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13773 Search Results for sword

First World War: France, Patriotic Map showing A French soldier in uniform with his rifle, in a bucolic trench, kissing a sword stretched by Joan of Arc in armor, titled: 'Vision of Joan of Arc', 1918
First World War: France, Patriotic Map showing A French soldier in uniform with his rifle, in a bucolic trench, kissing a sword stretched by Joan of Arc in armor, titled: 'Vision of Joan of Arc', 1918

LUX4739155: First World War: France, Patriotic Map showing A French soldier in uniform with his rifle, in a bucolic trench, kissing a sword stretched by Joan of Arc in armor, titled: 'Vision of Joan of Arc', 1918 / Bridgeman Images

ID: LUX4739155

First World War: France, Patriotic Map showing A French soldier in uniform with his rifle, in a bucolic trench, kissing a sword stretched by Joan of Arc in armor, titled: 'Vision of Joan of Arc', 1918

Ms 1126 The Suicide of Dido by the sword and the suicide of Phyllis by hanging, from 'Le Roman de la Rose' by Guillaume de Loris and Jean de Meung, c.1360-70 (vellum)
Ms 1126 The Suicide of Dido by the sword and the suicide of Phyllis by hanging, from 'Le Roman de la Rose' by Guillaume de Loris and Jean de Meung, c.1360-70 (vellum)

CHT220388: Ms 1126 The Suicide of Dido by the sword and the suicide of Phyllis by hanging, from 'Le Roman de la Rose' by Guillaume de Loris and Jean de Meung, c.1360-70 (vellum), French School, (14th century) / Bridgeman Images

ID: CHT220388

Ms 1126 The Suicide of Dido by the sword and the suicide of Phyllis by hanging, from 'Le Roman de la Rose' by Guillaume de Loris and Jean de Meung, c.1360-70 (vellum)

French School, (14th century)

The Archangel Michael (oil on panel)
The Archangel Michael (oil on panel)

DTR375099: The Archangel Michael (oil on panel), Italian School, (15th century) / Bridgeman Images

ID: DTR375099

The Archangel Michael (oil on panel)

Italian School, (15th century)

Skinner's Horse at Exercise, c.1840 (oil on canvas)
Skinner's Horse at Exercise, c.1840 (oil on canvas)

NAM237741: Skinner's Horse at Exercise, c.1840 (oil on canvas), Gwatkin, John Reynolds (1807-77) / Bridgeman Images

ID: NAM237741

Skinner's Horse at Exercise, c.1840 (oil on canvas)

Gwatkin, John Reynolds (1807-77)

Gladiator sacrifice to the Aztec god Xipe Totec or Tlatlauhca, Mexico City. An Aztec warrior with sword and shield fights a captured enemy on a raised stage before an audience. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Gladiator sacrifice to the Aztec god Xipe Totec or Tlatlauhca, Mexico City. An Aztec warrior with sword and shield fights a captured enemy on a raised stage before an audience. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622152: Gladiator sacrifice to the Aztec god Xipe Totec or Tlatlauhca, Mexico City. An Aztec warrior with sword and shield fights a captured enemy on a raised stage before an audience. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4622152

Gladiator sacrifice to the Aztec god Xipe Totec or Tlatlauhca, Mexico City. An Aztec warrior with sword and shield fights a captured enemy on a raised stage before an audience. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Portrait of Algernon, 4th Duke of Northumberland, 1857 (oil on canvas)
Portrait of Algernon, 4th Duke of Northumberland, 1857 (oil on canvas)

NTE6371386: Portrait of Algernon, 4th Duke of Northumberland, 1857 (oil on canvas), Grant, Francis (1803-78) / Bridgeman Images

ID: NTE6371386

Portrait of Algernon, 4th Duke of Northumberland, 1857 (oil on canvas)

Grant, Francis (1803-78)

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962669: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", detail of King Agamemnon, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: GRL5962669

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", detail of King Agamemnon, 1756-57 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Portrait of Major-General Lord Henry Percy, V.C., 1878 (oil on canvas)
Portrait of Major-General Lord Henry Percy, V.C., 1878 (oil on canvas)

NTE6375256: Portrait of Major-General Lord Henry Percy, V.C., 1878 (oil on canvas), Pope, Gustave (fl.1852-1904) / Bridgeman Images

ID: NTE6375256

Portrait of Major-General Lord Henry Percy, V.C., 1878 (oil on canvas)

