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41915 Search Results for medieval or gothic or late medieval

Charles VII, from 'Portraits des grands hommes, femmes illustres, et sujets memorables de France, grave et imprimes en couleurs', published by Pierre Blin, 1786-92, Paris (colour engraving)
Charles VII, from 'Portraits des grands hommes, femmes illustres, et sujets memorables de France, grave et imprimes en couleurs', published by Pierre Blin, 1786-92, Paris (colour engraving)

STC422616: Charles VII, from 'Portraits des grands hommes, femmes illustres, et sujets memorables de France, grave et imprimes en couleurs', published by Pierre Blin, 1786-92, Paris (colour engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) (after) / Bridgeman Images

A Knight Carrying the Arms of Verona, from the 'Codex Capodilista' (vellum)
A Knight Carrying the Arms of Verona, from the 'Codex Capodilista' (vellum)

XIR166036: A Knight Carrying the Arms of Verona, from the 'Codex Capodilista' (vellum), Italian School, (15th century) / Bridgeman Images

St. John and the Seven Churches of Asia, no.2 from 'The Apocalypse of Angers', 1373-87 (tapestry)
St. John and the Seven Churches of Asia, no.2 from 'The Apocalypse of Angers', 1373-87 (tapestry)

XIR236841: St. John and the Seven Churches of Asia, no.2 from 'The Apocalypse of Angers', 1373-87 (tapestry), Bataille, Nicolas (fl. 1363-1400) / Bridgeman Images

Ms 65/1284 fol.54v The Presentation of the Virgin in the Temple, from the 'Tres Riches Heures du Duc de Berry' (vellum)
Ms 65/1284 fol.54v The Presentation of the Virgin in the Temple, from the 'Tres Riches Heures du Duc de Berry' (vellum)

CND80413: Ms 65/1284 fol.54v The Presentation of the Virgin in the Temple, from the 'Tres Riches Heures du Duc de Berry' (vellum), Limbourg, Pol de (d.c.1416) / Bridgeman Images

Ms 65/1284 f.44v The Nativity, from the 'Tres Riches Heures du Duc de Berry' (vellum)
Ms 65/1284 f.44v The Nativity, from the 'Tres Riches Heures du Duc de Berry' (vellum)

CND70994: Ms 65/1284 f.44v The Nativity, from the 'Tres Riches Heures du Duc de Berry' (vellum), Limbourg, Pol de (d.c.1416) / Bridgeman Images

Illuminated initial 'B' showing David annointed by Samuel (vellum)
Illuminated initial 'B' showing David annointed by Samuel (vellum)

LAM141719: Illuminated initial 'B' showing David annointed by Samuel (vellum), English School, (15th century) / Bridgeman Images

'Onward', 1890 (oil on canvas)
'Onward', 1890 (oil on canvas)

MAN277435: 'Onward', 1890 (oil on canvas), Gilbert, John (1817-97) / Bridgeman Images

Columbus on his voyage to America, engraving.
Columbus on his voyage to America, engraving.

XLF3781780: Columbus on his voyage to America, engraving. / Bridgeman Images

Heads over the West Door, Templar Chapel, Montsaunes, Pyrenees, France (b/w photo)
Heads over the West Door, Templar Chapel, Montsaunes, Pyrenees, France (b/w photo)

TMA396414: Heads over the West Door, Templar Chapel, Montsaunes, Pyrenees, France (b/w photo) / Bridgeman Images

Wycliff sending out his 'poor priests', illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)
Wycliff sending out his 'poor priests', illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)

STC393330: Wycliff sending out his 'poor priests', illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo), Yeames, William Frederick (1835-1918) / Bridgeman Images

Duke William and the Norman invasion fleet cross the channel, Bayeux Tapestry (wool embroidery on linen)
Duke William and the Norman invasion fleet cross the channel, Bayeux Tapestry (wool embroidery on linen)

XOS3697041: Duke William and the Norman invasion fleet cross the channel, Bayeux Tapestry (wool embroidery on linen), Unknown Artist, (11th century) / Bridgeman Images

King Henry V attacked by the duke of Alencon at the battle of Agincourt
King Henry V attacked by the duke of Alencon at the battle of Agincourt

