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13737 Search Results for sword

Portrait of Joan of Arc (1412-31), 16th century (oil on canvas)
Portrait of Joan of Arc (1412-31), 16th century (oil on canvas)

CHT199633: Portrait of Joan of Arc (1412-31), 16th century (oil on canvas), French School, (16th century) / Bridgeman Images

St. Paul with Sword, detail of the rood screen, St. Agnes Church, Cawston, Norfolk, UK (tempera on wood)
St. Paul with Sword, detail of the rood screen, St. Agnes Church, Cawston, Norfolk, UK (tempera on wood)

HGP443937: St. Paul with Sword, detail of the rood screen, St. Agnes Church, Cawston, Norfolk, UK (tempera on wood), English School, (15th century) / Bridgeman Images

Hand-and-a-Half Sword, c.1500 (steel, wood, leather, quillions & spirally fluted pommel of blackened steel)
Hand-and-a-Half Sword, c.1500 (steel, wood, leather, quillions & spirally fluted pommel of blackened steel)

XCL491074: Hand-and-a-Half Sword, c.1500 (steel, wood, leather, quillions & spirally fluted pommel of blackened steel) , German School, (16th century) / Bridgeman Images

Liebig Chromos. Trade card.Series 1378, Julius Caesar, no 2, Vercigetorix giving his sword to caesar. 1938.
Liebig Chromos. Trade card.Series 1378, Julius Caesar, no 2, Vercigetorix giving his sword to caesar. 1938.

MAE6271368: Liebig Chromos. Trade card.Series 1378, Julius Caesar, no 2, Vercigetorix giving his sword to caesar. 1938., Unknown Artist, (20th century) / Bridgeman Images

Russian Hussars Officer’s sword, Deputy Assistant Quartermaster General John Alexander Ewart, 1854 (metal)
Russian Hussars Officer’s sword, Deputy Assistant Quartermaster General John Alexander Ewart, 1854 (metal)

NAM5927020: Russian Hussars Officer’s sword, Deputy Assistant Quartermaster General John Alexander Ewart, 1854 (metal), Russian School, (19th century) / Bridgeman Images

Russian Hussars Officer’s sword, Deputy Assistant Quartermaster General John Alexander Ewart, 1854 (metal)
Russian Hussars Officer’s sword, Deputy Assistant Quartermaster General John Alexander Ewart, 1854 (metal)

NAM5927019: Russian Hussars Officer’s sword, Deputy Assistant Quartermaster General John Alexander Ewart, 1854 (metal), Russian School, (19th century) / Bridgeman Images

Russian Hussars Officer’s sword, Deputy Assistant Quartermaster General John Alexander Ewart, 1854 (metal)
Russian Hussars Officer’s sword, Deputy Assistant Quartermaster General John Alexander Ewart, 1854 (metal)

NAM5927368: Russian Hussars Officer’s sword, Deputy Assistant Quartermaster General John Alexander Ewart, 1854 (metal), Russian School, (19th century) / Bridgeman Images

Pikeepers: detail of the sword, Thirty Years Wars: armies operating in Italy, Novi Ligure, Piedmont, Italy (photo)
Pikeepers: detail of the sword, Thirty Years Wars: armies operating in Italy, Novi Ligure, Piedmont, Italy (photo)

BSI6200649: Pikeepers: detail of the sword, Thirty Years Wars: armies operating in Italy, Novi Ligure, Piedmont, Italy (photo), Balossini, Camillo / Bridgeman Images

Palazzo Ducale (Doges Palace), Statue of Justice with her traditional symbols of sword and scales, Venice, Italy (photo)
Palazzo Ducale (Doges Palace), Statue of Justice with her traditional symbols of sword and scales, Venice, Italy (photo)

GNG5940728: Palazzo Ducale (Doges Palace), Statue of Justice with her traditional symbols of sword and scales, Venice, Italy (photo) / Bridgeman Images

Walt Disney removing a copy of The Sword In The Stone at the Salone del Bambino beside Arnoldo Mondadori,  Milan, Italy
Walt Disney removing a copy of The Sword In The Stone at the Salone del Bambino beside Arnoldo Mondadori,  Milan, Italy

MEP2516895: Walt Disney removing a copy of The Sword In The Stone at the Salone del Bambino beside Arnoldo Mondadori, Milan, Italy / Bridgeman Images

