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41987 Search Results for medieval or gothic or late medieval

Illustration for The Decameron of Boccaccio (colour litho)
Illustration for The Decameron of Boccaccio (colour litho)

LLM5204779: Illustration for The Decameron of Boccaccio (colour litho), Derrick, Thomas (1885-1954) / Bridgeman Images

Prisoners in cells On the return of hard prison, poeme. circa 1930 (illustration)
Prisoners in cells On the return of hard prison, poeme. circa 1930 (illustration)

CCI6437892: Prisoners in cells On the return of hard prison, poeme. circa 1930 (illustration), Unknown Artist, (20th century) / Bridgeman Images

Naked women. Ballad of the ladies of the time once, poem. circa 1930 (illustration)
Naked women. Ballad of the ladies of the time once, poem. circa 1930 (illustration)

CCI6437902: Naked women. Ballad of the ladies of the time once, poem. circa 1930 (illustration), Unknown Artist, (20th century) / Bridgeman Images

Naked women. Beautiful lesson to the lost children, poem. circa 1930 (illustration)
Naked women. Beautiful lesson to the lost children, poem. circa 1930 (illustration)

CCI6437926: Naked women. Beautiful lesson to the lost children, poem. circa 1930 (illustration), Unknown Artist, (20th century) / Bridgeman Images

Dedicated Church, consecrated in 1194, by Adhemar I of La Torre, eveque of Perigueux (1185-1197), in honor of Saint Martin of Tours, known as the Misericordious (316-397) and Thomas Beckett or Saint Thomas of Canterbury (1117-1170), built at the request of Richard I of England known as the Heart of Lion (1157-1199), Duke of England. Aquitaine, are also listed on the inscription, Pope Celestin III (Giacinto di Pietro di Bobone or Cardinal Hyacinthe, 1106-1198), Philip II known as Philip Augustus (1165-1323), King of France, Helie V of Talleyrand (ca. 1136-1205), Count of Perigord, Helie de Malemort, Archbishop of Bordeaux from 1188 to 1207 and Hebrard of Villars (?) , deacon of the church - Grave stone of the chapel of Saint Martin, late 12th century, of the medieval city of Limeuil (Dordogne, Perigord)
Dedicated Church, consecrated in 1194, by Adhemar I of La Torre, eveque of Perigueux (1185-1197), in honor of Saint Martin of Tours, known as the Misericordious (316-397) and Thomas Beckett or Saint Thomas of Canterbury (1117-1170), built at the request of Richard I of England known as the Heart of Lion (1157-1199), Duke of England. Aquitaine, are also listed on the inscription, Pope Celestin III (Giacinto di Pietro di Bobone or Cardinal Hyacinthe, 1106-1198), Philip II known as Philip Augustus (1165-1323), King of France, Helie V of Talleyrand (ca. 1136-1205), Count of Perigord, Helie de Malemort, Archbishop of Bordeaux from 1188 to 1207 and Hebrard of Villars (?) , deacon of the church - Grave stone of the chapel of Saint Martin, late 12th century, of the medieval city of Limeuil (Dordogne, Perigord)

JEB4938293: Dedicated Church, consecrated in 1194, by Adhemar I of La Torre, eveque of Perigueux (1185-1197), in honor of Saint Martin of Tours, known as the Misericordious (316-397) and Thomas Beckett or Saint Thomas of Canterbury (1117-1170), built at the request of Richard I of England known as the Heart of Lion (1157-1199), Duke of England. Aquitaine, are also listed on the inscription, Pope Celestin III (Giacinto di Pietro di Bobone or Cardinal Hyacinthe, 1106-1198), Philip II known as Philip Augustus (1165-1323), King of France, Helie V of Talleyrand (ca. 1136-1205), Count of Perigord, Helie de Malemort, Archbishop of Bordeaux from 1188 to 1207 and Hebrard of Villars (?) , deacon of the church - Grave stone of the chapel of Saint Martin, late 12th century, of the medieval city of Limeuil (Dordogne, Perigord) / Bridgeman Images

