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13737 Search Results for sword

Ossetian Mythology, illustration from a book on casts published in USSR, 1946 (litho) (b/w photo)
Ossetian Mythology, illustration from a book on casts published in USSR, 1946 (litho) (b/w photo)

CHT163750: Ossetian Mythology, illustration from a book on casts published in USSR, 1946 (litho) (b/w photo), Kittelsen, Theodor Severin (1857-1914) / Bridgeman Images

ID: CHT163750

Ossetian Mythology, illustration from a book on casts published in USSR, 1946 (litho) (b/w photo)

Kittelsen, Theodor Severin (1857-1914)

Sir Percival overcometh ye enchantress Vivien, illustration from 'The Story of the Champions of the Round Table' (litho)
Sir Percival overcometh ye enchantress Vivien, illustration from 'The Story of the Champions of the Round Table' (litho)

STC335750: Sir Percival overcometh ye enchantress Vivien, illustration from 'The Story of the Champions of the Round Table' (litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: STC335750

Sir Percival overcometh ye enchantress Vivien, illustration from 'The Story of the Champions of the Round Table' (litho)

Pyle, Howard (1853-1911)

The Death of the heroes, illustration for 'The Arabian Nights', 1895 (colour engraving)
The Death of the heroes, illustration for 'The Arabian Nights', 1895 (colour engraving)

PER190817: The Death of the heroes, illustration for 'The Arabian Nights', 1895 (colour engraving), French School, (19th century) / Bridgeman Images

ID: PER190817

The Death of the heroes, illustration for 'The Arabian Nights', 1895 (colour engraving)

French School, (19th century)

139 Fencing, from an album titled 'Views & Costumes of Japan', c.1886 (hand-coloured albumen print)
139 Fencing, from an album titled 'Views & Costumes of Japan', c.1886 (hand-coloured albumen print)

PRM479660: 139 Fencing, from an album titled 'Views & Costumes of Japan', c.1886 (hand-coloured albumen print), Farsari, Adolfo (1841-98) / Bridgeman Images

ID: PRM479660

139 Fencing, from an album titled 'Views & Costumes of Japan', c.1886 (hand-coloured albumen print)

Farsari, Adolfo (1841-98)

General Richard S. Ewell, 2012 (watercolour and gouache on Bristol)
General Richard S. Ewell, 2012 (watercolour and gouache on Bristol)

MMO5307171: General Richard S. Ewell, 2012 (watercolour and gouache on Bristol), Maritato, Mark / Bridgeman Images

ID: MMO5307171

General Richard S. Ewell, 2012 (watercolour and gouache on Bristol)

Maritato, Mark

35th Indiana - 1st Irish Regiment, 2011 (oil on panel)
35th Indiana - 1st Irish Regiment, 2011 (oil on panel)

MMO5307128: 35th Indiana - 1st Irish Regiment, 2011 (oil on panel), Maritato, Mark / Bridgeman Images

ID: MMO5307128

35th Indiana - 1st Irish Regiment, 2011 (oil on panel)

Maritato, Mark

Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)
Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)

COU5948319: Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch), Cajes, Patrizio (c.1540-1612) / Bridgeman Images

ID: COU5948319

Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)

Cajes, Patrizio (c.1540-1612)

Student with book, sword, and knife hanging from his belt, in doublet, cape, hose and shoes, 17th century. L’ecolier. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.
Student with book, sword, and knife hanging from his belt, in doublet, cape, hose and shoes, 17th century. L’ecolier. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

FLO5912937: Student with book, sword, and knife hanging from his belt, in doublet, cape, hose and shoes, 17th century. L’ecolier. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841. / Bridgeman Images

ID: FLO5912937

Student with book, sword, and knife hanging from his belt, in doublet, cape, hose and shoes, 17th century. L’ecolier. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

Lucienne Bréval as Sephora
Lucienne Bréval as Sephora

XLE3747089: Lucienne Bréval as Sephora, Boyer, Paul (fl.19th-20th century) / Bridgeman Images

ID: XLE3747089

Lucienne Bréval as Sephora

Boyer, Paul (fl.19th-20th century)

Asiatic weapons
Asiatic weapons

FLO5324079: Asiatic weapons / Bridgeman Images

ID: FLO5324079

Asiatic weapons

Feng Yuxiang's soldiers in Peking, 1928 (b/w photo)
Feng Yuxiang's soldiers in Peking, 1928 (b/w photo)

