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42070 Search Results for medieval or gothic or late medieval

Noble Francais (coloured engraving)
Noble Francais (coloured engraving)

LLM6016023: Noble Francais (coloured engraving), European School, (19th century) / Bridgeman Images

Charles uses a canon in a siege against the chatueaux d'Aymon (litho)
Charles uses a canon in a siege against the chatueaux d'Aymon (litho)

STC908287: Charles uses a canon in a siege against the chatueaux d'Aymon (litho), French School / Bridgeman Images

Roemer, Frankfurt am Main, Germany (coloured photo)
Roemer, Frankfurt am Main, Germany (coloured photo)

LLE821400: Roemer, Frankfurt am Main, Germany (coloured photo), German Photographer, (20th century) / Bridgeman Images

Chevalier Ecossais (coloured engraving)
Chevalier Ecossais (coloured engraving)

LLM6016096: Chevalier Ecossais (coloured engraving), European School, (19th century) / Bridgeman Images

Instructions sent in 1190 by the Bishop of Ely to all Sheriffs to collect dues owed to the Dean and Chapter of St. Paul's Cathedral
Instructions sent in 1190 by the Bishop of Ely to all Sheriffs to collect dues owed to the Dean and Chapter of St. Paul's Cathedral

BAL51516: Instructions sent in 1190 by the Bishop of Ely to all Sheriffs to collect dues owed to the Dean and Chapter of St. Paul's Cathedral / Bridgeman Images

Fenis castle, Aosta Valley, Italy
Fenis castle, Aosta Valley, Italy

KW5671724: Fenis castle, Aosta Valley, Italy / Bridgeman Images

The Semmarin Gate (photo)
The Semmarin Gate (photo)

KW383417: The Semmarin Gate (photo) / Bridgeman Images

Allegorical Carving (photo)
Allegorical Carving (photo)

EDS346704: Allegorical Carving (photo) / Bridgeman Images

View of the Town (photo)
View of the Town (photo)

JFS134011: View of the Town (photo) / Bridgeman Images

View of the church of Sant' Urbano, Domo, The Marches, Italy (photo)
View of the church of Sant' Urbano, Domo, The Marches, Italy (photo)

JFS138083: View of the church of Sant' Urbano, Domo, The Marches, Italy (photo) / Bridgeman Images

Castle, or fortified farm in the Maremma area, Tuscany, Italy (photo)
Castle, or fortified farm in the Maremma area, Tuscany, Italy (photo)

JFS134898: Castle, or fortified farm in the Maremma area, Tuscany, Italy (photo), Le Petit, Auguste (fl.1918) / Bridgeman Images

Pictish Horsemen (monotype)
Pictish Horsemen (monotype)

GWA417434: Pictish Horsemen (monotype), Wallington, Gloria / Bridgeman Images

Line of Saints, by Unknown Artist, 12th Century, fresco
Line of Saints, by Unknown Artist, 12th Century, fresco

MEB943448: Line of Saints, by Unknown Artist, 12th Century, fresco / Bridgeman Images

Allegory of Good Government, 1338 - 1340 (fresco)
Allegory of Good Government, 1338 - 1340 (fresco)

ELC857173: Allegory of Good Government, 1338 - 1340 (fresco), Lorenzetti, Ambrogio (1285-c.1348) / Bridgeman Images

Dunblane Cathedral, tower from SW, Scotland (photo)
Dunblane Cathedral, tower from SW, Scotland (photo)

SER4072004: Dunblane Cathedral, tower from SW, Scotland (photo) / Bridgeman Images

Musician angels, 1335 (tempera on board)
Musician angels, 1335 (tempera on board)

MEP3705239: Musician angels, 1335 (tempera on board), Lorenzetti, Ambrogio (1285-c.1348) / Bridgeman Images

Calendar for May with figures of Olee and St. Thomas, quote from Ephesians, disciples, Adam and Eve, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846.
Calendar for May with figures of Olee and St. Thomas, quote from Ephesians, disciples, Adam and Eve, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846.

FLO5912926: Calendar for May with figures of Olee and St. Thomas, quote from Ephesians, disciples, Adam and Eve, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846. / Bridgeman Images

Illumination
Illumination

MEV5049899: Illumination / Bridgeman Images

Chapel with dolphins, Cathedrale San Lorenzo, Viterbo (Viterbo). Medieval architecture of the 12th century.
Chapel with dolphins, Cathedrale San Lorenzo, Viterbo (Viterbo). Medieval architecture of the 12th century.

ANJ4989073: Chapel with dolphins, Cathedrale San Lorenzo, Viterbo (Viterbo). Medieval architecture of the 12th century., Italian School, (12th century) / Bridgeman Images

Medieval costume: clothing of the Counts of Toulouse in the 13th century, c.1860 (steel engraving)
Medieval costume: clothing of the Counts of Toulouse in the 13th century, c.1860 (steel engraving)

DUV4216193: Medieval costume: clothing of the Counts of Toulouse in the 13th century, c.1860 (steel engraving) / Bridgeman Images

Ferdinand I of Bulgaria depicted as a medieval Bulgarian Tsar or as a Byzantine emperor, 1912 (litho)
Ferdinand I of Bulgaria depicted as a medieval Bulgarian Tsar or as a Byzantine emperor, 1912 (litho)

LLE5232154: Ferdinand I of Bulgaria depicted as a medieval Bulgarian Tsar or as a Byzantine emperor, 1912 (litho), Bulgarian School (20th century) / Bridgeman Images

Piazza Sordello, medieval tower and dome Cathedral of San Andrea, Mantua, Italy (photo)
Piazza Sordello, medieval tower and dome Cathedral of San Andrea, Mantua, Italy (photo)

BSI6381732: Piazza Sordello, medieval tower and dome Cathedral of San Andrea, Mantua, Italy (photo), Balossini, Camillo / Bridgeman Images

History of navigation. Medieval boat. Art model. Museum of History and navigation. Riga. Latvia.
History of navigation. Medieval boat. Art model. Museum of History and navigation. Riga. Latvia.