Henry VII King of England, c.1506-1509 (oil on oak panel)
Henry VII King of England, c.1506-1509 (oil on oak panel)

HEV5013466: Henry VII King of England, c.1506-1509 (oil on oak panel), Anglo-Flemish School, (16th century) / Bridgeman Images

Scene from 'Henry V' by William Shakespeare, 2007 (photo)
Scene from 'Henry V' by William Shakespeare, 2007 (photo)

KNT3821633: Scene from 'Henry V' by William Shakespeare, 2007 (photo) / Bridgeman Images

Scene from 'Henry V' by William Shakespeare, 2007 (photo)
Scene from 'Henry V' by William Shakespeare, 2007 (photo)

KNT3821639: Scene from 'Henry V' by William Shakespeare, 2007 (photo) / Bridgeman Images

Scene from 'Henry V' by William Shakespeare, 2007 (photo)
Scene from 'Henry V' by William Shakespeare, 2007 (photo)

KNT3821643: Scene from 'Henry V' by William Shakespeare, 2007 (photo) / Bridgeman Images

Virgin and Child (oil on panel)
Virgin and Child (oil on panel)

XIR169052: Virgin and Child (oil on panel), Weyden, Rogier van der (1399-1464) / Bridgeman Images

Madame Celeste as the Princess Katherine, Act V, Sc. II from 'Henry V' by William Shakespeare (engraving)
Madame Celeste as the Princess Katherine, Act V, Sc. II from 'Henry V' by William Shakespeare (engraving)

LLM971694: Madame Celeste as the Princess Katherine, Act V, Sc. II from 'Henry V' by William Shakespeare (engraving), English School, (19th century) / Bridgeman Images

The Recent Naval Manoeuvres (engraving)
The Recent Naval Manoeuvres (engraving)

LIP1046024: The Recent Naval Manoeuvres (engraving), English School, (19th century) / Bridgeman Images

Madonna of Milk, 1450-1500 (carved, painted & gilt wood)
Madonna of Milk, 1450-1500 (carved, painted & gilt wood)

MEV5049663: Madonna of Milk, 1450-1500 (carved, painted & gilt wood), Italian School, (15th century) / Bridgeman Images

The Lady of the Lake teaches Arthur about Excalibur, 1893-94 (engraving)
The Lady of the Lake teaches Arthur about Excalibur, 1893-94 (engraving)

ELD4881446: The Lady of the Lake teaches Arthur about Excalibur, 1893-94 (engraving), Beardsley, Aubrey (1872-98) / Bridgeman Images

Queen Guinevere's Maying, 1893 (engraving)
Queen Guinevere's Maying, 1893 (engraving)

ELD4881492: Queen Guinevere's Maying, 1893 (engraving), Beardsley, Aubrey (1872-98) / Bridgeman Images

King Henry III of England facing the Baron Commission led by Simon V of Montfort, illustration from 'A Chronicle of England' by James Doyle, 1864 (colour litho)
King Henry III of England facing the Baron Commission led by Simon V of Montfort, illustration from 'A Chronicle of England' by James Doyle, 1864 (colour litho)

ELD4874894: King Henry III of England facing the Baron Commission led by Simon V of Montfort, illustration from 'A Chronicle of England' by James Doyle, 1864 (colour litho), English School, (19th century) / Bridgeman Images

Geraint slays Earl Doorm, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
Geraint slays Earl Doorm, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649279: Geraint slays Earl Doorm, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Mystical Marriage of St Catherine of Alexandria (fresco)
Mystical Marriage of St Catherine of Alexandria (fresco)

ELC853310: Mystical Marriage of St Catherine of Alexandria (fresco), Grassi, Giovannino de' (1350-1398) / Bridgeman Images

Hundred Years' War: “” The Battle of Azincourt on 25/10/1415””. King Henry V (1387-1422) prayed before confronting the French troops. The Battle of Agincourt: King Henry the Fifth praying for victory before the battle.
Hundred Years' War: “” The Battle of Azincourt on 25/10/1415””. King Henry V (1387-1422) prayed before confronting the French troops. The Battle of Agincourt: King Henry the Fifth praying for victory before the battle.