SZT3667933: Feng Yuxiang's soldiers in Peking, 1928 (b/w photo) / Bridgeman Images

ID: SZT3667933

Feng Yuxiang's soldiers in Peking, 1928 (b/w photo)

Officer of the Sardar Infantry Battalion, Jodhpur State forces, Indian Princely States, 1938 (colour litho)
Officer of the Sardar Infantry Battalion, Jodhpur State forces, Indian Princely States, 1938 (colour litho)

KDC469456: Officer of the Sardar Infantry Battalion, Jodhpur State forces, Indian Princely States, 1938 (colour litho) / Bridgeman Images

ID: KDC469456

Officer of the Sardar Infantry Battalion, Jodhpur State forces, Indian Princely States, 1938 (colour litho)

Farce on orvietan sellers at the Saint-Germain fair in Paris, c.1620-30 (engraving) (b/w photo)
Farce on orvietan sellers at the Saint-Germain fair in Paris, c.1620-30 (engraving) (b/w photo)

XIR414531: Farce on orvietan sellers at the Saint-Germain fair in Paris, c.1620-30 (engraving) (b/w photo), French School, (17th century) / Bridgeman Images

ID: XIR414531

Farce on orvietan sellers at the Saint-Germain fair in Paris, c.1620-30 (engraving) (b/w photo)

French School, (17th century)

Military Reminiscences, 1860 (oil on canvas)
Military Reminiscences, 1860 (oil on canvas)

CH11434: Military Reminiscences, 1860 (oil on canvas), Ten Kate, Herman Frederick Carel (1822-91) / Bridgeman Images

ID: CH11434

Military Reminiscences, 1860 (oil on canvas)

Ten Kate, Herman Frederick Carel (1822-91)

Pikeman, illustration from 'The Handling of Arms, Arquebuses, Muskets and Pikes', 1608 (engraving)
Pikeman, illustration from 'The Handling of Arms, Arquebuses, Muskets and Pikes', 1608 (engraving)

AMR438028: Pikeman, illustration from 'The Handling of Arms, Arquebuses, Muskets and Pikes', 1608 (engraving), Gheyn, Jacques II de (1565-1629) / Bridgeman Images

ID: AMR438028

Pikeman, illustration from 'The Handling of Arms, Arquebuses, Muskets and Pikes', 1608 (engraving)

Gheyn, Jacques II de (1565-1629)

Oliver Cromwell (1599-1658) from 'The Gallery of Portraits', published 1833 (engraving)
Oliver Cromwell (1599-1658) from 'The Gallery of Portraits', published 1833 (engraving)

KWE200766: Oliver Cromwell (1599-1658) from 'The Gallery of Portraits', published 1833 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE200766

Oliver Cromwell (1599-1658) from 'The Gallery of Portraits', published 1833 (engraving)

English School, (19th century)

The Loan Collection (engraving)
The Loan Collection (engraving)

LIP1588103: The Loan Collection (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1588103

The Loan Collection (engraving)

English School, (19th century)

Types of the British Army: Cavalry Officer of the Indian Army, Central Indian Horse, 1901 (w/c on paper)
Types of the British Army: Cavalry Officer of the Indian Army, Central Indian Horse, 1901 (w/c on paper)

CJP443334: Types of the British Army: Cavalry Officer of the Indian Army, Central Indian Horse, 1901 (w/c on paper), English School, (20th century) / Bridgeman Images

ID: CJP443334

Types of the British Army: Cavalry Officer of the Indian Army, Central Indian Horse, 1901 (w/c on paper)

English School, (20th century)

A Cavalry Battle (chalk, pen and ink on paper)
A Cavalry Battle (chalk, pen and ink on paper)

XJF308745: A Cavalry Battle (chalk, pen and ink on paper), Courtois, Jacques (Le Bourguignon) (1621-76) / Bridgeman Images

ID: XJF308745

A Cavalry Battle (chalk, pen and ink on paper)

Courtois, Jacques (Le Bourguignon) (1621-76)

Rapier, c.1630-50 (blued & gilded steel)
Rapier, c.1630-50 (blued & gilded steel)

XCL490806: Rapier, c.1630-50 (blued & gilded steel), German School, (17th century) / Bridgeman Images