LLM339246: King Henry V attacked by the duke of Alencon at the battle of Agincourt, Doyle, James William Edmund (1822-92) / Bridgeman Images

Purgatorio, Canto 31 : Dante submerged in the River Lethe, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 31 : Dante submerged in the River Lethe, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745636: Purgatorio, Canto 31 : Dante submerged in the River Lethe, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Ms 137/1687 fol.147v A knight preaching to two companions not to leave the monastery, from Recueil de Traites de Devotion, 1371-78 (vellum)
Ms 137/1687 fol.147v A knight preaching to two companions not to leave the monastery, from Recueil de Traites de Devotion, 1371-78 (vellum)

CND179367: Ms 137/1687 fol.147v A knight preaching to two companions not to leave the monastery, from Recueil de Traites de Devotion, 1371-78 (vellum), French School, (14th century) / Bridgeman Images

Ms 3458, historiated initial 'O' depicting the ancient Greek philosopher Aristotle, teaching a group of clerics from Western Europe and pointing upwards towards God in the heavens (pen & ink and tempera on vellum) (see 430471 for detail)
Ms 3458, historiated initial 'O' depicting the ancient Greek philosopher Aristotle, teaching a group of clerics from Western Europe and pointing upwards towards God in the heavens (pen & ink and tempera on vellum) (see 430471 for detail)

BMR430472: Ms 3458, historiated initial 'O' depicting the ancient Greek philosopher Aristotle, teaching a group of clerics from Western Europe and pointing upwards towards God in the heavens (pen & ink and tempera on vellum) (see 430471 for detail), French School, (13th century) / Bridgeman Images

Purgatorio, Canto 28 : Dante, Virgil, and Statius (Stace) in the ancient forest of the terrestrial paradise, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 28 : Dante, Virgil, and Statius (Stace) in the ancient forest of the terrestrial paradise, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745642: Purgatorio, Canto 28 : Dante, Virgil, and Statius (Stace) in the ancient forest of the terrestrial paradise, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 16 : Marco Lombardo follows the poets through the smoke, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 16 : Marco Lombardo follows the poets through the smoke, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745651: Purgatorio, Canto 16 : Marco Lombardo follows the poets through the smoke, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Elect (chromolitho)
The Elect (chromolitho)

LLM668487: The Elect (chromolitho), French School, (19th century) / Bridgeman Images

Effigies of Knights Templars (engraving)
Effigies of Knights Templars (engraving)

XJF311232: Effigies of Knights Templars (engraving), English School / Bridgeman Images

Ms 372 fol.165v A Man in his Sickbed, from 'Decrets de Gratien' (vellum)
Ms 372 fol.165v A Man in his Sickbed, from 'Decrets de Gratien' (vellum)

XIR216957: Ms 372 fol.165v A Man in his Sickbed, from 'Decrets de Gratien' (vellum), French School, (13th century) / Bridgeman Images

Allegory of Good Government, detail of the effect of commutative justice, 1338-40 (fresco)
Allegory of Good Government, detail of the effect of commutative justice, 1338-40 (fresco)

FAF213986: Allegory of Good Government, detail of the effect of commutative justice, 1338-40 (fresco), Lorenzetti, Ambrogio (1285-c.1348) / Bridgeman Images

Adoration of the Magi Altarpiece, central predella Flight into Egypt, 1423 (tempera on panel)
Adoration of the Magi Altarpiece, central predella Flight into Egypt, 1423 (tempera on panel)

BAL69436: Adoration of the Magi Altarpiece, central predella Flight into Egypt, 1423 (tempera on panel), Fabriano, Gentile da (c.1370-1427) / Bridgeman Images

Fair Rosamond Clifford
Fair Rosamond Clifford

CH21747: Fair Rosamond Clifford, Sidney, Herbert (1858-1923) / Bridgeman Images

Ms Lat. Q.v.I.126 f.77v Illustration of a funeral service, from the 'Book of Hours of Louis d'Orleans', 1469 (vellum)
Ms Lat. Q.v.I.126 f.77v Illustration of a funeral service, from the 'Book of Hours of Louis d'Orleans', 1469 (vellum)