Pope, Gustave (fl.1852-1904)

Queen Victoria entering the City of London at Temple Bar, engraved by G. Tregear, 1837 (colour litho)
Queen Victoria entering the City of London at Temple Bar, engraved by G. Tregear, 1837 (colour litho)

GHL266798: Queen Victoria entering the City of London at Temple Bar, engraved by G. Tregear, 1837 (colour litho), English School, (19th century) (after) / Bridgeman Images

ID: GHL266798

Queen Victoria entering the City of London at Temple Bar, engraved by G. Tregear, 1837 (colour litho)

English School, (19th century) (after)

[Platform], c.1868 (litho)
[Platform], c.1868 (litho)

AQS336749: [Platform], c.1868 (litho), American School, (19th century) / Bridgeman Images

ID: AQS336749

[Platform], c.1868 (litho)

American School, (19th century)

The orchid of the poor and sword. Poor man's orchid, Schizanthus pinnatus, and gladiolus, Gladiolus communis. Handcoloured woodblock print from Konan Tanigami's “” Seiyou Sokazufu”” (Pictorial Album of Western Plants and Flowers: Summer), Unsodo, Kyoto, 1917. Tanigami (1879-1928) depicted 125 varieties of garden plants through the four seasons.
The orchid of the poor and sword. Poor man's orchid, Schizanthus pinnatus, and gladiolus, Gladiolus communis. Handcoloured woodblock print from Konan Tanigami's “” Seiyou Sokazufu”” (Pictorial Album of Western Plants and Flowers: Summer), Unsodo, Kyoto, 1917. Tanigami (1879-1928) depicted 125 varieties of garden plants through the four seasons.

FLO4716677: The orchid of the poor and sword. Poor man's orchid, Schizanthus pinnatus, and gladiolus, Gladiolus communis. Handcoloured woodblock print from Konan Tanigami's “” Seiyou Sokazufu”” (Pictorial Album of Western Plants and Flowers: Summer), Unsodo, Kyoto, 1917. Tanigami (1879-1928) depicted 125 varieties of garden plants through the four seasons. / Bridgeman Images

ID: FLO4716677

The orchid of the poor and sword. Poor man's orchid, Schizanthus pinnatus, and gladiolus, Gladiolus communis. Handcoloured woodblock print from Konan Tanigami's “” Seiyou Sokazufu”” (Pictorial Album of Western Plants and Flowers: Summer), Unsodo, Kyoto, 1917. Tanigami (1879-1928) depicted 125 varieties of garden plants through the four seasons.

Ms E-7 fol.19a The Constellations of Andromeda and Perseus, illustration from 'The Wonders of the Creation and the Curiosities of Existence' by Zakariya'ibn Muhammad al-Qazwini (gouache on paper)
Ms E-7 fol.19a The Constellations of Andromeda and Perseus, illustration from 'The Wonders of the Creation and the Curiosities of Existence' by Zakariya'ibn Muhammad al-Qazwini (gouache on paper)

XIR352368: Ms E-7 fol.19a The Constellations of Andromeda and Perseus, illustration from 'The Wonders of the Creation and the Curiosities of Existence' by Zakariya'ibn Muhammad al-Qazwini (gouache on paper), Islamic School, (14th century) / Bridgeman Images

ID: XIR352368

Ms E-7 fol.19a The Constellations of Andromeda and Perseus, illustration from 'The Wonders of the Creation and the Curiosities of Existence' by Zakariya'ibn Muhammad al-Qazwini (gouache on paper)

Islamic School, (14th century)

Knights fighting on horseback, dagger duel during a tournament. The two threw their sword on the ground and attack the dagger, the one on the left tries to prevent the attack on the other. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knights fighting on horseback, dagger duel during a tournament. The two threw their sword on the ground and attack the dagger, the one on the left tries to prevent the attack on the other. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708272: Knights fighting on horseback, dagger duel during a tournament. The two threw their sword on the ground and attack the dagger, the one on the left tries to prevent the attack on the other. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708272

Knights fighting on horseback, dagger duel during a tournament. The two threw their sword on the ground and attack the dagger, the one on the left tries to prevent the attack on the other. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Lohengrin by Wagner - illustration
Lohengrin by Wagner - illustration

XLE3755615: Lohengrin by Wagner - illustration / Bridgeman Images

ID: XLE3755615

Lohengrin by Wagner - illustration

Evelyn Waugh in his study, 1963 (photo)
Evelyn Waugh in his study, 1963 (photo)