TRK1031236: History of navigation. Medieval boat. Art model. Museum of History and navigation. Riga. Latvia. / Bridgeman Images

Mereaux: metal chips (mostly lead) from the medieval period - the largest was used as a pendant -
Mereaux: metal chips (mostly lead) from the medieval period - the largest was used as a pendant -

PCT4280431: Mereaux: metal chips (mostly lead) from the medieval period - the largest was used as a pendant -, Cartier, Patrice / Bridgeman Images

Medieval museum, Bologna. Bust of Innocent X. Stone, 17th century, Bologna, Italy
Medieval museum, Bologna. Bust of Innocent X. Stone, 17th century, Bologna, Italy

GNG5283584: Medieval museum, Bologna. Bust of Innocent X. Stone, 17th century, Bologna, Italy / Bridgeman Images

Kilmalkedar Church, Dingle Peninsula, Co Kerry, Ireland; Medieval Church And Cross (photo)
Kilmalkedar Church, Dingle Peninsula, Co Kerry, Ireland; Medieval Church And Cross (photo)

DPS3503624: Kilmalkedar Church, Dingle Peninsula, Co Kerry, Ireland; Medieval Church And Cross (photo) / Bridgeman Images

Church of Entrevaux. At the back: Passage built by Vauban in 1693 between the citadel and the Medieval city
Church of Entrevaux. At the back: Passage built by Vauban in 1693 between the citadel and the Medieval city

FBU4248267: Church of Entrevaux. At the back: Passage built by Vauban in 1693 between the citadel and the Medieval city / Bridgeman Images

Carvings on the Facade of a Medieval House, Stolberg, Harz District, Saxony-Anhalt, Germany (photo)
Carvings on the Facade of a Medieval House, Stolberg, Harz District, Saxony-Anhalt, Germany (photo)

POV1202548: Carvings on the Facade of a Medieval House, Stolberg, Harz District, Saxony-Anhalt, Germany (photo) / Bridgeman Images

Medieval wall painting of the Resurrection, Christ standing on stone sarcophagus, Pickering, Yorkshire (photo)
Medieval wall painting of the Resurrection, Christ standing on stone sarcophagus, Pickering, Yorkshire (photo)

HGP2607346: Medieval wall painting of the Resurrection, Christ standing on stone sarcophagus, Pickering, Yorkshire (photo) / Bridgeman Images

Mr Charles Pitt as Gloster, Henry VI, Part III (engraving)
Mr Charles Pitt as Gloster, Henry VI, Part III (engraving)

LLM971696: Mr Charles Pitt as Gloster, Henry VI, Part III (engraving), English School, (19th century) / Bridgeman Images

How Hereward came in to the King, illustration from 'Hereward the Great' by Charles Kingsley, 1870 (steel plate engraving)
How Hereward came in to the King, illustration from 'Hereward the Great' by Charles Kingsley, 1870 (steel plate engraving)

STC400818: How Hereward came in to the King, illustration from 'Hereward the Great' by Charles Kingsley, 1870 (steel plate engraving), Selous, Henry Courtney (1811-90) / Bridgeman Images

The Moat of Ongar Castle and Castle House, Essex, engraved by Henry Wallis, 1832 (engraving)
The Moat of Ongar Castle and Castle House, Essex, engraved by Henry Wallis, 1832 (engraving)

XJF451337: The Moat of Ongar Castle and Castle House, Essex, engraved by Henry Wallis, 1832 (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

Henry V, illustration for 'A New and Complete History of England', 1774 (engraving)
Henry V, illustration for 'A New and Complete History of England', 1774 (engraving)

LLM3630928: Henry V, illustration for 'A New and Complete History of England', 1774 (engraving), Wale, Samuel (1721-86) (after) / Bridgeman Images

Plucking the Roses, illustration for 'A Play-Book of History' by Mrs A. A. Whiddington, c.1911 (litho)
Plucking the Roses, illustration for 'A Play-Book of History' by Mrs A. A. Whiddington, c.1911 (litho)

LLM6007521: Plucking the Roses, illustration for 'A Play-Book of History' by Mrs A. A. Whiddington, c.1911 (litho), Robinson, Thomas Heath (1869-1954) / Bridgeman Images

Genealogical roll of the kings of England, c.1440-79 (pen & ink on parchment)
Genealogical roll of the kings of England, c.1440-79 (pen & ink on parchment)

AND2919750: Genealogical roll of the kings of England, c.1440-79 (pen & ink on parchment), English School, (15th century) / Bridgeman Images

The Virgin and Child, 15th Century Fresco, Chapter Hall, Saint Vincent Cathedral of Bayeux
The Virgin and Child, 15th Century Fresco, Chapter Hall, Saint Vincent Cathedral of Bayeux

ITR7135098: The Virgin and Child, 15th Century Fresco, Chapter Hall, Saint Vincent Cathedral of Bayeux, Unknown Artist, (15th century) / Bridgeman Images


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