XJL197043: Ms Lat. Q.v.I.126 f.77v Illustration of a funeral service, from the 'Book of Hours of Louis d'Orleans', 1469 (vellum), Colombe, Jean (c.1430-c.93) / Bridgeman Images

Ms 340/603 fol.3 Digging and Planting, from 'Le Rustican' by Pietro de Crescenzi (1230-1320) c.1460 (vellum)
Ms 340/603 fol.3 Digging and Planting, from 'Le Rustican' by Pietro de Crescenzi (1230-1320) c.1460 (vellum)

CND212505: Ms 340/603 fol.3 Digging and Planting, from 'Le Rustican' by Pietro de Crescenzi (1230-1320) c.1460 (vellum), French School, (15th century) / Bridgeman Images

St. Nicasius with angels, Jamb figures from the west portal (stone)
St. Nicasius with angels, Jamb figures from the west portal (stone)

XIR246447: St. Nicasius with angels, Jamb figures from the west portal (stone), French School, (13th century) / Bridgeman Images

Medieval score - 'INTROIT
Medieval score - 'INTROIT

XLE3756360: Medieval score - 'INTROIT / Bridgeman Images

14th century tournament,  wearing full armour
14th century tournament,  wearing full armour

XLF3780270: 14th century tournament, wearing full armour / Bridgeman Images

Margaret Tudor Arrives in York in 1503 (colour litho)
Margaret Tudor Arrives in York in 1503 (colour litho)

XLF3787156: Margaret Tudor Arrives in York in 1503 (colour litho), English School / Bridgeman Images

Liebig's Extract of Meat Company advert showing medieval monk scribes copying manuscripts, 1912 (chromolitho)
Liebig's Extract of Meat Company advert showing medieval monk scribes copying manuscripts, 1912 (chromolitho)

LSE4098948: Liebig's Extract of Meat Company advert showing medieval monk scribes copying manuscripts, 1912 (chromolitho), French School, (20th century) / Bridgeman Images

The Thebaid, c.1400 (tempera on panel)  (detail of 162947)
The Thebaid, c.1400 (tempera on panel)  (detail of 162947)

XAL1154314: The Thebaid, c.1400 (tempera on panel) (detail of 162947), Starnina, Gherardo (c.1354-1409/13) / Bridgeman Images

Fol.136v How Charlemagne (742-814) Found Roland Dead, from the Grandes Chroniques de France, 1375-79 (vellum)
Fol.136v How Charlemagne (742-814) Found Roland Dead, from the Grandes Chroniques de France, 1375-79 (vellum)

XIR204984: Fol.136v How Charlemagne (742-814) Found Roland Dead, from the Grandes Chroniques de France, 1375-79 (vellum), French School, (14th century) / Bridgeman Images

Ms 327 fol.293v Surveying a river, from 'Traite d'Arpentage' by Arnaud de Villeneuve (1240-1312) (vellum)
Ms 327 fol.293v Surveying a river, from 'Traite d'Arpentage' by Arnaud de Villeneuve (1240-1312) (vellum)

XIR205404: Ms 327 fol.293v Surveying a river, from 'Traite d'Arpentage' by Arnaud de Villeneuve (1240-1312) (vellum), Boysset, Bertrand (1355-1415) / Bridgeman Images

Belvoir Fortress (photo)
Belvoir Fortress (photo)

BLP398303: Belvoir Fortress (photo) / Bridgeman Images

Canto XXXIII Dante and Virgil meet Ugolino in the Circle of the Treacherous, from the Divine Comedy (the Inferno), c.1313 (vellum)
Canto XXXIII Dante and Virgil meet Ugolino in the Circle of the Treacherous, from the Divine Comedy (the Inferno), c.1313 (vellum)

LEE59153: Canto XXXIII Dante and Virgil meet Ugolino in the Circle of the Treacherous, from the Divine Comedy (the Inferno), c.1313 (vellum), Italian School, (14th century) / Bridgeman Images

FIA5354424: "Representation Of Jeanne D'Arc (1410/12-1431) In Prayer", 1848 (painting), Dyudin, N.M. (fl.1848) / Bridgeman Images


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