ID: XCL490806

Rapier, c.1630-50 (blued & gilded steel)

German School, (17th century)

David with the Head of Goliath
David with the Head of Goliath

AII80650: David with the Head of Goliath, Strozzi, Bernardo (1581-1644) / Bridgeman Images

ID: AII80650

David with the Head of Goliath

Strozzi, Bernardo (1581-1644)

Guests of France, H. M. Alfonso XIII, King of Spain, front cover illustration from 'Le Petit Journal', supplement illustre, 11th May 1913 (lithograph)
Guests of France, H. M. Alfonso XIII, King of Spain, front cover illustration from 'Le Petit Journal', supplement illustre, 11th May 1913 (lithograph)

XIR414778: Guests of France, H. M. Alfonso XIII, King of Spain, front cover illustration from 'Le Petit Journal', supplement illustre, 11th May 1913 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR414778

Guests of France, H. M. Alfonso XIII, King of Spain, front cover illustration from 'Le Petit Journal', supplement illustre, 11th May 1913 (lithograph)

French School, (20th century)

Japan: Muramasu Kihei Fujiwara no Hidenao Nyudo Ryuen, from the series 'The Story of the Faithful Samurai'. Utagawa Yoshitora (active c.1850-1880), 1864
Japan: Muramasu Kihei Fujiwara no Hidenao Nyudo Ryuen, from the series 'The Story of the Faithful Samurai'. Utagawa Yoshitora (active c.1850-1880), 1864

PFH1188829: Japan: Muramasu Kihei Fujiwara no Hidenao Nyudo Ryuen, from the series 'The Story of the Faithful Samurai'. Utagawa Yoshitora (active c.1850-1880), 1864 / Bridgeman Images

ID: PFH1188829

Japan: Muramasu Kihei Fujiwara no Hidenao Nyudo Ryuen, from the series 'The Story of the Faithful Samurai'. Utagawa Yoshitora (active c.1850-1880), 1864

Japan: Murayama Kansuke Masatoki, from the series 'Stories of the Faithful Samurai'. Utagawa Yoshitora (active c.1850-1880), c. 1850
Japan: Murayama Kansuke Masatoki, from the series 'Stories of the Faithful Samurai'. Utagawa Yoshitora (active c.1850-1880), c. 1850

PFH1188828: Japan: Murayama Kansuke Masatoki, from the series 'Stories of the Faithful Samurai'. Utagawa Yoshitora (active c.1850-1880), c. 1850 / Bridgeman Images

ID: PFH1188828

Japan: Murayama Kansuke Masatoki, from the series 'Stories of the Faithful Samurai'. Utagawa Yoshitora (active c.1850-1880), c. 1850

These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875
These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875

MOR2963121: These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875 / Bridgeman Images

ID: MOR2963121

These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875

Armation sergeant costume project for the room of theater the Lendit a Saint Denis Fair of N, 1907 (ink on paper)
Armation sergeant costume project for the room of theater the Lendit a Saint Denis Fair of N, 1907 (ink on paper)

FIA5353679: Armation sergeant costume project for the room of theater the Lendit a Saint Denis Fair of N, 1907 (ink on paper), Lansere, Yevgeny Evgen'evic (1875-1946) / Bridgeman Images

ID: FIA5353679

Armation sergeant costume project for the room of theater the Lendit a Saint Denis Fair of N, 1907 (ink on paper)

Lansere, Yevgeny Evgen'evic (1875-1946)

Portrait of the King Eric XIV of Sweden (1533-1577), 1561 (oil on wood)
Portrait of the King Eric XIV of Sweden (1533-1577), 1561 (oil on wood)

FIA5401752: Portrait of the King Eric XIV of Sweden (1533-1577), 1561 (oil on wood), Meulen, or Muelen, Steven van der (fl.1543-68) / Bridgeman Images

ID: FIA5401752

Portrait of the King Eric XIV of Sweden (1533-1577), 1561 (oil on wood)

Meulen, or Muelen, Steven van der (fl.1543-68)

Actor Danjuro IV, 1792 (woodblock print on paper)
Actor Danjuro IV, 1792 (woodblock print on paper)

MAI6437414: Actor Danjuro IV, 1792 (woodblock print on paper), Shunsho, Katsukawa (1726-93) / Bridgeman Images

ID: MAI6437414

Actor Danjuro IV, 1792 (woodblock print on paper)