MGP617726: Evelyn Waugh in his study, 1963 (photo), Gerson, Mark / Bridgeman Images

ID: MGP617726

Evelyn Waugh in his study, 1963 (photo)

Gerson, Mark

Henry Ashe (b. 1584)
Henry Ashe (b. 1584)

USB1157750: Henry Ashe (b. 1584), English School / Bridgeman Images

ID: USB1157750

Henry Ashe (b. 1584)

English School

Surrender of the First Douaumont und Vaux during the Battle of Verdun, 1916 (b/w photo)
Surrender of the First Douaumont und Vaux during the Battle of Verdun, 1916 (b/w photo)

SZT2986218: Surrender of the First Douaumont und Vaux during the Battle of Verdun, 1916 (b/w photo) / Bridgeman Images

ID: SZT2986218

Surrender of the First Douaumont und Vaux during the Battle of Verdun, 1916 (b/w photo)

The Expected Penny (oil on panel)
The Expected Penny (oil on panel)

TW426834: The Expected Penny (oil on panel), Good, Thomas Sword (1789-1872) / Bridgeman Images

ID: TW426834

The Expected Penny (oil on panel)

Good, Thomas Sword (1789-1872)

Jansenist convulsionary (or Saint Medard) (Works of convulsions) in the 18th century: “” experience of catalepsy and ansensitivities of a convulsionary, the young woman in convulsion gives herself blows”” (Convulsionnaire practices (Convulsionnaires of Saint-Medard) in the 18th century: secours at a convulsionary meeting, a young girl in convulsion bites herself with a sword) Engraving from “Les mysteres de la science” by Louis Figuier, Private Collection
Jansenist convulsionary (or Saint Medard) (Works of convulsions) in the 18th century: “” experience of catalepsy and ansensitivities of a convulsionary, the young woman in convulsion gives herself blows”” (Convulsionnaire practices (Convulsionnaires of Saint-Medard) in the 18th century: secours at a convulsionary meeting, a young girl in convulsion bites herself with a sword) Engraving from “Les mysteres de la science” by Louis Figuier, Private Collection

ELD4846067: Jansenist convulsionary (or Saint Medard) (Works of convulsions) in the 18th century: “” experience of catalepsy and ansensitivities of a convulsionary, the young woman in convulsion gives herself blows”” (Convulsionnaire practices (Convulsionnaires of Saint-Medard) in the 18th century: secours at a convulsionary meeting, a young girl in convulsion bites herself with a sword) Engraving from “Les mysteres de la science” by Louis Figuier, Private Collection / Bridgeman Images

ID: ELD4846067

Jansenist convulsionary (or Saint Medard) (Works of convulsions) in the 18th century: “” experience of catalepsy and ansensitivities of a convulsionary, the young woman in convulsion gives herself blows”” (Convulsionnaire practices (Convulsionnaires of Saint-Medard) in the 18th century: secours at a convulsionary meeting, a young girl in convulsion bites herself with a sword) Engraving from “Les mysteres de la science” by Louis Figuier, Private Collection

Italian Infantryman in 14th century
Italian Infantryman in 14th century

XLF3780268: Italian Infantryman in 14th century / Bridgeman Images

ID: XLF3780268

Italian Infantryman in 14th century

War of Italy (1521-1526): the Battle of Pavia (24 February 1525), 1930 (engraving)
War of Italy (1521-1526): the Battle of Pavia (24 February 1525), 1930 (engraving)

ELD4856037: War of Italy (1521-1526): the Battle of Pavia (24 February 1525), 1930 (engraving), Scarpelli, Tancredi (1866-1937) / Bridgeman Images

ID: ELD4856037

War of Italy (1521-1526): the Battle of Pavia (24 February 1525), 1930 (engraving)

Scarpelli, Tancredi (1866-1937)

Scaramuccia / Scaramouche costume
Scaramuccia / Scaramouche costume

XLE3776031: Scaramuccia / Scaramouche costume / Bridgeman Images

ID: XLE3776031

Scaramuccia / Scaramouche costume

King Henry VIII and Emperor Charles V, engraved by J. Brown, c.1820-30 (stipple engraving)
King Henry VIII and Emperor Charles V, engraved by J. Brown, c.1820-30 (stipple engraving)