Persian national symbol; sun over lion with sword; glazed tiles; Golestan Palace; Tehran; Iran; Asia
Persian national symbol; sun over lion with sword; glazed tiles; Golestan Palace; Tehran; Iran; Asia

IMB4913933: Persian national symbol; sun over lion with sword; glazed tiles; Golestan Palace; Tehran; Iran; Asia / Bridgeman Images

Initiation ceremony in a Vienna Masonic Lodge, with Mozart seated on the extreme left, 1784 (oil on canvas)
Initiation ceremony in a Vienna Masonic Lodge, with Mozart seated on the extreme left, 1784 (oil on canvas)

LRI4597137: Initiation ceremony in a Vienna Masonic Lodge, with Mozart seated on the extreme left, 1784 (oil on canvas), Unterberger, Ignaz (1748-97) / Bridgeman Images

The Youth of Moses, in the Sistine Chapel, 1481 (fresco) (for detail see 315896)
The Youth of Moses, in the Sistine Chapel, 1481 (fresco) (for detail see 315896)

XIR428025: The Youth of Moses, in the Sistine Chapel, 1481 (fresco) (for detail see 315896), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

Markgraf Gero suppressed the Slavic uprising, 955
Markgraf Gero suppressed the Slavic uprising, 955

SZT5175515: Markgraf Gero suppressed the Slavic uprising, 955 / Bridgeman Images

Squire carrying a broadsword and a knight, 12th century - Squire carrying a broadsword and a knight, 12th century.
Squire carrying a broadsword and a knight, 12th century - Squire carrying a broadsword and a knight, 12th century.

NWI4957380: Squire carrying a broadsword and a knight, 12th century - Squire carrying a broadsword and a knight, 12th century. / Bridgeman Images

Portrait en pied de Louis XIV (1638-1715) age 63 en grand royal costume, 1701 (oil on canvas)
Portrait en pied de Louis XIV (1638-1715) age 63 en grand royal costume, 1701 (oil on canvas)

JLJ4642523: Portrait en pied de Louis XIV (1638-1715) age 63 en grand royal costume, 1701 (oil on canvas), Rigaud, Hyacinthe (1659-1743) (studio of) / Bridgeman Images

Nemesis, 1837 (oil on canvas)
Nemesis, 1837 (oil on canvas)

XAB308353: Nemesis, 1837 (oil on canvas), Rethel, Alfred (1816-59) / Bridgeman Images

American Revolution, Rappahannock Forge Cavalry Saber
American Revolution, Rappahannock Forge Cavalry Saber

DTO3126471: American Revolution, Rappahannock Forge Cavalry Saber / Bridgeman Images

Bellerophon Fights the Chimaera, 1731 (engraving)
Bellerophon Fights the Chimaera, 1731 (engraving)

STC134107: Bellerophon Fights the Chimaera, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

Benin Plaque, Nigeria (brass)
Benin Plaque, Nigeria (brass)

XCF306896: Benin Plaque, Nigeria (brass), Beninois School / Bridgeman Images

The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper)
The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper)

RCM1066271: The Angel with the Sword marking Dante with the Sevenfold', illustration from 'Purgatorio', Dante's Divine Comedy, c.1825-27 (pen & ink with w/c on paper), Blake, William (1757-1827) / Bridgeman Images

So spake she, but I drew my sharp sword from my thigh and sprang upon Circe, as one eager to slay her
So spake she, but I drew my sharp sword from my thigh and sprang upon Circe, as one eager to slay her

IL1192640: So spake she, but I drew my sharp sword from my thigh and sprang upon Circe, as one eager to slay her, Flint, William Russell (1880-1969) / Bridgeman Images

Henry, Prince of Wales in the hunting-field with Robert Devereux, 3rd Earl of Essex, c.1605 (oil on canvas)
Henry, Prince of Wales in the hunting-field with Robert Devereux, 3rd Earl of Essex, c.1605 (oil on canvas)

ROC399111: Henry, Prince of Wales in the hunting-field with Robert Devereux, 3rd Earl of Essex, c.1605 (oil on canvas), Peake, Robert, the Elder (c.1551-1619) / Bridgeman Images

Illustration from the 'Emblemata', 1621 (vellum)
Illustration from the 'Emblemata', 1621 (vellum)

GUL871717: Illustration from the 'Emblemata', 1621 (vellum), Italian School, (17th century) / Bridgeman Images

The agents were stationed on the Pont Neuf, to stop those who could not justify their right.
The agents were stationed on the Pont Neuf, to stop those who could not justify their right.