Shunsho, Katsukawa (1726-93)

English bullfight scenes: mounted picadors lance the bull 1, bandilleros stab the bull 2, and the matador delivers the death blow. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.
English bullfight scenes: mounted picadors lance the bull 1, bandilleros stab the bull 2, and the matador delivers the death blow. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

FLO4575660: English bullfight scenes: mounted picadors lance the bull 1, bandilleros stab the bull 2, and the matador delivers the death blow. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830. / Bridgeman Images

ID: FLO4575660

English bullfight scenes: mounted picadors lance the bull 1, bandilleros stab the bull 2, and the matador delivers the death blow. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Aida by Giuseppe Verdi, Royal Opera House (photo)
Aida by Giuseppe Verdi, Royal Opera House (photo)

KNT3807132: Aida by Giuseppe Verdi, Royal Opera House (photo), Kenton, Tristam / Bridgeman Images

ID: KNT3807132

Aida by Giuseppe Verdi, Royal Opera House (photo)

Kenton, Tristam

Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623233: Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623233

Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

The Valois Dukes of Burgundy: Philip 'The Good'
The Valois Dukes of Burgundy: Philip 'The Good'

LAL299781: The Valois Dukes of Burgundy: Philip 'The Good', Escott, Dan (1928-87) / Bridgeman Images

ID: LAL299781

The Valois Dukes of Burgundy: Philip 'The Good'

Escott, Dan (1928-87)

Farinata degli Uberti at the Battle of Montaperti
Farinata degli Uberti at the Battle of Montaperti

FAF3567459: Farinata degli Uberti at the Battle of Montaperti, Sabatelli, Giuseppe (1813-43) / Bridgeman Images

ID: FAF3567459

Farinata degli Uberti at the Battle of Montaperti

Sabatelli, Giuseppe (1813-43)

Norman weaponry: lance 212, Gisarma or halberd 213, Bipennis or double battle axe 214, battle axe 215,226, 227, spear 216, jousting spear 217, cross-bearing orb or Reichsapfel 218-220, sceptres 221-223, dagger 224, sword 225, arrow with flask 228, arrow with ornate head 229 and crossbow 230. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Norman weaponry: lance 212, Gisarma or halberd 213, Bipennis or double battle axe 214, battle axe 215,226, 227, spear 216, jousting spear 217, cross-bearing orb or Reichsapfel 218-220, sceptres 221-223, dagger 224, sword 225, arrow with flask 228, arrow with ornate head 229 and crossbow 230. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702741: Norman weaponry: lance 212, Gisarma or halberd 213, Bipennis or double battle axe 214, battle axe 215,226, 227, spear 216, jousting spear 217, cross-bearing orb or Reichsapfel 218-220, sceptres 221-223, dagger 224, sword 225, arrow with flask 228, arrow with ornate head 229 and crossbow 230. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702741

Norman weaponry: lance 212, Gisarma or halberd 213, Bipennis or double battle axe 214, battle axe 215,226, 227, spear 216, jousting spear 217, cross-bearing orb or Reichsapfel 218-220, sceptres 221-223, dagger 224, sword 225, arrow with flask 228, arrow with ornate head 229 and crossbow 230. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678620: William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678620

William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Richard Beauchamp, 13th Earl of Warwick, English nobleman and military commander, 1382-1439. In golden suit of armour with placates on breastplates and screwholes for lance rests, chainmail apron, large tiles, with sword and helm. From the brassy effigy in St. Mary's Church, Warwick. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Richard Beauchamp, 13th Earl of Warwick, English nobleman and military commander, 1382-1439. In golden suit of armour with placates on breastplates and screwholes for lance rests, chainmail apron, large tiles, with sword and helm. From the brassy effigy in St. Mary's Church, Warwick. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678433: Richard Beauchamp, 13th Earl of Warwick, English nobleman and military commander, 1382-1439. In golden suit of armour with placates on breastplates and screwholes for lance rests, chainmail apron, large tiles, with sword and helm. From the brassy effigy in St. Mary's Church, Warwick. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678433

Richard Beauchamp, 13th Earl of Warwick, English nobleman and military commander, 1382-1439. In golden suit of armour with placates on breastplates and screwholes for lance rests, chainmail apron, large tiles, with sword and helm. From the brassy effigy in St. Mary's Church, Warwick. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.


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