ROC3956368: King Henry VIII and Emperor Charles V, engraved by J. Brown, c.1820-30 (stipple engraving), Harding, George Perfect (c.1780-1853) (after) / Bridgeman Images

ID: ROC3956368

King Henry VIII and Emperor Charles V, engraved by J. Brown, c.1820-30 (stipple engraving)

Harding, George Perfect (c.1780-1853) (after)

The Battle of La Hogue, c.1778 (oil on canvas)
The Battle of La Hogue, c.1778 (oil on canvas)

XOS1765347: The Battle of La Hogue, c.1778 (oil on canvas), West, Benjamin (1738-1820) / Bridgeman Images

ID: XOS1765347

The Battle of La Hogue, c.1778 (oil on canvas)

West, Benjamin (1738-1820)

The Great Battle of Satsuma (Part of Triptych), 1877 (woodblock print on paper)
The Great Battle of Satsuma (Part of Triptych), 1877 (woodblock print on paper)

MAI6398456: The Great Battle of Satsuma (Part of Triptych), 1877 (woodblock print on paper), Toshinobu, Yamazaki (fl.c.1857-86) / Bridgeman Images

ID: MAI6398456

The Great Battle of Satsuma (Part of Triptych), 1877 (woodblock print on paper)

Toshinobu, Yamazaki (fl.c.1857-86)

Tent Pegging May Good Fortune crown all your endeavours this Christmas’, 1890 circa (chromolitho)
Tent Pegging May Good Fortune crown all your endeavours this Christmas’, 1890 circa (chromolitho)

NAM5925485: Tent Pegging May Good Fortune crown all your endeavours this Christmas’, 1890 circa (chromolitho), Simkin, Richard (1840-1926) (after) / Bridgeman Images

ID: NAM5925485

Tent Pegging May Good Fortune crown all your endeavours this Christmas’, 1890 circa (chromolitho)

Simkin, Richard (1840-1926) (after)

War of Independence of the United States of America (1775-1783): American General Benjamin Lincoln (1733-1810) received the sword of Lord Cornwallis (1738-1805) from the hands of English General Charles O'Hara (1740-1802) during the surrender of Yorktown, 1781. engraving in “Histoire de France from the most remote times to the present day” by Jules Pacher. Patriotic imagery of Pont-a-Mousson. Late 19th century. Private collection.
War of Independence of the United States of America (1775-1783): American General Benjamin Lincoln (1733-1810) received the sword of Lord Cornwallis (1738-1805) from the hands of English General Charles O'Hara (1740-1802) during the surrender of Yorktown, 1781. engraving in “Histoire de France from the most remote times to the present day” by Jules Pacher. Patriotic imagery of Pont-a-Mousson. Late 19th century. Private collection.

XEE4141809: War of Independence of the United States of America (1775-1783): American General Benjamin Lincoln (1733-1810) received the sword of Lord Cornwallis (1738-1805) from the hands of English General Charles O'Hara (1740-1802) during the surrender of Yorktown, 1781. engraving in “Histoire de France from the most remote times to the present day” by Jules Pacher. Patriotic imagery of Pont-a-Mousson. Late 19th century. Private collection., Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4141809

War of Independence of the United States of America (1775-1783): American General Benjamin Lincoln (1733-1810) received the sword of Lord Cornwallis (1738-1805) from the hands of English General Charles O'Hara (1740-1802) during the surrender of Yorktown, 1781. engraving in “Histoire de France from the most remote times to the present day” by Jules Pacher. Patriotic imagery of Pont-a-Mousson. Late 19th century. Private collection.

Pacher, Jules (19th-20th century)

Pergamon Altar. Hecate fighting against the giant Klytios next to Artemis who is fighting with another giant, perhaps Otos.
Pergamon Altar. Hecate fighting against the giant Klytios next to Artemis who is fighting with another giant, perhaps Otos.

TRK831713: Pergamon Altar. Hecate fighting against the giant Klytios next to Artemis who is fighting with another giant, perhaps Otos. / Bridgeman Images

ID: TRK831713

Pergamon Altar. Hecate fighting against the giant Klytios next to Artemis who is fighting with another giant, perhaps Otos.