XEE4188344: Hundred Years' War: “” The Battle of Azincourt on 25/10/1415””. King Henry V (1387-1422) prayed before confronting the French troops. The Battle of Agincourt: King Henry the Fifth praying for victory before the battle., English School, (19th century) / Bridgeman Images

King Charles VII of France, the Victorious, 1852 (engraving)
King Charles VII of France, the Victorious, 1852 (engraving)

FLO4570342: King Charles VII of France, the Victorious, 1852 (engraving), Massard, Leopold (1812-1889) / Bridgeman Images

King Charles VII of France, the Victorious, the Victorious, 1403-1461. He wears court costume of a short tunic, panties and boots with spurs. Handcoloured lithograph by Leopold Massard after a portrait in a pair of Hours for Etienne Chevalier in Roger de Gaignieres' portfolio VI 4 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
King Charles VII of France, the Victorious, the Victorious, 1403-1461. He wears court costume of a short tunic, panties and boots with spurs. Handcoloured lithograph by Leopold Massard after a portrait in a pair of Hours for Etienne Chevalier in Roger de Gaignieres' portfolio VI 4 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570352: King Charles VII of France, the Victorious, the Victorious, 1403-1461. He wears court costume of a short tunic, panties and boots with spurs. Handcoloured lithograph by Leopold Massard after a portrait in a pair of Hours for Etienne Chevalier in Roger de Gaignieres' portfolio VI 4 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Occleve Presenting his Book to Henry V, illustration from 'Dresses and Decorations', 1858 (colour litho)
Occleve Presenting his Book to Henry V, illustration from 'Dresses and Decorations', 1858 (colour litho)

LLM457967: Occleve Presenting his Book to Henry V, illustration from 'Dresses and Decorations', 1858 (colour litho), Shaw, Henry (1800-73) / Bridgeman Images

Prince Henry before Judge Gascoigne, illustration from 'Cassell's History of England', c.1890 (engraving)
Prince Henry before Judge Gascoigne, illustration from 'Cassell's History of England', c.1890 (engraving)

LLM664438: Prince Henry before Judge Gascoigne, illustration from 'Cassell's History of England', c.1890 (engraving), English School, (19th century) / Bridgeman Images

The Misses Isa Bowman and Bessie Hatton as the young princes in Richard III (gravure)
The Misses Isa Bowman and Bessie Hatton as the young princes in Richard III (gravure)

LLM671577: The Misses Isa Bowman and Bessie Hatton as the young princes in Richard III (gravure), English Photographer, (19th century) / Bridgeman Images

Portrait of Marco Polo, 19th century (engraving)
Portrait of Marco Polo, 19th century (engraving)

NWI4903303: Portrait of Marco Polo, 19th century (engraving) / Bridgeman Images

St. Caterine church, fresco, Asolo, Veneto, Italy, 2010 (photo)
St. Caterine church, fresco, Asolo, Veneto, Italy, 2010 (photo)

MES6344324: St. Caterine church, fresco, Asolo, Veneto, Italy, 2010 (photo) / Bridgeman Images

St. Caterine church, fresco, Asolo, Veneto, Italy, 2010 (photo)
St. Caterine church, fresco, Asolo, Veneto, Italy, 2010 (photo)

MES6344326: St. Caterine church, fresco, Asolo, Veneto, Italy, 2010 (photo) / Bridgeman Images