LSE4095183: The agents were stationed on the Pont Neuf, to stop those who could not justify their right., Unknown Artist, (19th century) / Bridgeman Images

The two stood silent looking at each other, from 'The Stories of Wagner's Operas' by J. Walker McSpadden (1874-1960), 1905 (colour litho)
The two stood silent looking at each other, from 'The Stories of Wagner's Operas' by J. Walker McSpadden (1874-1960), 1905 (colour litho)

STC323691: The two stood silent looking at each other, from 'The Stories of Wagner's Operas' by J. Walker McSpadden (1874-1960), 1905 (colour litho), Leeke, Ferdinand (1859-1923) / Bridgeman Images

Portrait of Kunwar Baharat Singh on horse-back, by Utkalrama, inscribed on top and reverse in Devanagari, Bundi, Rajasthan, Rajput School, 1680
Portrait of Kunwar Baharat Singh on horse-back, by Utkalrama, inscribed on top and reverse in Devanagari, Bundi, Rajasthan, Rajput School, 1680

SCP58601: Portrait of Kunwar Baharat Singh on horse-back, by Utkalrama, inscribed on top and reverse in Devanagari, Bundi, Rajasthan, Rajput School, 1680, Indian School, (17th century) / Bridgeman Images

Emperor Akbar on a tiger hunt
Emperor Akbar on a tiger hunt

BAL40973: Emperor Akbar on a tiger hunt, Mughal School / Bridgeman Images

Tolbiac battle in 496 : French king Clovis fighting against Alamans, he had promised to convert if he won the battle, chromo, 1896
Tolbiac battle in 496 : French king Clovis fighting against Alamans, he had promised to convert if he won the battle, chromo, 1896

TAD1743046: Tolbiac battle in 496 : French king Clovis fighting against Alamans, he had promised to convert if he won the battle, chromo, 1896 / Bridgeman Images

The oath of Hannibal (Annibal) Barca (247-183 BC) to fight for Carthage (Tunisia) and remain an enemy of Rome, in front of his father Hamilcar (270-228 BC). Lithograph from 19th century illustration.
The oath of Hannibal (Annibal) Barca (247-183 BC) to fight for Carthage (Tunisia) and remain an enemy of Rome, in front of his father Hamilcar (270-228 BC). Lithograph from 19th century illustration.

NWI4911125: The oath of Hannibal (Annibal) Barca (247-183 BC) to fight for Carthage (Tunisia) and remain an enemy of Rome, in front of his father Hamilcar (270-228 BC). Lithograph from 19th century illustration. / Bridgeman Images

Man seen from the back (verso), 1562 (pen and ink & black chalk on paper)
Man seen from the back (verso), 1562 (pen and ink & black chalk on paper)

COU5934510: Man seen from the back (verso), 1562 (pen and ink & black chalk on paper), Savery, Roelandt Jacobsz (1576-1639) & Bruegel, Pieter the Elder (c.1525-69) / Bridgeman Images

Fencing Women, 1967 (w/c on paper)
Fencing Women, 1967 (w/c on paper)

AGC3057193: Fencing Women, 1967 (w/c on paper), Rojter, Mikhail (1916-93) / Bridgeman Images

Britannia (colour litho)
Britannia (colour litho)

LLM979451: Britannia (colour litho), English School, (19th century) / Bridgeman Images

Ralph Sheldon, 1590 (oil on canvas)
Ralph Sheldon, 1590 (oil on canvas)

WRK477118: Ralph Sheldon, 1590 (oil on canvas), Custodis, Hieronymus (fl.1589-93) / Bridgeman Images

Pikeman, illustration from 'The Handling of Arms, Arquebuses, Muskets and Pikes', 1608 (engraving)
Pikeman, illustration from 'The Handling of Arms, Arquebuses, Muskets and Pikes', 1608 (engraving)

AMR438024: Pikeman, illustration from 'The Handling of Arms, Arquebuses, Muskets and Pikes', 1608 (engraving), Gheyn, Jacques II de (1565-1629) / Bridgeman Images

David about to slay Goliath
David about to slay Goliath

LLM455981: David about to slay Goliath, Lawson, John (19th century) / Bridgeman Images


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