Courtier of King René of Provence in 14th century
Courtier of King René of Provence in 14th century

XLF3780271: Courtier of King René of Provence in 14th century / Bridgeman Images

ID: XLF3780271

Courtier of King René of Provence in 14th century

Mars
Mars

USB1158535: Mars, Guercino (Giovanni Francesco Barbieri) (1591-1666) / Bridgeman Images

ID: USB1158535

Mars

Guercino (Giovanni Francesco Barbieri) (1591-1666)

Portrait of Algernon, 10th Earl of Northumberland, c.1638 (oil on canvas)
Portrait of Algernon, 10th Earl of Northumberland, c.1638 (oil on canvas)

NTE6371426: Portrait of Algernon, 10th Earl of Northumberland, c.1638 (oil on canvas), Dyck, Anthony van (1599-1641) / Bridgeman Images

ID: NTE6371426

Portrait of Algernon, 10th Earl of Northumberland, c.1638 (oil on canvas)

Dyck, Anthony van (1599-1641)

China: Chinese script (cursive). Tang Dynasty calligraphy attributed to Zhang Shui (9th century)
China: Chinese script (cursive). Tang Dynasty calligraphy attributed to Zhang Shui (9th century)

PFH1164259: China: Chinese script (cursive). Tang Dynasty calligraphy attributed to Zhang Shui (9th century) / Bridgeman Images

ID: PFH1164259

China: Chinese script (cursive). Tang Dynasty calligraphy attributed to Zhang Shui (9th century)

The Coronation of King Henry IV of England (1367-1413), by the Evechs of Westminster Abbey, London, 1399 - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Henry IV of England, 1399. The king is crowned by bishops in Westminster Abbey, while pages hold his coat of arms, helm and sword - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The Coronation of King Henry IV of England (1367-1413), by the Evechs of Westminster Abbey, London, 1399 - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Henry IV of England, 1399. The king is crowned by bishops in Westminster Abbey, while pages hold his coat of arms, helm and sword - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630623: The Coronation of King Henry IV of England (1367-1413), by the Evechs of Westminster Abbey, London, 1399 - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Henry IV of England, 1399. The king is crowned by bishops in Westminster Abbey, while pages hold his coat of arms, helm and sword - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630623

The Coronation of King Henry IV of England (1367-1413), by the Evechs of Westminster Abbey, London, 1399 - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Henry IV of England, 1399. The king is crowned by bishops in Westminster Abbey, while pages hold his coat of arms, helm and sword - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

A young man wearing an embroidered jacket and waistcoat, engraved by Le Beau, plate no.253 from 'Galeries des Modes et Costumes Francais', c.1778-87 (coloured engraving) 99:clothing; traditional dress; traditional costume; fashion; illustration; c18th; fashionable; clothes; male; yellow; wig; hat; bowing; sword; weapon;
A young man wearing an embroidered jacket and waistcoat, engraved by Le Beau, plate no.253 from 'Galeries des Modes et Costumes Francais', c.1778-87 (coloured engraving) 99:clothing; traditional dress; traditional costume; fashion; illustration; c18th; fashionable; clothes; male; yellow; wig; hat; bowing; sword; weapon;

STC427810: A young man wearing an embroidered jacket and waistcoat, engraved by Le Beau, plate no.253 from 'Galeries des Modes et Costumes Francais', c.1778-87 (coloured engraving) 99:clothing; traditional dress; traditional costume; fashion; illustration; c18th; fashionable; clothes; male; yellow; wig; hat; bowing; sword; weapon;, Watteau, Francois Louis Joseph (1758-1823) (after) / Bridgeman Images

ID: STC427810

A young man wearing an embroidered jacket and waistcoat, engraved by Le Beau, plate no.253 from 'Galeries des Modes et Costumes Francais', c.1778-87 (coloured engraving) 99:clothing; traditional dress; traditional costume; fashion; illustration; c18th; fashionable; clothes; male; yellow; wig; hat; bowing; sword; weapon;

Watteau, Francois Louis Joseph (1758-1823) (after)

A harbour landscape at sunset, 1637 (oil on canvas)
A harbour landscape at sunset, 1637 (oil on canvas)

NTE6371435: A harbour landscape at sunset, 1637 (oil on canvas), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

ID: NTE6371435

A harbour landscape at sunset, 1637 (oil on canvas)

Claude Lorrain (Claude Gellee) (1600-82)

The Bullfighter Student (Colour Litho)
The Bullfighter Student (Colour Litho)

LLM2784970: The Bullfighter Student (Colour Litho), Molino, Walter (1915-1997) / Bridgeman Images

ID: LLM2784970

The Bullfighter Student (Colour Litho)

Molino, Walter (1915-1997)


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