Scottish succession crisis: Edward I of England recognized as overlord of Scotland in exchange for his arbitration of the conflict between Jean Balliol and Robert de Brus (bruce), 1290” (Edward I of England acknowledged as suzerain of Scotland, 1290 - Edward I (1239-1307) was asked to arbitrate on the issue of the succession to the Scottish throne - In return, ♪ demanded that the Scots recognise him as their feudal overlord - The Scots reluctantly agreed to do so until a rightful heir was found - John Balliol was chosen as king in 1292, but Edward continued to assert his authority over Scotland - In 1295, his demand that Scotland provide him with military assistance against France led to the Scots refusal and the foundation of the 'Auld Alliance' between them and the English) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection
Scottish succession crisis: Edward I of England recognized as overlord of Scotland in exchange for his arbitration of the conflict between Jean Balliol and Robert de Brus (bruce), 1290” (Edward I of England acknowledged as suzerain of Scotland, 1290 - Edward I (1239-1307) was asked to arbitrate on the issue of the succession to the Scottish throne - In return, ♪ demanded that the Scots recognise him as their feudal overlord - The Scots reluctantly agreed to do so until a rightful heir was found - John Balliol was chosen as king in 1292, but Edward continued to assert his authority over Scotland - In 1295, his demand that Scotland provide him with military assistance against France led to the Scots refusal and the foundation of the 'Auld Alliance' between them and the English) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection

ELD4872772: Scottish succession crisis: Edward I of England recognized as overlord of Scotland in exchange for his arbitration of the conflict between Jean Balliol and Robert de Brus (bruce), 1290” (Edward I of England acknowledged as suzerain of Scotland, 1290 - Edward I (1239-1307) was asked to arbitrate on the issue of the succession to the Scottish throne - In return, ♪ demanded that the Scots recognise him as their feudal overlord - The Scots reluctantly agreed to do so until a rightful heir was found - John Balliol was chosen as king in 1292, but Edward continued to assert his authority over Scotland - In 1295, his demand that Scotland provide him with military assistance against France led to the Scots refusal and the foundation of the 'Auld Alliance' between them and the English) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection / Bridgeman Images

An Artist's Visit to the Battlefields of Crecy and Agincourt (engraving)
An Artist's Visit to the Battlefields of Crecy and Agincourt (engraving)

LIP1046127: An Artist's Visit to the Battlefields of Crecy and Agincourt (engraving), Absolon, John (1815-95) / Bridgeman Images

Portugal. Montemor-o-Novo. Castle. Clock Tower.
Portugal. Montemor-o-Novo. Castle. Clock Tower.

TRK1109764: Portugal. Montemor-o-Novo. Castle. Clock Tower. / Bridgeman Images

Aboa Vetus & Ars Nova. Antique reproduction wooden house. Model. Finland. Turku.
Aboa Vetus & Ars Nova. Antique reproduction wooden house. Model. Finland. Turku.

TRK879613: Aboa Vetus & Ars Nova. Antique reproduction wooden house. Model. Finland. Turku. / Bridgeman Images

Ms. 65/1284 fol. 48 Psalm 119, The Prayer, from 'Très Riches Heures du Duc de Berry' (vellum)
Ms. 65/1284 fol. 48 Psalm 119, The Prayer, from 'Très Riches Heures du Duc de Berry' (vellum)

CND898636: Ms. 65/1284 fol. 48 Psalm 119, The Prayer, from 'Très Riches Heures du Duc de Berry' (vellum), Colombe, Jean (c.1430-c.93) / Bridgeman Images

Sir Roger Le Strange, 1507 (brass)
Sir Roger Le Strange, 1507 (brass)

HGP940625: Sir Roger Le Strange, 1507 (brass), English School, (16th century) / Bridgeman Images

Evening (monotype)
Evening (monotype)

GWA417432: Evening (monotype), Wallington, Gloria / Bridgeman Images

Old Tower  and Shrub with Red Flowers (photo)
Old Tower  and Shrub with Red Flowers (photo)

DSP3317382: Old Tower and Shrub with Red Flowers (photo) / Bridgeman Images

Art roman : Eglise de Saint Jaume de Viladrover. Architecture du 12eme siecle Photographie Espagne, Catalogne, Barcelone, Brull
Art roman : Eglise de Saint Jaume de Viladrover. Architecture du 12eme siecle Photographie Espagne, Catalogne, Barcelone, Brull

IBE5335130: Art roman : Eglise de Saint Jaume de Viladrover. Architecture du 12eme siecle Photographie Espagne, Catalogne, Barcelone, Brull / Bridgeman Images


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