-1912) during the Indian Mutiny at Khurkowhah on 15th August 1857, c.1860 (oil on canvas)

NAM237768: Captain Charles John Stanley Gough (1832-1912) during the Indian Mutiny at Khurkowhah on 15th August 1857, c.1860 (oil on canvas), Desanges, Chevalier Louis-William (1822-1905) / Bridgeman Images

ID: NAM237768

Captain Charles John Stanley Gough (1832-1912) during the Indian Mutiny at Khurkowhah on 15th August 1857, c.1860 (oil on canvas)

Desanges, Chevalier Louis-William (1822-1905)

Major General Sir Barry Close, Bart, c.1811-1850 (oil on canvas)
Major General Sir Barry Close, Bart, c.1811-1850 (oil on canvas)

MAN3501240: Major General Sir Barry Close, Bart, c.1811-1850 (oil on canvas), Shee, Martin Archer (1769-1850) / Bridgeman Images

ID: MAN3501240

Major General Sir Barry Close, Bart, c.1811-1850 (oil on canvas)

Shee, Martin Archer (1769-1850)


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